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La Femme Du Bouc Émissaire
Songs like
La Femme Du Bouc Émissaire
by
Dominique Sucetti
Based on a tempo of (+/- 10%) and a similar genre
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Dominique Sucetti
La Femme Du Bouc Émissaire
139 bpm • C Maj • 18:04 • -23.13db
0% Popularity • 49% Danceability • 11% Energy • 67% Liveness
9% Instrumentalness • 16% Positiveness
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John Surman
We'll Make It, Pt. 1
139 bpm • B min • 03:19 • -17.65db
23% Popularity • 32% Danceability • 36% Energy • 25% Liveness
5% Instrumentalness • 57% Positiveness
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Max Roach
Three-Four vs. Six-Eight Four-Four Ways
139 bpm • D# Maj • 05:40 • -18.97db
15% Popularity • 43% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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The Joe Harriott-John Mayer Double Quintet
Overture
139 bpm • A# min • 08:07 • -13.35db
9% Popularity • 70% Danceability • 44% Energy • 8% Liveness
41% Instrumentalness • 52% Positiveness
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Rui Hallvares Andrade Paes
RAMTRE
139 bpm • F# min • 02:32 • -14.51db
12% Popularity • 36% Danceability • 61% Energy • 10% Liveness
31% Instrumentalness • 44% Positiveness
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Duke Ellington
The Sleeping Lady And The Giant Who Watc...
138 bpm • C Maj • 07:25 • -14.22db
9% Popularity • 33% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Dominique Sucetti
Revelations
140 bpm • C# Maj • 14:56 • -21.74db
0% Popularity • 26% Danceability • 8% Energy • 71% Liveness
61% Instrumentalness • 4% Positiveness
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Aula cold
throat
138 bpm • C# Maj • 01:03 • -9.52db
10% Popularity • 51% Danceability • 83% Energy • 36% Liveness
86% Instrumentalness • 96% Positiveness
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Søyr
VaÌŠrt Tivoli Reiser Aldri Rundt
140 bpm • G Maj • 06:09 • -16.1db
9% Popularity • 40% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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John Surman
Shingebis And The North Wind, Pt. 1
138 bpm • F# Maj • 03:42 • -19.97db
23% Popularity • 33% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Hubert Laws
The Rite of Spring
140 bpm • A# min • 09:01 • -15.53db
11% Popularity • 41% Danceability • 34% Energy • 6% Liveness
74% Instrumentalness • 7% Positiveness
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The Montgomery Brothers
Just For Now - Instrumental
138 bpm • F min • 04:57 • -18.24db
13% Popularity • 44% Danceability • 41% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
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Branford Marsalis Quartet
Knocked Out The Box
140 bpm • F min • 01:34 • -13.34db
18% Popularity • 40% Danceability • 54% Energy • 25% Liveness
2% Instrumentalness • 62% Positiveness
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Bobby Hutcherson
Aquarian Moon - Remastered
138 bpm • D# Maj • 07:43 • -10.68db
14% Popularity • 46% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Lounge Lizards
Demented
140 bpm • C Maj • 02:06 • -12.97db
12% Popularity • 46% Danceability • 44% Energy • 11% Liveness
78% Instrumentalness • 86% Positiveness
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John Surman
The Adventures Of Manabush, Pt. 3
138 bpm • D# Maj • 03:43 • -15.07db
23% Popularity • 24% Danceability • 62% Energy • 32% Liveness
15% Instrumentalness • 32% Positiveness
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Mike Stern
There Is No Greater Love
141 bpm • G# Maj • 09:11 • -18db
12% Popularity • 43% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Victor Goines
The Suffragists
137 bpm • D# Maj • 06:41 • -7.31db
10% Popularity • 47% Danceability • 66% Energy • 6% Liveness
17% Instrumentalness • 64% Positiveness
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Vince Guaraldi
Coffee and Doe-Nuts
141 bpm • G min • 07:03 • -19.61db
11% Popularity • 41% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 51% Positiveness
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Roland Kirk Quartet
Rip, Rig And Panic
141 bpm • A min • 06:56 • -17.01db
13% Popularity • 34% Danceability • 46% Energy • 25% Liveness
2% Instrumentalness • 49% Positiveness
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Joe Henderson
Granted - Rudy Van Gelder Edition/2003 D...
137 bpm • C min • 07:20 • -12.66db
15% Popularity • 46% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Charles Mingus
Opus 4
137 bpm • F min • 06:42 • -14.28db
11% Popularity • 49% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Ellen Christi
Dogon
141 bpm • A# Maj • 07:21 • -10.48db
9% Popularity • 39% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Tohru Aizawa Quartet
La Fiesta
141 bpm • C Maj • 09:59 • -12.51db
28% Popularity • 29% Danceability • 68% Energy • 12% Liveness
68% Instrumentalness • 46% Positiveness
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Marion Brown
Sweet Earth Flying - Pt. 4 : Prince Will...
137 bpm • E Maj • 05:57 • -14.64db
7% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Bill Lee
Mookie (Septet)
141 bpm • G# Maj • 06:43 • -15.56db
9% Popularity • 47% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 44% Positiveness
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The Jazz Crusaders
Appointment In Ghana
142 bpm • D min • 07:01 • -10.84db
7% Popularity • 36% Danceability • 76% Energy • 93% Liveness
1% Instrumentalness • 67% Positiveness
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Nucleus
Speaking For Myself, Personally, In My O...
136 bpm • G Maj • 01:31 • -15.54db
26% Popularity • 36% Danceability • 93% Energy • 23% Liveness
87% Instrumentalness • 14% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
13% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Max Roach
Sunday Afternoon
136 bpm • C min • 06:16 • -13.13db
14% Popularity • 40% Danceability • 47% Energy • 34% Liveness
92% Instrumentalness • 61% Positiveness
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Chick Corea
This
142 bpm • C Maj • 08:18 • -11.39db
3% Popularity • 34% Danceability • 58% Energy • 16% Liveness
2% Instrumentalness • 45% Positiveness
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Storytelling Sounds
Som Plommen i Egget
142 bpm • D Maj • 01:48 • -28.95db
8% Popularity • 67% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 31% Positiveness
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Takeo Moriyama
Kaze
142 bpm • D min • 05:12 • -14.85db
9% Popularity • 35% Danceability • 48% Energy • 13% Liveness
52% Instrumentalness • 45% Positiveness
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Charles Tyler Quartet
The Legend of the Lawman
136 bpm • D Maj • 10:04 • -22.92db
8% Popularity • 54% Danceability • 29% Energy • 42% Liveness
33% Instrumentalness • 85% Positiveness
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Dominique Sucetti
Petite Suite Italienne
143 bpm • A# min • 05:01 • -20.93db
0% Popularity • 53% Danceability • 10% Energy • 69% Liveness
72% Instrumentalness • 11% Positiveness
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John McLaughlin
Spectrum
135 bpm • E min • 02:45 • -17.16db
12% Popularity • 37% Danceability • 42% Energy • 19% Liveness
64% Instrumentalness • 50% Positiveness
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Wynton Marsalis
Sunflowers
135 bpm • A Maj • 10:00 • -11.93db
4% Popularity • 60% Danceability • 36% Energy • 10% Liveness
21% Instrumentalness • 56% Positiveness
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Victor Goines
Madam C. J. Walker
134 bpm • C min • 07:19 • -9.53db
10% Popularity • 51% Danceability • 42% Energy • 35% Liveness
31% Instrumentalness • 52% Positiveness
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Michel Legrand
Kermesse
144 bpm • G min • 06:57 • -9.74db
19% Popularity • 32% Danceability • 75% Energy • 43% Liveness
77% Instrumentalness • 33% Positiveness
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Cecil Taylor
Enter, Evening
134 bpm • F# min • 10:11 • -17.31db
10% Popularity • 36% Danceability • 21% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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Carnegie Hall Jazz Band
In The Mood
134 bpm • C min • 08:21 • -20.71db
9% Popularity • 52% Danceability • 12% Energy • 5% Liveness
3% Instrumentalness • 52% Positiveness
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Charles Mingus
Cryin' Blues
134 bpm • G# Maj • 05:03 • -20.9db
24% Popularity • 52% Danceability • 8% Energy • 9% Liveness
7% Instrumentalness • 32% Positiveness
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Esperanza Spalding
Two Bad
134 bpm • E Maj • 06:59 • -23.26db
10% Popularity • 50% Danceability • 18% Energy • 12% Liveness
74% Instrumentalness • 36% Positiveness
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Anthony Braxton
6-77AR-36K (Opus 23B)
145 bpm • G min • 08:51 • -11.26db
22% Popularity • 49% Danceability • 52% Energy • 79% Liveness
62% Instrumentalness • 77% Positiveness
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Hideo Shiraki
Matsuri No Genzo
133 bpm • E min • 06:13 • -17.66db
28% Popularity • 63% Danceability • 39% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Bobby Hutcherson
Matrix
145 bpm • C Maj • 06:44 • -19.06db
10% Popularity • 40% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Wes Montgomery
Jingles - Take 8
133 bpm • E min • 06:50 • -18.99db
3% Popularity • 46% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Alice Coltrane
IHS
133 bpm • G# min • 08:45 • -18.59db
16% Popularity • 32% Danceability • 26% Energy • 15% Liveness
34% Instrumentalness • 34% Positiveness
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峰厚介
ダグリ
145 bpm • G min • 06:25 • -8db
11% Popularity • 30% Danceability • 65% Energy • 14% Liveness
63% Instrumentalness • 60% Positiveness
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Dizzy Gillespie
November Afternoon
145 bpm • F min • 04:23 • -13.03db
9% Popularity • 52% Danceability • 41% Energy • 36% Liveness
41% Instrumentalness • 60% Positiveness
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Freddie Hubbard
Blues for Duane
145 bpm • G# Maj • 07:34 • -17.01db
14% Popularity • 49% Danceability • 21% Energy • 15% Liveness
11% Instrumentalness • 37% Positiveness
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Stephen Martin
Three by Two
133 bpm • A min • 05:39 • -6.11db
14% Popularity • 39% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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Ornette Coleman
Forerunner
145 bpm • C Maj • 05:15 • -17.07db
10% Popularity • 51% Danceability • 27% Energy • 8% Liveness
28% Instrumentalness • 57% Positiveness
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Tomasz Stanko Quintet
Nieskończenie mały
133 bpm • A Maj • 04:04 • -14.75db
12% Popularity • 33% Danceability • 33% Energy • 17% Liveness
69% Instrumentalness • 31% Positiveness
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Keith Jarrett Trio
Pouts' Over (And the Day's Not Through)
132 bpm • D min • 04:34 • -18.55db
7% Popularity • 62% Danceability • 41% Energy • 72% Liveness
92% Instrumentalness • 50% Positiveness
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Chick Corea
Sundance
133 bpm • G Maj • 10:02 • -12.63db
15% Popularity • 33% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Cannonball Adderley Sextet
Planet Earth
146 bpm • D min • 07:59 • -11db
8% Popularity • 31% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Stan Getz
I'm Late, I'm Late
132 bpm • G# min • 08:08 • -13db
16% Popularity • 56% Danceability • 41% Energy • 38% Liveness
46% Instrumentalness • 53% Positiveness
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Ornette Coleman
Is It Forever
133 bpm • F min • 04:49 • -10.99db
9% Popularity • 32% Danceability • 32% Energy • 14% Liveness
12% Instrumentalness • 19% Positiveness
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Joe Henderson
Pfrancing (No Blues)
132 bpm • C min • 08:18 • -18.08db
9% Popularity • 48% Danceability • 19% Energy • 19% Liveness
1% Instrumentalness • 31% Positiveness
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Laurie Carpenter
Cannae
146 bpm • C Maj • 04:26 • -13.03db
15% Popularity • 43% Danceability • 37% Energy • 23% Liveness
83% Instrumentalness • 48% Positiveness
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Paul Chambers
Chamber Mates - Remastered/Rudy Van Geld...
132 bpm • C min • 05:02 • -14.6db
14% Popularity • 54% Danceability • 50% Energy • 18% Liveness
87% Instrumentalness • 81% Positiveness
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Serge Adam
Dernière Dance
147 bpm • C Maj • 06:58 • -13.25db
0% Popularity • 38% Danceability • 42% Energy • 11% Liveness
19% Instrumentalness • 44% Positiveness
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Dominique Sucetti
Pas Encore
132 bpm • B Maj • 13:58 • -20.44db
0% Popularity • 54% Danceability • 16% Energy • 66% Liveness
68% Instrumentalness • 12% Positiveness
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Steve Lacy
Who Knows
147 bpm • F min • 05:26 • -17.9db
10% Popularity • 45% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Henderson
Lazy Afternoon
132 bpm • A# min • 04:35 • -16.26db
21% Popularity • 54% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Keith Jarrett
Le Mistral
147 bpm • A# Maj • 09:25 • -18.61db
10% Popularity • 53% Danceability • 41% Energy • 9% Liveness
10% Instrumentalness • 49% Positiveness
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Charles Mingus
Black Bats and Poles
147 bpm • F min • 06:21 • -12.48db
8% Popularity • 36% Danceability • 52% Energy • 7% Liveness
84% Instrumentalness • 48% Positiveness
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Gary Burton Quartet
Death Rolls
131 bpm • F# Maj • 01:35 • -23.67db
10% Popularity • 39% Danceability • 23% Energy • 15% Liveness
86% Instrumentalness • 33% Positiveness
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John Surman
The Adventures Of Manabush, Pt. 1
131 bpm • F min • 01:59 • -16.72db
23% Popularity • 31% Danceability • 46% Energy • 18% Liveness
86% Instrumentalness • 34% Positiveness
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Pharoah Sanders
You've Got to Have Freedom
130 bpm • C min • 10:06 • -12.79db
35% Popularity • 40% Danceability • 56% Energy • 17% Liveness
88% Instrumentalness • 65% Positiveness
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James Tatum
Zoombah Lu
130 bpm • B min • 03:32 • -15.85db
8% Popularity • 49% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Sun Ra
Eve
130 bpm • D min • 03:07 • -16.17db
19% Popularity • 31% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 26% Positiveness
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Giuliano Tull
Lucifero's Cabaret
130 bpm • E Maj • 04:48 • -8.02db
13% Popularity • 68% Danceability • 38% Energy • 10% Liveness
36% Instrumentalness • 40% Positiveness
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峰厚介
スピン・ドリフト
149 bpm • G min • 08:04 • -7.57db
8% Popularity • 28% Danceability • 63% Energy • 22% Liveness
45% Instrumentalness • 52% Positiveness
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Max Roach
Off My Back Jack
130 bpm • A# min • 05:13 • -21.39db
11% Popularity • 43% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 31% Positiveness
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Ornette Coleman
Turnaround - Instrumental
130 bpm • C Maj • 07:56 • -24.52db
12% Popularity • 56% Danceability • 5% Energy • 34% Liveness
11% Instrumentalness • 38% Positiveness
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Oded Tzur
Love Song for the Rainy Season
150 bpm • C min • 07:27 • -14db
16% Popularity • 34% Danceability • 48% Energy • 13% Liveness
60% Instrumentalness • 49% Positiveness
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Jan Johansson
Längs floden
129 bpm • E Maj • 02:04 • -13.23db
16% Popularity • 45% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Bobby Hutcherson
Same Shame - 1968 Version
129 bpm • C# Maj • 09:28 • -22.97db
8% Popularity • 36% Danceability • 21% Energy • 31% Liveness
3% Instrumentalness • 25% Positiveness
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John Surman
Picture Tree, Pt. 1
150 bpm • F min • 02:07 • -16.83db
24% Popularity • 24% Danceability • 38% Energy • 64% Liveness
8% Instrumentalness • 42% Positiveness
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Elvin Jones
Aborigine Dance In Scotland
128 bpm • F# Maj • 04:10 • -14.14db
7% Popularity • 47% Danceability • 65% Energy • 13% Liveness
3% Instrumentalness • 36% Positiveness
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Ornette Coleman
School Work
129 bpm • F min • 05:34 • -10.24db
14% Popularity • 51% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Lucas Figueiredo Santana
Around the World
128 bpm • F min • 07:49 • -8.08db
9% Popularity • 56% Danceability • 56% Energy • 26% Liveness
68% Instrumentalness • 68% Positiveness
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Sambrasa Trio
Nem o Mar Sabia
128 bpm • D min • 02:24 • -14.97db
9% Popularity • 55% Danceability • 46% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
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Bobby Hutcherson
Herzog
129 bpm • G min • 06:36 • -18.96db
15% Popularity • 45% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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John Surman
The Adventures Of Manabush, Pt. 2
150 bpm • A min • 02:05 • -18.39db
23% Popularity • 23% Danceability • 59% Energy • 36% Liveness
35% Instrumentalness • 34% Positiveness
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Christian McBride Big Band
Broadway
128 bpm • F Maj • 04:05 • -20db
9% Popularity • 56% Danceability • 8% Energy • 6% Liveness
18% Instrumentalness • 42% Positiveness
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Lincoln Center Jazz Orchestra
Things To Come
127 bpm • C# Maj • 04:33 • -10.2db
8% Popularity • 46% Danceability • 58% Energy • 72% Liveness
60% Instrumentalness • 56% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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OtwinGroup
Be Bot(win)
127 bpm • G# Maj • 03:15 • -14.54db
16% Popularity • 49% Danceability • 50% Energy • 20% Liveness
86% Instrumentalness • 53% Positiveness
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Bobby Hutcherson
Total Eclipse
128 bpm • E min • 08:54 • -25.05db
11% Popularity • 43% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Lenny White
L's Bop
127 bpm • F# Maj • 05:17 • -14.65db
9% Popularity • 41% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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John Surman
With Terry's Help, Pt. 1
127 bpm • C# min • 03:22 • -16.06db
33% Popularity • 23% Danceability • 48% Energy • 11% Liveness
7% Instrumentalness • 32% Positiveness
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Arne Domnérus
Take Five
126 bpm • D# min • 06:57 • -17.1db
18% Popularity • 54% Danceability • 47% Energy • 82% Liveness
43% Instrumentalness • 62% Positiveness
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Krzysztof Komeda
Knife in the Water 5
126 bpm • G Maj • 02:37 • -20.21db
17% Popularity • 33% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
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Ahmad Jamal
Autumn Leaves
126 bpm • A# Maj • 08:48 • -20db
26% Popularity • 52% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Tohru Aizawa Quartet
Philosopher's Stone
154 bpm • C Maj • 10:10 • -13.83db
7% Popularity • 25% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 24% Positiveness
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Charlie Haden
Grandola Vila Morena
125 bpm • D Maj • 02:11 • -14.33db
14% Popularity • 56% Danceability • 28% Energy • 44% Liveness
3% Instrumentalness • 56% Positiveness
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John Surman
With Terry's Help, Pt. 2
127 bpm • G# Maj • 02:29 • -14.88db
28% Popularity • 28% Danceability • 58% Energy • 34% Liveness
89% Instrumentalness • 47% Positiveness
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La Femme Du Bouc Émissaire