Songs like King in My Empire - Mixed by Rhythm & Sound
Based on a tempo of (+/- 10%) and a similar genre
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Gallegos
Save Your Love
124 bpm • F# min • 03:39 • -11.94db
18% Popularity • 72% Danceability • 71% Energy • 10% Liveness
13% Instrumentalness • 37% Positiveness
18% Popularity • 72% Danceability • 71% Energy • 10% Liveness
13% Instrumentalness • 37% Positiveness
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Rhythm & Sound
Smile
124 bpm • F# min • 09:10 • -28.23db
23% Popularity • 70% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
23% Popularity • 70% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Al Wootton
Ashe
124 bpm • C# Maj • 05:40 • -13.29db
10% Popularity • 80% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
10% Popularity • 80% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
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Basic Channel
Quadrant Dub I - Edit
124 bpm • C Maj • 06:56 • -26.63db
20% Popularity • 73% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
20% Popularity • 73% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Another Channel
Run Dub
124 bpm • G# min • 06:11 • -13.49db
20% Popularity • 83% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 51% Positiveness
20% Popularity • 83% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 51% Positiveness
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Deadbeat
Ain't no More Flowers
124 bpm • A# min • 07:00 • -13.3db
32% Popularity • 74% Danceability • 33% Energy • 38% Liveness
11% Instrumentalness • 11% Positiveness
32% Popularity • 74% Danceability • 33% Energy • 38% Liveness
11% Instrumentalness • 11% Positiveness
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Maurizio
Mø7b - Unreleases Mix
124 bpm • C# Maj • 08:26 • -26db
16% Popularity • 84% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 76% Positiveness
16% Popularity • 84% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 76% Positiveness
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Rhythm & Sound
King in My Empire (Burial Mix) (Mixed)
124 bpm • B Maj • 04:14 • -15.15db
26% Popularity • 81% Danceability • 31% Energy • 10% Liveness
7% Instrumentalness • 69% Positiveness
26% Popularity • 81% Danceability • 31% Energy • 10% Liveness
7% Instrumentalness • 69% Positiveness
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Pulshar
Stepping Stones
124 bpm • D Maj • 07:11 • -8.44db
16% Popularity • 88% Danceability • 53% Energy • 31% Liveness
59% Instrumentalness • 67% Positiveness
16% Popularity • 88% Danceability • 53% Energy • 31% Liveness
59% Instrumentalness • 67% Positiveness
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Wrongtom Meets Rockers
Dub in the Supermarket
124 bpm • A Maj • 03:39 • -12.32db
18% Popularity • 86% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 61% Positiveness
18% Popularity • 86% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 61% Positiveness
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Another Channel
Mi Zeen Dub
124 bpm • G min • 04:28 • -17.8db
16% Popularity • 81% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 81% Positiveness
16% Popularity • 81% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 81% Positiveness
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Bill Laswell
Enharmonic
124 bpm • G# Maj • 05:37 • -7.53db
18% Popularity • 70% Danceability • 36% Energy • 16% Liveness
29% Instrumentalness • 23% Positiveness
18% Popularity • 70% Danceability • 36% Energy • 16% Liveness
29% Instrumentalness • 23% Positiveness
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Maurizio
M07a - Edit
124 bpm • C Maj • 08:16 • -16.83db
25% Popularity • 85% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
25% Popularity • 85% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Fluxion
Momento
124 bpm • C# Maj • 04:28 • -16.08db
14% Popularity • 92% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
14% Popularity • 92% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 57% Positiveness
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Rhythm & Sound
Range
124 bpm • C# Maj • 06:29 • -19db
20% Popularity • 55% Danceability • 31% Energy • 16% Liveness
88% Instrumentalness • 23% Positiveness
20% Popularity • 55% Danceability • 31% Energy • 16% Liveness
88% Instrumentalness • 23% Positiveness
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Jan Jelinek
Music To Interogate By
124 bpm • G Maj • 06:08 • -11db
18% Popularity • 66% Danceability • 67% Energy • 38% Liveness
89% Instrumentalness • 49% Positiveness
18% Popularity • 66% Danceability • 67% Energy • 38% Liveness
89% Instrumentalness • 49% Positiveness
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Another Channel
Solid
124 bpm • C min • 05:11 • -19.33db
11% Popularity • 80% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
11% Popularity • 80% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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burger/ink
Bring Trance Back (To Las Vegas) (Blue H...
124 bpm • F Maj • 07:16 • -15.89db
13% Popularity • 64% Danceability • 64% Energy • 16% Liveness
90% Instrumentalness • 20% Positiveness
13% Popularity • 64% Danceability • 64% Energy • 16% Liveness
90% Instrumentalness • 20% Positiveness
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Jah Shaka
Conquering Dub
124 bpm • D Maj • 03:45 • -15.07db
22% Popularity • 81% Danceability • 19% Energy • 24% Liveness
77% Instrumentalness • 39% Positiveness
22% Popularity • 81% Danceability • 19% Energy • 24% Liveness
77% Instrumentalness • 39% Positiveness
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Prince Far I
Plant Up
123 bpm • C Maj • 08:09 • -13.13db
13% Popularity • 60% Danceability • 46% Energy • 34% Liveness
75% Instrumentalness • 48% Positiveness
13% Popularity • 60% Danceability • 46% Energy • 34% Liveness
75% Instrumentalness • 48% Positiveness
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Garsaaidi
Frank Zaffa - 12 (Lascelles Mix)
125 bpm • A min • 05:47 • -9db
10% Popularity • 78% Danceability • 89% Energy • 9% Liveness
83% Instrumentalness • 52% Positiveness
10% Popularity • 78% Danceability • 89% Energy • 9% Liveness
83% Instrumentalness • 52% Positiveness
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Basic Channel
Q Loop
123 bpm • A min • 05:28 • -22.53db
17% Popularity • 72% Danceability • 46% Energy • 8% Liveness
71% Instrumentalness • 17% Positiveness
17% Popularity • 72% Danceability • 46% Energy • 8% Liveness
71% Instrumentalness • 17% Positiveness
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Another Channel
Zulu
124 bpm • G Maj • 06:12 • -12.91db
13% Popularity • 90% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 98% Positiveness
13% Popularity • 90% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 98% Positiveness
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Dublicator
Bioluminescence
123 bpm • C Maj • 08:59 • -15db
25% Popularity • 59% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
25% Popularity • 59% Danceability • 34% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Babe Roots
Money Run Things
125 bpm • D# min • 05:10 • -12.36db
20% Popularity • 85% Danceability • 35% Energy • 12% Liveness
32% Instrumentalness • 68% Positiveness
20% Popularity • 85% Danceability • 35% Energy • 12% Liveness
32% Instrumentalness • 68% Positiveness
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Uffe
Not Around
123 bpm • B min • 06:35 • -14db
22% Popularity • 87% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
22% Popularity • 87% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Intrusion
Angel Version
125 bpm • C# min • 06:15 • -17db
17% Popularity • 72% Danceability • 44% Energy • 42% Liveness
78% Instrumentalness • 44% Positiveness
17% Popularity • 72% Danceability • 44% Energy • 42% Liveness
78% Instrumentalness • 44% Positiveness
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Vainqueur
Ranges - Expanded
125 bpm • F# min • 09:20 • -20.83db
20% Popularity • 49% Danceability • 24% Energy • 30% Liveness
95% Instrumentalness • 15% Positiveness
20% Popularity • 49% Danceability • 24% Energy • 30% Liveness
95% Instrumentalness • 15% Positiveness
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Jan Jelinek
If's, And's And But's
123 bpm • A# min • 06:16 • -11.93db
14% Popularity • 77% Danceability • 58% Energy • 34% Liveness
85% Instrumentalness • 48% Positiveness
14% Popularity • 77% Danceability • 58% Energy • 34% Liveness
85% Instrumentalness • 48% Positiveness
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Model 500
Starlight - Echospace Unreleased Mix
125 bpm • A# min • 07:09 • -15db
27% Popularity • 70% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 62% Positiveness
27% Popularity • 70% Danceability • 58% Energy • 11% Liveness
83% Instrumentalness • 62% Positiveness
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Another Channel
Seed
125 bpm • C# min • 04:06 • -13.31db
15% Popularity • 92% Danceability • 53% Energy • 11% Liveness
78% Instrumentalness • 68% Positiveness
15% Popularity • 92% Danceability • 53% Energy • 11% Liveness
78% Instrumentalness • 68% Positiveness
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Basic Channel
Q1.1/I
125 bpm • C# Maj • 07:53 • -10.17db
26% Popularity • 76% Danceability • 74% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
26% Popularity • 76% Danceability • 74% Energy • 18% Liveness
88% Instrumentalness • 16% Positiveness
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Intrusion
Montego Bay
125 bpm • G min • 08:12 • -16db
23% Popularity • 80% Danceability • 44% Energy • 37% Liveness
92% Instrumentalness • 45% Positiveness
23% Popularity • 80% Danceability • 44% Energy • 37% Liveness
92% Instrumentalness • 45% Positiveness
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The Showroom Recording Series
Watcha Waiting For?
123 bpm • C# Maj • 05:37 • -13.14db
18% Popularity • 86% Danceability • 30% Energy • 12% Liveness
20% Instrumentalness • 52% Positiveness
18% Popularity • 86% Danceability • 30% Energy • 12% Liveness
20% Instrumentalness • 52% Positiveness
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Jan Jelinek
Tendency
123 bpm • F# Maj • 07:21 • -14db
35% Popularity • 75% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
35% Popularity • 75% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Romare
Taste of Honey
125 bpm • F# min • 06:16 • -6.25db
25% Popularity • 82% Danceability • 64% Energy • 11% Liveness
68% Instrumentalness • 42% Positiveness
25% Popularity • 82% Danceability • 64% Energy • 11% Liveness
68% Instrumentalness • 42% Positiveness
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Rhythm & Sound
Aerial
123 bpm • G# Maj • 09:28 • -16.27db
19% Popularity • 70% Danceability • 50% Energy • 20% Liveness
88% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 50% Energy • 20% Liveness
88% Instrumentalness • 96% Positiveness
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Maurizio
M06a - Edit
123 bpm • B min • 06:44 • -12.95db
13% Popularity • 84% Danceability • 84% Energy • 14% Liveness
90% Instrumentalness • 80% Positiveness
13% Popularity • 84% Danceability • 84% Energy • 14% Liveness
90% Instrumentalness • 80% Positiveness
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Intrusion
Tswana Dub
125 bpm • B min • 10:42 • -16.87db
19% Popularity • 80% Danceability • 54% Energy • 42% Liveness
82% Instrumentalness • 56% Positiveness
19% Popularity • 80% Danceability • 54% Energy • 42% Liveness
82% Instrumentalness • 56% Positiveness
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African Head Charge
Stebeni's Theme
123 bpm • G Maj • 03:34 • -12.16db
16% Popularity • 75% Danceability • 65% Energy • 11% Liveness
75% Instrumentalness • 39% Positiveness
16% Popularity • 75% Danceability • 65% Energy • 11% Liveness
75% Instrumentalness • 39% Positiveness
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Deadbeat
Let It Rain
126 bpm • A# min • 08:00 • -10.74db
9% Popularity • 67% Danceability • 78% Energy • 35% Liveness
77% Instrumentalness • 31% Positiveness
9% Popularity • 67% Danceability • 78% Energy • 35% Liveness
77% Instrumentalness • 31% Positiveness
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Round Five
Na Fe Throw It
122 bpm • B min • 09:39 • -16.91db
16% Popularity • 75% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
16% Popularity • 75% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 34% Positiveness
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Rhythm & Sound
Making History
123 bpm • G min • 06:26 • -12.95db
17% Popularity • 90% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
17% Popularity • 90% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Maurizio
Mø6b - Edit
122 bpm • C# Maj • 06:42 • -14.45db
26% Popularity • 84% Danceability • 52% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
26% Popularity • 84% Danceability • 52% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Intrusion
Little Angel
125 bpm • C# min • 06:16 • -19.91db
9% Popularity • 66% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
9% Popularity • 66% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
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Richard H. Kirk
Freezone
126 bpm • B Maj • 06:52 • -14.33db
12% Popularity • 70% Danceability • 55% Energy • 41% Liveness
95% Instrumentalness • 79% Positiveness
12% Popularity • 70% Danceability • 55% Energy • 41% Liveness
95% Instrumentalness • 79% Positiveness
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Deadbeat
Organ in the Attic Sings the Blues
126 bpm • C min • 07:22 • -13.11db
20% Popularity • 74% Danceability • 64% Energy • 36% Liveness
83% Instrumentalness • 34% Positiveness
20% Popularity • 74% Danceability • 64% Energy • 36% Liveness
83% Instrumentalness • 34% Positiveness
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Another Channel
Amir Dub
122 bpm • C# Maj • 04:19 • -15.32db
18% Popularity • 80% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 52% Positiveness
18% Popularity • 80% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 52% Positiveness
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Rhythm & Sound
Mango Drive
126 bpm • F# min • 08:40 • -18.43db
17% Popularity • 88% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 67% Positiveness
17% Popularity • 88% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 67% Positiveness
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Round Five
Na Fe Throw Version
122 bpm • B min • 04:39 • -17.08db
10% Popularity • 75% Danceability • 28% Energy • 12% Liveness
85% Instrumentalness • 35% Positiveness
10% Popularity • 75% Danceability • 28% Energy • 12% Liveness
85% Instrumentalness • 35% Positiveness
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Upwellings
Blue Line to Brixton - Original Mix
122 bpm • G# min • 08:24 • -17.65db
15% Popularity • 76% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
15% Popularity • 76% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 77% Positiveness
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Domenique Dumont
La basse et les shakers
122 bpm • G# min • 04:15 • -9db
27% Popularity • 80% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
27% Popularity • 80% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 96% Positiveness
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Sven Weisemann
Ojui
122 bpm • A min • 08:59 • -23db
12% Popularity • 72% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
12% Popularity • 72% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Another Channel
(Yes!) Badness
122 bpm • C min • 06:19 • -15.95db
11% Popularity • 89% Danceability • 37% Energy • 9% Liveness
76% Instrumentalness • 54% Positiveness
11% Popularity • 89% Danceability • 37% Energy • 9% Liveness
76% Instrumentalness • 54% Positiveness
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Rhythm & Sound
King Version
126 bpm • B Maj • 06:36 • -17.61db
22% Popularity • 87% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 89% Positiveness
22% Popularity • 87% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 89% Positiveness
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Frenk Dublin
Dub Swinger
122 bpm • A# min • 05:27 • -12.96db
16% Popularity • 80% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
16% Popularity • 80% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 24% Positiveness
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Chosen Brothers
Mango Walk
126 bpm • A Maj • 08:32 • -13.57db
23% Popularity • 65% Danceability • 39% Energy • 7% Liveness
66% Instrumentalness • 37% Positiveness
23% Popularity • 65% Danceability • 39% Energy • 7% Liveness
66% Instrumentalness • 37% Positiveness
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Sleep D
Limestone
122 bpm • B min • 06:55 • -13.41db
11% Popularity • 48% Danceability • 55% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
11% Popularity • 48% Danceability • 55% Energy • 10% Liveness
88% Instrumentalness • 36% Positiveness
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Smith & Mighty
Move You Run
126 bpm • F# Maj • 04:54 • -14.26db
14% Popularity • 72% Danceability • 49% Energy • 18% Liveness
33% Instrumentalness • 53% Positiveness
14% Popularity • 72% Danceability • 49% Energy • 18% Liveness
33% Instrumentalness • 53% Positiveness
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burger/ink
Twelve Miles High
122 bpm • A# min • 11:22 • -13.29db
24% Popularity • 85% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 85% Danceability • 85% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Rhythm & Sound
Mango Drive
126 bpm • F# min • 07:12 • -14.42db
33% Popularity • 90% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 57% Positiveness
33% Popularity • 90% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 57% Positiveness
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The Other People Place
Eye Contact
126 bpm • G# min • 05:30 • -9db
24% Popularity • 78% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
24% Popularity • 78% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
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Photek
The Hidden Camera
126 bpm • C Maj • 06:49 • -5.8db
33% Popularity • 73% Danceability • 87% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 73% Danceability • 87% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Love Joys
All I Can Say
127 bpm • F# min • 08:32 • -7.77db
31% Popularity • 87% Danceability • 62% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
31% Popularity • 87% Danceability • 62% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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James Holden
10101
127 bpm • A# min • 06:05 • -14db
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
24% Popularity • 78% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 70% Positiveness
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The Future Sound Of London
Papua New Guinea (Dub Mix)
121 bpm • C# min • 01:20 • -15.23db
32% Popularity • 35% Danceability • 49% Energy • 34% Liveness
9% Instrumentalness • 10% Positiveness
32% Popularity • 35% Danceability • 49% Energy • 34% Liveness
9% Instrumentalness • 10% Positiveness
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Rhythm & Sound
See Mi Yah
126 bpm • G# min • 03:56 • -14db
33% Popularity • 88% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 88% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Other People Place
It's Your Love
126 bpm • F# min • 07:31 • -14.11db
29% Popularity • 80% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
29% Popularity • 80% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 85% Positiveness
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Maurizio
M05a - Edit
127 bpm • B min • 07:32 • -20.2db
17% Popularity • 81% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
17% Popularity • 81% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Pole
Heim (Four Tet Remix)
121 bpm • G# Maj • 07:19 • -9db
22% Popularity • 56% Danceability • 46% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
22% Popularity • 56% Danceability • 46% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
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Model 500
Starlight
127 bpm • B Maj • 06:26 • -16.93db
11% Popularity • 88% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
11% Popularity • 88% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 39% Positiveness
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Heights Of Abraham
Boogie Heights
127 bpm • A# Maj • 06:44 • -17.72db
12% Popularity • 72% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
12% Popularity • 72% Danceability • 48% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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Rhythm & Sound
Queen in My Empire
126 bpm • C# Maj • 06:09 • -17db
26% Popularity • 86% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
26% Popularity • 86% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Versa
Flutter
127 bpm • D min • 04:34 • -11.71db
18% Popularity • 86% Danceability • 45% Energy • 7% Liveness
82% Instrumentalness • 54% Positiveness
18% Popularity • 86% Danceability • 45% Energy • 7% Liveness
82% Instrumentalness • 54% Positiveness
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Maurizio
M04a - Full 12" Length
127 bpm • C# Maj • 06:40 • -16.24db
21% Popularity • 81% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
21% Popularity • 81% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
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Dreadzone
In the Right Way (Dreadzone vs. King Tub...
127 bpm • C# Maj • 06:43 • -8.27db
24% Popularity • 77% Danceability • 81% Energy • 11% Liveness
85% Instrumentalness • 85% Positiveness
24% Popularity • 77% Danceability • 81% Energy • 11% Liveness
85% Instrumentalness • 85% Positiveness
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International Observer
London Dub
127 bpm • F min • 04:58 • -11.54db
18% Popularity • 86% Danceability • 59% Energy • 60% Liveness
71% Instrumentalness • 57% Positiveness
18% Popularity • 86% Danceability • 59% Energy • 60% Liveness
71% Instrumentalness • 57% Positiveness
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Basic Channel
Q Loop - Mixed
121 bpm • F# min • 03:50 • -20.66db
26% Popularity • 74% Danceability • 54% Energy • 32% Liveness
78% Instrumentalness • 37% Positiveness
26% Popularity • 74% Danceability • 54% Energy • 32% Liveness
78% Instrumentalness • 37% Positiveness
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Rhythm & Sound
Let Jah Love Come
126 bpm • C# min • 05:12 • -15.09db
19% Popularity • 89% Danceability • 26% Energy • 17% Liveness
10% Instrumentalness • 44% Positiveness
19% Popularity • 89% Danceability • 26% Energy • 17% Liveness
10% Instrumentalness • 44% Positiveness
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Cousin
A Message from Q
121 bpm • C# Maj • 04:53 • -14.12db
16% Popularity • 81% Danceability • 55% Energy • 37% Liveness
84% Instrumentalness • 21% Positiveness
16% Popularity • 81% Danceability • 55% Energy • 37% Liveness
84% Instrumentalness • 21% Positiveness
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micronism
steps to recovery
121 bpm • C Maj • 05:24 • -12.93db
8% Popularity • 81% Danceability • 48% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
8% Popularity • 81% Danceability • 48% Energy • 11% Liveness
93% Instrumentalness • 65% Positiveness
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Paul St. Hilaire
Ten To One
121 bpm • C# Maj • 04:36 • -17.83db
12% Popularity • 73% Danceability • 39% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
12% Popularity • 73% Danceability • 39% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Recloose
Cardiology (Isolée Mix) - Mixed
121 bpm • G# min • 05:45 • -9.25db
30% Popularity • 92% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
30% Popularity • 92% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 81% Positiveness
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Pole
Raum 2 (DJ Tennis Technoid Version) - Mi...
121 bpm • E min • 07:10 • -16.96db
18% Popularity • 69% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
18% Popularity • 69% Danceability • 49% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Rhythm & Sound
Never Tell You - 1
127 bpm • G Maj • 06:20 • -11.6db
18% Popularity • 80% Danceability • 34% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
18% Popularity • 80% Danceability • 34% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
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Round Four
Found a Way
121 bpm • G Maj • 06:43 • -16.33db
12% Popularity • 69% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 69% Danceability • 42% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Bochum Welt
Extra Life (Radio Edit)
120 bpm • A min • 02:33 • -8.1db
36% Popularity • 80% Danceability • 93% Energy • 5% Liveness
94% Instrumentalness • 97% Positiveness
36% Popularity • 80% Danceability • 93% Energy • 5% Liveness
94% Instrumentalness • 97% Positiveness
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Burnt Friedman
Hut Selector
128 bpm • F# Maj • 04:26 • -19.44db
16% Popularity • 83% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
16% Popularity • 83% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
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Move D
Hurt Me
120 bpm • E min • 06:47 • -12.09db
23% Popularity • 91% Danceability • 56% Energy • 11% Liveness
88% Instrumentalness • 52% Positiveness
23% Popularity • 91% Danceability • 56% Energy • 11% Liveness
88% Instrumentalness • 52% Positiveness
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Smith
U Dub
128 bpm • F# min • 03:35 • -11.22db
16% Popularity • 80% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 80% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Rhythm & Sound
Rise and Praise
126 bpm • C# min • 03:48 • -15.16db
19% Popularity • 87% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 36% Positiveness
19% Popularity • 87% Danceability • 21% Energy • 11% Liveness
13% Instrumentalness • 36% Positiveness
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Round Four
Find a Way
121 bpm • G Maj • 09:42 • -15.87db
18% Popularity • 81% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 23% Positiveness
18% Popularity • 81% Danceability • 39% Energy • 11% Liveness
73% Instrumentalness • 23% Positiveness
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The Detonators
Lift Off
128 bpm • A min • 05:29 • -15.47db
8% Popularity • 85% Danceability • 45% Energy • 29% Liveness
54% Instrumentalness • 41% Positiveness
8% Popularity • 85% Danceability • 45% Energy • 29% Liveness
54% Instrumentalness • 41% Positiveness
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Deadbeat
Roots And Wore
128 bpm • D Maj • 05:51 • -7.22db
9% Popularity • 72% Danceability • 75% Energy • 13% Liveness
75% Instrumentalness • 25% Positiveness
9% Popularity • 72% Danceability • 75% Energy • 13% Liveness
75% Instrumentalness • 25% Positiveness
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Another Channel
Ael Na Dub
128 bpm • C# Maj • 04:19 • -15.56db
14% Popularity • 83% Danceability • 30% Energy • 35% Liveness
69% Instrumentalness • 55% Positiveness
14% Popularity • 83% Danceability • 30% Energy • 35% Liveness
69% Instrumentalness • 55% Positiveness
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Boozoo Bajou
Kodiak
128 bpm • A min • 05:41 • -16.61db
12% Popularity • 75% Danceability • 39% Energy • 11% Liveness
63% Instrumentalness • 55% Positiveness
12% Popularity • 75% Danceability • 39% Energy • 11% Liveness
63% Instrumentalness • 55% Positiveness
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Rhythm & Sound
Boss Man
126 bpm • G# min • 03:33 • -15.75db
19% Popularity • 96% Danceability • 17% Energy • 11% Liveness
23% Instrumentalness • 46% Positiveness
19% Popularity • 96% Danceability • 17% Energy • 11% Liveness
23% Instrumentalness • 46% Positiveness
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Kode9
Love Is The Drug
128 bpm • G Maj • 02:59 • -10.59db
23% Popularity • 66% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
23% Popularity • 66% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
