Songs like Khiladi Koona by Karthik
Based on a tempo of (+/- 10%) and a similar genre
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Sandeep Chowta
Masthana
125 bpm • F min • 05:07 • -8.07db
37% Popularity • 72% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
37% Popularity • 72% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Karthik
Khiladi Koona
125 bpm • A Maj • 04:16 • -5.06db
38% Popularity • 83% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 83% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Jaspreet Jasz
Seeti Maar
125 bpm • A# min • 04:10 • -2.48db
59% Popularity • 79% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
59% Popularity • 79% Danceability • 89% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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Mahalakshmi Iyer
Abacha
125 bpm • G# min • 04:36 • -4.61db
44% Popularity • 74% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
44% Popularity • 74% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 67% Positiveness
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Mickey J. Meyer
Arere Chandrakala
125 bpm • A min • 03:26 • -6.92db
33% Popularity • 85% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 85% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Anurag Kulkarni
Ranjithame [Telugu]
125 bpm • A Maj • 04:46 • -6.64db
51% Popularity • 54% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 54% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Venu Srirangam
Vennelintha
125 bpm • D# min • 04:17 • -8.79db
50% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Chakri
Oke Oka Mata
125 bpm • C# min • 05:29 • -7.33db
42% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Sagar
O Manmadhuda
126 bpm • C Maj • 04:43 • -5db
42% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Mani Sharma
Bezawada
126 bpm • G# Maj • 05:21 • -5.51db
14% Popularity • 84% Danceability • 95% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
14% Popularity • 84% Danceability • 95% Energy • 32% Liveness
1% Instrumentalness • 84% Positiveness
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Priya Hemesh
Bad Boyz
126 bpm • F min • 03:47 • -10.06db
54% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
54% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Anurag Kulkarni
Ek Dum Ek Dum
125 bpm • G# Maj • 04:20 • -8.78db
35% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Raghu Dixit
Jaago
126 bpm • C Maj • 04:11 • -4.64db
46% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Chakri
Krishna Nagarey
124 bpm • F# Maj • 04:39 • -7db
45% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
45% Popularity • 72% Danceability • 97% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Karthik
Pistha Pistha
126 bpm • G# Maj • 05:40 • -5.59db
40% Popularity • 78% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 78% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Kushi Murali
Kaatuka Kallu
124 bpm • D Maj • 03:58 • -3db
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Hemachandra Vedala
Gundello
124 bpm • A min • 04:01 • -4db
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Karunya
Endhuko Pichi Pichi
124 bpm • E min • 04:31 • -6db
61% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Thaman S
Nijamena
127 bpm • B min • 04:35 • -7db
41% Popularity • 75% Danceability • 95% Energy • 21% Liveness
33% Instrumentalness • 91% Positiveness
41% Popularity • 75% Danceability • 95% Energy • 21% Liveness
33% Instrumentalness • 91% Positiveness
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S.P. Charan
Kaadhana Preme (Version 1)
123 bpm • F min • 06:54 • -7db
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mamta Mohandas
Muppy Aaru
128 bpm • C Maj • 05:50 • -7.73db
49% Popularity • 88% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 88% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Vijay Antony
Ippadi Mazhai
128 bpm • G min • 04:24 • -9.64db
52% Popularity • 79% Danceability • 55% Energy • 10% Liveness
39% Instrumentalness • 69% Positiveness
52% Popularity • 79% Danceability • 55% Energy • 10% Liveness
39% Instrumentalness • 69% Positiveness
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Hemachandra Vedala
Oka Padam
128 bpm • A min • 04:33 • -6.28db
43% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Mallikarjun
Pari Poke Pitta
128 bpm • D Maj • 03:37 • -7db
50% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Rita Thyagarajan
Okka Magadu
128 bpm • G Maj • 05:41 • -4.26db
26% Popularity • 88% Danceability • 95% Energy • 5% Liveness
3% Instrumentalness • 76% Positiveness
26% Popularity • 88% Danceability • 95% Energy • 5% Liveness
3% Instrumentalness • 76% Positiveness
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Anup Rubens
Nuvvante Naaku
128 bpm • A min • 03:45 • -6db
30% Popularity • 91% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 91% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Ilaiyaraaja
Yennodu Vaa Vaa
122 bpm • E min • 04:19 • -7.67db
46% Popularity • 90% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
46% Popularity • 90% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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Ramya Behara
Kung Fu Kumaari
128 bpm • B min • 04:26 • -6.22db
46% Popularity • 91% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 91% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
54% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Balakrishna Nandamuri, Divya Divakar
Mama Ek Peg La
122 bpm • C# Maj • 03:36 • -4.76db
45% Popularity • 96% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 96% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 59% Positiveness
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S. P. Balasubrahmanyam
Hai Hai
121 bpm • F min • 05:28 • -8db
44% Popularity • 65% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 65% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Karunya
Ammayi Kitiki Pakkana
122 bpm • E Maj • 03:35 • -11.5db
37% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Ilaiyaraaja
Yenthentha Dhooram
122 bpm • E min • 04:19 • -7.67db
38% Popularity • 88% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 88% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Mallikarjun
Nee Navvula
121 bpm • A min • 04:42 • -8.2db
52% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 87% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Simha
Naughty Girl
129 bpm • C min • 04:08 • -7db
46% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
46% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
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Radhan
Lady Luck
130 bpm • G Maj • 02:47 • -6.92db
38% Popularity • 78% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 78% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Karthik
Aakasa Ganga
130 bpm • F Maj • 05:06 • -9.68db
49% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Divya Kumar
Yevandoi Nani Garu
130 bpm • G Maj • 03:24 • -6.22db
55% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
55% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Chinmayi
Nee Needavutha
130 bpm • F min • 04:38 • -5.72db
37% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 64% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Mallikarjun
Andala Chukkala
130 bpm • G min • 04:41 • -9db
38% Popularity • 89% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 89% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Mickey J. Meyer
Nijanga Nenena
130 bpm • G Maj • 05:19 • -12db
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Rahul Nambiar
Maro Maro
130 bpm • A# Maj • 04:41 • -6.64db
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
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A.R. Rahman
Neetho Alaa
130 bpm • G Maj • 04:45 • -10.35db
27% Popularity • 60% Danceability • 86% Energy • 18% Liveness
81% Instrumentalness • 70% Positiveness
27% Popularity • 60% Danceability • 86% Energy • 18% Liveness
81% Instrumentalness • 70% Positiveness
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G. V. Prakash
Pranama
130 bpm • A min • 03:27 • -6db
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Karunya
Yamaga Unde
130 bpm • C# Maj • 04:20 • -5db
38% Popularity • 86% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 86% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Siddharth
Ninu Choosthunte
130 bpm • A min • 05:11 • -10.49db
46% Popularity • 90% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
46% Popularity • 90% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 85% Positiveness
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Mickey J. Meyer
Meghaallo
130 bpm • F# Maj • 03:57 • -8db
43% Popularity • 70% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
43% Popularity • 70% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Rahul Nambiar
Sunona Sunaina
130 bpm • B min • 03:38 • -3.86db
43% Popularity • 78% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 78% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Vijai Bulganin
Riba Pappa
120 bpm • B min • 05:02 • -10.11db
43% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 64% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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G. V. Prakash
Neeve
130 bpm • D Maj • 04:41 • -9.6db
63% Popularity • 75% Danceability • 65% Energy • 22% Liveness
4% Instrumentalness • 75% Positiveness
63% Popularity • 75% Danceability • 65% Energy • 22% Liveness
4% Instrumentalness • 75% Positiveness
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Clinton
Smiyai
120 bpm • F# Maj • 05:09 • -13.79db
36% Popularity • 87% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 87% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Karthik
Oh Oh Oh My Friend
120 bpm • C Maj • 04:17 • -6.64db
34% Popularity • 83% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 83% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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A.R. Rahman
Aye Amaayika
120 bpm • E Maj • 06:32 • -6.78db
39% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 55% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mickey J. Meyer
Thanemando
120 bpm • A Maj • 04:14 • -8db
52% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Deepu
Naa Chore
120 bpm • C# Maj • 04:53 • -8.2db
45% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
45% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
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Keerthi Sagathia
Panchirey
120 bpm • C Maj • 04:54 • -8db
45% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Yuvan Shankar Raja
Suthudhe Suthudhe
120 bpm • C# min • 04:55 • -9db
43% Popularity • 79% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
43% Popularity • 79% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Karthik
Choododhu
120 bpm • A Maj • 05:02 • -6db
54% Popularity • 81% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
54% Popularity • 81% Danceability • 86% Energy • 9% Liveness
2% Instrumentalness • 66% Positiveness
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Kalyani Malik
Chantaina Bujjaina
120 bpm • B min • 05:27 • -8.14db
42% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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A.R. Rahman
Aye Sinamika
120 bpm • E Maj • 06:30 • -7db
51% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hariharan
Vastha Nee Venuka
120 bpm • F min • 05:33 • -7db
57% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sunitha Sarathy
Hey Goodbye Priya
120 bpm • F min • 05:00 • -9.68db
40% Popularity • 64% Danceability • 45% Energy • 18% Liveness
6% Instrumentalness • 7% Positiveness
40% Popularity • 64% Danceability • 45% Energy • 18% Liveness
6% Instrumentalness • 7% Positiveness
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Yuvan Shankar Raja
Balle Lakka
120 bpm • B min • 05:15 • -6.65db
53% Popularity • 91% Danceability • 88% Energy • 8% Liveness
15% Instrumentalness • 85% Positiveness
53% Popularity • 91% Danceability • 88% Energy • 8% Liveness
15% Instrumentalness • 85% Positiveness
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Karthik
Edhuta Nilichindhi
120 bpm • B min • 04:47 • -9.07db
50% Popularity • 67% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 67% Danceability • 57% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Vidyasagar
Adicha Nethiyadi
120 bpm • E min • 05:23 • -7db
38% Popularity • 65% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 65% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Udit Narayan
Boom Boom
120 bpm • C# min • 05:01 • -7.65db
34% Popularity • 89% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 89% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Rahul Nambiar
Guruvaram
120 bpm • C min • 04:22 • -11.31db
54% Popularity • 82% Danceability • 59% Energy • 28% Liveness
9% Instrumentalness • 71% Positiveness
54% Popularity • 82% Danceability • 59% Energy • 28% Liveness
9% Instrumentalness • 71% Positiveness
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Harish Raghavendra
Evare Nuvvu
120 bpm • A# Maj • 04:10 • -6.24db
60% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Yuvan Shankar Raja
Chuttesai Chuttesai
120 bpm • C# min • 04:54 • -9.27db
45% Popularity • 80% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 80% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Vijai Bulganin
Chilaka
120 bpm • F# Maj • 06:06 • -10.44db
58% Popularity • 65% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 65% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Karthik
Manasa Manninchavamma
120 bpm • A# min • 04:32 • -6.16db
42% Popularity • 79% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 79% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Karunya
Vayyarala
120 bpm • G# min • 05:20 • -6db
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Mukesh
Dandiya India
120 bpm • C Maj • 04:41 • -4db
45% Popularity • 63% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 83% Positiveness
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Kalpana
Musugu Veyyoddu
120 bpm • D Maj • 05:08 • -5db
39% Popularity • 79% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 79% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Yuvan Shankar Raja
Oru Naalaikkul
120 bpm • F# Maj • 05:40 • -7.56db
60% Popularity • 71% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
60% Popularity • 71% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 83% Positiveness
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Ramana Gogula
Vevela Mainala Ganam
120 bpm • G min • 04:23 • -11.18db
39% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Karthik
Naa Manasuki
120 bpm • F# Maj • 05:39 • -6db
37% Popularity • 68% Danceability • 84% Energy • 22% Liveness
3% Instrumentalness • 95% Positiveness
37% Popularity • 68% Danceability • 84% Energy • 22% Liveness
3% Instrumentalness • 95% Positiveness
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Sunitha
Ee Velalo Neevu
120 bpm • G min • 04:20 • -8db
50% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Vivek - Mervin
Andhame Athivai Vasthe
120 bpm • F Maj • 04:48 • -8db
46% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Uma Neha
Temper
131 bpm • F min • 04:06 • -8.23db
49% Popularity • 85% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 85% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Yuvan Shankar Raja
Yedho
120 bpm • C min • 03:33 • -10db
53% Popularity • 76% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 76% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rahul Nambiar
Pilla Chao
131 bpm • A# min • 04:13 • -8.32db
48% Popularity • 74% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 89% Positiveness
48% Popularity • 74% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 89% Positiveness
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Karthik
Pacha Velugu
120 bpm • C Maj • 05:51 • -7.85db
34% Popularity • 90% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 90% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Mangli
Brindavanam
119 bpm • A# min • 03:52 • -9db
58% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Mamta Mohandas
Akalesthey
132 bpm • C# Maj • 04:18 • -9.26db
56% Popularity • 89% Danceability • 78% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
56% Popularity • 89% Danceability • 78% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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Bheems Ceciroleo
Proud'se Single
132 bpm • A# min • 03:16 • -5.71db
50% Popularity • 70% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 70% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Rajesh
Nenu Puttindemo
132 bpm • F min • 04:43 • -7db
48% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
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Mani Sharma
Sahasam
132 bpm • C# Maj • 05:03 • -11db
45% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
45% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
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Karthik
Ninna Leni
120 bpm • G# min • 02:20 • -10.45db
33% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Sooraj Santhosh
Nuvvu Nenu
132 bpm • A# min • 03:27 • -7.42db
23% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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A.R. Rahman
Manasaa
133 bpm • G# Maj • 04:11 • -3.59db
56% Popularity • 75% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 75% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Suchith Suresan
Bad Boy
133 bpm • G# Maj • 04:32 • -4.59db
34% Popularity • 86% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
34% Popularity • 86% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
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Geetha Madhuri
Deo Deo
133 bpm • F min • 03:56 • -4.64db
55% Popularity • 80% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 80% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Mani Sharma
Sunday Monday
118 bpm • C Maj • 04:39 • -7.11db
36% Popularity • 85% Danceability • 61% Energy • 7% Liveness
15% Instrumentalness • 83% Positiveness
36% Popularity • 85% Danceability • 61% Energy • 7% Liveness
15% Instrumentalness • 83% Positiveness
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Rahul Sipligunj
Nee Kannulu
117 bpm • C# min • 02:57 • -5.86db
47% Popularity • 94% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 94% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Karthik
Champesindhe
131 bpm • A# min • 03:34 • -7.82db
15% Popularity • 82% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 82% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Sagar
Jaaruko
118 bpm • G Maj • 04:21 • -5db
46% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Shankar Mahadevan, Shreya Ghoshal
Dhinaku Dhin Jiya
117 bpm • F# Maj • 04:44 • -9.5db
41% Popularity • 82% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
41% Popularity • 82% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
