Songs like La lotta d'Hercole con Acheloo: Eccomi (Live) by Agostino Steffani
Based on a tempo of (+/- 10%) and a similar genre
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Philippe Jaroussky
Regina coeli laetare (Motetti a voce sol...
124 bpm • F Maj • 03:04 • -17db
10% Popularity • 40% Danceability • 21% Energy • 16% Liveness
9% Instrumentalness • 51% Positiveness
10% Popularity • 40% Danceability • 21% Energy • 16% Liveness
9% Instrumentalness • 51% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 3. Laudamus t...
123 bpm • F# Maj • 02:05 • -13.51db
16% Popularity • 46% Danceability • 30% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
16% Popularity • 46% Danceability • 30% Energy • 23% Liveness
1% Instrumentalness • 52% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Bartolomeo Conti
Conti: Don Chisciotte in Sierra Morena, ...
125 bpm • B Maj • 04:09 • -13db
11% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
123 bpm • B min • 03:02 • -21.54db
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 11. Quoniam t...
123 bpm • C# Maj • 00:48 • -12.15db
9% Popularity • 45% Danceability • 23% Energy • 15% Liveness
3% Instrumentalness • 54% Positiveness
9% Popularity • 45% Danceability • 23% Energy • 15% Liveness
3% Instrumentalness • 54% Positiveness
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Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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William Christie
Purcell : King Arthur : Act 5 Chaconne
125 bpm • D# Maj • 03:29 • -25.92db
13% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Antonio Caldara
Stabat Mater: V. Tui nati vulnerati
126 bpm • E min • 01:48 • -23.14db
17% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Jordi Savall
Ohimè Ch'Io Cado (Libro Nono)
126 bpm • C Maj • 04:28 • -21db
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
17% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Vivaldi: Clarae stellae, scintillate, RV...
125 bpm • D min • 02:07 • -20.29db
9% Popularity • 62% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 62% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Gloria Patri I
122 bpm • D# min • 03:32 • -18.45db
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Christophe Rousset
Rinaldo, HWV 7a: Ouverture
126 bpm • C# min • 03:54 • -25db
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
37% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
37% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: II. Et e...
127 bpm • C# Maj • 02:31 • -25.63db
23% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
28% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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William Christie
Purcell : King Arthur : Act 5 "Fairest I...
127 bpm • G# Maj • 04:45 • -24.41db
14% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Dixit Dominus: Allegro
125 bpm • C# Maj • 02:00 • -20.74db
22% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
22% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
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Antonio Sartorio
Sartorio: Antonino e Pompeiano, Act 3: "...
127 bpm • D Maj • 03:22 • -18.24db
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
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Johann Sebastian Bach
Magnificat in E-Flat Major, BWV 243a: Et...
127 bpm • A min • 03:29 • -24.91db
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
120 bpm • D# Maj • 05:02 • -26.38db
13% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
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Riccardo Broschi
Idaspe: Aria "Qual guerriero in campoarm...
128 bpm • A Maj • 08:08 • -15.96db
10% Popularity • 46% Danceability • 28% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
10% Popularity • 46% Danceability • 28% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Johann Christian Bach
Magnificat, W. E22: Et misericordia eius...
120 bpm • B min • 01:10 • -22db
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: Stabat Mater in F Minor, RV 621...
127 bpm • C min • 01:55 • -26.6db
10% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Sartorio
Sartorio: L'Orfeo: Sinfonia
127 bpm • F# Maj • 01:31 • -18.39db
18% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
18% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 49% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: IV. Vieni Imeneo, de...
128 bpm • C Maj • 01:44 • -20.57db
20% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act I: Belinda,...
128 bpm • B min • 01:04 • -19db
19% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
121 bpm • D# min • 02:29 • -21db
12% Popularity • 48% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 48% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Morte col fier...
120 bpm • F# min • 04:12 • -13.86db
8% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
129 bpm • G min • 01:43 • -22.55db
1% Popularity • 46% Danceability • 13% Energy • 27% Liveness
13% Instrumentalness • 56% Positiveness
1% Popularity • 46% Danceability • 13% Energy • 27% Liveness
13% Instrumentalness • 56% Positiveness
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Gennaro Manna
Manna: Laudate pueri: I. Laudate pueri, ...
129 bpm • E Maj • 04:24 • -11.88db
9% Popularity • 37% Danceability • 30% Energy • 45% Liveness
6% Instrumentalness • 50% Positiveness
9% Popularity • 37% Danceability • 30% Energy • 45% Liveness
6% Instrumentalness • 50% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
128 bpm • G# Maj • 03:30 • -22db
25% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
129 bpm • A Maj • 01:02 • -22.52db
23% Popularity • 39% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 39% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 3: ...
129 bpm • F Maj • 01:13 • -18.12db
0% Popularity • 46% Danceability • 14% Energy • 61% Liveness
90% Instrumentalness • 35% Positiveness
0% Popularity • 46% Danceability • 14% Energy • 61% Liveness
90% Instrumentalness • 35% Positiveness
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Luigi Rossi
Rossi / Arr. Pluhar: L'Orfeo, Act 2: "Mi...
119 bpm • D min • 05:11 • -19.44db
9% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 7% Positiveness
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Marie-Nicole Lemieux
Ave Regina coelorum (Sentimenti devoti e...
119 bpm • D min • 03:26 • -18db
11% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 38% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Carl Heinrich Graun
Cleopatra e Cesare, WV B:I:7: Tra le pro...
130 bpm • D# Maj • 07:24 • -13.34db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
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Francesco Cavalli
Cavalli: La Calisto, Act 1: "Piante ombr...
118 bpm • G Maj • 02:36 • -17.29db
9% Popularity • 41% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 41% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Te Deum: In Te, Domine, speravi
119 bpm • B Maj • 01:52 • -19db
18% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
18% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Agostino Steffani
I trionfi del fato: E l'honor stella tir...
130 bpm • F# min • 02:01 • -14.7db
12% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Claudio Monteverdi
L'Orfeo, Ato primo: III. Rosa del ciel
130 bpm • D min • 04:09 • -23.55db
20% Popularity • 33% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 33% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Thomas Hengelbrock
Miserere in C minor: Misere I
131 bpm • B min • 02:27 • -16db
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Francesco Durante
Durante: Messa a 5 voci: "Domine Fili un...
117 bpm • C# Maj • 01:53 • -16.73db
16% Popularity • 49% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 49% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
117 bpm • F# Maj • 04:40 • -22db
8% Popularity • 26% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Agostino Steffani
I Trionfi del fato": "Mie fide schiere, ...
117 bpm • C# Maj • 03:25 • -12.99db
2% Popularity • 59% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 52% Positiveness
2% Popularity • 59% Danceability • 56% Energy • 5% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Johann Adolf Hasse
Siroe: "Fra l'orror della tempesta"
131 bpm • C# Maj • 05:05 • -15db
9% Popularity • 58% Danceability • 46% Energy • 17% Liveness
57% Instrumentalness • 51% Positiveness
9% Popularity • 58% Danceability • 46% Energy • 17% Liveness
57% Instrumentalness • 51% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
118 bpm • D Maj • 02:45 • -22.82db
21% Popularity • 35% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Jean-Baptiste Lully
Lully : Psyché : "Chantons les plaisirs...
132 bpm • C Maj • 01:47 • -13.68db
9% Popularity • 28% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 28% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
116 bpm • A# Maj • 02:18 • -18.72db
1% Popularity • 47% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 47% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
26% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
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Nicola Porpora
Porpora: Arianna e Teseo: "Mira in cielo...
132 bpm • E Maj • 05:53 • -18.53db
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Alessandro Stradella
San Giovanni Battista: Deste un tempo
116 bpm • D Maj • 01:19 • -17db
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
116 bpm • G min • 01:44 • -17.97db
11% Popularity • 33% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 33% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Agostino Steffani
I Trionfi del fato": "Combatton quest'al...
132 bpm • D# Maj • 02:07 • -13.56db
10% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Claudio Monteverdi
Monteverdi: Settimo libro de madrigali "...
133 bpm • G Maj • 07:49 • -19.87db
17% Popularity • 28% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Riccardo Broschi
Artasere, Act III Scene 1: Aria "Son qua...
133 bpm • C# Maj • 07:34 • -15.87db
10% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
10% Popularity • 43% Danceability • 36% Energy • 20% Liveness
29% Instrumentalness • 56% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
116 bpm • C# Maj • 05:51 • -20.07db
12% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
12% Popularity • 35% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
Missa Votiva, ZWV 18: Kyrie I.
116 bpm • D# min • 03:56 • -17db
15% Popularity • 36% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 56% Positiveness
15% Popularity • 36% Danceability • 17% Energy • 10% Liveness
22% Instrumentalness • 56% Positiveness
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Carlo Pallavicino
Pallavicino: L'Antiope: "Sdegni, furori ...
133 bpm • C# Maj • 01:13 • -14.1db
16% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 40% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Agostino Steffani
Le rivali concordi: "Timori, ruine"
116 bpm • C# Maj • 01:34 • -13.46db
2% Popularity • 49% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
2% Popularity • 49% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Antonio Caldara
La castità al cimento: "Sparga il senso...
134 bpm • B Maj • 02:57 • -13db
11% Popularity • 58% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 58% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308: Sinfo...
115 bpm • C Maj • 01:34 • -18db
17% Popularity • 26% Danceability • 13% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
17% Popularity • 26% Danceability • 13% Energy • 18% Liveness
27% Instrumentalness • 40% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
16% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue Sc�...
134 bpm • E Maj • 02:12 • -24.64db
15% Popularity • 34% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
134 bpm • A# Maj • 02:04 • -19.01db
1% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 57% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Henry Purcell
Come, ye sons of art, away (1694) Ode fo...
115 bpm • C# min • 04:18 • -17.89db
12% Popularity • 37% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 37% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus (Psalm 19): Gloria
115 bpm • A# Maj • 01:55 • -16db
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 48% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 3 Et i...
114 bpm • A# min • 02:50 • -27.32db
19% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: III. "Fide...
135 bpm • E Maj • 02:46 • -14.84db
20% Popularity • 43% Danceability • 27% Energy • 42% Liveness
4% Instrumentalness • 61% Positiveness
20% Popularity • 43% Danceability • 27% Energy • 42% Liveness
4% Instrumentalness • 61% Positiveness
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Johann Sebastian Bach
Languet anima mea, App. C (After F.B. Co...
135 bpm • C# min • 03:19 • -13.43db
8% Popularity • 42% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Henry Purcell
O dive custos Auriacae domus, Z504
134 bpm • F# min • 06:59 • -15.99db
8% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 10. Qui sedes...
114 bpm • A# min • 02:01 • -14.97db
10% Popularity • 55% Danceability • 38% Energy • 18% Liveness
64% Instrumentalness • 55% Positiveness
10% Popularity • 55% Danceability • 38% Energy • 18% Liveness
64% Instrumentalness • 55% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
