Songs like Kifna Tnaynatna by Faia Younan
Based on a tempo of (+/- 10%) and a similar genre
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Faia Younan
Kifna Tnaynatna
145 bpm • A min • 03:19 • -9.71db
24% Popularity • 62% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 62% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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George Wassouf
Seket El Kalam
145 bpm • F# min • 04:15 • -4.72db
49% Popularity • 50% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 50% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Asmahan
Layali el unse fi vienna
145 bpm • D Maj • 11:03 • -12.83db
8% Popularity • 34% Danceability • 20% Energy • 21% Liveness
64% Instrumentalness • 23% Positiveness
8% Popularity • 34% Danceability • 20% Energy • 21% Liveness
64% Instrumentalness • 23% Positiveness
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Nawal Al Zoghbi
Ana Baashaq El Ghona
146 bpm • C Maj • 05:51 • -7.75db
32% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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فرقة تكات
يما الحب
144 bpm • G# min • 05:17 • -10.37db
31% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Moustafa Amar
Basalem Aleik
146 bpm • C Maj • 03:47 • -7.77db
41% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Medhat Saleh
Ana Mesh Baeid
144 bpm • C min • 04:06 • -11.15db
32% Popularity • 54% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 54% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Amal Maher
انا بعشق الغنا
146 bpm • A min • 05:48 • -10.69db
36% Popularity • 55% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 55% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Mohamed Mohsen
Fe Albi Makan
144 bpm • D# Maj • 05:07 • -12.27db
32% Popularity • 54% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 54% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Julia Boutros
Shou El Helou Fik
144 bpm • E min • 04:09 • -9.24db
19% Popularity • 52% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 52% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Dina El Wedidi
El Ors
144 bpm • D Maj • 05:30 • -12.23db
28% Popularity • 38% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 38% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Elissa
في عيونك
144 bpm • E min • 04:32 • -7.17db
33% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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فرقة تكات
يلي خدتو محبوبي
144 bpm • A min • 04:36 • -7.51db
27% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 52% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Toni Hanna
Men Sharadlil Ghazala
147 bpm • C Maj • 03:40 • -9.96db
39% Popularity • 49% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 49% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Kadim Al Sahir
Kolak Ala Badhak - Remastered 2000
147 bpm • F Maj • 05:49 • -12.79db
36% Popularity • 61% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 61% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Nawal Al Zoghbi
El Nas El Ozaz
147 bpm • D min • 04:01 • -8db
29% Popularity • 45% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 45% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Ilham al-Madfai
Mali Shugul Bil Soug
148 bpm • D# Maj • 06:42 • -7.23db
31% Popularity • 72% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 72% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Ruby
Enta Aaref Leih
148 bpm • F# min • 04:27 • -10db
44% Popularity • 72% Danceability • 89% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
44% Popularity • 72% Danceability • 89% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
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Ghaliaa
Mfakker
148 bpm • B min • 03:04 • -7.79db
29% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Mohamed Mounir
Ya Hamaam
148 bpm • C min • 04:44 • -7db
49% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
49% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Julia Boutros
Chi Gharib
142 bpm • F min • 05:46 • -10.37db
25% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 73% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Hamza Namira
Dari Ya Alby (Acoustic Version)
148 bpm • G min • 03:31 • -13.62db
48% Popularity • 62% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 62% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Oumeima El Khalil
Asfour
142 bpm • A min • 06:44 • -13.04db
24% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 62% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jad Nakhle
Mughram
142 bpm • F min • 05:52 • -5.05db
22% Popularity • 38% Danceability • 80% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 38% Danceability • 80% Energy • 81% Liveness
0% Instrumentalness • 60% Positiveness
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Amr Diab
Teadar Tetkalem
148 bpm • D min • 04:53 • -10.59db
48% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 69% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Ghaliaa
ناس
141 bpm • F# min • 02:40 • -9.76db
40% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 44% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Melhem Barakat
Badak Maleoun Seneh
140 bpm • C Maj • 07:42 • -14.41db
30% Popularity • 48% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 48% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
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Adam
Haza Ana
150 bpm • D min • 03:17 • -6db
35% Popularity • 52% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 52% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Ramy Sabry
W lessa Yama
150 bpm • D# min • 04:45 • -7db
46% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Mahmoud El Esseily
Waga'a El Hawa
150 bpm • C min • 04:57 • -9.28db
26% Popularity • 70% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 70% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Amr Diab
Mahma Kebert
140 bpm • C min • 03:59 • -9.61db
28% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 68% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Rola Azar
يا طير السنونو
140 bpm • D Maj • 01:52 • -10.99db
36% Popularity • 63% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 63% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Mohamed Mounir
Lamma El Nasim
150 bpm • G min • 05:39 • -9db
36% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Faia Younan
Ya Gomar
150 bpm • G min • 03:24 • -4.47db
18% Popularity • 63% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 63% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Assala Nasri
نص حاله
140 bpm • D min • 04:23 • -12.39db
9% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Loai
Ah Ya Shouq
140 bpm • D min • 04:33 • -8db
39% Popularity • 63% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 63% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Wael Jassar
Ma Tghebchi Thawan
150 bpm • C min • 05:31 • -9.41db
34% Popularity • 51% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 51% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 71% Positiveness
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Ghalia Benali
Ya M'safer
140 bpm • F min • 05:22 • -13.09db
41% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 55% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jean-Marie Riachi
Shou Mbakiki
140 bpm • D min • 04:25 • -7db
41% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 60% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Elissa
هنغني كمان وكمان
140 bpm • A# min • 03:46 • -6.09db
40% Popularity • 67% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 67% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Abdulrahman Mohammed
Craziness - أصابك عشق
140 bpm • A min • 04:51 • -7.62db
53% Popularity • 48% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
53% Popularity • 48% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ramy Sabry
Forsa Tanya - Music from the Original TV...
140 bpm • E Maj • 04:06 • -11db
54% Popularity • 65% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 65% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Angham
لا تهجي
140 bpm • G min • 04:32 • -5.55db
19% Popularity • 62% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 62% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Lena Chamamyan
Bali Ma'ak
150 bpm • G min • 03:59 • -7.4db
41% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 39% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Hamza Namira
Ewidooni
140 bpm • D min • 04:37 • -6.89db
32% Popularity • 55% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 55% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Julia Boutros
Atlek Niranak
140 bpm • D min • 03:53 • -7db
31% Popularity • 66% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 66% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Donia Samir Ghanem
Qesset Sheta (قصة شتا)
140 bpm • G# min • 03:27 • -9db
40% Popularity • 75% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 75% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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Kadim Al Sahir
زيديني عشقآ
140 bpm • D min • 07:28 • -14.45db
33% Popularity • 61% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 61% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Faraj Suleiman
Hymn to Gentrification
140 bpm • A min • 03:01 • -11.13db
38% Popularity • 63% Danceability • 61% Energy • 8% Liveness
72% Instrumentalness • 39% Positiveness
38% Popularity • 63% Danceability • 61% Energy • 8% Liveness
72% Instrumentalness • 39% Positiveness
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Wadih El Safi
علي رمش عيونها
140 bpm • C Maj • 05:44 • -16.08db
38% Popularity • 43% Danceability • 40% Energy • 50% Liveness
25% Instrumentalness • 66% Positiveness
38% Popularity • 43% Danceability • 40% Energy • 50% Liveness
25% Instrumentalness • 66% Positiveness
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Nedaa Shrara
ومعاك
140 bpm • G min • 03:55 • -8.91db
56% Popularity • 54% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 54% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Ghaliaa
La7za
140 bpm • D Maj • 03:26 • -10.65db
40% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Julia Boutros
حبيبي
140 bpm • D min • 04:34 • -7.24db
20% Popularity • 42% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 42% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Amr Diab
بعدت ليه
151 bpm • C min • 04:11 • -7.42db
24% Popularity • 67% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 67% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Charbel Rouhana
Coffee
151 bpm • C min • 03:39 • -8.77db
32% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 57% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Joseph Saker
Bema Enno
151 bpm • D min • 03:48 • -10.38db
32% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 62% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Mohammad Assaf
لوين بروح
152 bpm • A min • 04:50 • -5db
26% Popularity • 37% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 37% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Jannat
Kelmet Bahebbek
152 bpm • G min • 03:46 • -8.06db
40% Popularity • 70% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 70% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mohamed Mounir
Hara El Saqueen
152 bpm • G Maj • 03:56 • -6db
50% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Amr Diab
حكايتك ايه
139 bpm • F# min • 04:14 • -6.98db
30% Popularity • 68% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 68% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Massy
Khabsa
152 bpm • G# min • 03:55 • -9.77db
20% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 68% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Wael Kfoury
Safha W Twayta
152 bpm • C min • 05:39 • -7.4db
33% Popularity • 31% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 31% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Ibrahim Al Hakami
شو بني
152 bpm • B min • 03:52 • -6.65db
35% Popularity • 53% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 53% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Hamza Namira
يا ديرتي
152 bpm • C min • 03:23 • -10.98db
29% Popularity • 61% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 61% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Sabah
Ashka We Meskena
138 bpm • A Maj • 06:17 • -8.04db
28% Popularity • 38% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 38% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Amr Diab
راجعين
139 bpm • C# min • 05:03 • -12.42db
34% Popularity • 71% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 71% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Abeer Nehme
Sawt
138 bpm • D min • 03:14 • -10.62db
29% Popularity • 50% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 50% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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George Wassouf
Garahouna
137 bpm • F min • 07:52 • -9.2db
40% Popularity • 59% Danceability • 64% Energy • 59% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 59% Danceability • 64% Energy • 59% Liveness
0% Instrumentalness • 80% Positiveness
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Majida El Roumi
Etazalt El Gharam
154 bpm • B Maj • 07:47 • -9.67db
46% Popularity • 48% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 48% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Khaled Selim
Balech El Malema
138 bpm • C min • 04:04 • -15.42db
46% Popularity • 66% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 66% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Mohammed Abdel Wahab
Khayef Akool
136 bpm • G# Maj • 07:38 • -11.98db
24% Popularity • 33% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 33% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Mohamed Mohsen
Ana Hawait
136 bpm • E min • 02:44 • -12.11db
15% Popularity • 35% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 35% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Loai
Wahed Men El Nas
136 bpm • C# Maj • 03:24 • -10.75db
45% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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George Wassouf
El Hawa Sultan
137 bpm • A min • 07:02 • -7.4db
47% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 50% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Majida El Roumi
Kon Sadiki
136 bpm • B min • 10:05 • -11db
32% Popularity • 35% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 35% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Medhat Saleh
El Pelyatshow
136 bpm • F Maj • 03:11 • -12db
37% Popularity • 60% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 60% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Mohamed Mounir
Yunis
136 bpm • E Maj • 04:08 • -10.63db
42% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Noel Kharman
Ann Alawan
136 bpm • E min • 03:45 • -12.91db
36% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 55% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Faia Younan
Ya Dhahab
155 bpm • C min • 04:01 • -11.46db
16% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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George Wassouf
Rohi Yanssmah
136 bpm • A min • 10:30 • -8.4db
42% Popularity • 41% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 41% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Abeer Nehme
Wada't El Layl
136 bpm • A min • 04:32 • -5.61db
25% Popularity • 60% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 60% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Khaled Hammad
El Nour Makano Fel Qoloub
136 bpm • C min • 03:52 • -13.33db
35% Popularity • 28% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 28% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Aziz
Nater
135 bpm • G# Maj • 03:24 • -5.93db
32% Popularity • 65% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 65% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Majida El Roumi
Nashid Al Zafaf
135 bpm • C Maj • 04:37 • -7.87db
25% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jannat
Hob Emtelak
156 bpm • B Maj • 03:50 • -9.21db
45% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Carole Samaha
Mabrouk La Albi
156 bpm • G# min • 04:09 • -6.31db
32% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Angham
Ana Baatoh Kteer
156 bpm • F Maj • 04:12 • -7.95db
41% Popularity • 61% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 61% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Rawan Bin Hussain
Kan Ya Ma Kan
156 bpm • F min • 04:36 • -7db
41% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Cairokee
Agmal Ma Andy
156 bpm • D min • 04:27 • -9.56db
36% Popularity • 49% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 24% Energy • 58% Liveness
0% Instrumentalness • 52% Positiveness
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Ghaliaa
Ya Khsara
156 bpm • C Maj • 02:52 • -7.04db
39% Popularity • 66% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 66% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Amr Diab
ميال
156 bpm • B min • 04:40 • -13.57db
41% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Umm Kulthum
Fe Nour Mahyak
134 bpm • F# Maj • 03:48 • -12.79db
45% Popularity • 43% Danceability • 14% Energy • 37% Liveness
23% Instrumentalness • 59% Positiveness
45% Popularity • 43% Danceability • 14% Energy • 37% Liveness
23% Instrumentalness • 59% Positiveness
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Aida el Ayoubi
Ya Ward
135 bpm • C Maj • 03:34 • -11.22db
21% Popularity • 72% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Abdulrahman Mohammed
Silence
133 bpm • A min • 03:13 • -14db
42% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 58% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ahmed Barada
نسيني وانا جنبك
133 bpm • G min • 04:22 • -8.02db
38% Popularity • 69% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 69% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Wust El Balad
Antika
133 bpm • G Maj • 05:19 • -8.67db
18% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Mohamed Mounir
She2 Men Ba3eed
158 bpm • C# min • 05:00 • -11.53db
39% Popularity • 39% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 39% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Apo & the Apostles
Bayi Miriam
158 bpm • D Maj • 02:32 • -12.91db
32% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 64% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
