Songs like Kill My Mind by Louis Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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Lauv
El Tejano
134 bpm • A min • 03:11 • -6.92db
45% Popularity • 88% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 88% Danceability • 56% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Louis Tomlinson
Kill My Mind
134 bpm • A# Maj • 03:41 • -3.26db
55% Popularity • 52% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 52% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Isaac Anderson
Goodnight Darling
134 bpm • D Maj • 03:21 • -6.63db
17% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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The Script
Something Unreal
134 bpm • C Maj • 03:31 • -4.83db
41% Popularity • 57% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 57% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Liam Payne
Depend On It
134 bpm • C min • 02:51 • -9db
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Holmes
Caught On Fire
135 bpm • E min • 03:43 • -7.51db
42% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 49% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Next Step
Hold On to Me
135 bpm • C# Maj • 02:56 • -12db
29% Popularity • 54% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 54% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Louis Tomlinson
Perfect Now
135 bpm • D Maj • 03:06 • -8.5db
52% Popularity • 62% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 62% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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THE DRIVER ERA
Low
135 bpm • D min • 03:30 • -4.17db
51% Popularity • 74% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 74% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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ZAYN
Common
135 bpm • D min • 03:52 • -5.86db
53% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ashton Irwin
Drive
135 bpm • A min • 05:14 • -6.17db
40% Popularity • 51% Danceability • 62% Energy • 19% Liveness
6% Instrumentalness • 39% Positiveness
40% Popularity • 51% Danceability • 62% Energy • 19% Liveness
6% Instrumentalness • 39% Positiveness
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The Academic
SUPERLIKE
133 bpm • C# Maj • 03:10 • -5.3db
38% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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WALK THE MOON
Lost In The Wild
133 bpm • F# min • 03:55 • -4.83db
62% Popularity • 48% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 48% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Ashley Tisdale
Voices in My Head
135 bpm • D Maj • 03:19 • -5db
31% Popularity • 68% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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THE DRIVER ERA
Nobody Knows
135 bpm • G Maj • 03:30 • -6.95db
48% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Louis Tomlinson
High In California
133 bpm • D# min • 03:04 • -10.58db
54% Popularity • 70% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 70% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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BANNERS
Empires On Fire
135 bpm • F# min • 03:39 • -3.7db
35% Popularity • 63% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 63% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Hemmings
Comedown
133 bpm • G Maj • 04:38 • -10.19db
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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New Rules
24 Hours
135 bpm • B min • 03:06 • -4db
44% Popularity • 66% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 66% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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One Direction
Fireproof
133 bpm • D# Maj • 02:54 • -3.28db
66% Popularity • 68% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
66% Popularity • 68% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Taylor Swift
Mr. Perfectly Fine (Taylor’s Version)
136 bpm • B min • 04:37 • -6.27db
73% Popularity • 66% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 66% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Only The Poets
you can do magic - demo
136 bpm • A min • 03:01 • -5db
30% Popularity • 56% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Seafret
Love Won't Let Me Leave
132 bpm • B min • 04:15 • -6.36db
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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THE DRIVER ERA
giveuwhatuwant
136 bpm • F# Maj • 03:20 • -6.3db
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Julia Michaels
Deep
136 bpm • C# Maj • 02:43 • -5db
40% Popularity • 74% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 74% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Harry Styles
Woman
136 bpm • D# min • 04:38 • -4.68db
65% Popularity • 62% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 62% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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HÆRT
Erasing You
132 bpm • F# Maj • 03:43 • -8db
21% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Only The Poets
If you’d only try - demo
136 bpm • A# Maj • 03:09 • -8.26db
34% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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New Rules
Night Like This
137 bpm • D# Maj • 03:03 • -5db
32% Popularity • 65% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 65% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Hemmings
Motion
131 bpm • B Maj • 03:29 • -2.82db
49% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 50% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Twenty One Pilots
Formidable
137 bpm • F# min • 02:56 • -6.76db
60% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
60% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Kat Cunning
Supernova (tigers blud)
138 bpm • B min • 03:16 • -6.85db
38% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Louis Tomlinson
Just Like You
138 bpm • C Maj • 03:25 • -5.91db
51% Popularity • 70% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 70% Danceability • 63% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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Big Time Rush
We Are
130 bpm • A Maj • 03:45 • -3.91db
47% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Danny Jones
Talk In The Morning
138 bpm • B min • 03:42 • -4.44db
29% Popularity • 59% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 59% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Luke Hemmings
Bloodline
131 bpm • A# Maj • 02:04 • -16.49db
50% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Bastille
Comfort Of Strangers
130 bpm • G# min • 03:49 • -7.04db
32% Popularity • 72% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 72% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Conan Gray
Fainted Love
138 bpm • F Maj • 02:50 • -5.66db
69% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
69% Popularity • 63% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Louis Tomlinson
All This Time
130 bpm • B min • 02:55 • -6db
56% Popularity • 65% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 65% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 70% Positiveness
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The Academic
Why Can't We Be Friends?
130 bpm • A min • 03:23 • -4.1db
54% Popularity • 57% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 57% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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YUNGBLUD
Falling Skies
130 bpm • A min • 03:22 • -5.61db
44% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Julie and the Phantoms Cast
Wake Up
130 bpm • F Maj • 03:37 • -4.73db
60% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
60% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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One Direction
Alive
130 bpm • C# Maj • 02:41 • -5.81db
56% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Cast of High School Musical: The Musical: The Series
Second Chance
130 bpm • F# Maj • 02:35 • -7.14db
49% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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harry uwu
Hunger
130 bpm • C Maj • 03:22 • -11.86db
47% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 60% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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OVERSTREET
Die
139 bpm • C Maj • 03:20 • -9db
10% Popularity • 78% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 90% Positiveness
10% Popularity • 78% Danceability • 65% Energy • 14% Liveness
2% Instrumentalness • 90% Positiveness
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Darren Criss
Foolish Thing
129 bpm • C Maj • 04:01 • -5.42db
32% Popularity • 62% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 62% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
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Liam Payne
Both Ways
130 bpm • G# Maj • 03:18 • -5.48db
36% Popularity • 59% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 59% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Only The Poets
Forget Your Name
129 bpm • C# Maj • 02:32 • -5db
40% Popularity • 63% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 63% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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IV DANTE
Take It Slow
140 bpm • E Maj • 03:20 • -5.98db
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Harry Styles
Golden
140 bpm • E min • 03:28 • -5.26db
78% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
78% Popularity • 45% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Keiynan
Kiss the Boy
140 bpm • C Maj • 04:21 • -9.25db
37% Popularity • 78% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 78% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Academic
Bite My Tongue
140 bpm • G Maj • 03:25 • -3.8db
37% Popularity • 53% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 53% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Castro
Girl, Afraid
140 bpm • E min • 03:51 • -4db
12% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Niall Horan
Mirrors
140 bpm • D Maj • 03:38 • -7.43db
60% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
60% Popularity • 57% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ashton Irwin
I'm to Blame
140 bpm • A Maj • 03:49 • -4.55db
32% Popularity • 51% Danceability • 94% Energy • 13% Liveness
19% Instrumentalness • 78% Positiveness
32% Popularity • 51% Danceability • 94% Energy • 13% Liveness
19% Instrumentalness • 78% Positiveness
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New Rules
Mountains
140 bpm • G# min • 03:03 • -5.3db
24% Popularity • 70% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 70% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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OVERSTREET
On The Way
140 bpm • G# min • 03:01 • -5.87db
13% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Steve Aoki
Just Hold On - Steve Aoki Festival Edit
128 bpm • F# Maj • 03:43 • -3.66db
32% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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THE DRIVER ERA
Afterglow
128 bpm • F# Maj • 03:11 • -7.35db
57% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Austin Moon
Steal Your Heart
128 bpm • C# Maj • 03:21 • -4.99db
53% Popularity • 72% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 72% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Bastille
WHAT YOU GONNA DO???
128 bpm • G Maj • 02:11 • -4.48db
45% Popularity • 53% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 53% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Jeremy Shada
Minutes Away
128 bpm • A# Maj • 02:37 • -6.68db
30% Popularity • 79% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 79% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Harry Styles
Ever Since New York
128 bpm • A# Maj • 04:13 • -6.76db
64% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
64% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Louis Tomlinson
She Is Beauty We Are World Class
128 bpm • B min • 03:39 • -6.47db
53% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 53% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Ashe
Not How It's Supposed To Go
140 bpm • A Maj • 02:53 • -8.45db
35% Popularity • 43% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 43% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Radio Fluke
Medicine
141 bpm • A# Maj • 03:38 • -7.14db
38% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Isaac Anderson
Take Me To Church (Spare Room Session)
128 bpm • E min • 03:58 • -12.7db
18% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Ashton Irwin
Drive - LIVE
141 bpm • C Maj • 05:07 • -10.54db
16% Popularity • 61% Danceability • 63% Energy • 11% Liveness
48% Instrumentalness • 36% Positiveness
16% Popularity • 61% Danceability • 63% Energy • 11% Liveness
48% Instrumentalness • 36% Positiveness
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Only The Poets
speak out - demo
127 bpm • C min • 03:08 • -7.33db
37% Popularity • 53% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 53% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Niall Horan
Since We're Alone
127 bpm • C# Maj • 04:02 • -7.99db
58% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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YUNGBLUD
strawberry lipstick
127 bpm • A# Maj • 02:43 • -4db
50% Popularity • 41% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 41% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 18% Positiveness
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Danny Jones
$igns
127 bpm • F# min • 02:39 • -5.9db
20% Popularity • 85% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 85% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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SHAED
Trampoline
127 bpm • G min • 03:04 • -5.78db
69% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Academic
I Feel It Too
127 bpm • F Maj • 03:39 • -3.51db
41% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Conan Gray
The Story
142 bpm • C Maj • 04:05 • -10.38db
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Louis Tomlinson
Face The Music (Acoustic Demo)
142 bpm • G Maj • 02:37 • -9.21db
45% Popularity • 63% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 63% Danceability • 37% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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THE DRIVER ERA
Scared of Heights
142 bpm • C Maj • 03:52 • -6.55db
42% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Naomi Scott
She's So Gone
142 bpm • B Maj • 03:06 • -4db
66% Popularity • 52% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
66% Popularity • 52% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Bleachers
Alfie's Song (Not So Typical Love Song)
142 bpm • C Maj • 03:01 • -6.23db
35% Popularity • 65% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 65% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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The Academic
AFTERTASTE
142 bpm • C Maj • 03:08 • -5.13db
35% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Conan Gray
Little League
142 bpm • E min • 03:14 • -6.42db
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Only The Poets
looking at you - demo
142 bpm • C Maj • 03:50 • -6.18db
37% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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THE DRIVER ERA
Take Me Away
142 bpm • C# Maj • 03:23 • -7.2db
47% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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BANNERS
Safe
126 bpm • G min • 03:06 • -7.91db
34% Popularity • 61% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 61% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Echosmith
Shut Up and Kiss Me
126 bpm • B min • 03:08 • -7.53db
24% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Only The Poets
ceasefire - demo
126 bpm • F Maj • 03:52 • -9.08db
41% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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THE DRIVER ERA
Welcome to the End of Your Life
142 bpm • A Maj • 03:24 • -7.38db
43% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 32% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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YUNGBLUD
Doctor Doctor
143 bpm • F# Maj • 03:11 • -3.86db
43% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Dean Lewis
Hold Of Me
143 bpm • F Maj • 03:22 • -7.86db
48% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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One Direction
No Control
143 bpm • C# min • 03:19 • -3.15db
69% Popularity • 56% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
69% Popularity • 56% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Echosmith
Lonely Generation
125 bpm • D Maj • 03:26 • -4.84db
31% Popularity • 71% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 71% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Isaac Anderson
Hanging Up
143 bpm • E Maj • 03:30 • -4.93db
31% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
