Songs like La forza del destino: Act III: Solenne in quest'ora by Giuseppe Verdi
Based on a tempo of (+/- 10%) and a similar genre
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Was gibt's [Che È Ciò?] (Alfred, Gaston, Chor, Violetta) cover art](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6)
Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
72 bpm • F min • 02:37 • -14.09db
6% Popularity • 56% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
6% Popularity • 56% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
39% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Francesco Paolo Tosti
L'ultima canzone
72 bpm • D Maj • 04:15 • -16.59db
34% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
Nabucco / Act II: Chi s'avanza? Orrenda ...
72 bpm • D Maj • 01:07 • -13.04db
21% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 50% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Tebaldi
E' Strano... Follie... Sempre Libera - l...
74 bpm • C Maj • 08:53 • -16db
15% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Signore, ascolta"
74 bpm • F# Maj • 02:40 • -23.68db
24% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Otello / Act 1: "Una vela! Una vela!"
73 bpm • G# Maj • 04:18 • -16.38db
16% Popularity • 22% Danceability • 30% Energy • 83% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 30% Energy • 83% Liveness
1% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
23% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Largo ...
69 bpm • G Maj • 05:00 • -17db
18% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
18% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca, SC 69 / Act 3: "E lucevan le stel...
70 bpm • B min • 03:21 • -12.48db
40% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Aida: Preludio
75 bpm • D Maj • 03:39 • -21db
26% Popularity • 7% Danceability • 2% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 14% Liveness
5% Instrumentalness • 3% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
75 bpm • E min • 03:43 • -9.74db
36% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
36% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Beato voi, compar...
68 bpm • G Maj • 06:57 • -15db
25% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Les soirées musicales: La danza (Già l...
69 bpm • F Maj • 03:12 • -14db
18% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
18% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
76 bpm • G# min • 02:33 • -12.37db
4% Popularity • 54% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
4% Popularity • 54% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi: "O mio babbino...
75 bpm • G# Maj • 02:34 • -16.63db
46% Popularity • 17% Danceability • 11% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 11% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La traviata, Act I: Libiamo ne lieti cal...
75 bpm • A# Maj • 03:03 • -21db
28% Popularity • 32% Danceability • 9% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 32% Danceability • 9% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
75 bpm • C Maj • 04:33 • -16db
18% Popularity • 41% Danceability • 37% Energy • 35% Liveness
74% Instrumentalness • 48% Positiveness
18% Popularity • 41% Danceability • 37% Energy • 35% Liveness
74% Instrumentalness • 48% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Che gelida m...
75 bpm • G# Maj • 05:06 • -12.26db
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Verdi: Nabucco, Act 3: Chorus of the Heb...
75 bpm • C# Maj • 05:29 • -23db
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
32% Popularity • 9% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Norma / Act 1: Casta Diva
67 bpm • F Maj • 05:57 • -24db
36% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
76 bpm • C Maj • 04:31 • -17.38db
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
44% Popularity • 40% Danceability • 31% Energy • 25% Liveness
28% Instrumentalness • 44% Positiveness
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Francesco Maria Piave
La Forza Del Destino: Pace, Pace
78 bpm • C min • 05:24 • -29db
26% Popularity • 21% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
69 bpm • C Maj • 04:21 • -22db
36% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata*: Act I: Brindisi: Libiamo n...
69 bpm • A# Maj • 02:55 • -23.25db
27% Popularity • 33% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: "Pour mon...
66 bpm • F Maj • 02:12 • -12.59db
35% Popularity • 42% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
35% Popularity • 42% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Largo al factot...
66 bpm • C Maj • 04:55 • -17.1db
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
33% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
33% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Un bel ...
77 bpm • C# Maj • 04:52 • -19.56db
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Nabucco, Act 3: "Donna, chi sei?"...
78 bpm • G# Maj • 11:07 • -14.84db
14% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
33% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
33% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
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Gaetano Donizetti
La favorita / Act 4: "Spirto gentil, de'...
66 bpm • C Maj • 03:27 • -17db
34% Popularity • 20% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 20% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. mi chi...
78 bpm • D Maj • 05:01 • -17.69db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Aida, Act II: Vieni, o guerriero vindice
78 bpm • D# Maj • 02:23 • -16db
9% Popularity • 20% Danceability • 25% Energy • 35% Liveness
50% Instrumentalness • 43% Positiveness
9% Popularity • 20% Danceability • 25% Energy • 35% Liveness
50% Instrumentalness • 43% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Nabucco: Va, pensiero, "Chorus of Hebrew...
71 bpm • C# Maj • 04:44 • -26.78db
38% Popularity • 20% Danceability • 1% Energy • 31% Liveness
8% Instrumentalness • 7% Positiveness
38% Popularity • 20% Danceability • 1% Energy • 31% Liveness
8% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 1: Donna non vidi ma...
79 bpm • A# Maj • 02:11 • -14.19db
36% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
49% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
49% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Leo Nucci
Soli soli nella notte
64 bpm • F Maj • 03:00 • -11db
35% Popularity • 41% Danceability • 27% Energy • 18% Liveness
12% Instrumentalness • 39% Positiveness
35% Popularity • 41% Danceability • 27% Energy • 18% Liveness
12% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
83 bpm • C# Maj • 03:20 • -10.9db
5% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Un dì felice, eter...
74 bpm • F Maj • 03:27 • -20.33db
22% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 29% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
83 bpm • E Maj • 04:08 • -17db
48% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Verdi
Rigoletto, Act I: Figlia! Mio padre!
74 bpm • C# Maj • 05:23 • -18db
11% Popularity • 33% Danceability • 14% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 33% Danceability • 14% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma!
84 bpm • D Maj • 02:57 • -12.51db
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Luciano Pavarotti
Rigoletto - Bella Figlia Dell'Amore
61 bpm • C# Maj • 04:44 • -16.3db
31% Popularity • 24% Danceability • 18% Energy • 83% Liveness
1% Instrumentalness • 22% Positiveness
31% Popularity • 24% Danceability • 18% Energy • 83% Liveness
1% Instrumentalness • 22% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
36% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
36% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 1: "Gualtier Mald�...
74 bpm • E Maj • 06:44 • -23.12db
0% Popularity • 29% Danceability • 6% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 6% Energy • 7% Liveness
14% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: IV. Tuba mirum
70 bpm • D# Maj • 01:50 • -12db
32% Popularity • 25% Danceability • 40% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 25% Danceability • 40% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
87 bpm • E Maj • 06:19 • -19.97db
20% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata / Act I: "E strano! ... Ah, ...
74 bpm • F Maj • 03:36 • -24.81db
34% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Ruggero Leoncavallo
Pagliacci, Act I: "Recitar! Vesti la giu...
89 bpm • E Maj • 03:35 • -19.59db
22% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Rigoletto / Act II: Povero Rigoletto!
74 bpm • C Maj • 03:17 • -22db
15% Popularity • 41% Danceability • 7% Energy • 62% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 41% Danceability • 7% Energy • 62% Liveness
0% Instrumentalness • 30% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
