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King of the Zulus
Songs like
King of the Zulus
by
Jazz Lips
Based on a tempo of (+/- 10%) and a similar genre
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Duke Heitger & His Swing Band
It's Been So Long
155 bpm • F min • 03:34 • -9db
8% Popularity • 61% Danceability • 44% Energy • 6% Liveness
51% Instrumentalness • 86% Positiveness
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John Rowcroft
Vintage Stomp
158 bpm • A min • 01:57 • -9.21db
7% Popularity • 69% Danceability • 47% Energy • 24% Liveness
14% Instrumentalness • 74% Positiveness
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Les Petits Parisians
Folie Douce
158 bpm • C Maj • 03:19 • -9.63db
19% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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THE SCHWINGS BAND
Plazi
154 bpm • A# min • 03:58 • -18.43db
8% Popularity • 56% Danceability • 17% Energy • 12% Liveness
58% Instrumentalness • 78% Positiveness
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Benny Carter
Sleep - Edit
153 bpm • G Maj • 01:09 • -12.47db
9% Popularity • 48% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 50% Positiveness
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Terry Waldo
Back in Your Own Backyard
158 bpm • C Maj • 03:34 • -12.11db
9% Popularity • 54% Danceability • 18% Energy • 7% Liveness
20% Instrumentalness • 54% Positiveness
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Piper Herman
It Sure Is Hot
153 bpm • A Maj • 04:17 • -10.59db
21% Popularity • 78% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Artie Shaw
Chant
159 bpm • A# min • 02:56 • -10.95db
7% Popularity • 51% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Charlie Kunz
Coming in on a Wing and a Prayer
159 bpm • F Maj • 02:52 • -23db
9% Popularity • 57% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 68% Positiveness
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New Orleans 1920s Jazz
I Do Declare!
160 bpm • A Maj • 01:45 • -18.95db
26% Popularity • 77% Danceability • 35% Energy • 8% Liveness
80% Instrumentalness • 93% Positiveness
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Alex Pangman
I'll Never Say 'Never Again' Again
153 bpm • C Maj • 03:38 • -7.93db
11% Popularity • 63% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Dr. Michael White
Midnight Special
160 bpm • F Maj • 04:08 • -12.39db
9% Popularity • 74% Danceability • 20% Energy • 8% Liveness
78% Instrumentalness • 91% Positiveness
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Mr. Acker Bilk & His Paramount Jazz Band
Gladiolus Rag
161 bpm • G# Maj • 02:29 • -8.66db
16% Popularity • 62% Danceability • 53% Energy • 13% Liveness
94% Instrumentalness • 96% Positiveness
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The Pasadena Roof Orchestra
You're Never Fully Dressed Without A Smi...
152 bpm • G Maj • 03:07 • -15.56db
8% Popularity • 46% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Jazz Lips
Change of Key Boogie
161 bpm • F Maj • 05:24 • -14.26db
0% Popularity • 46% Danceability • 60% Energy • 10% Liveness
82% Instrumentalness • 75% Positiveness
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James P. Johnson
The Dream
163 bpm • C min • 02:16 • -13.48db
8% Popularity • 49% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 78% Positiveness
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Alvino Rey & His Orchestra
Dardanella
161 bpm • C Maj • 03:21 • -9.33db
12% Popularity • 37% Danceability • 43% Energy • 40% Liveness
88% Instrumentalness • 72% Positiveness
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Silvia Manco
Jive In
163 bpm • G# Maj • 02:33 • -13.61db
13% Popularity • 62% Danceability • 43% Energy • 9% Liveness
97% Instrumentalness • 67% Positiveness
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楽しいジャズ
バックグラウンドミュージッ�...
149 bpm • F Maj • 02:02 • -17.13db
13% Popularity • 77% Danceability • 28% Energy • 10% Liveness
68% Instrumentalness • 92% Positiveness
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Cellar Boys
Wailin' Blues
149 bpm • D min • 03:13 • -10.76db
10% Popularity • 67% Danceability • 36% Energy • 6% Liveness
89% Instrumentalness • 83% Positiveness
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Calmuc Amdrei
Caniball
148 bpm • D# Maj • 01:09 • -11.56db
10% Popularity • 59% Danceability • 54% Energy • 12% Liveness
89% Instrumentalness • 95% Positiveness
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Alex Pangman
I'm One Hundred Percent for You
148 bpm • F min • 03:41 • -7.98db
9% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Kunz
Because of You / Shanghai / Tulips and H...
165 bpm • A# Maj • 02:50 • -20.59db
12% Popularity • 55% Danceability • 8% Energy • 15% Liveness
95% Instrumentalness • 27% Positiveness
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Giorgio Cuscito
West Coast Swing
148 bpm • A# Maj • 01:53 • -9.54db
35% Popularity • 87% Danceability • 32% Energy • 7% Liveness
93% Instrumentalness • 56% Positiveness
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Moses Macadam
Train
165 bpm • C Maj • 03:39 • -9.6db
22% Popularity • 51% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Bobby Gordon
There Ain'T No Sweet Man
165 bpm • F Maj • 03:04 • -16.59db
12% Popularity • 60% Danceability • 18% Energy • 4% Liveness
60% Instrumentalness • 83% Positiveness
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The Hot Toddies Jazz Band
Five O'clock Coffee
165 bpm • F min • 03:57 • -12db
9% Popularity • 58% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Benny Goodman Quartet
I Cried For You
147 bpm • D min • 03:18 • -14.84db
19% Popularity • 69% Danceability • 21% Energy • 18% Liveness
76% Instrumentalness • 74% Positiveness
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Malo Mazurié
The Pearls
147 bpm • C Maj • 03:26 • -11.64db
13% Popularity • 66% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 59% Positiveness
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Down Home Jazz Band
Winter Garden Rag
166 bpm • C Maj • 03:16 • -13.81db
11% Popularity • 64% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Umlaut Big Band
Mary's Idea
166 bpm • A# min • 03:51 • -10.98db
9% Popularity • 57% Danceability • 29% Energy • 12% Liveness
57% Instrumentalness • 75% Positiveness
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Doc Cheatham
I Can't Believe That You're in Love with...
167 bpm • A# Maj • 04:52 • -13.7db
11% Popularity • 43% Danceability • 38% Energy • 18% Liveness
58% Instrumentalness • 79% Positiveness
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James P. Johnson
Old Fashioned Love
146 bpm • F Maj • 02:52 • -18.97db
18% Popularity • 70% Danceability • 32% Energy • 35% Liveness
81% Instrumentalness • 78% Positiveness
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Jimmy Daley And The Ding-A-Lings
Juke Box Rock - Rock Pretty Baby Origina...
167 bpm • F Maj • 02:09 • -9.99db
8% Popularity • 44% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Piero Piccioni
Abigaille (The Young Tigers)
167 bpm • C# Maj • 02:33 • -18.68db
9% Popularity • 76% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Jazz Lips
Bombay
167 bpm • F Maj • 04:20 • -14.52db
0% Popularity • 41% Danceability • 44% Energy • 12% Liveness
84% Instrumentalness • 79% Positiveness
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Fats Waller
(Oh Susannah)Dust Off That Old Pianna
145 bpm • C Maj • 02:34 • -11.93db
10% Popularity • 69% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 96% Positiveness
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Harry James Orchestra
Sharp as a Tack
167 bpm • D# Maj • 01:54 • -14.65db
6% Popularity • 54% Danceability • 38% Energy • 7% Liveness
65% Instrumentalness • 94% Positiveness
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V.V.C
Gypsy Night Out
145 bpm • F Maj • 02:57 • -13.24db
16% Popularity • 85% Danceability • 26% Energy • 6% Liveness
40% Instrumentalness • 76% Positiveness
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Mike Reinhardt Sextett
Swing With Django
145 bpm • D Maj • 02:23 • -13.32db
9% Popularity • 80% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
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Artie Shaw
Rosalie
168 bpm • F Maj • 02:43 • -8.34db
8% Popularity • 71% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 83% Positiveness
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Baby Blue
両手ひろげて
145 bpm • C Maj • 01:49 • -15db
11% Popularity • 79% Danceability • 31% Energy • 30% Liveness
30% Instrumentalness • 70% Positiveness
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Johnny Guarnieri
Walla Walla
144 bpm • D# Maj • 01:58 • -12.99db
25% Popularity • 46% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
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Lelio Luttazzi
In un mercato persiano
168 bpm • F# Maj • 03:14 • -8.24db
17% Popularity • 47% Danceability • 44% Energy • 5% Liveness
34% Instrumentalness • 59% Positiveness
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The Bourbon Street Stompers
Gut Bucket Blues
144 bpm • A# Maj • 02:29 • -12db
10% Popularity • 64% Danceability • 34% Energy • 8% Liveness
28% Instrumentalness • 88% Positiveness
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Elsie Nouvel
These Boots Are Made for Walking
144 bpm • C min • 04:27 • -10.69db
10% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Harry Roy And His Mayfair Hotel Orchestra
Struttin' in the Strand
144 bpm • D min • 02:53 • -16.63db
9% Popularity • 58% Danceability • 20% Energy • 13% Liveness
13% Instrumentalness • 60% Positiveness
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New Orleans 1920s Jazz
The Jazz Age
170 bpm • G Maj • 01:38 • -18db
32% Popularity • 73% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
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The American Jazz Lounge Trio
A Better Life Ahead
170 bpm • E Maj • 01:50 • -16db
23% Popularity • 65% Danceability • 21% Energy • 10% Liveness
62% Instrumentalness • 68% Positiveness
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Adam Swanson
King Chanticleer
143 bpm • C min • 03:37 • -12.87db
8% Popularity • 45% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 93% Positiveness
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Michael Gamble & The Rhythm Serenaders
Oh, Lady Be Good!
170 bpm • G min • 03:11 • -20.63db
8% Popularity • 70% Danceability • 16% Energy • 6% Liveness
26% Instrumentalness • 77% Positiveness
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Tocatas Brasil CCB
Vida Eterna! Vida Eterna!
171 bpm • A# Maj • 04:11 • -14.62db
9% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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楽しいジャズ
瞬間(ホテルの朝食)
171 bpm • C Maj • 01:46 • -15.37db
9% Popularity • 71% Danceability • 36% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
171 bpm • G# Maj • 03:36 • -17.23db
10% Popularity • 37% Danceability • 20% Energy • 27% Liveness
39% Instrumentalness • 84% Positiveness
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Arne Domnérus
What a Kick
171 bpm • G# Maj • 03:13 • -13.68db
13% Popularity • 41% Danceability • 41% Energy • 36% Liveness
72% Instrumentalness • 74% Positiveness
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Second Line Jazzband
If You Were the Only Girl in the World
172 bpm • F min • 04:49 • -9.77db
11% Popularity • 59% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Ray Gelato
I've Been Around the Block
172 bpm • G Maj • 02:16 • -6.24db
10% Popularity • 63% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Papajazz
Perdido
172 bpm • A# Maj • 03:12 • -8.03db
8% Popularity • 56% Danceability • 56% Energy • 14% Liveness
9% Instrumentalness • 75% Positiveness
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楽しいジャズ
気分(クロワッサン)
172 bpm • C Maj • 01:46 • -13.73db
13% Popularity • 71% Danceability • 33% Energy • 12% Liveness
75% Instrumentalness • 90% Positiveness
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Hudson Delange Orchestra
The Maid's Night Off
172 bpm • A# min • 02:53 • -13.12db
12% Popularity • 44% Danceability • 34% Energy • 29% Liveness
87% Instrumentalness • 77% Positiveness
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Sister Rosetta Tharpe
Don't Take Everybody to Be Your Friend
141 bpm • C Maj • 02:26 • -8.48db
13% Popularity • 73% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Raya Yarbrough
Got No Time
173 bpm • C Maj • 02:19 • -8.45db
11% Popularity • 55% Danceability • 43% Energy • 48% Liveness
0% Instrumentalness • 75% Positiveness
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Jay McShann
Rollinwith Roland
173 bpm • C Maj • 04:16 • -19.76db
14% Popularity • 47% Danceability • 25% Energy • 19% Liveness
85% Instrumentalness • 78% Positiveness
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Stockholm Swing All Stars
Shirley Steps Out
173 bpm • G# Maj • 02:41 • -14.48db
8% Popularity • 57% Danceability • 16% Energy • 10% Liveness
60% Instrumentalness • 46% Positiveness
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Harry James
Bluebeard Blues
173 bpm • D# Maj • 02:41 • -4.73db
11% Popularity • 56% Danceability • 58% Energy • 9% Liveness
88% Instrumentalness • 84% Positiveness
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Jack Teagarden
When
173 bpm • G# Maj • 03:20 • -6.87db
10% Popularity • 44% Danceability • 57% Energy • 51% Liveness
47% Instrumentalness • 75% Positiveness
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Raymond Scott
Rococo - 1939
140 bpm • D min • 03:13 • -14db
11% Popularity • 56% Danceability • 22% Energy • 6% Liveness
93% Instrumentalness • 55% Positiveness
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Marco Bianchi Vibes 4tet
Bourbon Street
140 bpm • D min • 02:48 • -6.56db
21% Popularity • 88% Danceability • 55% Energy • 12% Liveness
94% Instrumentalness • 90% Positiveness
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Jazz Chat Louis Comptines
Le Vieux MacDonald A Une Ferme - Saxopho...
140 bpm • C Maj • 01:06 • -11.35db
19% Popularity • 67% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 78% Positiveness
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Tom Nicholls
Dizziness - Instrumental
140 bpm • C min • 01:02 • -8.69db
18% Popularity • 68% Danceability • 49% Energy • 16% Liveness
97% Instrumentalness • 96% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
174 bpm • C Maj • 01:57 • -15.56db
19% Popularity • 34% Danceability • 31% Energy • 9% Liveness
9% Instrumentalness • 83% Positiveness
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Duke Ellington
Villes Ville Is The Place, Man
175 bpm • F min • 02:33 • -16.05db
7% Popularity • 44% Danceability • 32% Energy • 7% Liveness
15% Instrumentalness • 90% Positiveness
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Midnight Serenaders
When I Drink Your Wine
175 bpm • A min • 03:49 • -7.47db
10% Popularity • 60% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Marco Bianchi Vibes 4tet
Frenchmen Street
140 bpm • F Maj • 02:48 • -6.65db
17% Popularity • 89% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
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Giorgio Cuscito
The Pink Room
175 bpm • C# Maj • 02:36 • -7.79db
22% Popularity • 69% Danceability • 38% Energy • 6% Liveness
72% Instrumentalness • 52% Positiveness
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Peoria Jazzband
Tell Me Your Dreams
175 bpm • C Maj • 04:29 • -10.42db
8% Popularity • 54% Danceability • 44% Energy • 8% Liveness
54% Instrumentalness • 71% Positiveness
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Jazz Lips
Martinique
175 bpm • F min • 05:44 • -12.9db
3% Popularity • 44% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 89% Positiveness
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Fats Waller
I'm A Hundred Percent For You
138 bpm • A# Maj • 03:07 • -15.61db
9% Popularity • 72% Danceability • 22% Energy • 12% Liveness
13% Instrumentalness • 60% Positiveness
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Frank Bunch and the Fuzzy Wuzzies
Congo Stomp
139 bpm • F Maj • 02:58 • -14.57db
9% Popularity • 60% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
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Greg Ruby
Low Down
137 bpm • G Maj • 03:41 • -14.57db
14% Popularity • 66% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 81% Positiveness
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Eddie Condon
Eccentric
177 bpm • C Maj • 03:27 • -14.48db
12% Popularity • 54% Danceability • 32% Energy • 51% Liveness
87% Instrumentalness • 96% Positiveness
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Peoria Jazzband
When I Leave This World Behind
178 bpm • A# Maj • 04:37 • -10.29db
9% Popularity • 50% Danceability • 38% Energy • 5% Liveness
9% Instrumentalness • 65% Positiveness
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Charlie Fardella
Sing You Sinners
178 bpm • F Maj • 03:39 • -12.53db
8% Popularity • 54% Danceability • 44% Energy • 7% Liveness
4% Instrumentalness • 88% Positiveness
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Donald Lambert
Harlem Strut
137 bpm • C# Maj • 02:26 • -18db
18% Popularity • 42% Danceability • 56% Energy • 17% Liveness
84% Instrumentalness • 71% Positiveness
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Johnny Hodges & His Orchestra
The Jeep is Jumping
178 bpm • A# Maj • 02:47 • -13.37db
14% Popularity • 59% Danceability • 37% Energy • 32% Liveness
78% Instrumentalness • 91% Positiveness
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James P. Johnson
Steeplechase Rag
136 bpm • F Maj • 02:27 • -13.48db
10% Popularity • 38% Danceability • 45% Energy • 12% Liveness
88% Instrumentalness • 91% Positiveness
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Adam Hall and the Velvet Playboys
Give Me Sunshine
179 bpm • G# Maj • 03:14 • -6.39db
11% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Italian Love Song Passione
Sax Sounds
136 bpm • B min • 03:51 • -14.86db
18% Popularity • 81% Danceability • 36% Energy • 9% Liveness
81% Instrumentalness • 53% Positiveness
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Raymond Scott
At An Arabian House Party - 1939 Alterna...
179 bpm • G min • 03:36 • -11.44db
8% Popularity • 45% Danceability • 50% Energy • 35% Liveness
70% Instrumentalness • 56% Positiveness
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Jazz Lips
Bohemia Rag
179 bpm • F Maj • 02:59 • -13.38db
0% Popularity • 46% Danceability • 44% Energy • 13% Liveness
95% Instrumentalness • 95% Positiveness
► Preview
Popoff & His Bootleggers
A Swinging Guy
136 bpm • C Maj • 03:05 • -15.21db
15% Popularity • 61% Danceability • 30% Energy • 25% Liveness
1% Instrumentalness • 73% Positiveness
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カフェジャズ
思い出(カフェムード)
179 bpm • C Maj • 01:41 • -15.23db
20% Popularity • 54% Danceability • 28% Energy • 12% Liveness
74% Instrumentalness • 88% Positiveness
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Piper Herman
Cooked Okra And Spinach
136 bpm • D min • 03:56 • -8.1db
21% Popularity • 71% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Willie Humphrey
Rosetta
180 bpm • A min • 03:50 • -22.97db
15% Popularity • 61% Danceability • 11% Energy • 3% Liveness
27% Instrumentalness • 48% Positiveness
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Noah Peterson
Everybody Knows
180 bpm • D# Maj • 03:34 • -8.72db
8% Popularity • 79% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 98% Positiveness
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James P. Johnson
Ain't Misbehavin' - Alt Take 2
135 bpm • D# Maj • 02:29 • -15.12db
11% Popularity • 71% Danceability • 34% Energy • 37% Liveness
32% Instrumentalness • 76% Positiveness
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Andrej Hermlin and his Swing Dance Orchestra
Woodchopper's Ball
180 bpm • C# Maj • 03:32 • -14.82db
9% Popularity • 64% Danceability • 28% Energy • 2% Liveness
56% Instrumentalness • 90% Positiveness
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Marco Bianchi Vibes 4tet
Swingin'Up
180 bpm • C Maj • 02:13 • -7.52db
21% Popularity • 66% Danceability • 53% Energy • 12% Liveness
12% Instrumentalness • 57% Positiveness
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ricca
Morning Coffee
180 bpm • G Maj • 01:30 • -17.82db
20% Popularity • 77% Danceability • 30% Energy • 10% Liveness
45% Instrumentalness • 97% Positiveness
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Danny Jonokuchi
It's Five O'Clock Somewhere
180 bpm • C# Maj • 03:05 • -9.18db
16% Popularity • 66% Danceability • 50% Energy • 8% Liveness
88% Instrumentalness • 62% Positiveness
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King of the Zulus