Songs like Keyboard Concerto in G Major, Hob. XVIII:4, Arr. for Accordion and Chamber Orchestra: II. Adagio cantabile by Joseph Haydn
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Haydn
Keyboard Concerto in G Major, Hob. XVIII...
140 bpm • C Maj • 06:52 • -27.98db
14% Popularity • 15% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Norma, Act I, Scene 1: Air de Norma "Cas...
141 bpm • F Maj • 06:15 • -25db
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
59% Instrumentalness • 7% Positiveness
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Unknown
Divertimento for 2 Flutes and Cello (Bas...
139 bpm • C Maj • 05:20 • -20.72db
7% Popularity • 48% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 53% Positiveness
7% Popularity • 48% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 53% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Recorder Concerto in C Major, TWV 51:C1:...
141 bpm • B Maj • 05:42 • -16db
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
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Henry Villca suntura
Improvisation for Sikus, Bass and Guitar
138 bpm • B Maj • 02:53 • -26db
22% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
22% Popularity • 70% Danceability • 11% Energy • 9% Liveness
64% Instrumentalness • 56% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
35% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
35% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
35% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Concerto for Lute and 2 Violins in D Maj...
138 bpm • C# Maj • 04:30 • -24.4db
20% Popularity • 28% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
20% Popularity • 28% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 33% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, K.32/L.423/P...
137 bpm • E min • 02:18 • -33.24db
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Enrique Granados
Apariciones: Valses Romanticos: Sensitiv...
143 bpm • C min • 01:40 • -33db
44% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 31% Positiveness
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Jean-Philippe Rameau
Les Boréades / Act IV: Entrée de Polym...
137 bpm • C# Maj • 06:05 • -19.97db
19% Popularity • 16% Danceability • 14% Energy • 13% Liveness
46% Instrumentalness • 6% Positiveness
19% Popularity • 16% Danceability • 14% Energy • 13% Liveness
46% Instrumentalness • 6% Positiveness
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Joseph Haydn
Piano Trio No. 39 in G Major, Hob. XV: 2...
140 bpm • G Maj • 05:56 • -24.35db
27% Popularity • 34% Danceability • 6% Energy • 12% Liveness
59% Instrumentalness • 51% Positiveness
27% Popularity • 34% Danceability • 6% Energy • 12% Liveness
59% Instrumentalness • 51% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 9 in G Major, Op. 8:...
137 bpm • D Maj • 11:38 • -21.5db
29% Popularity • 34% Danceability • 9% Energy • 16% Liveness
92% Instrumentalness • 33% Positiveness
29% Popularity • 34% Danceability • 9% Energy • 16% Liveness
92% Instrumentalness • 33% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
33% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Joseph Haydn
Piano Trio in C, H.XIV No. C1: 3. Finale
142 bpm • C Maj • 01:09 • -19.76db
2% Popularity • 55% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 97% Positiveness
2% Popularity • 55% Danceability • 22% Energy • 11% Liveness
76% Instrumentalness • 97% Positiveness
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George Frideric Handel
Handel: Keyboard Suite in E Major, HWV 4...
144 bpm • E Maj • 04:23 • -24.67db
29% Popularity • 34% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 58% Positiveness
29% Popularity • 34% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 58% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Johann Heinrich Schmelzer
Ciaccona in A Major
135 bpm • G# Maj • 09:02 • -17db
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle I
135 bpm • C min • 03:20 • -35.94db
17% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Federico Mompou
Secreto
145 bpm • C# Maj • 05:04 • -29db
21% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
138 bpm • C Maj • 09:05 • -19.03db
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318: Toccata
146 bpm • D Maj • 01:27 • -18.12db
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
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Charles Avison
Concerto in D Minor; Op. 6 No. 5: I. Lar...
134 bpm • C# min • 03:01 • -15db
28% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
28% Popularity • 45% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 16% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Joseph Haydn
String Quartet in F Major, Hob.III:26, (...
143 bpm • F Maj • 03:40 • -20.01db
6% Popularity • 31% Danceability • 17% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
6% Popularity • 31% Danceability • 17% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
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Domenico Scarlatti
Sonata in B Minor, K. 87: Andante
147 bpm • B min • 06:21 • -35.22db
29% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
29% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness
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Bernhard Henrik Crusell
Concerto in E-Flat Major, Op. 1: II. Ada...
133 bpm • G# Maj • 03:40 • -31db
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
18% Popularity • 16% Danceability • 0% Energy • 10% Liveness
19% Instrumentalness • 11% Positiveness
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Francesco Geminiani
Concerto Grosso in D Minor, H. 143 "La F...
147 bpm • C# min • 03:22 • -14.46db
23% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
23% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Joseph Haydn
Quartet Divertimento in G Major, Op. 1 N...
143 bpm • G Maj • 04:00 • -18.32db
1% Popularity • 44% Danceability • 16% Energy • 15% Liveness
81% Instrumentalness • 73% Positiveness
1% Popularity • 44% Danceability • 16% Energy • 15% Liveness
81% Instrumentalness • 73% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Raffaele Calace
Concerto for Mandolin No. 2 in A Minor, ...
148 bpm • A min • 09:53 • -21db
12% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
12% Popularity • 27% Danceability • 24% Energy • 11% Liveness
46% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
133 bpm • F Maj • 02:27 • -19db
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
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Joseph Haydn
Cello Concerto No. 2 in D Major, Hob. VI...
137 bpm • D Maj • 05:07 • -18.8db
27% Popularity • 40% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 50% Positiveness
27% Popularity • 40% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 50% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Sonata in F Minor, K.183: Allegro
132 bpm • A# min • 06:10 • -28.05db
26% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
26% Popularity • 32% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Jean Barrière
Six Cello Sonatas, Book 4, Sonata No. 4 ...
148 bpm • G Maj • 02:32 • -28.08db
19% Popularity • 35% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
19% Popularity • 35% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Joseph Haydn
Symphony No. 1 in D Major, Hob. I:1: 1. ...
136 bpm • A Maj • 05:11 • -18.43db
12% Popularity • 53% Danceability • 20% Energy • 6% Liveness
51% Instrumentalness • 44% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 6% Liveness
51% Instrumentalness • 44% Positiveness
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Wilhelm Stenhammar
String Quartet No. 5 in C Major, Op. 29,...
131 bpm • A min • 07:35 • -21.87db
7% Popularity • 35% Danceability • 5% Energy • 12% Liveness
32% Instrumentalness • 20% Positiveness
7% Popularity • 35% Danceability • 5% Energy • 12% Liveness
32% Instrumentalness • 20% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
131 bpm • C min • 04:27 • -28.93db
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Joseph Haydn
String Quartet, Op. 76, No. 4 in B-Flat ...
136 bpm • F Maj • 08:42 • -18.88db
24% Popularity • 35% Danceability • 9% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
24% Popularity • 35% Danceability • 9% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Igor Stravinsky
Chanson russe
130 bpm • F min • 03:28 • -31db
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
► Preview
Antonio Vivaldi
Concerto per due Violini in Do Maggiore,...
131 bpm • B Maj • 05:16 • -16.92db
15% Popularity • 39% Danceability • 23% Energy • 13% Liveness
58% Instrumentalness • 41% Positiveness
15% Popularity • 39% Danceability • 23% Energy • 13% Liveness
58% Instrumentalness • 41% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Joseph Haydn
Symphony No. 37 in C Major, Hob. I:37: 1...
144 bpm • G Maj • 04:49 • -19.14db
10% Popularity • 59% Danceability • 22% Energy • 7% Liveness
14% Instrumentalness • 60% Positiveness
10% Popularity • 59% Danceability • 22% Energy • 7% Liveness
14% Instrumentalness • 60% Positiveness
► Preview
Unknown
Divertimento for 2 Flutes and Cello (Bas...
151 bpm • C Maj • 01:49 • -22.12db
7% Popularity • 51% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 86% Positiveness
7% Popularity • 51% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 86% Positiveness
► Preview
Amsterdam Loeki Stardust Quartet
Tango für Elise
129 bpm • A min • 01:19 • -25.24db
21% Popularity • 41% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
21% Popularity • 41% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 23% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
31% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
► Preview
Johann Pachelbel
Kanon und Gigue
152 bpm • D Maj • 04:16 • -18db
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 35% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
![[Lassan] Quartet, Op. 54/2 cover art](https://i.scdn.co/image/ab67616d00001e029f6c6cb9ea37766867571d87)
Joseph Haydn
[Lassan] Quartet, Op. 54/2
136 bpm • G Maj • 02:21 • -24.22db
7% Popularity • 26% Danceability • 6% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
7% Popularity • 26% Danceability • 6% Energy • 14% Liveness
40% Instrumentalness • 5% Positiveness
► Preview
Brad Mehldau
Prelude No. 3 in C# Major from The Well-...
129 bpm • C# Maj • 01:21 • -19db
36% Popularity • 32% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
36% Popularity • 32% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, Kk. 89: I. Allegro (T...
128 bpm • D min • 02:43 • -26db
11% Popularity • 54% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
11% Popularity • 54% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Jean-Philippe Rameau
Gigues en rondeau I & II
128 bpm • E Maj • 03:42 • -29.86db
28% Popularity • 34% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
28% Popularity • 34% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
► Preview
César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Joseph Haydn
Quartet Divertimento in A Major, Op. 2 N...
145 bpm • A Maj • 02:20 • -18.91db
1% Popularity • 46% Danceability • 20% Energy • 8% Liveness
51% Instrumentalness • 84% Positiveness
1% Popularity • 46% Danceability • 20% Energy • 8% Liveness
51% Instrumentalness • 84% Positiveness
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Arvo Pärt
Spiegel Im Spiegel (Mirror In Mirror)
155 bpm • F Maj • 07:06 • -32.42db
28% Popularity • 12% Danceability • 2% Energy • 5% Liveness
39% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 2% Energy • 5% Liveness
39% Instrumentalness • 4% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
18% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Ottorino Respighi
Bach - Violin Sonata in E Minor, P. 85 (...
126 bpm • D Maj • 00:58 • -32.14db
23% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
23% Popularity • 49% Danceability • 16% Energy • 57% Liveness
16% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Suite in A Minor, RCT 5: VII. Gavotte et...
127 bpm • A min • 09:33 • -30db
15% Popularity • 37% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
15% Popularity • 37% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Joaquín Rodrigo
Fantasía para un gentilhombre for Guita...
125 bpm • C Maj • 02:01 • -21db
13% Popularity • 72% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 41% Positiveness
13% Popularity • 72% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 41% Positiveness
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Joseph Haydn
Piano Trio in F, H.XV No. 2: 1. Allegro ...
145 bpm • C Maj • 04:28 • -26.1db
2% Popularity • 39% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
2% Popularity • 39% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 64% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Heinrich Ignaz Franz von Biber
Rosary Sonatas - Passagalia in G Minor, ...
124 bpm • F# min • 08:53 • -25.52db
13% Popularity • 36% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 36% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Isabella Leonarda
Violin Sonata in D Minor, Op. 16 No. 12:...
123 bpm • F# min • 09:38 • -26db
9% Popularity • 31% Danceability • 3% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
9% Popularity • 31% Danceability • 3% Energy • 14% Liveness
6% Instrumentalness • 13% Positiveness
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Joaquín Rodrigo
Concierto de Aranjuez for Guitar and Orc...
124 bpm • D Maj • 05:57 • -20.18db
15% Popularity • 52% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
15% Popularity • 52% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 30% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - Iii ...
145 bpm • D# Maj • 04:25 • -17.45db
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
39% Popularity • 40% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
Concerto in A Minor, RV 356: I. Allegro
123 bpm • A min • 02:46 • -18db
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
122 bpm • G Maj • 03:59 • -33.32db
30% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 37% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 28% Positiveness
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George Frideric Handel
Solomon HWV 67 / Act 3: The Arrival of t...
123 bpm • A Maj • 03:02 • -14.66db
19% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
19% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: I. Alleg...
125 bpm • G Maj • 06:02 • -17.74db
23% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
23% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Joseph Haydn
Piano Trio in C, H.XIV No. C1: 2. Menuet
122 bpm • C Maj • 03:08 • -22.12db
2% Popularity • 49% Danceability • 6% Energy • 15% Liveness
60% Instrumentalness • 35% Positiveness
2% Popularity • 49% Danceability • 6% Energy • 15% Liveness
60% Instrumentalness • 35% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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George Frideric Handel
Solomon, HWV 67: The Arrival Of The Quee...
120 bpm • A# Maj • 03:09 • -18db
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 31% Energy • 30% Liveness
83% Instrumentalness • 60% Positiveness
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Christoph Willibald Gluck
Gluck / Arr. Kreisler: Mélodie
164 bpm • D min • 02:57 • -24.04db
12% Popularity • 16% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: III. All...
160 bpm • D Maj • 05:05 • -19.05db
17% Popularity • 48% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
17% Popularity • 48% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
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Joseph Haydn
String Quartet In F Minor, Hob. III:35, ...
121 bpm • F min • 07:18 • -23.08db
22% Popularity • 32% Danceability • 8% Energy • 12% Liveness
75% Instrumentalness • 24% Positiveness
22% Popularity • 32% Danceability • 8% Energy • 12% Liveness
75% Instrumentalness • 24% Positiveness
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Calefax Reed Quintet
Goldberg Variations Bwv 988, Aria
166 bpm • G Maj • 02:11 • -20.73db
9% Popularity • 13% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
9% Popularity • 13% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
