Songs like King Of New York by Ben Fankhauser
Based on a tempo of (+/- 10%) and a similar genre
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Alan Menken
Once And For All
168 bpm • E min • 04:01 • -10.35db
47% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 48% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Joel Hatch
Finale
168 bpm • E min • 03:29 • -5db
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Tomorrow Is
168 bpm • D Maj • 03:30 • -6.09db
33% Popularity • 22% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 22% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
50% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The 25th Annual Putnam County Spelling B...
170 bpm • C Maj • 04:44 • -9db
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Lynn Ahrens
Biggest Blame Fool - Original Broadway C...
170 bpm • A# Maj • 03:55 • -9.08db
36% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Breslin
King Of New York (Full Song With Dance B...
168 bpm • C Maj • 04:55 • -8.29db
35% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Grey Henson
Stop
170 bpm • F Maj • 04:50 • -6.23db
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Rannells
Tomorrow Is a Latter Day
170 bpm • G Maj • 06:01 • -10.03db
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Caroline O'Connor
Land of Yesterday
170 bpm • E min • 03:35 • -8.09db
41% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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James Marsden
The Nicest Kids In Town
170 bpm • C# min • 02:42 • -5.6db
51% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Sophia Anne Caruso
Creepy Old Guy
166 bpm • F# Maj • 04:22 • -5.69db
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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Susan Egan
Home
171 bpm • E min • 03:50 • -19.11db
42% Popularity • 23% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 23% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Christy Altomare
Crossing a Bridge
171 bpm • G min • 02:10 • -11.71db
40% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
31% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Ben Fankhauser
Spirits (Think Gently)
170 bpm • B min • 03:11 • -9.94db
4% Popularity • 42% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 42% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Brett Sullivan
Lost for Words
165 bpm • E Maj • 02:57 • -9.34db
1% Popularity • 31% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 31% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Whitty
The Pants Song
172 bpm • C# Maj • 03:16 • -6db
28% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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'In The Heights' Original Broadway Company
Breathe
172 bpm • A# Maj • 04:04 • -10.75db
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kristin Stokes
My Grand Plan
164 bpm • C# Maj • 02:58 • -6.79db
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Patina Miller
Simple Joys
172 bpm • A# min • 02:32 • -7.34db
40% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 54% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Brett Sullivan
Dont Get Beat
172 bpm • C Maj • 03:05 • -9.39db
0% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 68% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Katie Ladner
The Smartphone Hour (Rich Set a Fire)
173 bpm • A# Maj • 05:38 • -6db
39% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Carrie Hope Fletcher
I Say No
173 bpm • E Maj • 03:13 • -5db
51% Popularity • 40% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 40% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bring It On: The Musical - Original Broadway Cast
I Got You
174 bpm • F Maj • 02:56 • -4db
40% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The I Love You Song
162 bpm • D Maj • 05:56 • -8.31db
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Stuart Zagnit
Here On Who - Original Broadway Cast Rec...
162 bpm • A min • 06:00 • -12.7db
33% Popularity • 47% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 47% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
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Sharon Kenny
Maybe
162 bpm • C# Maj • 03:43 • -6.81db
1% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Aaron Tveit
Live in Living Color
175 bpm • D Maj • 03:14 • -5.7db
40% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 47% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Idina Menzel
Take Me or Leave Me
175 bpm • G min • 03:51 • -3.46db
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
37% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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David Shiner
Havin' A Hunch - Original Broadway Cast ...
162 bpm • C# Maj • 03:21 • -9.85db
29% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Tveit
I'm Alive
161 bpm • C Maj • 03:14 • -6.08db
42% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 48% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Schwartz
Wonderful
177 bpm • F Maj • 04:57 • -11.23db
34% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Mindi Dickstein
Better
159 bpm • E Maj • 01:45 • -8.3db
29% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 45% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Ethan Slater
BFF
178 bpm • G Maj • 02:41 • -7.49db
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Anna Kendrick
On the Steps of the Palace
178 bpm • D# Maj • 03:14 • -13.95db
42% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Mike Faist
Tonight (Quintet)
158 bpm • A Maj • 03:28 • -13.24db
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Alex Brightman
That Beautiful Sound
179 bpm • F Maj • 05:14 • -6.04db
51% Popularity • 40% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 40% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
40% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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John Tartaglia
Everyone's a Little Bit Racist
181 bpm • D Maj • 05:27 • -9db
17% Popularity • 61% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Katie Thompson
I Know My Girl
156 bpm • F Maj • 04:13 • -7.95db
17% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Stephen Schwartz
I'm Not That Girl
180 bpm • A Maj • 02:58 • -19db
41% Popularity • 23% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 23% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing
156 bpm • F min • 03:43 • -5.78db
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Original Broadway Cast Of Matilda The Musical
Miracle: Pt. 1
156 bpm • C# Maj • 04:23 • -13db
35% Popularity • 59% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 59% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 69% Positiveness
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Company of The Prom: A New Musical
Tonight Belongs to You
156 bpm • C Maj • 05:20 • -5db
34% Popularity • 48% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 48% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Brian Gonzales
Prince Ali
182 bpm • C# Maj • 05:55 • -6.17db
41% Popularity • 42% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 42% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Anthony Rapp
Rent
182 bpm • G Maj • 03:59 • -3db
47% Popularity • 45% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 45% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Stephanie D'Abruzzo
For Now
183 bpm • F Maj • 03:12 • -11db
14% Popularity • 48% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 48% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Rannells
You Gotta Die Sometime
182 bpm • E min • 03:03 • -8.86db
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 39% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Matthew James Thomas
Corner of the Sky
184 bpm • F Maj • 02:56 • -8.16db
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 23% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Company of The Prom: A New Musical
It's Time to Dance
153 bpm • C# Maj • 05:33 • -4.87db
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Derek Klena
In a Crowd of Thousands
185 bpm • E Maj • 03:45 • -13db
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Newsies Ensemble
Carrying the Banner
152 bpm • A Maj • 06:15 • -13.67db
38% Popularity • 41% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 41% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Jeremy Jordan
Finale
151 bpm • C Maj • 02:34 • -10.36db
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 39% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Will Roland
More Than Survive
150 bpm • C Maj • 08:28 • -6.66db
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Dana Steingold
Girl Scout
150 bpm • G Maj • 02:26 • -6.96db
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Taylor Louderman
Someone Gets Hurt
150 bpm • B min • 03:07 • -4.37db
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Brett Sullivan
Fishing for Bingos
189 bpm • D Maj • 03:08 • -12.6db
1% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
1% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Natalie Venetia Belcon
Schadenfreude
149 bpm • A Maj • 03:04 • -6.14db
15% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 58% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Terrence Mann
Let's Not Talk About Anything Else But L...
149 bpm • F Maj • 03:19 • -10.74db
35% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Sharon Kenny
Pig in the Mud
148 bpm • A Maj • 03:48 • -6.52db
0% Popularity • 83% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 83% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Daniel Breaker
Who I'd Be
190 bpm • C# Maj • 04:00 • -7.22db
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 31% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
39% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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John Tartaglia
If You Were Gay
189 bpm • G Maj • 02:30 • -11.31db
22% Popularity • 61% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
35% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Carrie Hope Fletcher
Seventeen
148 bpm • A Maj • 03:17 • -8.69db
46% Popularity • 37% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 37% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing, Pt. 2
148 bpm • G min • 01:40 • -5.61db
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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Lewis Cleale
Making Things up Again
147 bpm • G# Maj • 04:16 • -11.25db
42% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 67% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Original Broadway Cast Of Matilda The Musical
When I Grow Up / Naughty (Reprise)
147 bpm • F Maj • 02:10 • -7db
37% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 41% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Gary Beach
Be Our Guest
146 bpm • G Maj • 06:55 • -15db
37% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Billy Hartung
The Girl Gets Around
147 bpm • A Maj • 02:21 • -8.42db
33% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Brian D'Arcy James
Bottom's Gonna Be on Top
194 bpm • C Maj • 05:30 • -8.63db
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
42% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
