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Kobicha
Songs like
Kobicha
by
Arden Forest
Based on a tempo of (+/- 10%) and a similar genre
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Arden Forest
Kobicha
178 bpm • A# min • 02:39 • -20.78db
28% Popularity • 33% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Snow in April
Aurora
178 bpm • F# min • 01:59 • -21db
48% Popularity • 37% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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Reese Willis
Elysium
178 bpm • G# Maj • 02:19 • -22.83db
39% Popularity • 24% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 47% Positiveness
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Jackson Love
As Wind Echoes Over Snow
179 bpm • C min • 03:41 • -25.78db
38% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Khyaam Haque
A Long Life, Hidden Away
177 bpm • C# Maj • 01:21 • -22.84db
38% Popularity • 56% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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Jef Martens
The Unspoken
179 bpm • F min • 02:53 • -26.96db
31% Popularity • 28% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Annebelle Coenraad
Op Die Fiets
176 bpm • G min • 02:21 • -26.46db
32% Popularity • 24% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Otto A. Totland
Greiner
180 bpm • F Maj • 01:10 • -27.42db
36% Popularity • 44% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 56% Positiveness
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Charles Bolt
For A Lifetime
176 bpm • D Maj • 03:44 • -26.42db
34% Popularity • 54% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Roberto Attanasio
Behind Those Eyes
180 bpm • B Maj • 03:16 • -18db
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Johannes Bornlöf
Scribbled Notes
176 bpm • D min • 02:33 • -23.12db
27% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 28% Positiveness
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Magnus Ludvigsson
Goodnight Story
176 bpm • A# min • 03:35 • -21.72db
20% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 38% Positiveness
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Way Beyond
Raindrops
181 bpm • F min • 01:54 • -24.13db
37% Popularity • 28% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 71% Positiveness
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Marta Cascales Alimbau
Almost Here
181 bpm • G Maj • 02:57 • -21db
28% Popularity • 25% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Arden Forest
Monastral
181 bpm • G# min • 02:03 • -25.35db
37% Popularity • 26% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Biba Dupont
Silhouette
181 bpm • F# Maj • 02:23 • -26.09db
33% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Luke Woodapple
Empathy in C Minor
182 bpm • C min • 03:13 • -26.35db
28% Popularity • 28% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Cora Droma
Fearthainne
174 bpm • E min • 02:22 • -25.02db
33% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Dmitry Evgrafov
Illumination
182 bpm • D Maj • 02:32 • -25.03db
37% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Niall Byrne
Somewhere
174 bpm • G Maj • 03:02 • -39db
24% Popularity • 28% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Tomasz Kraal
Valse Glacée
174 bpm • A# min • 03:00 • -29.19db
27% Popularity • 25% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Edvard Kravchuk
Rising in the Sun
182 bpm • C Maj • 02:26 • -26.84db
49% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Jonas Holmes
Ripples on a Pond
183 bpm • C# Maj • 02:24 • -28.65db
34% Popularity • 22% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Tristan Eckerson
For Natalia
173 bpm • C# Maj • 02:41 • -25.94db
25% Popularity • 26% Danceability • 0% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Nick Sillitoe
Fade Far Away
173 bpm • F min • 03:31 • -24.44db
22% Popularity • 10% Danceability • 3% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Jordane Tumarinson
Désolation
173 bpm • G min • 01:51 • -28.37db
42% Popularity • 39% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Randy Oppenheim
Autumn in Bruges
172 bpm • A min • 02:01 • -25db
39% Popularity • 28% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 44% Positiveness
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Tomasz Kraal
Anfractuous View
172 bpm • F min • 03:09 • -29db
44% Popularity • 22% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 13% Positiveness
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Jef Martens
When We Dance
172 bpm • D Maj • 02:10 • -28.33db
27% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Gavin Luke
A Presence Felt
171 bpm • A min • 03:04 • -26.13db
36% Popularity • 19% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Tristan Eckerson
It's Not Ice
170 bpm • A min • 03:34 • -25.42db
29% Popularity • 39% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Jordane Tumarinson
Necessary Things
172 bpm • C min • 03:52 • -21db
42% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Matt Stewart-Evans
Retrospect
170 bpm • C Maj • 03:38 • -21.57db
20% Popularity • 24% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Ben Crosland
The Snow is Melting
187 bpm • F Maj • 02:58 • -22.28db
48% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Luke Faulkner
Beneath the Crystal Veil
169 bpm • A# min • 02:33 • -29.91db
38% Popularity • 40% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Gavin Luke
Night Walk
170 bpm • F# Maj • 02:20 • -19.25db
42% Popularity • 25% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Patrick Hamilton
Winged Melancholy
169 bpm • E min • 02:19 • -27.76db
39% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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S.A. Karl
Cassiopeia
167 bpm • B Maj • 02:48 • -29db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Amity Fall
Without
188 bpm • C# min • 02:30 • -27.09db
47% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Johannes Bornlöf
Nocturnal Waltz
166 bpm • C# min • 02:08 • -18.94db
56% Popularity • 18% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Nay Shalom
Ladder To The Sky
166 bpm • A# Maj • 03:55 • -22.85db
17% Popularity • 42% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Arden Forest
Retrace
165 bpm • G min • 02:35 • -22.4db
6% Popularity • 35% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Rand Aldo
Nine Times around the Heart
164 bpm • G# Maj • 02:57 • -20.66db
30% Popularity • 33% Danceability • 8% Energy • 11% Liveness
64% Instrumentalness • 10% Positiveness
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Darrell Vitagliano
Gelsomino
164 bpm • A min • 01:58 • -27.71db
34% Popularity • 28% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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S.A. Karl
Equus
164 bpm • D Maj • 02:14 • -22.24db
42% Popularity • 39% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Johannes Bornlöf
Out of Darkness
165 bpm • E min • 03:31 • -22.01db
20% Popularity • 21% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Figgy Malone
The Firefly
196 bpm • G min • 03:14 • -23.6db
16% Popularity • 40% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Borrtex
Vera
161 bpm • F Maj • 02:24 • -24.6db
47% Popularity • 44% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 53% Positiveness
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Franz Gordon
Memories of Sardinia
196 bpm • G Maj • 03:35 • -18.09db
29% Popularity • 23% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Charles Bolt
The Dreamer
161 bpm • C min • 02:58 • -18.9db
34% Popularity • 24% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Porch Upright
Her Allure
160 bpm • D Maj • 02:38 • -24.33db
14% Popularity • 27% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Teodor Wolgers
hopes
160 bpm • B min • 02:29 • -30.09db
38% Popularity • 52% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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Muriël Bostdorp
Waltz For Sky
159 bpm • C min • 03:00 • -24db
18% Popularity • 40% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 40% Positiveness
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Lionel Scardino
Megaclite
159 bpm • C Maj • 02:26 • -27.13db
20% Popularity • 22% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Adam Daudrich
Swells
159 bpm • C min • 02:45 • -28.13db
37% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Lenovie
Problématique
200 bpm • A Maj • 01:43 • -21.28db
34% Popularity • 40% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Megan Wofford
Uprise
202 bpm • F Maj • 02:19 • -22.24db
35% Popularity • 26% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Gabriel Parker
The Laws Of Thermodynamics
202 bpm • A# Maj • 02:17 • -18.36db
20% Popularity • 48% Danceability • 35% Energy • 6% Liveness
94% Instrumentalness • 87% Positiveness
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Lama House
Wish of the Progeny
204 bpm • G min • 02:29 • -19.68db
39% Popularity • 30% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Daniel Schrage
Lara - Revisited
205 bpm • A min • 01:52 • -25.54db
45% Popularity • 29% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 49% Positiveness
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Yonder Dale
Life As One
154 bpm • D# min • 02:53 • -19.71db
18% Popularity • 23% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Comet Blue
Sand Between Our Fingers
205 bpm • D# min • 02:48 • -26.59db
37% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Ben Crosland
The Turn
154 bpm • G# min • 02:47 • -26.91db
44% Popularity • 22% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Carlos Cipa
The Place Where They Go
206 bpm • D# Maj • 04:15 • -28.92db
36% Popularity • 17% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Sumsar
Amorous Rebound
206 bpm • A# min • 01:49 • -30.2db
41% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 22% Positiveness
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Ever So Blue
Cessura
153 bpm • A Maj • 03:05 • -28.38db
47% Popularity • 37% Danceability • 10% Energy • 8% Liveness
80% Instrumentalness • 34% Positiveness
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Async Ross
Vesper Ave
153 bpm • A Maj • 02:30 • -28db
31% Popularity • 28% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Arden Forest
Permanent Green Light
153 bpm • D min • 02:22 • -18.77db
13% Popularity • 40% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 31% Positiveness
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Jef Martens
Morning Walk
153 bpm • B Maj • 01:28 • -17.61db
40% Popularity • 39% Danceability • 41% Energy • 11% Liveness
96% Instrumentalness • 37% Positiveness
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Olivia Belli
Beside The Spring
151 bpm • F Maj • 02:57 • -27.26db
35% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Sarah Spring
Requiem
209 bpm • B Maj • 02:59 • -28.85db
33% Popularity • 25% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Danko Debeljak
Žuri polako
210 bpm • G# min • 01:58 • -29.52db
31% Popularity • 18% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Mattia Vlad Morleo
Perceptions
210 bpm • A min • 05:51 • -26.06db
38% Popularity • 18% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Elsa Enestam
Laajoki
217 bpm • G min • 02:22 • -24.59db
29% Popularity • 19% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 63% Positiveness
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Olivia Belli
Ambro
151 bpm • G Maj • 02:45 • -32.17db
34% Popularity • 35% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
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Kobicha