Songs like La boîte by Magic Malik Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Carla Bley
Five Banana
128 bpm • A min • 07:51 • -11.06db
7% Popularity • 45% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
7% Popularity • 45% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
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Jeroen De Rijk
Small Man Big Man
128 bpm • D min • 05:15 • -9.52db
15% Popularity • 48% Danceability • 60% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
15% Popularity • 48% Danceability • 60% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Chlorine Free
Rêves perdus
128 bpm • F# Maj • 03:19 • -10.41db
21% Popularity • 56% Danceability • 56% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
21% Popularity • 56% Danceability • 56% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Avishai Cohen
Structure in Emotion
128 bpm • C# Maj • 06:20 • -14db
21% Popularity • 36% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
21% Popularity • 36% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Rêve D'éléphant Orchestra
Nemo
128 bpm • C min • 06:56 • -12.91db
18% Popularity • 65% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
18% Popularity • 65% Danceability • 47% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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Raphaël Imbert
Heart of Gold
128 bpm • G Maj • 03:44 • -13.88db
8% Popularity • 44% Danceability • 33% Energy • 25% Liveness
6% Instrumentalness • 39% Positiveness
8% Popularity • 44% Danceability • 33% Energy • 25% Liveness
6% Instrumentalness • 39% Positiveness
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Roisel Suà rez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
12% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
12% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Magic Malik Orchestra
La boîte
128 bpm • D Maj • 05:40 • -7.43db
2% Popularity • 34% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 34% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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Chlorine Free
Max's Idea
128 bpm • D Maj • 02:39 • -9.75db
18% Popularity • 48% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 93% Positiveness
18% Popularity • 48% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 93% Positiveness
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El Comité
Gran Via
129 bpm • F min • 06:03 • -8db
15% Popularity • 60% Danceability • 78% Energy • 62% Liveness
92% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 78% Energy • 62% Liveness
92% Instrumentalness • 74% Positiveness
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Gerard Presencer
Unfold And Fly
129 bpm • D# Maj • 02:10 • -13.59db
13% Popularity • 47% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Hadouk Trio
Polar blues
127 bpm • A# min • 04:50 • -11.62db
18% Popularity • 66% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 27% Positiveness
18% Popularity • 66% Danceability • 27% Energy • 7% Liveness
26% Instrumentalness • 27% Positiveness
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Maisha
Kaa
129 bpm • D# min • 10:22 • -10.87db
11% Popularity • 46% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
11% Popularity • 46% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Ibrahim Maalouf
Nouveau départ
129 bpm • C Maj • 01:23 • -17.22db
16% Popularity • 80% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
16% Popularity • 80% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Jo Kaiat
Avishai
127 bpm • D Maj • 03:52 • -11.88db
16% Popularity • 55% Danceability • 53% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
16% Popularity • 55% Danceability • 53% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Shai Maestro
Invisible Thread
127 bpm • C min • 04:44 • -12.07db
8% Popularity • 42% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
8% Popularity • 42% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 63% Positiveness
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Nik Bärtsch
Modul 45
127 bpm • C Maj • 09:41 • -17.06db
9% Popularity • 45% Danceability • 27% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
9% Popularity • 45% Danceability • 27% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
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Thomas de Pourquery
Bring Me Back the Day
129 bpm • F min • 05:16 • -10.56db
8% Popularity • 42% Danceability • 16% Energy • 14% Liveness
67% Instrumentalness • 4% Positiveness
8% Popularity • 42% Danceability • 16% Energy • 14% Liveness
67% Instrumentalness • 4% Positiveness
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Bill Frisell
Outlaws
129 bpm • G min • 07:55 • -15.19db
22% Popularity • 50% Danceability • 29% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
22% Popularity • 50% Danceability • 29% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Kham Meslien
Kar kar kar
129 bpm • G Maj • 02:59 • -20.37db
24% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
24% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Sylvain Rifflet
I'vo'bene
127 bpm • G min • 02:22 • -13.09db
20% Popularity • 46% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
20% Popularity • 46% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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Joachim Kühn
The End
126 bpm • G Maj • 04:04 • -13db
10% Popularity • 46% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
10% Popularity • 46% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Eric Legnini Trio
The Memphis Dude
126 bpm • F min • 03:26 • -11.81db
13% Popularity • 38% Danceability • 78% Energy • 13% Liveness
93% Instrumentalness • 73% Positiveness
13% Popularity • 38% Danceability • 78% Energy • 13% Liveness
93% Instrumentalness • 73% Positiveness
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Gabriel Alegria
Summertime
126 bpm • G min • 07:08 • -8.09db
7% Popularity • 58% Danceability • 53% Energy • 9% Liveness
39% Instrumentalness • 78% Positiveness
7% Popularity • 58% Danceability • 53% Energy • 9% Liveness
39% Instrumentalness • 78% Positiveness
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Tribeqa
Tribeqhouse
126 bpm • A# min • 06:55 • -7.69db
8% Popularity • 55% Danceability • 58% Energy • 25% Liveness
49% Instrumentalness • 38% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 25% Liveness
49% Instrumentalness • 38% Positiveness
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Tony Allen
Moanin'
126 bpm • F min • 05:01 • -9.66db
19% Popularity • 53% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 66% Positiveness
19% Popularity • 53% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 66% Positiveness
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Ohnarp JANSON
Well, I Did'nt Expect That
130 bpm • A# min • 07:08 • -10.66db
17% Popularity • 47% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 65% Positiveness
17% Popularity • 47% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 65% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Airelle Besson
La galactée
126 bpm • F min • 06:55 • -13.88db
8% Popularity • 35% Danceability • 31% Energy • 32% Liveness
86% Instrumentalness • 5% Positiveness
8% Popularity • 35% Danceability • 31% Energy • 32% Liveness
86% Instrumentalness • 5% Positiveness
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Ibrahim Maalouf
Conspiracy Generation
126 bpm • C min • 08:56 • -7db
27% Popularity • 53% Danceability • 68% Energy • 16% Liveness
94% Instrumentalness • 25% Positiveness
27% Popularity • 53% Danceability • 68% Energy • 16% Liveness
94% Instrumentalness • 25% Positiveness
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Wildflower
Rush
126 bpm • C# Maj • 03:12 • -14.16db
18% Popularity • 51% Danceability • 37% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
18% Popularity • 51% Danceability • 37% Energy • 8% Liveness
66% Instrumentalness • 15% Positiveness
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Erik Truffaz
The Dawn
130 bpm • G Maj • 05:44 • -12.99db
14% Popularity • 53% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
14% Popularity • 53% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Yazz Ahmed
La Saboteuse
126 bpm • G# min • 04:31 • -18.46db
15% Popularity • 20% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
15% Popularity • 20% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Aaron Parks
Nemesis
130 bpm • F# Maj • 06:14 • -10.81db
31% Popularity • 51% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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World Kora Trio
Straight Line
126 bpm • C Maj • 04:18 • -9.27db
16% Popularity • 38% Danceability • 65% Energy • 5% Liveness
59% Instrumentalness • 85% Positiveness
16% Popularity • 38% Danceability • 65% Energy • 5% Liveness
59% Instrumentalness • 85% Positiveness
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Ibrahim Maalouf
Gangster
130 bpm • A Maj • 01:28 • -12.97db
9% Popularity • 82% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 29% Positiveness
9% Popularity • 82% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 29% Positiveness
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Avishai Cohen
Abie
126 bpm • A min • 03:47 • -13.23db
29% Popularity • 36% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 54% Positiveness
29% Popularity • 36% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 54% Positiveness
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Bobby McFerrin
Invocation
126 bpm • C min • 07:10 • -14.26db
24% Popularity • 48% Danceability • 60% Energy • 11% Liveness
62% Instrumentalness • 42% Positiveness
24% Popularity • 48% Danceability • 60% Energy • 11% Liveness
62% Instrumentalness • 42% Positiveness
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Ray Blue
Cross Continental Spirit
125 bpm • A# Maj • 05:36 • -12.52db
30% Popularity • 66% Danceability • 44% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
30% Popularity • 66% Danceability • 44% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Dhafer Youssef
Cheerful Meshuggah
126 bpm • C# Maj • 04:49 • -12.53db
11% Popularity • 51% Danceability • 49% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
11% Popularity • 51% Danceability • 49% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Black Flower
High Upon The Mountain High Upon The Hil...
125 bpm • A min • 04:05 • -9.07db
9% Popularity • 56% Danceability • 46% Energy • 16% Liveness
95% Instrumentalness • 60% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 16% Liveness
95% Instrumentalness • 60% Positiveness
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The Jazz Defenders
Costa Del Lol
125 bpm • G min • 04:36 • -8.82db
8% Popularity • 47% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Joe Zawinul
Tower of Silence - Tower of Silence
131 bpm • C# Maj • 06:10 • -10.99db
7% Popularity • 72% Danceability • 53% Energy • 7% Liveness
58% Instrumentalness • 66% Positiveness
7% Popularity • 72% Danceability • 53% Energy • 7% Liveness
58% Instrumentalness • 66% Positiveness
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Felipe Maia
Banzo
125 bpm • C min • 05:21 • -11.8db
26% Popularity • 69% Danceability • 52% Energy • 9% Liveness
58% Instrumentalness • 70% Positiveness
26% Popularity • 69% Danceability • 52% Energy • 9% Liveness
58% Instrumentalness • 70% Positiveness
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Magic Malik Orchestra
XP'8
125 bpm • A# Maj • 04:07 • -11.07db
0% Popularity • 74% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
0% Popularity • 74% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Rachel Z
Inamorata
125 bpm • C Maj • 07:38 • -11.62db
9% Popularity • 66% Danceability • 50% Energy • 11% Liveness
68% Instrumentalness • 37% Positiveness
9% Popularity • 66% Danceability • 50% Energy • 11% Liveness
68% Instrumentalness • 37% Positiveness
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Lukmil Perez
Componedores
125 bpm • A Maj • 04:13 • -13.4db
10% Popularity • 73% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
10% Popularity • 73% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Ray Lema
Transcendance
125 bpm • F min • 04:42 • -9.06db
21% Popularity • 80% Danceability • 79% Energy • 17% Liveness
82% Instrumentalness • 96% Positiveness
21% Popularity • 80% Danceability • 79% Energy • 17% Liveness
82% Instrumentalness • 96% Positiveness
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Christian Houmann
Spring Dance
125 bpm • G Maj • 05:20 • -11.99db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
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Aka Moon
aKa 466
125 bpm • F min • 04:20 • -10.09db
14% Popularity • 42% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
14% Popularity • 42% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
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Thomas Bendzko
Nora
125 bpm • A min • 05:21 • -5.45db
8% Popularity • 67% Danceability • 63% Energy • 16% Liveness
85% Instrumentalness • 37% Positiveness
8% Popularity • 67% Danceability • 63% Energy • 16% Liveness
85% Instrumentalness • 37% Positiveness
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Hadouk Trio
Clef des brumes
125 bpm • F# min • 04:42 • -11.84db
20% Popularity • 46% Danceability • 25% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
20% Popularity • 46% Danceability • 25% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Takuya Kuroda
Mala
132 bpm • F min • 05:59 • -11.4db
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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West Java Syndicate
City of Light
124 bpm • E min • 04:31 • -13.65db
12% Popularity • 57% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
12% Popularity • 57% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 71% Positiveness
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Buchersommerfriedli & Aeby
Mininatur
124 bpm • C min • 01:39 • -13db
31% Popularity • 68% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
31% Popularity • 68% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Paolo Fresu
Desertico
132 bpm • C Maj • 05:53 • -10.47db
8% Popularity • 66% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 38% Positiveness
8% Popularity • 66% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 38% Positiveness
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Rabih Abou-Khalil
Rabou-Abou-Kabou
124 bpm • A Maj • 04:50 • -16.25db
15% Popularity • 59% Danceability • 42% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
15% Popularity • 59% Danceability • 42% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Shabaka
Black Skin, Black Masks
124 bpm • D Maj • 07:02 • -12db
24% Popularity • 59% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
24% Popularity • 59% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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Magic Malik Orchestra
Doyin
123 bpm • F# min • 09:30 • -8.04db
3% Popularity • 44% Danceability • 71% Energy • 7% Liveness
69% Instrumentalness • 21% Positiveness
3% Popularity • 44% Danceability • 71% Energy • 7% Liveness
69% Instrumentalness • 21% Positiveness
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Elenata Harmony
Midnight Serenade, Pt. 4
133 bpm • A# min • 01:20 • -22.09db
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Tobin Mueller
Take the "A" Train
133 bpm • G# Maj • 04:59 • -9.89db
16% Popularity • 43% Danceability • 53% Energy • 19% Liveness
27% Instrumentalness • 58% Positiveness
16% Popularity • 43% Danceability • 53% Energy • 19% Liveness
27% Instrumentalness • 58% Positiveness
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Hadouk Trio
Hijaz
123 bpm • G min • 05:05 • -13.12db
14% Popularity • 54% Danceability • 33% Energy • 17% Liveness
62% Instrumentalness • 20% Positiveness
14% Popularity • 54% Danceability • 33% Energy • 17% Liveness
62% Instrumentalness • 20% Positiveness
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Avishai Cohen
Continuo
133 bpm • D# Maj • 04:11 • -12.13db
19% Popularity • 52% Danceability • 45% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
19% Popularity • 52% Danceability • 45% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Dhafer Youssef
Hayastan Dance
123 bpm • E min • 05:00 • -11.21db
21% Popularity • 41% Danceability • 62% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
21% Popularity • 41% Danceability • 62% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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Magic Malik Orchestra
Duo 237
123 bpm • B min • 02:32 • -6.44db
1% Popularity • 68% Danceability • 60% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
1% Popularity • 68% Danceability • 60% Energy • 26% Liveness
1% Instrumentalness • 62% Positiveness
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Airelle Besson
The Painter & the Boxer
123 bpm • D min • 04:58 • -13.21db
21% Popularity • 61% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
21% Popularity • 61% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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ELSA
Hymn to Hymn
123 bpm • C Maj • 04:00 • -13.44db
16% Popularity • 62% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 62% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Isfar Sarabski
Swan Lake
134 bpm • D min • 05:27 • -17.9db
12% Popularity • 32% Danceability • 58% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
12% Popularity • 32% Danceability • 58% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
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Abdullah Ibrahim
Someday Soon Sweet Samba
123 bpm • D Maj • 04:45 • -17.35db
25% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
25% Popularity • 46% Danceability • 59% Energy • 41% Liveness
88% Instrumentalness • 70% Positiveness
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Avishai Darash
Andalusian Love Song
122 bpm • G# Maj • 04:37 • -12.28db
8% Popularity • 67% Danceability • 66% Energy • 10% Liveness
97% Instrumentalness • 42% Positiveness
8% Popularity • 67% Danceability • 66% Energy • 10% Liveness
97% Instrumentalness • 42% Positiveness
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Magic Malik Orchestra
Passage à vide
134 bpm • E min • 04:21 • -8.44db
2% Popularity • 67% Danceability • 61% Energy • 6% Liveness
81% Instrumentalness • 70% Positiveness
2% Popularity • 67% Danceability • 61% Energy • 6% Liveness
81% Instrumentalness • 70% Positiveness
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Neil Cowley Trio
Governance
122 bpm • F min • 03:29 • -13.05db
28% Popularity • 70% Danceability • 37% Energy • 17% Liveness
72% Instrumentalness • 33% Positiveness
28% Popularity • 70% Danceability • 37% Energy • 17% Liveness
72% Instrumentalness • 33% Positiveness
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Julien Lourau
Ginger Bread
122 bpm • F# Maj • 06:48 • -8.42db
11% Popularity • 51% Danceability • 58% Energy • 19% Liveness
79% Instrumentalness • 54% Positiveness
11% Popularity • 51% Danceability • 58% Energy • 19% Liveness
79% Instrumentalness • 54% Positiveness
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Tigran Hamasyan
Love Song
122 bpm • C# min • 05:48 • -13.98db
17% Popularity • 51% Danceability • 29% Energy • 14% Liveness
94% Instrumentalness • 26% Positiveness
17% Popularity • 51% Danceability • 29% Energy • 14% Liveness
94% Instrumentalness • 26% Positiveness
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Renaud Garcia-Fons
Breakneck Speed
122 bpm • G# Maj • 02:31 • -11.65db
14% Popularity • 65% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 66% Positiveness
14% Popularity • 65% Danceability • 42% Energy • 7% Liveness
94% Instrumentalness • 66% Positiveness
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VERB
Colonel
134 bpm • G Maj • 04:12 • -11.55db
10% Popularity • 54% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
10% Popularity • 54% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 53% Positiveness
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Rudresh Mahanthappa
The General
134 bpm • D Maj • 08:25 • -11.36db
9% Popularity • 49% Danceability • 51% Energy • 5% Liveness
84% Instrumentalness • 53% Positiveness
9% Popularity • 49% Danceability • 51% Energy • 5% Liveness
84% Instrumentalness • 53% Positiveness
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Kip Hanrahan
Whatever I Want
134 bpm • D Maj • 05:44 • -10.96db
4% Popularity • 68% Danceability • 65% Energy • 7% Liveness
22% Instrumentalness • 82% Positiveness
4% Popularity • 68% Danceability • 65% Energy • 7% Liveness
22% Instrumentalness • 82% Positiveness
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Pablo Lapidusas
Capitán Kutunoka
122 bpm • D min • 03:59 • -12.38db
24% Popularity • 38% Danceability • 51% Energy • 17% Liveness
78% Instrumentalness • 26% Positiveness
24% Popularity • 38% Danceability • 51% Energy • 17% Liveness
78% Instrumentalness • 26% Positiveness
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Omer Avital
Afrik
135 bpm • F min • 08:21 • -6.44db
16% Popularity • 46% Danceability • 60% Energy • 12% Liveness
80% Instrumentalness • 51% Positiveness
16% Popularity • 46% Danceability • 60% Energy • 12% Liveness
80% Instrumentalness • 51% Positiveness
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Avishai Cohen
Seven Seas
122 bpm • E min • 05:23 • -12db
30% Popularity • 38% Danceability • 49% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
30% Popularity • 38% Danceability • 49% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Jazzy Boy
Jazz Is Life
135 bpm • A# min • 02:18 • -13.55db
15% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
15% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
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Magic Malik Orchestra
Hidden Track
135 bpm • C Maj • 08:23 • -17.86db
0% Popularity • 55% Danceability • 2% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 55% Danceability • 2% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Web Web
Nonviolent Constellations
135 bpm • C# Maj • 04:17 • -12.84db
9% Popularity • 45% Danceability • 42% Energy • 15% Liveness
88% Instrumentalness • 64% Positiveness
9% Popularity • 45% Danceability • 42% Energy • 15% Liveness
88% Instrumentalness • 64% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. II
121 bpm • B min • 02:33 • -11.53db
38% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
38% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Ruy López Nussa y La Academia
April in Paris
121 bpm • G Maj • 04:37 • -10.76db
17% Popularity • 50% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 65% Positiveness
17% Popularity • 50% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 65% Positiveness
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Erik Truffaz
Arroyo
136 bpm • G min • 06:27 • -11db
15% Popularity • 40% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 63% Positiveness
15% Popularity • 40% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 63% Positiveness
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Blue Summers
The Final Word
136 bpm • F min • 05:34 • -14.51db
8% Popularity • 60% Danceability • 48% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
8% Popularity • 60% Danceability • 48% Energy • 10% Liveness
66% Instrumentalness • 58% Positiveness
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Magic Malik Orchestra
J'entends siffler le train
135 bpm • D Maj • 02:23 • -6.45db
0% Popularity • 49% Danceability • 56% Energy • 22% Liveness
53% Instrumentalness • 38% Positiveness
0% Popularity • 49% Danceability • 56% Energy • 22% Liveness
53% Instrumentalness • 38% Positiveness
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Doctor 3
Doctor 01
120 bpm • C# Maj • 01:01 • -14.2db
39% Popularity • 60% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
39% Popularity • 60% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Krucyenice
Avis Stocks
120 bpm • F# Maj • 00:56 • -23.66db
10% Popularity • 55% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 72% Positiveness
10% Popularity • 55% Danceability • 19% Energy • 12% Liveness
80% Instrumentalness • 72% Positiveness
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Louis Matute
Queen of Queens
120 bpm • D min • 05:06 • -10.08db
8% Popularity • 45% Danceability • 57% Energy • 14% Liveness
93% Instrumentalness • 34% Positiveness
8% Popularity • 45% Danceability • 57% Energy • 14% Liveness
93% Instrumentalness • 34% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Silvano Pagliuca-Mena
Chachachá Balulé
120 bpm • G Maj • 05:58 • -9.89db
13% Popularity • 72% Danceability • 36% Energy • 38% Liveness
95% Instrumentalness • 40% Positiveness
13% Popularity • 72% Danceability • 36% Energy • 38% Liveness
95% Instrumentalness • 40% Positiveness
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Laurent Dury
The Cool Cats
120 bpm • D min • 01:45 • -13.85db
15% Popularity • 78% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 60% Positiveness
15% Popularity • 78% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 60% Positiveness
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Magic Malik Orchestra
Ave Maria
120 bpm • C Maj • 08:30 • -14.31db
1% Popularity • 87% Danceability • 44% Energy • 11% Liveness
34% Instrumentalness • 62% Positiveness
1% Popularity • 87% Danceability • 44% Energy • 11% Liveness
34% Instrumentalness • 62% Positiveness
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Sociopoetic
Changanova
120 bpm • A min • 04:18 • -16.17db
10% Popularity • 56% Danceability • 36% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
10% Popularity • 56% Danceability • 36% Energy • 8% Liveness
43% Instrumentalness • 20% Positiveness
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Jyrki
After Midnight
120 bpm • C Maj • 02:02 • -13.68db
10% Popularity • 82% Danceability • 28% Energy • 16% Liveness
29% Instrumentalness • 97% Positiveness
10% Popularity • 82% Danceability • 28% Energy • 16% Liveness
29% Instrumentalness • 97% Positiveness
