Songs like Kol Nidrei, Op. 47 by Max Bruch
Based on a tempo of (+/- 10%) and a similar genre
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Rusalka, Op. 114: Song to the Moon
137 bpm • F# Maj • 05:25 • -19db
34% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: Romance
135 bpm • C# Maj • 04:16 • -15db
24% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
135 bpm • D Maj • 06:40 • -23.12db
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
46% Popularity • 16% Danceability • 3% Energy • 12% Liveness
48% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
String Sextet in D Minor, Op. 70, "Souve...
138 bpm • D min • 06:57 • -14.22db
9% Popularity • 39% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
9% Popularity • 39% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
133 bpm • D# Maj • 08:38 • -23.45db
18% Popularity • 19% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 8% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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François Dompierre
Les Beautés Du Diable
132 bpm • E min • 03:15 • -22.52db
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
38% Popularity • 37% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: No. 8 Romance
133 bpm • C# Maj • 06:28 • -20.3db
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Chanson russe
130 bpm • F min • 03:28 • -31db
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 30% Danceability • 1% Energy • 18% Liveness
88% Instrumentalness • 21% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Suite for Violoncello No. 1 in G Major, ...
143 bpm • G Maj • 03:09 • -20.75db
15% Popularity • 41% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
15% Popularity • 41% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
54% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Dance of the Dolls: Lyric Waltz (Orch. b...
144 bpm • F Maj • 03:24 • -28db
14% Popularity • 28% Danceability • 4% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 4% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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Max Bruch
Symphony No. 3 in E Major, Op. 51: IV. S...
144 bpm • C Maj • 05:58 • -24.23db
7% Popularity • 27% Danceability • 4% Energy • 8% Liveness
52% Instrumentalness • 24% Positiveness
7% Popularity • 27% Danceability • 4% Energy • 8% Liveness
52% Instrumentalness • 24% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Edward Elgar
Elgar: Salut d'amour
144 bpm • E Maj • 02:42 • -26.47db
24% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Martin Stock
Larissas Lied aus "Wunderkinder"
145 bpm • G min • 02:30 • -21db
18% Popularity • 22% Danceability • 13% Energy • 14% Liveness
60% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 13% Energy • 14% Liveness
60% Instrumentalness • 10% Positiveness
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Maurice Ravel
Tzigane, M. 76
128 bpm • D Maj • 09:29 • -20db
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
String Sextet in D Minor, Op. 70, "Souve...
127 bpm • D Maj • 09:51 • -20db
11% Popularity • 21% Danceability • 13% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 13% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Sonata No. 8 in C Minor...
126 bpm • G# Maj • 05:33 • -30.66db
38% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Henri Vieuxtemps
Capriccio for Solo Viola, Op. 55
126 bpm • C min • 03:25 • -24db
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
15% Popularity • 28% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
147 bpm • C Maj • 03:34 • -20db
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
46% Popularity • 47% Danceability • 13% Energy • 13% Liveness
53% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Piano Trio No. 4 in E Minor, Op. 90, B.1...
148 bpm • D# Maj • 03:50 • -16.03db
16% Popularity • 31% Danceability • 25% Energy • 36% Liveness
58% Instrumentalness • 23% Positiveness
16% Popularity • 31% Danceability • 25% Energy • 36% Liveness
58% Instrumentalness • 23% Positiveness
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Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
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Robert Schumann
Fantasiestücke op. 73: II. Lebhaft, lei...
124 bpm • A Maj • 03:17 • -24.06db
12% Popularity • 27% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
12% Popularity • 27% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
46% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (arr. H. Busser for cello...
149 bpm • F# min • 05:42 • -22db
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
123 bpm • E min • 08:06 • -23db
27% Popularity • 18% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Max Bruch
Bruch: Concerto for Clarinet and Viola i...
122 bpm • G Maj • 06:22 • -22.44db
7% Popularity • 19% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 7% Positiveness
7% Popularity • 19% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto for Clarinet and Orchestra No. ...
119 bpm • E min • 03:31 • -26db
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Christopher Palmer
From Jewish Life (arr. C. Palmer): III. ...
119 bpm • F Maj • 03:00 • -29db
12% Popularity • 18% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Fritz Kreisler
Tambourin chinois, Op. 3 (Arr. for Violi...
157 bpm • G min • 03:45 • -24.82db
29% Popularity • 40% Danceability • 14% Energy • 7% Liveness
33% Instrumentalness • 15% Positiveness
29% Popularity • 40% Danceability • 14% Energy • 7% Liveness
33% Instrumentalness • 15% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Passion selon Saint-Matthieu, BWV 244: "...
118 bpm • E min • 06:09 • -17db
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 13% Liveness
21% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Giustino, RV 717, Act I: Vedrò con mio ...
162 bpm • B min • 02:28 • -23db
9% Popularity • 39% Danceability • 6% Energy • 11% Liveness
37% Instrumentalness • 47% Positiveness
9% Popularity • 39% Danceability • 6% Energy • 11% Liveness
37% Instrumentalness • 47% Positiveness
► Preview
Alexander Borodin
Borodin - String Quartet No.2 in D major...
164 bpm • D Maj • 08:45 • -17db
23% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 22% Liveness
56% Instrumentalness • 21% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Ernest Bloch
No. 1 Prayer
166 bpm • F min • 03:42 • -20.26db
10% Popularity • 12% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 9% Positiveness
10% Popularity • 12% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme for Cello a...
166 bpm • F# min • 00:52 • -24.2db
7% Popularity • 21% Danceability • 1% Energy • 12% Liveness
30% Instrumentalness • 15% Positiveness
7% Popularity • 21% Danceability • 1% Energy • 12% Liveness
30% Instrumentalness • 15% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
169 bpm • G Maj • 02:32 • -22.78db
11% Popularity • 8% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
11% Popularity • 8% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
► Preview
Edward Elgar
Chanson de matin
171 bpm • G Maj • 03:00 • -20db
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 13% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
15% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
15% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Henry Mancini
Moon River
172 bpm • G Maj • 03:43 • -22.46db
24% Popularity • 8% Danceability • 11% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 11% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Niccolò Paganini
Cantabile, MS 109/Op. 17 (Arr. for Cello...
172 bpm • D Maj • 03:25 • -11.12db
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
► Preview
Claude Debussy
Beau Soir, L. 6
172 bpm • F# min • 02:15 • -28db
27% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Cantata, BWV 82: No. 5 Ich freue mich au...
172 bpm • C min • 03:34 • -18.06db
8% Popularity • 28% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
8% Popularity • 28% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
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Georg Philipp Telemann
Ouverture in D Major, "Darmstadt": Harle...
174 bpm • C# Maj • 01:59 • -16.95db
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen! (...
174 bpm • F Maj • 03:46 • -28db
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Henry Mancini
Moon River (Arr. for Celllo and Guitar)
175 bpm • G Maj • 03:37 • -12.63db
8% Popularity • 14% Danceability • 20% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
8% Popularity • 14% Danceability • 20% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
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Clare Hammond
Impromptu No. 3 in G-Flat Major, Op.90, ...
175 bpm • F# Maj • 06:25 • -28.49db
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Tomaso Albinoni
Adagio in G Minor (Arr. for Harp and Orc...
175 bpm • C min • 05:00 • -16.16db
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
54% Popularity • 14% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
II. Largo e pianissimo sempre
176 bpm • C# min • 02:35 • -26.93db
34% Popularity • 10% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
179 bpm • C min • 05:33 • -30db
18% Popularity • 36% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
18% Popularity • 36% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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Jules Massenet
Les Erinnyes - Arr. by Mischa Maisky: El...
179 bpm • G min • 02:27 • -25.11db
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
26% Popularity • 10% Danceability • 2% Energy • 7% Liveness
65% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Mélodie, Op. 43, No. 3
179 bpm • D# Maj • 03:15 • -23db
8% Popularity • 14% Danceability • 10% Energy • 18% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 14% Danceability • 10% Energy • 18% Liveness
90% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K. 467...
182 bpm • F Maj • 07:05 • -23db
35% Popularity • 15% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
52% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
52% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 10 in G Major: Largo
186 bpm • D Maj • 06:37 • -24.47db
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
