Songs like La Calisto, ACT I, Scene 11: "Piangete sospirate" (Calisto) by Francesco Cavalli
Based on a tempo of (+/- 10%) and a similar genre
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Carlo Pallavicino
Pallavicino: L'Antiope: "Sdegni, furori ...
133 bpm • C# Maj • 01:13 • -14.1db
15% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Henry Purcell
Fantasy Upon One Note
133 bpm • E Maj • 02:45 • -20db
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Francesco Cavalli
La Calisto, Act I Scene 11: "Piangete so...
133 bpm • A Maj • 01:42 • -22.56db
2% Popularity • 34% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 34% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Nicola Porpora
Porpora: Arianna e Teseo: "Mira in cielo...
132 bpm • E Maj • 05:53 • -18.53db
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Francesco Cavalli
Cavalli: Didone, Act 1: "Alle ruine del ...
132 bpm • G# min • 08:06 • -28.28db
2% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
19% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Pietro Locatelli
Concerto XI Ã 5 en Ut Mineur, Op. 1: I....
134 bpm • B min • 02:30 • -19db
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Claudio Monteverdi
Monteverdi: Sì dolce è'l tormento, SV ...
134 bpm • G Maj • 03:48 • -22.14db
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Francesco Cavalli
La Calisto, Act I Scene 13: "Ninfa bella...
134 bpm • E min • 03:55 • -22.24db
2% Popularity • 44% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 44% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
131 bpm • G Maj • 02:50 • -19.95db
18% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
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Anonymous
Le Concert Royal de la nuit: Ouverture
131 bpm • F# min • 03:05 • -18.91db
8% Popularity • 24% Danceability • 23% Energy • 15% Liveness
63% Instrumentalness • 43% Positiveness
8% Popularity • 24% Danceability • 23% Energy • 15% Liveness
63% Instrumentalness • 43% Positiveness
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Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Cavalli: L'Ormindo, Act 2: "Che città " ...
132 bpm • G Maj • 03:34 • -16.61db
4% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
14% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Giovanni Battista Vitali
Varie partite del passemezo, ciaccona, c...
131 bpm • B Maj • 02:53 • -16.41db
10% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Tomaso Albinoni
L'Eraclea: Dopo i nembi e le procelle
137 bpm • D min • 05:04 • -20.84db
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 40% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: III....
137 bpm • C min • 05:24 • -19db
16% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
16% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Francesco Cavalli
Missa pro defunctis, Sanctus: Agnus Dei
128 bpm • G min • 03:05 • -21.74db
0% Popularity • 18% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
39% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Jean-Philippe Rameau
Rameau: Les Fêtes d'Hébé, Act I: "Je ...
128 bpm • F# Maj • 02:50 • -24.77db
9% Popularity • 23% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318, Act 2: "Vi ...
139 bpm • F# Maj • 01:58 • -14.32db
11% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 50% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Daniel Purcell
Sonata sesta for violino solo: I. Adagio
128 bpm • E min • 01:57 • -22.24db
17% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Francesco Cavalli
La Calisto, Act I Scene 9: "Come chiude ...
128 bpm • G Maj • 04:02 • -23.41db
2% Popularity • 48% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 48% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Sartorio
Sartorio: Antonino e Pompeiano, Act 3: "...
127 bpm • D Maj • 03:22 • -18.24db
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
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Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Purcell
Sonata sesta for violino solo: VI. Alleg...
139 bpm • E min • 01:08 • -18.89db
21% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
21% Popularity • 47% Danceability • 27% Energy • 11% Liveness
19% Instrumentalness • 21% Positiveness
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Francesco Cavalli
L'Egisto, Act I Scene 3: Andiam, Ohimè ...
139 bpm • C# min • 02:11 • -16.4db
5% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Antonio Sartorio
Sartorio: L'Orfeo: Sinfonia
127 bpm • F# Maj • 01:31 • -18.39db
17% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
17% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
126 bpm • G# Maj • 08:18 • -18.97db
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 50% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Francesco Cavalli
Gli amori d'Apollo e di Dafne: Sinfonia ...
138 bpm • F Maj • 03:06 • -21.74db
4% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
4% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Le triomphe de l'amour, LWV 59: Air d'Ap...
125 bpm • F min • 02:40 • -19db
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
13% Popularity • 27% Danceability • 9% Energy • 13% Liveness
14% Instrumentalness • 15% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
► Preview
Robert de Visée
De Visée: Pièces de théorbe et de lut...
125 bpm • C# min • 02:22 • -26.78db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
► Preview
Francesco Cavalli
Le Concert royal de la Nuit, Grand Balle...
138 bpm • B Maj • 00:47 • -21.27db
0% Popularity • 30% Danceability • 14% Energy • 60% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 30% Danceability • 14% Energy • 60% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
30% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
► Preview
Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
► Preview
Henry Purcell
The Fairy Queen, Z. 629: Rondeau
124 bpm • A Maj • 01:40 • -22db
28% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Francesco Cavalli
La Calisto, Act I Scene 7: "Serenati o c...
127 bpm • C Maj • 05:38 • -25.28db
2% Popularity • 43% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 43% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Luigi Rossi
Rossi / Arr. Pluhar: "Dopo lungo penare"
124 bpm • F Maj • 01:56 • -16.35db
20% Popularity • 54% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 54% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
19% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Benedetto Marcello
Concerto in E Minor: I. Adagio e staccat...
123 bpm • D# min • 02:08 • -21db
24% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
24% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
► Preview
Francesco Cavalli
La Calisto, Act I Scene 5: "Chi non ti c...
126 bpm • A Maj • 03:21 • -23.43db
3% Popularity • 48% Danceability • 8% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
3% Popularity • 48% Danceability • 8% Energy • 64% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
18% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Francesco Cavalli
Le nozze di Teti e di Peleo, Atto II Sce...
125 bpm • E Maj • 05:43 • -27.81db
3% Popularity • 30% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 30% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Georg Philipp Telemann
Ouverture "Wassermusik" in C Major, TWV ...
121 bpm • B Maj • 07:56 • -17db
26% Popularity • 36% Danceability • 32% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
26% Popularity • 36% Danceability • 32% Energy • 13% Liveness
75% Instrumentalness • 26% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318: Toccata
146 bpm • D Maj • 01:27 • -18.12db
29% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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George Frideric Handel
Handel: Tolomeo, re d'Egitto, HWV 25, Ac...
121 bpm • A min • 04:20 • -20db
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 38% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Francesco Cavalli
Statira, Act I, scene 3: Recitativo - ta...
125 bpm • C# min • 03:09 • -22.38db
0% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: IV. Pre...
121 bpm • F# min • 01:22 • -16.4db
23% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
23% Popularity • 49% Danceability • 24% Energy • 17% Liveness
93% Instrumentalness • 57% Positiveness
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Henry Eccles
Sonata Quinta in E Minor: III. Largo
120 bpm • D# min • 05:31 • -24.63db
9% Popularity • 26% Danceability • 4% Energy • 29% Liveness
30% Instrumentalness • 9% Positiveness
9% Popularity • 26% Danceability • 4% Energy • 29% Liveness
30% Instrumentalness • 9% Positiveness
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Le Concert Des Nations
Premier Concert: Menuet En Trio (Couperi...
147 bpm • F min • 02:12 • -18db
18% Popularity • 30% Danceability • 24% Energy • 25% Liveness
69% Instrumentalness • 67% Positiveness
18% Popularity • 30% Danceability • 24% Energy • 25% Liveness
69% Instrumentalness • 67% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Johann Gottlieb Graun
Concerto a violono e viola da gamba in C...
120 bpm • B min • 07:53 • -18.2db
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Francesco Cavalli
L'Egisto, Act I Scene 2: Nel gran regno ...
124 bpm • B Maj • 02:58 • -19.23db
1% Popularity • 45% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 45% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Sonata for violoncello and basso continu...
147 bpm • F# Maj • 01:58 • -18db
23% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
23% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
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Marin Marais
Pièces de viole, Livre II No. 40: La po...
119 bpm • C# min • 01:34 • -16.77db
24% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
24% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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Luigi Rossi
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mi...
119 bpm • D min • 05:11 • -19.44db
9% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Francesco Cavalli
Xerse, Act I Scenes 11 & 12: Già la tro...
143 bpm • G Maj • 04:33 • -15.57db
0% Popularity • 38% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 38% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Marie-Nicole Lemieux
Ave Regina coelorum (Sentimenti devoti e...
119 bpm • D min • 03:26 • -18db
11% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
