Songs like Kindness (feat. Kirk Fletcher, Travis Carlton & James Gadson) by Tomo Fujita
Based on a tempo of (+/- 10%) and a similar genre
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Tomo Fujita
Kindness
138 bpm • F min • 04:04 • -10.72db
8% Popularity • 62% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 48% Positiveness
8% Popularity • 62% Danceability • 61% Energy • 16% Liveness
86% Instrumentalness • 48% Positiveness
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Redtenbacher's Funkestra
Ghostfish - Masterlink Sessions
138 bpm • C Maj • 02:53 • -13.42db
35% Popularity • 70% Danceability • 32% Energy • 20% Liveness
79% Instrumentalness • 41% Positiveness
35% Popularity • 70% Danceability • 32% Energy • 20% Liveness
79% Instrumentalness • 41% Positiveness
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Guthrie Trapp
Pick Peace
137 bpm • E Maj • 04:21 • -12.81db
16% Popularity • 40% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
16% Popularity • 40% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Dean Brown
Takethis!
139 bpm • B min • 06:32 • -7db
11% Popularity • 55% Danceability • 82% Energy • 4% Liveness
85% Instrumentalness • 80% Positiveness
11% Popularity • 55% Danceability • 82% Energy • 4% Liveness
85% Instrumentalness • 80% Positiveness
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Wayne Krantz
Whippersnapper
137 bpm • G Maj • 06:47 • -10db
22% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
22% Popularity • 36% Danceability • 83% Energy • 70% Liveness
22% Instrumentalness • 78% Positiveness
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Mohini Dey
Kick'B'ass
139 bpm • B min • 05:29 • -6.75db
29% Popularity • 39% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
29% Popularity • 39% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 52% Positiveness
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Tomo Fujita
Twinkle Twinkle
137 bpm • E Maj • 02:10 • -16.02db
3% Popularity • 65% Danceability • 5% Energy • 13% Liveness
56% Instrumentalness • 30% Positiveness
3% Popularity • 65% Danceability • 5% Energy • 13% Liveness
56% Instrumentalness • 30% Positiveness
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Adam Nitti
Antisocialmedia
140 bpm • E min • 06:48 • -8db
21% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
21% Popularity • 34% Danceability • 82% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Drift Lab
Japanese Experiment
140 bpm • A min • 07:05 • -14.26db
19% Popularity • 58% Danceability • 60% Energy • 5% Liveness
91% Instrumentalness • 44% Positiveness
19% Popularity • 58% Danceability • 60% Energy • 5% Liveness
91% Instrumentalness • 44% Positiveness
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Luca Mantovanelli
Trip Hazard
140 bpm • B min • 01:43 • -12.68db
21% Popularity • 52% Danceability • 60% Energy • 2% Liveness
84% Instrumentalness • 66% Positiveness
21% Popularity • 52% Danceability • 60% Energy • 2% Liveness
84% Instrumentalness • 66% Positiveness
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The W.I.M. Trio
Funky Riot
140 bpm • A Maj • 04:57 • -7.9db
7% Popularity • 64% Danceability • 89% Energy • 17% Liveness
64% Instrumentalness • 61% Positiveness
7% Popularity • 64% Danceability • 89% Energy • 17% Liveness
64% Instrumentalness • 61% Positiveness
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The Fearless Flyers
Introducing Delta Force
140 bpm • G# Maj • 02:41 • -9db
34% Popularity • 53% Danceability • 80% Energy • 15% Liveness
82% Instrumentalness • 63% Positiveness
34% Popularity • 53% Danceability • 80% Energy • 15% Liveness
82% Instrumentalness • 63% Positiveness
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Tomo Fujita
People Get Ready
136 bpm • D Maj • 03:23 • -10.06db
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
19% Popularity • 59% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Larnell Lewis
Rejoice (RTM)
140 bpm • F# Maj • 05:28 • -14.1db
12% Popularity • 61% Danceability • 53% Energy • 6% Liveness
87% Instrumentalness • 58% Positiveness
12% Popularity • 61% Danceability • 53% Energy • 6% Liveness
87% Instrumentalness • 58% Positiveness
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John Tropea
Gotcha Rhythm Right Here, Pt. 1
140 bpm • F Maj • 02:13 • -13.03db
20% Popularity • 56% Danceability • 69% Energy • 14% Liveness
69% Instrumentalness • 91% Positiveness
20% Popularity • 56% Danceability • 69% Energy • 14% Liveness
69% Instrumentalness • 91% Positiveness
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Vail Johnson
Bass Solo
140 bpm • D Maj • 03:24 • -13db
20% Popularity • 51% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
20% Popularity • 51% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
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Vital Techtones
Catch Me If U Can
141 bpm • C# min • 04:24 • -5db
23% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
23% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
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Project Z
Augusta's Ankle
140 bpm • F Maj • 04:23 • -7.45db
11% Popularity • 45% Danceability • 88% Energy • 13% Liveness
84% Instrumentalness • 82% Positiveness
11% Popularity • 45% Danceability • 88% Energy • 13% Liveness
84% Instrumentalness • 82% Positiveness
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Why Groove?
Filhos Flyers
135 bpm • A min • 01:06 • -6.97db
18% Popularity • 84% Danceability • 83% Energy • 12% Liveness
82% Instrumentalness • 93% Positiveness
18% Popularity • 84% Danceability • 83% Energy • 12% Liveness
82% Instrumentalness • 93% Positiveness
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The Stanley Clarke Band
Pop Virgil
135 bpm • A Maj • 03:17 • -6db
34% Popularity • 75% Danceability • 80% Energy • 14% Liveness
88% Instrumentalness • 46% Positiveness
34% Popularity • 75% Danceability • 80% Energy • 14% Liveness
88% Instrumentalness • 46% Positiveness
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Cristiano Parato
True Boys
135 bpm • D Maj • 04:38 • -4.99db
14% Popularity • 64% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 90% Positiveness
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Doug Johns
Bass In Your Face
135 bpm • G Maj • 02:19 • -11.02db
29% Popularity • 76% Danceability • 86% Energy • 9% Liveness
94% Instrumentalness • 88% Positiveness
29% Popularity • 76% Danceability • 86% Energy • 9% Liveness
94% Instrumentalness • 88% Positiveness
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Jam Track Central
Time to Let Her Go
135 bpm • G# Maj • 02:01 • -6.27db
30% Popularity • 63% Danceability • 65% Energy • 10% Liveness
5% Instrumentalness • 45% Positiveness
30% Popularity • 63% Danceability • 65% Energy • 10% Liveness
5% Instrumentalness • 45% Positiveness
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Josh Smith
Fat Hair
134 bpm • A min • 03:42 • -7db
22% Popularity • 64% Danceability • 51% Energy • 7% Liveness
51% Instrumentalness • 41% Positiveness
22% Popularity • 64% Danceability • 51% Energy • 7% Liveness
51% Instrumentalness • 41% Positiveness
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Frank Gambale
Up In Beachwood
142 bpm • D Maj • 06:55 • -10db
22% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
22% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
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Guthrie Govan
Erotic Cakes
142 bpm • A Maj • 03:50 • -5.07db
35% Popularity • 42% Danceability • 89% Energy • 43% Liveness
54% Instrumentalness • 35% Positiveness
35% Popularity • 42% Danceability • 89% Energy • 43% Liveness
54% Instrumentalness • 35% Positiveness
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Ghost-Note
Milkshake
142 bpm • D Maj • 05:04 • -7.6db
30% Popularity • 73% Danceability • 73% Energy • 43% Liveness
80% Instrumentalness • 45% Positiveness
30% Popularity • 73% Danceability • 73% Energy • 43% Liveness
80% Instrumentalness • 45% Positiveness
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Wojtek Pilichowski
Le Niooh
134 bpm • C Maj • 07:25 • -12.45db
13% Popularity • 64% Danceability • 35% Energy • 10% Liveness
81% Instrumentalness • 26% Positiveness
13% Popularity • 64% Danceability • 35% Energy • 10% Liveness
81% Instrumentalness • 26% Positiveness
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Cosmosquad
El Perro Vaila
134 bpm • B min • 05:28 • -11db
24% Popularity • 57% Danceability • 83% Energy • 10% Liveness
87% Instrumentalness • 65% Positiveness
24% Popularity • 57% Danceability • 83% Energy • 10% Liveness
87% Instrumentalness • 65% Positiveness
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Jan Cyrka
Belleville Swing
143 bpm • B min • 01:14 • -8db
35% Popularity • 57% Danceability • 54% Energy • 18% Liveness
78% Instrumentalness • 93% Positiveness
35% Popularity • 57% Danceability • 54% Energy • 18% Liveness
78% Instrumentalness • 93% Positiveness
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Lee Ritenour
Abbot Kinney
142 bpm • B min • 03:13 • -7.83db
19% Popularity • 46% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 33% Positiveness
19% Popularity • 46% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 33% Positiveness
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Luca Mantovanelli
Misty (Guitar arrangement)
133 bpm • C min • 02:06 • -24.66db
30% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 44% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Organ Freeman
You Said You Quit Drinkin'
143 bpm • D Maj • 03:48 • -8.37db
28% Popularity • 76% Danceability • 58% Energy • 8% Liveness
75% Instrumentalness • 67% Positiveness
28% Popularity • 76% Danceability • 58% Energy • 8% Liveness
75% Instrumentalness • 67% Positiveness
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Dennis Chambers
Drums Solo, Pt. 2
133 bpm • B Maj • 01:16 • -18.17db
29% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
29% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Wojtek Pilichowski
Conjunction
143 bpm • F# min • 03:34 • -9.96db
21% Popularity • 68% Danceability • 88% Energy • 37% Liveness
88% Instrumentalness • 77% Positiveness
21% Popularity • 68% Danceability • 88% Energy • 37% Liveness
88% Instrumentalness • 77% Positiveness
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Tobin Mueller
Moanin' Monk
133 bpm • C min • 04:54 • -5.97db
21% Popularity • 50% Danceability • 72% Energy • 10% Liveness
65% Instrumentalness • 80% Positiveness
21% Popularity • 50% Danceability • 72% Energy • 10% Liveness
65% Instrumentalness • 80% Positiveness
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Andy Timmons
Theme from a Perfect World
133 bpm • F# Maj • 07:26 • -9.34db
24% Popularity • 27% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
24% Popularity • 27% Danceability • 68% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Guthrie Trapp
Monkey Bars
133 bpm • B min • 04:59 • -11.12db
10% Popularity • 44% Danceability • 48% Energy • 8% Liveness
89% Instrumentalness • 68% Positiveness
10% Popularity • 44% Danceability • 48% Energy • 8% Liveness
89% Instrumentalness • 68% Positiveness
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Scott Henderson
Dolemite
133 bpm • C# Maj • 05:52 • -6db
34% Popularity • 65% Danceability • 91% Energy • 42% Liveness
92% Instrumentalness • 74% Positiveness
34% Popularity • 65% Danceability • 91% Energy • 42% Liveness
92% Instrumentalness • 74% Positiveness
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Tomo Fujita
Boy Back Home
144 bpm • G Maj • 02:54 • -10.42db
12% Popularity • 68% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
12% Popularity • 68% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
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Jan Cyrka
Heart of Mine
144 bpm • G Maj • 01:56 • -7db
34% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
34% Popularity • 60% Danceability • 50% Energy • 10% Liveness
71% Instrumentalness • 61% Positiveness
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Josh Smith
Hopeless Quarters
144 bpm • G min • 03:36 • -5.65db
14% Popularity • 62% Danceability • 82% Energy • 12% Liveness
54% Instrumentalness • 78% Positiveness
14% Popularity • 62% Danceability • 82% Energy • 12% Liveness
54% Instrumentalness • 78% Positiveness
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The Fearless Flyers
Flyers Direct
132 bpm • B min • 02:44 • -9.73db
37% Popularity • 70% Danceability • 82% Energy • 16% Liveness
85% Instrumentalness • 74% Positiveness
37% Popularity • 70% Danceability • 82% Energy • 16% Liveness
85% Instrumentalness • 74% Positiveness
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Niacin
Clean-up Crew - Instrumental
132 bpm • F Maj • 01:06 • -10.93db
30% Popularity • 61% Danceability • 82% Energy • 12% Liveness
53% Instrumentalness • 94% Positiveness
30% Popularity • 61% Danceability • 82% Energy • 12% Liveness
53% Instrumentalness • 94% Positiveness
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Scott Henderson
The Covered Head
144 bpm • F min • 06:56 • -11.07db
7% Popularity • 33% Danceability • 54% Energy • 19% Liveness
39% Instrumentalness • 36% Positiveness
7% Popularity • 33% Danceability • 54% Energy • 19% Liveness
39% Instrumentalness • 36% Positiveness
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Tomo Fujita
Late Night Whisky
132 bpm • C Maj • 05:09 • -6.94db
9% Popularity • 62% Danceability • 72% Energy • 9% Liveness
28% Instrumentalness • 78% Positiveness
9% Popularity • 62% Danceability • 72% Energy • 9% Liveness
28% Instrumentalness • 78% Positiveness
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Charles Berthoud
Don't Look Back Again
132 bpm • G Maj • 03:12 • -10.4db
29% Popularity • 69% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 83% Energy • 11% Liveness
86% Instrumentalness • 90% Positiveness
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Frank Gambale
Little Charmer
132 bpm • G Maj • 05:38 • -10.35db
24% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
24% Popularity • 60% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 76% Positiveness
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Cristiano Parato
Pillow
144 bpm • A Maj • 01:45 • -21db
31% Popularity • 39% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
31% Popularity • 39% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Jeff Beck
Head for Backstage Pass
131 bpm • B min • 02:44 • -9db
33% Popularity • 66% Danceability • 71% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
33% Popularity • 66% Danceability • 71% Energy • 6% Liveness
79% Instrumentalness • 96% Positiveness
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Scott Henderson
Church Of Xotic Dance
132 bpm • G Maj • 07:20 • -9.72db
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
80% Instrumentalness • 21% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
80% Instrumentalness • 21% Positiveness
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Tomo Fujita
Dreaming Of You
132 bpm • F min • 01:28 • -15.18db
6% Popularity • 79% Danceability • 60% Energy • 25% Liveness
68% Instrumentalness • 85% Positiveness
6% Popularity • 79% Danceability • 60% Energy • 25% Liveness
68% Instrumentalness • 85% Positiveness
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Wayne Krantz
Don't Tell Me
132 bpm • A min • 05:30 • -14db
31% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
31% Popularity • 55% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 75% Positiveness
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Jamey Arent
Castle Green
145 bpm • E Maj • 04:55 • -7.53db
15% Popularity • 55% Danceability • 50% Energy • 10% Liveness
54% Instrumentalness • 32% Positiveness
15% Popularity • 55% Danceability • 50% Energy • 10% Liveness
54% Instrumentalness • 32% Positiveness
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Electric Outlet
Propellorhead
131 bpm • C# Maj • 06:26 • -6db
7% Popularity • 45% Danceability • 92% Energy • 17% Liveness
86% Instrumentalness • 66% Positiveness
7% Popularity • 45% Danceability • 92% Energy • 17% Liveness
86% Instrumentalness • 66% Positiveness
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KIYO＊SEN
LadiesTalk
145 bpm • A# min • 04:21 • -10.35db
9% Popularity • 57% Danceability • 78% Energy • 8% Liveness
92% Instrumentalness • 96% Positiveness
9% Popularity • 57% Danceability • 78% Energy • 8% Liveness
92% Instrumentalness • 96% Positiveness
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The 4 Korners
Arcade Nights
145 bpm • E min • 07:25 • -6.61db
8% Popularity • 53% Danceability • 85% Energy • 7% Liveness
77% Instrumentalness • 56% Positiveness
8% Popularity • 53% Danceability • 85% Energy • 7% Liveness
77% Instrumentalness • 56% Positiveness
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Scary Goldings
Bruise Cruise
131 bpm • C# Maj • 02:13 • -6db
32% Popularity • 79% Danceability • 71% Energy • 21% Liveness
68% Instrumentalness • 85% Positiveness
32% Popularity • 79% Danceability • 71% Energy • 21% Liveness
68% Instrumentalness • 85% Positiveness
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Frank Gambale
Free Spirit
131 bpm • C# Maj • 05:07 • -12.17db
15% Popularity • 75% Danceability • 53% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
15% Popularity • 75% Danceability • 53% Energy • 8% Liveness
88% Instrumentalness • 83% Positiveness
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The Aristocrats
Get It Like That
145 bpm • D min • 07:46 • -9db
29% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
29% Popularity • 47% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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The Fearless Flyers
Introducing the Fearless Flyers
131 bpm • G Maj • 02:23 • -10.98db
42% Popularity • 61% Danceability • 93% Energy • 27% Liveness
94% Instrumentalness • 76% Positiveness
42% Popularity • 61% Danceability • 93% Energy • 27% Liveness
94% Instrumentalness • 76% Positiveness
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Dave Weckl Band
Chain Reaction
131 bpm • D Maj • 05:34 • -9db
22% Popularity • 67% Danceability • 86% Energy • 33% Liveness
56% Instrumentalness • 77% Positiveness
22% Popularity • 67% Danceability • 86% Energy • 33% Liveness
56% Instrumentalness • 77% Positiveness
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Josh Smith
Doublecross
146 bpm • F min • 04:28 • -5.08db
14% Popularity • 57% Danceability • 76% Energy • 13% Liveness
53% Instrumentalness • 71% Positiveness
14% Popularity • 57% Danceability • 76% Energy • 13% Liveness
53% Instrumentalness • 71% Positiveness
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IDOL
Exordium
130 bpm • C# Maj • 08:18 • -10.55db
9% Popularity • 41% Danceability • 80% Energy • 10% Liveness
82% Instrumentalness • 26% Positiveness
9% Popularity • 41% Danceability • 80% Energy • 10% Liveness
82% Instrumentalness • 26% Positiveness
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Allen Hinds
Rat Scat
146 bpm • F Maj • 05:05 • -8db
9% Popularity • 62% Danceability • 68% Energy • 9% Liveness
55% Instrumentalness • 56% Positiveness
9% Popularity • 62% Danceability • 68% Energy • 9% Liveness
55% Instrumentalness • 56% Positiveness
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Thorshammer
L.I.E.
130 bpm • D Maj • 07:39 • -9db
12% Popularity • 31% Danceability • 79% Energy • 70% Liveness
72% Instrumentalness • 24% Positiveness
12% Popularity • 31% Danceability • 79% Energy • 70% Liveness
72% Instrumentalness • 24% Positiveness
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The Fearless Flyers
Signed Sealed Delivered
146 bpm • A# min • 02:32 • -7.81db
39% Popularity • 53% Danceability • 94% Energy • 5% Liveness
88% Instrumentalness • 78% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 5% Liveness
88% Instrumentalness • 78% Positiveness
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Cristiano Parato
Keystone
130 bpm • C Maj • 03:46 • -6.11db
13% Popularity • 71% Danceability • 81% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
13% Popularity • 71% Danceability • 81% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Redtenbacher's Funkestra
Dr Hypenstein
130 bpm • C Maj • 03:07 • -4.51db
33% Popularity • 70% Danceability • 95% Energy • 30% Liveness
26% Instrumentalness • 96% Positiveness
33% Popularity • 70% Danceability • 95% Energy • 30% Liveness
26% Instrumentalness • 96% Positiveness
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Devine King
Game Theory
130 bpm • C# min • 05:07 • -6.98db
12% Popularity • 60% Danceability • 74% Energy • 11% Liveness
82% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 74% Energy • 11% Liveness
82% Instrumentalness • 64% Positiveness
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Senri Kawaguchi
Young Hawk
130 bpm • F Maj • 05:10 • -12db
20% Popularity • 56% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
20% Popularity • 56% Danceability • 80% Energy • 10% Liveness
90% Instrumentalness • 65% Positiveness
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Julian Avila
Say No More
130 bpm • A# Maj • 06:57 • -7.74db
10% Popularity • 58% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 36% Positiveness
10% Popularity • 58% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 36% Positiveness
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Adam Nitti
Not of This World
130 bpm • G Maj • 05:59 • -8.75db
22% Popularity • 56% Danceability • 86% Energy • 16% Liveness
91% Instrumentalness • 80% Positiveness
22% Popularity • 56% Danceability • 86% Energy • 16% Liveness
91% Instrumentalness • 80% Positiveness
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Cristiano Parato
Cosmical
130 bpm • B min • 05:07 • -5.59db
24% Popularity • 64% Danceability • 89% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
24% Popularity • 64% Danceability • 89% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
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Brett Garsed
Tjhelmerich@earthlink.Net
147 bpm • F# min • 07:06 • -7db
7% Popularity • 40% Danceability • 69% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
7% Popularity • 40% Danceability • 69% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
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The Fearless Flyers
Patrol Acrobatique
130 bpm • G# min • 01:36 • -7db
49% Popularity • 72% Danceability • 79% Energy • 14% Liveness
95% Instrumentalness • 86% Positiveness
49% Popularity • 72% Danceability • 79% Energy • 14% Liveness
95% Instrumentalness • 86% Positiveness
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Ghost-Note
Shrill Tones
147 bpm • C# Maj • 07:30 • -9db
21% Popularity • 58% Danceability • 84% Energy • 14% Liveness
51% Instrumentalness • 45% Positiveness
21% Popularity • 58% Danceability • 84% Energy • 14% Liveness
51% Instrumentalness • 45% Positiveness
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Allen Hinds
Little White Lies
129 bpm • F# Maj • 04:45 • -7.02db
9% Popularity • 35% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 28% Positiveness
9% Popularity • 35% Danceability • 68% Energy • 16% Liveness
63% Instrumentalness • 28% Positiveness
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Valeriy Stepanov
Cute Martlets
129 bpm • G min • 05:31 • -12.39db
24% Popularity • 73% Danceability • 66% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 73% Danceability • 66% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Tomo Fujita
Orange Juice & Vodka
129 bpm • C Maj • 03:41 • -3.9db
3% Popularity • 71% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 79% Positiveness
3% Popularity • 71% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 79% Positiveness
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Cosmosquad
Chinese Eyes
129 bpm • A Maj • 04:19 • -7.25db
9% Popularity • 64% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 61% Positiveness
9% Popularity • 64% Danceability • 87% Energy • 9% Liveness
88% Instrumentalness • 61% Positiveness
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Larnell Lewis
Change Your Mind (RTM)
129 bpm • A# min • 05:33 • -14db
18% Popularity • 63% Danceability • 49% Energy • 25% Liveness
78% Instrumentalness • 62% Positiveness
18% Popularity • 63% Danceability • 49% Energy • 25% Liveness
78% Instrumentalness • 62% Positiveness
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Larry Carlton
Room 335 - Long Version
128 bpm • D Maj • 05:39 • -12db
29% Popularity • 53% Danceability • 47% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
29% Popularity • 53% Danceability • 47% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
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Paolo Pizzi
Half Time
148 bpm • C Maj • 03:52 • -13.19db
23% Popularity • 68% Danceability • 42% Energy • 16% Liveness
89% Instrumentalness • 79% Positiveness
23% Popularity • 68% Danceability • 42% Energy • 16% Liveness
89% Instrumentalness • 79% Positiveness
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Tony MacAlpine
Night Splash
128 bpm • F Maj • 05:20 • -11db
13% Popularity • 46% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 90% Positiveness
13% Popularity • 46% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 90% Positiveness
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Funky Times
Souly
149 bpm • C Maj • 03:32 • -7db
36% Popularity • 60% Danceability • 65% Energy • 25% Liveness
71% Instrumentalness • 59% Positiveness
36% Popularity • 60% Danceability • 65% Energy • 25% Liveness
71% Instrumentalness • 59% Positiveness
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Anika Nilles
Synergy
128 bpm • G# Maj • 03:53 • -6.9db
34% Popularity • 42% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
34% Popularity • 42% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Tomo Fujita
Confidence Cat
128 bpm • G min • 05:35 • -6.41db
10% Popularity • 65% Danceability • 90% Energy • 7% Liveness
34% Instrumentalness • 86% Positiveness
10% Popularity • 65% Danceability • 90% Energy • 7% Liveness
34% Instrumentalness • 86% Positiveness
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Alex Hutchings
And Then She Was Gone
128 bpm • A# min • 05:38 • -6.21db
21% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
21% Popularity • 41% Danceability • 70% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
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Why Groove?
Why "Slow" Groove?!
128 bpm • B min • 01:04 • -10.49db
32% Popularity • 82% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
32% Popularity • 82% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 86% Positiveness
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Doug Johns
Gig Shirt
128 bpm • G Maj • 03:29 • -8.49db
18% Popularity • 64% Danceability • 86% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
18% Popularity • 64% Danceability • 86% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
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Funky Times
Groove Window
128 bpm • B Maj • 02:12 • -7db
42% Popularity • 71% Danceability • 66% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
42% Popularity • 71% Danceability • 66% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Jeff Berlin
Porky & Beans
128 bpm • C Maj • 06:24 • -9db
24% Popularity • 72% Danceability • 62% Energy • 9% Liveness
38% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 62% Energy • 9% Liveness
38% Instrumentalness • 86% Positiveness
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Senri Kawaguchi
The HUNT
128 bpm • D min • 05:21 • -10.17db
18% Popularity • 76% Danceability • 54% Energy • 14% Liveness
50% Instrumentalness • 66% Positiveness
18% Popularity • 76% Danceability • 54% Energy • 14% Liveness
50% Instrumentalness • 66% Positiveness
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Redtenbacher's Funkestra
Jump Up - 7" edit
128 bpm • G min • 03:42 • -5.09db
26% Popularity • 74% Danceability • 89% Energy • 4% Liveness
66% Instrumentalness • 73% Positiveness
26% Popularity • 74% Danceability • 89% Energy • 4% Liveness
66% Instrumentalness • 73% Positiveness
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Cosmosquad
The Scene
128 bpm • F min • 05:49 • -15db
17% Popularity • 54% Danceability • 56% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
17% Popularity • 54% Danceability • 56% Energy • 8% Liveness
15% Instrumentalness • 61% Positiveness
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Tomo Fujita
Sweet Home
128 bpm • G Maj • 06:05 • -12.14db
4% Popularity • 74% Danceability • 29% Energy • 4% Liveness
18% Instrumentalness • 20% Positiveness
4% Popularity • 74% Danceability • 29% Energy • 4% Liveness
18% Instrumentalness • 20% Positiveness
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Organissimo
You Don't Want To Do That
128 bpm • C Maj • 07:15 • -10.88db
9% Popularity • 71% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
9% Popularity • 71% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
