Songs like La Calisto, ACT I, Scene 7: "Improvisi stupori" (Endimione) by Francesco Cavalli
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Féry Rebel
Les Éléments: III. Chaconne : Le Feu
77 bpm • C# Maj • 02:29 • -18db
10% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 28% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Francesco Cavalli
Artemisia: Act III: Ecco il mio bene (Ar...
77 bpm • D min • 01:33 • -26.67db
1% Popularity • 41% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 41% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
77 bpm • D Maj • 02:15 • -23db
26% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
35% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
35% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
13% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Bernardo Pasquini
Sant'Agnese: Vaga rosa (Aria)
77 bpm • C# min • 03:34 • -26.56db
13% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
13% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
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Francesco Cavalli
Giasone: Act III Scene 21: Regina, Egeo,...
77 bpm • G min • 04:55 • -19.11db
1% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
77 bpm • G Maj • 04:11 • -21db
39% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Antoine Forqueray
Deuxième Suite in G Major: IV. La Lecla...
77 bpm • F# Maj • 03:39 • -20.91db
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
13% Popularity • 33% Danceability • 10% Energy • 14% Liveness
11% Instrumentalness • 40% Positiveness
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George Frideric Handel
Handel: Suite No. 4 in D Minor, HWV 437:...
76 bpm • C# min • 05:43 • -27db
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Francesco Durante
Magnificat in B flat major: Et misericor...
78 bpm • F# min • 01:51 • -24.74db
23% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
23% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Johann Gottlieb Goldberg
Trio Sonata No. 4 in C Major, DürG 13 (...
76 bpm • B Maj • 03:15 • -18.62db
36% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Cavalli
Ormindo: Introduction
77 bpm • B Maj • 01:26 • -23.89db
2% Popularity • 21% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Cesti
Tu mancavi a tormentarmi, crudelissima s...
78 bpm • C min • 07:01 • -28.62db
19% Popularity • 7% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Philippe Jaroussky
Sanctissima Virgo (Sacrae cantiones una,...
78 bpm • G min • 03:16 • -17.89db
16% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 26% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
An Wasserflüssen Babylon, BWV 653b
78 bpm • F# Maj • 03:11 • -27.08db
35% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
35% Popularity • 7% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Nicola Porpora
Porpora: Polifemo, HelN 31, Act 3: "Alto...
78 bpm • D# min • 10:29 • -23.53db
23% Popularity • 18% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
31% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
31% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Francesco Cavalli
Magnificat: VIII. Deposuit potentes
77 bpm • G# min • 00:55 • -22.87db
1% Popularity • 26% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 26% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Benedetto Marcello
Sonata in D Minor, Op. 2, No. 2: III. La...
76 bpm • E Maj • 01:21 • -23.48db
27% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
27% Popularity • 21% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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Jean-Henri d'Anglebert
D'Anglebert: Suite No. 3 en ré mineur: ...
76 bpm • G# min • 04:01 • -28.74db
11% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
75 bpm • G# min • 04:02 • -24.36db
10% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Francesco Cavalli
Cavalli: Eritrea, Act 1: "O luci belle" ...
76 bpm • A min • 02:29 • -17.73db
8% Popularity • 35% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 35% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Versu...
79 bpm • D# min • 05:33 • -28.03db
18% Popularity • 9% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Fac ut portem Christi mort...
75 bpm • C min • 01:03 • -15.41db
29% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
29% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Francesco Nicola Fago
Fago: Tam non splendet sol creatus: III....
79 bpm • D Maj • 05:39 • -21db
18% Popularity • 18% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 18% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Francesco Cavalli
Cavalli / Arr Pluhar: L'Ormindo: L'Armon...
79 bpm • G min • 07:47 • -15.08db
9% Popularity • 25% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Antonio Caldara
Stabat Mater: VIII. Virgo virginum
75 bpm • D Maj • 01:28 • -24.09db
30% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
30% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Agostino Steffani
Stabat Mater: Pro peccatis suae gentis
79 bpm • G min • 01:21 • -12db
17% Popularity • 22% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 26% Positiveness
17% Popularity • 22% Danceability • 35% Energy • 10% Liveness
14% Instrumentalness • 26% Positiveness
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Philippe Jaroussky
Salve Regina (Motetti a una, due vocie c...
75 bpm • G min • 03:53 • -15.6db
20% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
Miserere, ZWV 57: I. Miserere I
75 bpm • B min • 02:04 • -10.88db
30% Popularity • 29% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 29% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
34% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
34% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Francesco Cavalli
Elena, Extract I - Instrumental Version
75 bpm • F# min • 03:26 • -31.7db
3% Popularity • 11% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
3% Popularity • 11% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 7: Con che s...
79 bpm • G Maj • 03:57 • -18.03db
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 22% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
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Johann Pachelbel
Ciaccona
80 bpm • A min • 06:36 • -21db
12% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
12% Popularity • 12% Danceability • 12% Energy • 11% Liveness
39% Instrumentalness • 10% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Friedrich Fasch
Trumpet Concerto in D Major, FWV L:D1: I...
74 bpm • C# Maj • 01:09 • -18db
32% Popularity • 39% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 44% Positiveness
32% Popularity • 39% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 44% Positiveness
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Francesco Cavalli
Cavalli: Statira, principessa di Persia,...
79 bpm • F Maj • 03:05 • -13.16db
4% Popularity • 43% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 43% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Giacomo Carissimi
Carissimi: Jephte: "Plorate fili Israel"...
74 bpm • E min • 05:24 • -18.59db
3% Popularity • 9% Danceability • 14% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
3% Popularity • 9% Danceability • 14% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Armida abbandonata, HWV 105: "Ah...
80 bpm • F# Maj • 05:05 • -21.93db
5% Popularity • 23% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
5% Popularity • 23% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Michelangelo Falvetti
Nabucco: Prologo / Siamo a riva
80 bpm • C Maj • 02:16 • -30.21db
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
16% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
44% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Cavalli
Lamento di Apollo
79 bpm • D min • 07:29 • -23.76db
2% Popularity • 24% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 24% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Johann Jakob Froberger
Partita in A Minor, FbWV 628: I. Alleman...
81 bpm • D# min • 03:19 • -25db
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
73 bpm • C# min • 03:30 • -16db
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Barbara Strozzi
Strozzi: Arie, Op. 8 No. 6: "Che si può...
73 bpm • C Maj • 09:28 • -13.65db
15% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 29% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
82 bpm • A# min • 03:19 • -23.27db
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Francesco Cavalli
Cavalli / Arr Pluhar: La Didone, Act 1: ...
74 bpm • E min • 04:22 • -14.21db
3% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 27% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: 8. De torrente i...
82 bpm • B min • 03:35 • -23.37db
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
82 bpm • A# min • 01:01 • -20.84db
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
28% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
► Preview
Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
► Preview
Francesco Nicola Fago
Fago: Confitebor tibi Domine: V. "Initiu...
82 bpm • C# min • 01:18 • -22db
28% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Domine ad adiuvandum me festina, RV 593:...
82 bpm • E min • 02:49 • -21.67db
18% Popularity • 49% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 49% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Francesco Cavalli
Giasone: Act I Scene 2: Delizie, content...
74 bpm • D min • 07:52 • -21.84db
4% Popularity • 33% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 33% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Agostino Steffani
Stabat Mater: Stabat Mater dolorosa
82 bpm • F# min • 01:56 • -26db
17% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
26% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Klag Lied in D Minor, BuxWV 76: II. Cont...
83 bpm • E min • 05:16 • -19.92db
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 6% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
Canzona undecima a due canti "detta la p...
72 bpm • A min • 02:14 • -23.01db
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
► Preview
Francesco Cavalli
Magnificat: III. Quia respexit
82 bpm • B Maj • 01:01 • -24.53db
1% Popularity • 28% Danceability • 12% Energy • 51% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 28% Danceability • 12% Energy • 51% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
72 bpm • F# Maj • 08:18 • -29.67db
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
► Preview
Barbara Strozzi
"Lagrime mie" (Lamento), Op. 7
83 bpm • D# min • 08:43 • -24db
7% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 30% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater RV 621: V. Quis non posset
71 bpm • C min • 01:49 • -23.23db
23% Popularity • 31% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Nicola Porpora
Porpora: Meride e Selinunte, Act II: "To...
83 bpm • D# min • 07:49 • -18db
15% Popularity • 34% Danceability • 16% Energy • 25% Liveness
1% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 16% Energy • 25% Liveness
1% Instrumentalness • 25% Positiveness
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Dietrich Buxtehude
Sonata in G Major, BuxWV 271: I. Allegro
83 bpm • F# Maj • 02:23 • -16db
20% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
20% Popularity • 38% Danceability • 31% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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Francesco Cavalli
Giasone, Atto I Scena 15: Dell'antro mag...
80 bpm • D# min • 05:14 • -20.89db
1% Popularity • 36% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 36% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "Per a...
83 bpm • A Maj • 05:17 • -16.47db
9% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Jean-Marie Leclair
Violin Concerto in C Major, Op. 7 No. 3:...
83 bpm • B Maj • 06:26 • -18db
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
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Marin Marais
Marais: Pièces de viole, Livre II, Suit...
83 bpm • B Maj • 04:04 • -35db
19% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
19% Popularity • 28% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Philippe Jaroussky
O intemerata (Il secondo libro de motett...
71 bpm • F Maj • 03:09 • -18db
15% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Cavalli
Cavalli: Pompeo Magno, Act 2: "Cieche te...
80 bpm • D min • 02:23 • -24.64db
4% Popularity • 34% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 34% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Johann Heinrich Schmelzer
Sonatæ unarum fidium: Sonata No. 2
71 bpm • E Maj • 06:23 • -18.99db
10% Popularity • 20% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Ottone in villa, RV 729, Act II Scene VI...
84 bpm • E Maj • 05:35 • -28db
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Jean-Féry Rebel
La Terpsichore: V. Première sicilienne....
84 bpm • C# Maj • 01:33 • -23.46db
11% Popularity • 24% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
42% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Francesco Cavalli
La Calisto: Dolcissimi baci
74 bpm • F# Maj • 06:38 • -28.11db
1% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Michel Lambert
Lambert: Mes jours s'en vont finir
84 bpm • F# min • 03:44 • -20.21db
14% Popularity • 18% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Baldassare Galuppi
Concerto à 4 No. 1 in G Minor: III. All...
84 bpm • B min • 03:10 • -19.95db
13% Popularity • 40% Danceability • 12% Energy • 7% Liveness
19% Instrumentalness • 12% Positiveness
13% Popularity • 40% Danceability • 12% Energy • 7% Liveness
19% Instrumentalness • 12% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
38% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
38% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
34% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Francesco Cavalli
Le Concert royal de la Nuit, Troisième ...
80 bpm • E Maj • 03:47 • -34db
9% Popularity • 8% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
► Preview
Carlo Gesualdo
Madrigali a cinque voci, Libro sesto (16...
70 bpm • G# min • 02:46 • -21.04db
12% Popularity • 16% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 16% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "È un...
85 bpm • F# min • 03:05 • -19.58db
9% Popularity • 37% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 37% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Dario Castello
Sonate concertate in stil moderno, Book ...
85 bpm • C# min • 04:43 • -15.76db
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Louis Couperin
Complete Works for Harpsichord: V. Pavan...
69 bpm • E min • 07:25 • -26db
14% Popularity • 25% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 33% Positiveness
14% Popularity • 25% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 33% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30, Act II, Scene...
86 bpm • F# Maj • 06:21 • -24db
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 5% Energy • 12% Liveness
14% Instrumentalness • 4% Positiveness
