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La damnation de Faust, Op. 24, Deuxième partie: U...
Songs like
La damnation de Faust, Op. 24, Deuxième partie: Une puce gentille (Chanson de Méphistophélès) - 1959 Version
by
Hector Berlioz
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Copland
Appalachian Spring: III. Moderato
177 bpm • F# Maj • 03:51 • -24.19db
29% Popularity • 8% Danceability • 3% Energy • 18% Liveness
91% Instrumentalness • 3% Positiveness
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Max Reger
Variation 2: Poco agitato
176 bpm • F Maj • 01:39 • -24db
35% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade Suite: Mazurka
178 bpm • G# Maj • 02:47 • -17db
35% Popularity • 25% Danceability • 26% Energy • 7% Liveness
81% Instrumentalness • 34% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major "Titan": II. K...
178 bpm • A Maj • 07:26 • -22db
26% Popularity • 21% Danceability • 8% Energy • 35% Liveness
85% Instrumentalness • 16% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
178 bpm • G min • 01:21 • -27.44db
48% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
174 bpm • D Maj • 08:39 • -26.49db
19% Popularity • 10% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: I. M...
175 bpm • E min • 08:39 • -19.58db
9% Popularity • 19% Danceability • 19% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
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Hector Berlioz
Te Deum, H. 118: II. Tibi omnes - Live a...
174 bpm • B Maj • 09:19 • -22.61db
7% Popularity • 8% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: V. Solo - Love Duet
175 bpm • D Maj • 04:48 • -15.86db
15% Popularity • 10% Danceability • 31% Energy • 34% Liveness
82% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
174 bpm • C# Maj • 05:29 • -28db
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
173 bpm • A# Maj • 08:26 • -24db
28% Popularity • 11% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: Walzer
182 bpm • A Maj • 01:13 • -20db
45% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
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Ludwig van Beethoven
Music to Goethe's Tragedy "Egmont", Op. ...
183 bpm • C# Maj • 08:18 • -18.01db
23% Popularity • 19% Danceability • 15% Energy • 18% Liveness
82% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Symphony No. 8 in C Minor, Op. 65: III. ...
167 bpm • F Maj • 06:12 • -19.02db
26% Popularity • 40% Danceability • 46% Energy • 18% Liveness
57% Instrumentalness • 80% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H 111 / P...
169 bpm • F Maj • 07:39 • -24db
6% Popularity • 10% Danceability • 9% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor: IV. Sehr lang...
174 bpm • A min • 09:18 • -29db
23% Popularity • 11% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
162 bpm • A min • 04:23 • -20db
27% Popularity • 29% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Cinderella-Suite Nr. 1, Op. 107: VII. Ci...
194 bpm • G Maj • 02:44 • -16db
41% Popularity • 23% Danceability • 29% Energy • 22% Liveness
91% Instrumentalness • 39% Positiveness
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Carl Maria von Weber
Concertino for Clarinet and Orchestra in...
157 bpm • D# Maj • 01:58 • -20db
36% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
164 bpm • F Maj • 05:17 • -19.3db
26% Popularity • 40% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 38% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
43% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major "Titan": II. K...
173 bpm • A Maj • 08:18 • -19.42db
21% Popularity • 25% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
156 bpm • C Maj • 05:47 • -31.87db
28% Popularity • 45% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
33% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila, Op. 5: Overture
154 bpm • E min • 05:16 • -24db
27% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
153 bpm • D Maj • 03:06 • -15.46db
35% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
181 bpm • C Maj • 10:08 • -21db
21% Popularity • 17% Danceability • 16% Energy • 6% Liveness
85% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act III: P...
203 bpm • G Maj • 04:50 • -13.71db
26% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
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Charles Gounod
Faust, Ballet Music (1869): 6. Variation...
151 bpm • G Maj • 02:03 • -25db
39% Popularity • 30% Danceability • 5% Energy • 28% Liveness
73% Instrumentalness • 36% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
151 bpm • A min • 02:28 • -24db
36% Popularity • 16% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
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La damnation de Faust, Op. 24, Deuxième partie: U...