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Kindling (Fickle Flame)
Songs like
Kindling (Fickle Flame)
by
Elbow
Based on a tempo of (+/- 10%) and a similar genre
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Mike Scott
Edinburgh Castle
83 bpm • E min • 04:37 • -11.72db
22% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Elbow
Kindling (Fickle Flame)
83 bpm • D Maj • 03:43 • -8.54db
38% Popularity • 41% Danceability • 41% Energy • 52% Liveness
0% Instrumentalness • 40% Positiveness
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Crowded House
Help Is Coming
83 bpm • D min • 04:49 • -9.41db
30% Popularity • 41% Danceability • 56% Energy • 12% Liveness
45% Instrumentalness • 45% Positiveness
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Bell X1
I'll See Your Heart and I'll Raise You M...
82 bpm • D Maj • 10:13 • -18db
15% Popularity • 31% Danceability • 15% Energy • 96% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Brady
The Island
82 bpm • F Maj • 05:27 • -15.33db
42% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Midlake
Van Occupanther
84 bpm • F min • 03:11 • -11db
34% Popularity • 47% Danceability • 39% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
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Chris Wood
This Love Won't Let You Fail
84 bpm • D Maj • 05:20 • -13db
9% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Elbow
Kindling
83 bpm • D Maj • 04:15 • -10db
30% Popularity • 49% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Mic Christopher
Heyday
82 bpm • A Maj • 03:52 • -9db
42% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bell X1
The Boys of Summer
84 bpm • G Maj • 04:03 • -16.67db
33% Popularity • 53% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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King Creosote
Pauper's Dough
82 bpm • G Maj • 05:05 • -7db
20% Popularity • 46% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Berninger
All For Nothing
84 bpm • A# Maj • 03:05 • -9db
36% Popularity • 56% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 21% Positiveness
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Blue Rose Code
Ebb & Flow
82 bpm • D# Maj • 02:52 • -8.02db
15% Popularity • 55% Danceability • 71% Energy • 24% Liveness
2% Instrumentalness • 72% Positiveness
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Elbow
Very Heaven
82 bpm • D min • 03:46 • -8.8db
47% Popularity • 73% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Mic Christopher
Daydreamin
82 bpm • D Maj • 04:59 • -10db
14% Popularity • 57% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Mike Scott
Iona Song
84 bpm • D Maj • 02:47 • -19.78db
29% Popularity • 40% Danceability • 9% Energy • 11% Liveness
13% Instrumentalness • 11% Positiveness
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Crowded House
Into Temptation
84 bpm • E min • 04:33 • -15.88db
47% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Hothouse Flowers
Three Sisters
82 bpm • D Maj • 05:22 • -8.79db
18% Popularity • 42% Danceability • 60% Energy • 10% Liveness
18% Instrumentalness • 38% Positiveness
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Blue Rose Code
Bluebell
82 bpm • B min • 04:24 • -7.94db
10% Popularity • 54% Danceability • 59% Energy • 11% Liveness
9% Instrumentalness • 29% Positiveness
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Martin Stephenson
Crocodile Cryer
84 bpm • C Maj • 04:42 • -13db
18% Popularity • 50% Danceability • 40% Energy • 8% Liveness
4% Instrumentalness • 41% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
38% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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John Martyn
Couldn't Love You More
82 bpm • C# Maj • 03:07 • -19db
38% Popularity • 56% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Leisure Society
Arrivals & Departures
81 bpm • C# Maj • 03:16 • -17.36db
23% Popularity • 60% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Tindersticks
What Are You Fighting For?
81 bpm • E Maj • 04:09 • -17db
37% Popularity • 70% Danceability • 19% Energy • 9% Liveness
55% Instrumentalness • 37% Positiveness
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Roddy Frame
Surf
85 bpm • E Maj • 04:14 • -10.42db
16% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Glen Hansard
Her Mercy
81 bpm • E Maj • 04:46 • -9.03db
32% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sunhouse
Good Day To Die
81 bpm • A Maj • 04:29 • -9.5db
12% Popularity • 60% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Ashcroft
Picture of You
81 bpm • E min • 04:47 • -7.19db
21% Popularity • 60% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Boo Hewerdine
I Remember / The Ship Song
81 bpm • G# Maj • 04:51 • -13.81db
7% Popularity • 40% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Elbow
Poker Face
85 bpm • C Maj • 01:42 • -10.3db
45% Popularity • 67% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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King Creosote
Cargill
81 bpm • C Maj • 03:16 • -8.23db
24% Popularity • 60% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Guy Garvey
Three Bells
85 bpm • D min • 02:54 • -22.15db
17% Popularity • 30% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Sunhouse
Swing Low
81 bpm • G min • 04:03 • -10.25db
9% Popularity • 50% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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The Finn Brothers
Edible Flowers
86 bpm • C min • 04:51 • -9.83db
19% Popularity • 54% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Slow Show
God Only Knows
86 bpm • E min • 04:15 • -12.85db
30% Popularity • 57% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 11% Positiveness
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Aztec Camera
Killermont Street
80 bpm • C Maj • 03:19 • -13db
23% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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John Martyn
Sweet Little Mystery
86 bpm • F min • 05:25 • -17.09db
31% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Travis
Driftwood
86 bpm • A Maj • 03:33 • -8db
53% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Mercury Rev
Big Boss Man
80 bpm • G Maj • 03:24 • -10.09db
27% Popularity • 51% Danceability • 30% Energy • 13% Liveness
9% Instrumentalness • 22% Positiveness
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Mic Christopher
Skylarking
80 bpm • F Maj • 04:28 • -8.77db
17% Popularity • 52% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Jerry Fish
True Love Will Find You In The End
80 bpm • C Maj • 02:43 • -12.48db
13% Popularity • 32% Danceability • 21% Energy • 13% Liveness
9% Instrumentalness • 24% Positiveness
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Billy Bragg
I Will Be Your Shield
80 bpm • G Maj • 03:31 • -14.89db
24% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Starsailor
Tie up My Hands
87 bpm • G# Maj • 05:46 • -12db
40% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Czars
Where the Boys Are
87 bpm • G Maj • 04:28 • -8.12db
14% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ocean Colour Scene
Foxy's Folk Faced
87 bpm • G Maj • 02:10 • -11.53db
38% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Mason
Alive
88 bpm • E Maj • 04:17 • -5.48db
22% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Mike Scott
Long Way to the Light
87 bpm • E Maj • 06:32 • -9.25db
24% Popularity • 51% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Elbow
Switching Off
78 bpm • B Maj • 05:05 • -9.29db
22% Popularity • 17% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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King Creosote
Bats In The Attic
88 bpm • G# Maj • 03:43 • -15db
37% Popularity • 46% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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World Party
She's the One
78 bpm • A# Maj • 04:54 • -10db
40% Popularity • 33% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The National
Not In Kansas
78 bpm • G Maj • 06:44 • -10.47db
35% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Ashcroft
They Don't Own Me
78 bpm • G Maj • 05:48 • -5.83db
42% Popularity • 46% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Rusby
Don't Go Away
78 bpm • C# Maj • 04:13 • -12.06db
27% Popularity • 55% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Elbow
My Sad Captains
78 bpm • G Maj • 06:00 • -7.25db
43% Popularity • 42% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Guy Garvey
Broken Bottles And Chandeliers
78 bpm • F Maj • 04:33 • -11.82db
30% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Loudon Wainwright III
Your Mother And I
89 bpm • A Maj • 02:33 • -19.74db
30% Popularity • 66% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Sunhouse
Lips
89 bpm • E Maj • 03:33 • -18.22db
13% Popularity • 29% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Boxer Rebellion
Love Yourself
89 bpm • D# Maj • 03:53 • -5.89db
35% Popularity • 47% Danceability • 86% Energy • 13% Liveness
6% Instrumentalness • 43% Positiveness
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Sonny Condell
Down In The City
89 bpm • D Maj • 06:23 • -11.52db
11% Popularity • 44% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Elbow
This Blue World
89 bpm • F Maj • 07:12 • -13.07db
31% Popularity • 20% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Guillemots
Little Bear
89 bpm • E Maj • 04:49 • -18.58db
22% Popularity • 18% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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The War On Drugs
Holding On - Recorded at Spotify Studios...
77 bpm • F# Maj • 05:15 • -8.73db
35% Popularity • 54% Danceability • 88% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Public Service Broadcasting
Take Me Home
89 bpm • D# Maj • 02:11 • -16.11db
19% Popularity • 45% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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The Boxer Rebellion
Love Yourself
89 bpm • D# Maj • 05:00 • -10.92db
27% Popularity • 45% Danceability • 59% Energy • 9% Liveness
27% Instrumentalness • 40% Positiveness
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Crowded House
Four Seasons In One Day
89 bpm • G Maj • 02:50 • -17.2db
56% Popularity • 52% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Elbow
Lippy Kids - elbowrooms
77 bpm • G Maj • 06:04 • -11.48db
18% Popularity • 45% Danceability • 27% Energy • 11% Liveness
7% Instrumentalness • 12% Positiveness
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Rufus Wainwright
I Don't Know What It Is
77 bpm • E Maj • 04:51 • -4.85db
34% Popularity • 44% Danceability • 67% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
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The Unthanks
The King of Rome
77 bpm • A# Maj • 07:38 • -11db
29% Popularity • 23% Danceability • 23% Energy • 98% Liveness
0% Instrumentalness • 11% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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David Kitt
You Know What I Want to Know
90 bpm • D Maj • 03:51 • -9.47db
27% Popularity • 66% Danceability • 54% Energy • 58% Liveness
59% Instrumentalness • 83% Positiveness
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Mic Christopher
Looking For Jude
90 bpm • G Maj • 03:46 • -9.1db
13% Popularity • 67% Danceability • 50% Energy • 23% Liveness
1% Instrumentalness • 44% Positiveness
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Elbow
Things I've Been Telling Myself for Year...
77 bpm • A min • 03:33 • -5.99db
50% Popularity • 50% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Bill Fay
The Geese Are Flying Westward
76 bpm • G# min • 02:57 • -18.37db
14% Popularity • 23% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 10% Positiveness
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Martin Stephenson
Wholly Humble Heart
90 bpm • C Maj • 04:46 • -13.82db
15% Popularity • 57% Danceability • 45% Energy • 23% Liveness
3% Instrumentalness • 74% Positiveness
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Solomon Grey
Slow Motion Picture
90 bpm • C# Maj • 04:37 • -15.84db
14% Popularity • 33% Danceability • 21% Energy • 10% Liveness
33% Instrumentalness • 6% Positiveness
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JOHAN
Day Is Done
76 bpm • G Maj • 04:18 • -7db
28% Popularity • 52% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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Deacon Blue
He Looks Like Spencer Tracy Now
90 bpm • F Maj • 03:48 • -20.62db
15% Popularity • 69% Danceability • 29% Energy • 10% Liveness
19% Instrumentalness • 68% Positiveness
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Elbow
We Have All The Time In The World - Live...
90 bpm • A Maj • 03:16 • -8.49db
35% Popularity • 46% Danceability • 52% Energy • 15% Liveness
49% Instrumentalness • 18% Positiveness
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The Unthanks
What Can a Song Do to You?
90 bpm • A# Maj • 04:52 • -15.55db
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Berninger
Loved So Little
92 bpm • E Maj • 04:55 • -7.44db
32% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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King Creosote
Miserable Strangers
75 bpm • E Maj • 04:47 • -8.19db
23% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Grant Lee Buffalo
The Hook
92 bpm • C# Maj • 04:07 • -9.33db
41% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Elbow
New York Morning
76 bpm • C# min • 05:19 • -8.31db
40% Popularity • 52% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Frames
Fitzcarraldo
75 bpm • F# min • 06:17 • -4.65db
7% Popularity • 40% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Editors
The Phone Book
92 bpm • C# Maj • 04:31 • -9.31db
46% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Finn Andrews
Love, What Can I Do?
92 bpm • F Maj • 03:21 • -13.5db
5% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Mike Scott
Love Anyway
93 bpm • E Maj • 06:41 • -5.76db
26% Popularity • 36% Danceability • 83% Energy • 42% Liveness
1% Instrumentalness • 47% Positiveness
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King Creosote
Betelgeuse
74 bpm • D Maj • 04:27 • -11.07db
20% Popularity • 49% Danceability • 34% Energy • 6% Liveness
8% Instrumentalness • 26% Positiveness
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Elbow
Magnificent (She Says)
92 bpm • D Maj • 04:24 • -7.25db
48% Popularity • 51% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Frames
Star Star | Pure Imagination
75 bpm • E Maj • 03:40 • -11.31db
28% Popularity • 37% Danceability • 20% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Slow Club
In Waves
93 bpm • G min • 03:49 • -10.21db
24% Popularity • 57% Danceability • 53% Energy • 10% Liveness
3% Instrumentalness • 29% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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The Prayer Boat
polichinelle
93 bpm • G min • 04:37 • -10.78db
6% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Roy Harper
When an Old Cricketer Leaves the Crease
74 bpm • A# Maj • 07:22 • -11db
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Elbow
Little Fictions
92 bpm • D Maj • 08:26 • -7.73db
25% Popularity • 35% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Lost Brothers
Fugitive Moon
93 bpm • E Maj • 05:07 • -16.38db
16% Popularity • 51% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Guy Garvey
Unwind
93 bpm • F Maj • 05:49 • -16db
24% Popularity • 76% Danceability • 32% Energy • 11% Liveness
34% Instrumentalness • 86% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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Hothouse Flowers
Isn't It Amazing
94 bpm • C Maj • 05:50 • -8.83db
29% Popularity • 46% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Kindling (Fickle Flame)