Songs like La damnation de Faust, Op. 24, Pt. II Scene 8: Finale. Villes entourees (Chorus of Soldiers and Students) by Marie-Ange Todorovitch
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
98 bpm • G Maj • 04:15 • -23.98db
12% Popularity • 18% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 10% Energy • 9% Liveness
69% Instrumentalness • 6% Positiveness
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Claude Debussy
Chansons de Bilitis, L. 90: III. Le tomb...
98 bpm • G# min • 02:35 • -20.05db
0% Popularity • 39% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 39% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 3: Chans...
98 bpm • F Maj • 02:59 • -27.74db
8% Popularity • 37% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 37% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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AntonĂn Dvořák
Te Deum, Op. 103, B. 176: 4. Dignare Dom...
98 bpm • D Maj • 05:58 • -14.87db
8% Popularity • 20% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
98 bpm • A Maj • 02:40 • -28.84db
18% Popularity • 34% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen / Act 1: Introduction: "Sur la pl...
97 bpm • A# Maj • 02:44 • -27db
17% Popularity • 42% Danceability • 3% Energy • 62% Liveness
9% Instrumentalness • 26% Positiveness
17% Popularity • 42% Danceability • 3% Energy • 62% Liveness
9% Instrumentalness • 26% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
98 bpm • G Maj • 03:58 • -28.16db
10% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Due vaticini compiuti or...
97 bpm • F Maj • 03:22 • -19.65db
13% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Kaija Saariaho
L'Amour de loin, Quatrième acte, Deuxi�...
99 bpm • A# Maj • 03:23 • -20.06db
1% Popularity • 22% Danceability • 22% Energy • 59% Liveness
10% Instrumentalness • 15% Positiveness
1% Popularity • 22% Danceability • 22% Energy • 59% Liveness
10% Instrumentalness • 15% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: 5. Quis est homo
97 bpm • A min • 01:14 • -14db
16% Popularity • 38% Danceability • 34% Energy • 26% Liveness
96% Instrumentalness • 29% Positiveness
16% Popularity • 38% Danceability • 34% Energy • 26% Liveness
96% Instrumentalness • 29% Positiveness
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Jules Massenet
Massenet: Manon, Act 2: Prélude
99 bpm • D# Maj • 01:45 • -29.05db
8% Popularity • 34% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Georges Bizet
Les PĂŞcheurs de perles: Entends au loin...
99 bpm • C# Maj • 01:58 • -21.37db
9% Popularity • 22% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Claude Debussy
Pelléas et Mélisande, L. 88, Acte 1 sc...
99 bpm • F Maj • 02:59 • -29.64db
2% Popularity • 40% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 40% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Don Carlo, Act II: Prelude
100 bpm • C Maj • 02:46 • -29.25db
14% Popularity • 13% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 3: "Depu...
96 bpm • C Maj • 01:06 • -28.62db
6% Popularity • 38% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
6% Popularity • 38% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
96 bpm • D# Maj • 04:18 • -20.93db
9% Popularity • 18% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: In...
100 bpm • G Maj • 02:20 • -27.71db
11% Popularity • 24% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 4% Energy • 12% Liveness
18% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen / Act 1: Chanson et MĂ©lodrame: "...
97 bpm • C Maj • 03:38 • -31db
12% Popularity • 31% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Pt. IV Sc...
101 bpm • F Maj • 07:34 • -29.86db
0% Popularity • 23% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Rusalka, Op. 114 / Act 2: Slavnosti hudb...
101 bpm • D# Maj • 05:03 • -16db
14% Popularity • 34% Danceability • 23% Energy • 16% Liveness
88% Instrumentalness • 16% Positiveness
14% Popularity • 34% Danceability • 23% Energy • 16% Liveness
88% Instrumentalness • 16% Positiveness
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Elizabeth Woollett
Iolanthe: Go Away Madam
101 bpm • G min • 01:25 • -20.12db
12% Popularity • 49% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 49% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 2: "Elle revient...si...
101 bpm • F Maj • 06:32 • -21.91db
2% Popularity • 46% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 46% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Götterdämmerung, WWV 86D / Act 3: Flie...
95 bpm • C# Maj • 08:43 • -13db
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
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Georges Bizet
Les PĂŞcheurs de perles: Amis, interromp...
101 bpm • G# Maj • 03:48 • -20db
15% Popularity • 32% Danceability • 18% Energy • 64% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 32% Danceability • 18% Energy • 64% Liveness
0% Instrumentalness • 27% Positiveness
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Richard Strauss
Ariadne auf Naxos: "Lieben, Hassen, Hoff...
101 bpm • F Maj • 02:03 • -26.35db
8% Popularity • 29% Danceability • 6% Energy • 62% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 29% Danceability • 6% Energy • 62% Liveness
1% Instrumentalness • 12% Positiveness
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Gustav Mahler
Des Knaben Wunderhorn: Revelge
101 bpm • C# Maj • 07:13 • -21.77db
8% Popularity • 37% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 37% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Arthur Honegger
Le Roi David (King David): The Death of ...
95 bpm • D Maj • 05:07 • -18.04db
0% Popularity • 18% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 16% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod : Faust : Act 3 "Si le bonheur" [...
101 bpm • C Maj • 03:59 • -29.17db
7% Popularity • 24% Danceability • 2% Energy • 48% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 2% Energy • 48% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 1: "Vous avez entendu...
101 bpm • D# Maj • 03:38 • -16.52db
4% Popularity • 42% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
4% Popularity • 42% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Claude Debussy
Pelléas et Mélisande, L. 88, Acte 1 sc...
102 bpm • C# Maj • 04:04 • -23.95db
2% Popularity • 33% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 33% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: La Belle Hélène, Act 1: Fin...
94 bpm • F Maj • 02:24 • -21.95db
7% Popularity • 44% Danceability • 6% Energy • 55% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 44% Danceability • 6% Energy • 55% Liveness
0% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Beethoven: Missa solemnis, Op. 123: Qui ...
94 bpm • D Maj • 05:43 • -17.21db
8% Popularity • 19% Danceability • 19% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 19% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Arthur Honegger
Le Roi David (King David): Narrator
94 bpm • D min • 01:34 • -23.64db
0% Popularity • 42% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 42% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act II Scene 4: Geseg...
94 bpm • D# Maj • 05:32 • -21.54db
9% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: Invocation. "Avant...
95 bpm • D# Maj • 03:37 • -21db
9% Popularity • 24% Danceability • 16% Energy • 20% Liveness
32% Instrumentalness • 14% Positiveness
9% Popularity • 24% Danceability • 16% Energy • 20% Liveness
32% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Finale I. Sextet. Di des...
94 bpm • C# Maj • 07:49 • -15.63db
12% Popularity • 26% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
12% Popularity • 26% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
94 bpm • G Maj • 05:40 • -19db
3% Popularity • 29% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 29% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Kaija Saariaho
L'Amour de loin, Troisième acte, Premie...
103 bpm • D Maj • 03:47 • -22.24db
2% Popularity • 36% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 36% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
103 bpm • G min • 02:19 • -38.29db
17% Popularity • 33% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 33% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 1: "O bon ermite"
103 bpm • D# Maj • 02:02 • -16db
6% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
93 bpm • C# Maj • 01:47 • -11.21db
10% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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AntonĂn Dvořák
Stabat mater, op.58: 7. Coro "Virgo virg...
93 bpm • A Maj • 06:35 • -24db
7% Popularity • 15% Danceability • 8% Energy • 13% Liveness
59% Instrumentalness • 5% Positiveness
7% Popularity • 15% Danceability • 8% Energy • 13% Liveness
59% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
104 bpm • E Maj • 01:11 • -15.62db
6% Popularity • 39% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
6% Popularity • 39% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Luigi Cherubini
Cherubini: Medea, Act 3: "Neris, che hai...
93 bpm • D min • 01:44 • -18.11db
12% Popularity • 46% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 46% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
93 bpm • A# Maj • 03:28 • -16.99db
5% Popularity • 38% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 38% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Ma sig...
103 bpm • C Maj • 04:42 • -10db
8% Popularity • 53% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 53% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Giacomo Puccini
Edgar - Opera in 3 Acts / Act 3: Addio, ...
104 bpm • F Maj • 03:21 • -20.18db
11% Popularity • 23% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Vieni t'affretta - Or tu...
104 bpm • E Maj • 07:32 • -17.54db
14% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Pt. II Sc...
104 bpm • D Maj • 01:20 • -21.18db
1% Popularity • 26% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 46% Positiveness
1% Popularity • 26% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 46% Positiveness
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Bedřich Smetana
Dalibor: "Dobra! Ja mu je dam!...Jak je ...
92 bpm • C Maj • 03:16 • -15.51db
8% Popularity • 33% Danceability • 20% Energy • 25% Liveness
30% Instrumentalness • 11% Positiveness
8% Popularity • 33% Danceability • 20% Energy • 25% Liveness
30% Instrumentalness • 11% Positiveness
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Riccardo Muti
Verdi: Nabucco, Act 3: Coro di schiavi e...
104 bpm • C# Maj • 04:14 • -18.96db
9% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
9% Popularity • 17% Danceability • 8% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
► Preview
Jacques Offenbach
Offenbach: La Belle Hélène, Act 2: Cou...
92 bpm • F Maj • 02:46 • -22.63db
5% Popularity • 56% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 56% Danceability • 11% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Charles Gounod
Faust Act 1 No.5 Chouer : "Vin ou biere"...
92 bpm • F Maj • 05:01 • -20.92db
2% Popularity • 48% Danceability • 26% Energy • 13% Liveness
12% Instrumentalness • 53% Positiveness
2% Popularity • 48% Danceability • 26% Energy • 13% Liveness
12% Instrumentalness • 53% Positiveness
► Preview
Giuseppe Verdi
Don Carlo, Act III: Ella giammai m'amò!
104 bpm • D Maj • 05:39 • -27.64db
2% Popularity • 19% Danceability • 6% Energy • 36% Liveness
9% Instrumentalness • 8% Positiveness
2% Popularity • 19% Danceability • 6% Energy • 36% Liveness
9% Instrumentalness • 8% Positiveness
► Preview
Richard Wagner
Die WalkĂĽre - Erster Tag des BĂĽhnenfes...
92 bpm • C# Maj • 02:02 • -20.29db
10% Popularity • 34% Danceability • 16% Energy • 36% Liveness
3% Instrumentalness • 9% Positiveness
10% Popularity • 34% Danceability • 16% Energy • 36% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
91 bpm • D# Maj • 03:05 • -22.4db
10% Popularity • 22% Danceability • 5% Energy • 59% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 5% Energy • 59% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Modest Mussorgsky
Boris Godounov - Moussorgsky after Pushk...
105 bpm • G Maj • 04:06 • -15.79db
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
91 bpm • C Maj • 01:14 • -12.16db
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 51% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Charles Gounod
Gounod: Faust, Act 2: "Vin ou bière, bi...
92 bpm • F Maj • 05:02 • -17db
9% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
9% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Benjamin Britten
Quatre chansons françaises: No. 1, Nuit...
105 bpm • D Maj • 02:33 • -22.29db
11% Popularity • 33% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Ohn' A...
91 bpm • A Maj • 04:39 • -18.95db
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor / Act 3: Ohimè! Sor...
106 bpm • C min • 03:48 • -24.58db
1% Popularity • 30% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 30% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Le Comte Ory / Act 1: "Isolier dans ces ...
91 bpm • F Maj • 01:49 • -28.46db
4% Popularity • 25% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 20% Positiveness
4% Popularity • 25% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 20% Positiveness
► Preview
Leoš Janáček
Jenufa / Act 2: Prelude
91 bpm • C# Maj • 01:20 • -19.02db
11% Popularity • 20% Danceability • 2% Energy • 43% Liveness
97% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 2% Energy • 43% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Charles Gounod
Gounod: Faust, Act 1: "Ah ! Paresseuse f...
106 bpm • A Maj • 02:39 • -23db
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 6% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
► Preview
Jules Massenet
Cendrillon: Ah! Douce enfant
91 bpm • B Maj • 04:38 • -29db
9% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tannhäuser - Paris version / Act III: "...
106 bpm • D min • 01:35 • -33.35db
8% Popularity • 22% Danceability • 2% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 64% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Francis Poulenc
Stabat Mater, FP 148: V. Quis est homo
90 bpm • A min • 01:26 • -11.92db
10% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Gioachino Rossini
Le Comte Ory / Act 1: "Je ne puis plus l...
91 bpm • C Maj • 02:20 • -22.53db
5% Popularity • 52% Danceability • 15% Energy • 58% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 52% Danceability • 15% Energy • 58% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Théodore Dubois
Les 7 paroles du Christ: 4e Parole - "De...
90 bpm • E Maj • 06:19 • -29db
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Gounod : Faust : Act 1 "Me Voici!" [Faus...
106 bpm • B Maj • 02:53 • -25.16db
11% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 36% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Giuseppe Verdi
La forza del destino, Act III, Scene III...
106 bpm • C# min • 02:20 • -16.9db
13% Popularity • 39% Danceability • 22% Energy • 17% Liveness
94% Instrumentalness • 54% Positiveness
13% Popularity • 39% Danceability • 22% Energy • 17% Liveness
94% Instrumentalness • 54% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame (Pikovaya Dama), Op. 68, TH.1...
90 bpm • F Maj • 04:16 • -21.69db
10% Popularity • 31% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 31% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Kaija Saariaho
L'Amour de loin, Premier acte, Deuxième...
90 bpm • D Maj • 05:33 • -24.66db
7% Popularity • 27% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Rake's Progress / Act II / Scene II:...
106 bpm • G Maj • 02:24 • -13.1db
8% Popularity • 30% Danceability • 13% Energy • 9% Liveness
8% Instrumentalness • 23% Positiveness
8% Popularity • 30% Danceability • 13% Energy • 9% Liveness
8% Instrumentalness • 23% Positiveness
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Gioachino Rossini
L'italiana in Algeri / Act 1: Dite: chi ...
107 bpm • C# Maj • 05:48 • -14db
8% Popularity • 42% Danceability • 45% Energy • 28% Liveness
1% Instrumentalness • 34% Positiveness
8% Popularity • 42% Danceability • 45% Energy • 28% Liveness
1% Instrumentalness • 34% Positiveness
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Leonard Bernstein
3 Solos: IV. To What You Said
90 bpm • C Maj • 05:30 • -24.51db
10% Popularity • 14% Danceability • 3% Energy • 19% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 3% Energy • 19% Liveness
88% Instrumentalness • 3% Positiveness
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Arthur Honegger
Le Roi David (King David): Psalm: Have M...
90 bpm • F Maj • 02:26 • -20.58db
0% Popularity • 19% Danceability • 8% Energy • 57% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 8% Energy • 57% Liveness
3% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Rusalka, Op. 114 / Act 2: Kvetiny bile p...
90 bpm • B Maj • 03:22 • -17.62db
15% Popularity • 19% Danceability • 18% Energy • 47% Liveness
65% Instrumentalness • 10% Positiveness
15% Popularity • 19% Danceability • 18% Energy • 47% Liveness
65% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
La forza del destino / Act 2: Padre Eter...
90 bpm • G Maj • 04:26 • -24.24db
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 2: "OlĂ , Pang! O...
107 bpm • A min • 01:25 • -22.33db
3% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
3% Popularity • 57% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Le consei...
107 bpm • A# Maj • 03:01 • -25.18db
10% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Gioachino Rossini
Rossini: Zelmira, Act 1: "Perche mi guar...
90 bpm • F Maj • 05:58 • -30.9db
8% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 72% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act 2: Il segreto per ...
107 bpm • C Maj • 01:47 • -17.25db
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 39% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Pt. III S...
108 bpm • C min • 01:09 • -32.38db
1% Popularity • 34% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
1% Popularity • 34% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame (Pikovaya Dama), Op. 68, TH.1...
89 bpm • F# min • 02:56 • -25.96db
9% Popularity • 30% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Claude Debussy
Les angélus, L. 76
89 bpm • C# min • 01:55 • -19.79db
0% Popularity • 33% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 33% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jules Massenet
Massenet: Don Quichotte, Act 4: "L'aube ...
108 bpm • D Maj • 01:29 • -22.69db
3% Popularity • 38% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 38% Danceability • 17% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "A moi les plaisi...
89 bpm • E Maj • 06:52 • -22.26db
11% Popularity • 26% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
11% Popularity • 26% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: X. Fac ut portem
89 bpm • A Maj • 03:29 • -20.59db
10% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
10% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
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Kaija Saariaho
L'Amour de loin, Quatrième acte, Premie...
89 bpm • D Maj • 04:13 • -20.82db
1% Popularity • 23% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
1% Popularity • 23% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor / Act 3: Spargi d'am...
89 bpm • D# Maj • 04:29 • -21db
1% Popularity • 29% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
1% Popularity • 29% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
► Preview
Benjamin Britten
Peter Grimes, Op. 33 / Prologue: "The Tr...
89 bpm • G# Maj • 01:54 • -26.48db
9% Popularity • 28% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Fi...
108 bpm • A Maj • 02:36 • -19db
8% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Charles Gounod
Gounod : Faust : Act 1 "Mais ce Dieu" [F...
108 bpm • C Maj • 01:20 • -20.77db
13% Popularity • 46% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 46% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
AntonĂn Dvořák
Requiem, Op. 89 B. 165: Graduale: Requie...
89 bpm • B Maj • 05:27 • -23db
10% Popularity • 23% Danceability • 7% Energy • 42% Liveness
3% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 7% Energy • 42% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act 4: "Oh Dio! Mim�...
108 bpm • A Maj • 06:01 • -22db
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jules Massenet
Cendrillon: Que les doux pensers
109 bpm • C Maj • 04:59 • -29.07db
8% Popularity • 36% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 36% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
