Songs like La Superbe by Benjamin Biolay
Based on a tempo of (+/- 10%) and a similar genre
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Benjamin Biolay
La Superbe
150 bpm • E min • 06:17 • -6.34db
44% Popularity • 38% Danceability • 70% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
44% Popularity • 38% Danceability • 70% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
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Jeanne Cherhal
Rural
150 bpm • G# min • 01:33 • -11.67db
34% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Da Silva
Les plus belles lettres
150 bpm • C min • 03:00 • -7.17db
36% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 63% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Buridane
Vice et vertu
151 bpm • F# min • 03:48 • -12.02db
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jean-Jacques Goldman
Sache que je
148 bpm • C Maj • 05:25 • -10.14db
42% Popularity • 54% Danceability • 59% Energy • 5% Liveness
6% Instrumentalness • 55% Positiveness
42% Popularity • 54% Danceability • 59% Energy • 5% Liveness
6% Instrumentalness • 55% Positiveness
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Bernard Lavilliers
L'espoir
148 bpm • D Maj • 04:06 • -11db
36% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lady Sir
Je rêve d'ailleurs
148 bpm • E Maj • 04:04 • -10.13db
35% Popularity • 57% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 31% Positiveness
35% Popularity • 57% Danceability • 77% Energy • 11% Liveness
45% Instrumentalness • 31% Positiveness
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Rose
Mais ça va
148 bpm • A# Maj • 03:25 • -6db
20% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 50% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Benjamin Biolay
A l'origine - Radio Edit
152 bpm • F min • 04:16 • -6.28db
19% Popularity • 46% Danceability • 69% Energy • 44% Liveness
1% Instrumentalness • 48% Positiveness
19% Popularity • 46% Danceability • 69% Energy • 44% Liveness
1% Instrumentalness • 48% Positiveness
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Sandrine Kiberlain
Loin derrière
152 bpm • G# Maj • 03:22 • -9.38db
20% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Florent Pagny
Châtelet Les Halles
152 bpm • C min • 05:07 • -8.29db
39% Popularity • 48% Danceability • 47% Energy • 25% Liveness
6% Instrumentalness • 21% Positiveness
39% Popularity • 48% Danceability • 47% Energy • 25% Liveness
6% Instrumentalness • 21% Positiveness
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Alex Beaupain
Après Moi Le Déluge
148 bpm • D min • 03:17 • -7db
31% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Alain Bashung
La nuit je mens
147 bpm • B min • 04:24 • -7.59db
53% Popularity • 49% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 49% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Stephan Eicher
Autour De Ton Cou
154 bpm • A min • 03:04 • -9.96db
31% Popularity • 39% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 39% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Benjamin Biolay
À l'origine
152 bpm • A# min • 06:26 • -5.21db
18% Popularity • 46% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 51% Positiveness
18% Popularity • 46% Danceability • 70% Energy • 4% Liveness
1% Instrumentalness • 51% Positiveness
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Daniel Auteuil
Si vous voulez que j'aime encore
146 bpm • C Maj • 03:41 • -9.44db
24% Popularity • 44% Danceability • 66% Energy • 7% Liveness
6% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 66% Energy • 7% Liveness
6% Instrumentalness • 45% Positiveness
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Jeanne Cherhal
J'Ai Faim
154 bpm • C Maj • 04:03 • -7.86db
13% Popularity • 48% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
13% Popularity • 48% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Michel Polnareff
Goodbye Marylou
146 bpm • F Maj • 06:21 • -14.72db
46% Popularity • 34% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Serge Gainsbourg
Je suis venu te dire que je m'en vais
155 bpm • A Maj • 03:23 • -13.74db
53% Popularity • 58% Danceability • 51% Energy • 24% Liveness
51% Instrumentalness • 85% Positiveness
53% Popularity • 58% Danceability • 51% Energy • 24% Liveness
51% Instrumentalness • 85% Positiveness
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Grand Corps Malade
Te manquer
145 bpm • E min • 04:06 • -8.01db
35% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 73% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Benjamin Biolay
Laisse aboyer les chiens
154 bpm • G# Maj • 05:39 • -7.77db
15% Popularity • 50% Danceability • 63% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
15% Popularity • 50% Danceability • 63% Energy • 12% Liveness
3% Instrumentalness • 33% Positiveness
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Andre Bourvil
C'était bien (Le petit bal perdu)
145 bpm • C Maj • 03:16 • -15.36db
34% Popularity • 47% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 47% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Daniel Balavoine
Vivre ou survivre
145 bpm • F min • 03:34 • -10.49db
50% Popularity • 53% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 53% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Julien Clerc
Souffrir par toi n'est pas souffrir
145 bpm • F Maj • 03:43 • -7.77db
30% Popularity • 49% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 49% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Daniel Darc
La taille de mon âme
144 bpm • A min • 03:44 • -13.41db
20% Popularity • 28% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 28% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Jeanne Cherhal
L'An 40
156 bpm • F# Maj • 03:08 • -11.37db
29% Popularity • 35% Danceability • 40% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
29% Popularity • 35% Danceability • 40% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
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Benjamin Biolay
La roue tourne
146 bpm • F min • 04:45 • -7.43db
23% Popularity • 46% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 46% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Les Rita Mitsouko
Communiqueur d'amour
156 bpm • E min • 03:46 • -5db
29% Popularity • 56% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
29% Popularity • 56% Danceability • 87% Energy • 9% Liveness
2% Instrumentalness • 89% Positiveness
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Christophe Willem
Jacques a dit
144 bpm • G# min • 03:47 • -7db
45% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 60% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Alex Beaupain
Au Départ
144 bpm • A Maj • 03:44 • -10db
19% Popularity • 72% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 72% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Bernard Lavilliers
Vivre encore
144 bpm • D min • 03:55 • -7.53db
30% Popularity • 65% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
30% Popularity • 65% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 45% Positiveness
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Bajofondo
Absente (Outre-Mer)
144 bpm • E min • 04:54 • -13.79db
16% Popularity • 57% Danceability • 48% Energy • 6% Liveness
8% Instrumentalness • 38% Positiveness
16% Popularity • 57% Danceability • 48% Energy • 6% Liveness
8% Instrumentalness • 38% Positiveness
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Alain Souchon
Sous les jupes des filles
144 bpm • A min • 04:37 • -13db
39% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Benjamin Biolay
Les séparés
144 bpm • G# Maj • 03:22 • -10.68db
13% Popularity • 36% Danceability • 32% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
13% Popularity • 36% Danceability • 32% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Les Innocents
Mon dernier soldat
144 bpm • D min • 03:49 • -10db
27% Popularity • 53% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 53% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Axel Bauer
Eteins la lumière
144 bpm • E min • 04:18 • -9.08db
46% Popularity • 50% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 46% Positiveness
46% Popularity • 50% Danceability • 86% Energy • 34% Liveness
2% Instrumentalness • 46% Positiveness
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Anja
Sainte Rita 2
143 bpm • G min • 02:44 • -19.98db
28% Popularity • 51% Danceability • 16% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
28% Popularity • 51% Danceability • 16% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
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Thomas Fersen
La chauve-souris
143 bpm • A min • 03:37 • -9.03db
42% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Rosemary Standley
La Nuit, je mens
157 bpm • E min • 02:28 • -17db
28% Popularity • 42% Danceability • 15% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Serge Gainsbourg
Le poinçonneur des Lilas
158 bpm • E min • 02:43 • -14db
46% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Da Silva
L'indécision
142 bpm • B min • 03:05 • -5.45db
55% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
55% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Camille
Je ne mâche pas mes mots
142 bpm • C Maj • 02:37 • -9.52db
33% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Tété
À la faveur de l'automne
142 bpm • G Maj • 03:43 • -7.19db
53% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Lady Sir
Je ne me souviens pas
142 bpm • G Maj • 03:41 • -6.9db
16% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 46% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mickey 3d
Matador
160 bpm • G Maj • 03:06 • -3db
47% Popularity • 57% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 57% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Ludivine Sagnier
Je Peux Vivre Sans Toi
160 bpm • G# min • 03:01 • -5.24db
15% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Arno
Quelqu'un a touché ma femme
160 bpm • C min • 03:07 • -14.25db
19% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Albin de la Simone
Les cent prochaines années
160 bpm • E min • 03:10 • -10db
35% Popularity • 57% Danceability • 63% Energy • 10% Liveness
10% Instrumentalness • 48% Positiveness
35% Popularity • 57% Danceability • 63% Energy • 10% Liveness
10% Instrumentalness • 48% Positiveness
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Bazbaz
Sur le bout de la langue
140 bpm • A# Maj • 03:38 • -7db
39% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Benjamin Biolay
Si tu suis mon regard
140 bpm • D Maj • 03:31 • -4.51db
29% Popularity • 60% Danceability • 95% Energy • 28% Liveness
53% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 95% Energy • 28% Liveness
53% Instrumentalness • 67% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Michel Berger
Le paradis blanc - Remasterisé en 2002
140 bpm • A# min • 06:36 • -11.32db
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
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Les Innocents
Un monde parfait
139 bpm • A Maj • 03:50 • -7db
27% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 57% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Albin de la Simone
A midi on m'a dit
139 bpm • D Maj • 03:30 • -10db
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Jeanne Cherhal
Un couple normal
138 bpm • D Maj • 04:45 • -9.03db
24% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Benjamin Biolay
Pas sommeil
140 bpm • G Maj • 06:28 • -6.95db
19% Popularity • 52% Danceability • 69% Energy • 7% Liveness
8% Instrumentalness • 34% Positiveness
19% Popularity • 52% Danceability • 69% Energy • 7% Liveness
8% Instrumentalness • 34% Positiveness
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Catherine Deneuve
Je Ne Peux Vivre Sans T'Aimer
138 bpm • G# min • 03:48 • -12.64db
19% Popularity • 45% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
19% Popularity • 45% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Da Silva
L'averse
138 bpm • A min • 03:01 • -4.68db
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
36% Popularity • 67% Danceability • 84% Energy • 66% Liveness
3% Instrumentalness • 92% Positiveness
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Pauline Croze
T'es beau
138 bpm • C# min • 02:43 • -10.19db
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Grand Corps Malade
Dimanche soir
164 bpm • E min • 04:01 • -8.94db
51% Popularity • 43% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
51% Popularity • 43% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Alain Chamfort
Les microsillons
137 bpm • A Maj • 03:55 • -17db
20% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Clara Ysé
Lettre à M
137 bpm • A# min • 02:22 • -10.41db
47% Popularity • 58% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 58% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Da Silva
Se fendre les joues
138 bpm • F# min • 02:32 • -6.88db
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
42% Popularity • 65% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 88% Positiveness
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Mano Solo
Je suis venu vous voir
137 bpm • D# Maj • 03:54 • -9db
34% Popularity • 32% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 32% Danceability • 40% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Beaupain
Je Peux Aimer Pour Deux
136 bpm • B min • 04:25 • -9.44db
11% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Mademoiselle K
Jalouse
136 bpm • G Maj • 03:46 • -7.38db
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Janie
Mon idole
136 bpm • B min • 04:41 • -13db
51% Popularity • 41% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 41% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Hubert-Félix Thiéfaine
Trois poèmes pour Annabel Lee
136 bpm • D# min • 05:16 • -8.75db
24% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Lilicub
Voyage en Italie
135 bpm • A min • 03:55 • -12db
48% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Fersen
Un parapluie pour deux
136 bpm • E Maj • 02:56 • -12.46db
35% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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La Grande Sophie
Quelqu'un D'Autre
135 bpm • D Maj • 03:11 • -6db
28% Popularity • 74% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 74% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Mademoiselle K
Plus le cœur à ça
136 bpm • A min • 04:18 • -10.51db
24% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 57% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Michel Berger
Lumière du jour - Remasterisé en 2002
135 bpm • F min • 03:54 • -12.18db
38% Popularity • 56% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
38% Popularity • 56% Danceability • 40% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Jeanne Cherhal
Comme Je T'Attends
135 bpm • F# Maj • 02:38 • -17db
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Maxime Le Forestier
Éducation sentimentale
135 bpm • C Maj • 02:30 • -15db
46% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Camille
Que je t'aime
134 bpm • G min • 03:43 • -15db
54% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Alain Souchon
Oiseau malin
134 bpm • G Maj • 04:40 • -7db
31% Popularity • 63% Danceability • 61% Energy • 13% Liveness
35% Instrumentalness • 26% Positiveness
31% Popularity • 63% Danceability • 61% Energy • 13% Liveness
35% Instrumentalness • 26% Positiveness
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Zaho de Sagazan
Je rêve
168 bpm • F min • 03:54 • -8.29db
51% Popularity • 46% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 46% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Noé Preszow
J'entends d'ici
168 bpm • C# min • 03:24 • -9.91db
45% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jeanne Cherhal
Douze fois par an
134 bpm • A min • 02:32 • -13db
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 60% Positiveness
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Serge Gainsbourg
Elisa - Bande originale du film "L'horiz...
168 bpm • G# Maj • 02:29 • -10db
44% Popularity • 43% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 43% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Dick Annegarn
Bruxelles
134 bpm • E Maj • 02:28 • -11db
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Pascal Obispo
Lucie
133 bpm • G min • 04:15 • -13.31db
55% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Miossec
Non non non non (Je ne suis plus saoul)
133 bpm • G Maj • 02:26 • -8db
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
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La Grande Sophie
Du courage
169 bpm • F# min • 03:36 • -4db
38% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Enzo Enzo
Juste quelqu'un de bien
133 bpm • A Maj • 04:07 • -16db
51% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Da Silva
La traversée
132 bpm • A min • 01:54 • -11.22db
39% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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MAUSS
Je recherche
170 bpm • B min • 03:42 • -7db
33% Popularity • 57% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 57% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Michel Jonasz
Les vacances au bord de la mer
132 bpm • D# Maj • 02:51 • -13.92db
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Miossec
Je m'en vais
169 bpm • B min • 04:28 • -10db
33% Popularity • 37% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
33% Popularity • 37% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Albin de la Simone
Tu vas rire
170 bpm • E min • 03:02 • -7db
30% Popularity • 54% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 54% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Benjamin Biolay
Padam
170 bpm • C min • 04:48 • -6.15db
31% Popularity • 44% Danceability • 89% Energy • 14% Liveness
13% Instrumentalness • 96% Positiveness
31% Popularity • 44% Danceability • 89% Energy • 14% Liveness
13% Instrumentalness • 96% Positiveness
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Alain Souchon
Presque
132 bpm • B Maj • 03:16 • -8.44db
38% Popularity • 66% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 76% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 12% Liveness
4% Instrumentalness • 76% Positiveness
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Mickey 3d
La mort du peuple
132 bpm • B min • 03:43 • -7.79db
28% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 76% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Tété
Fils de Cham
132 bpm • E min • 04:03 • -5db
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Miossec
Brest
170 bpm • B min • 03:00 • -8db
37% Popularity • 35% Danceability • 54% Energy • 17% Liveness
86% Instrumentalness • 33% Positiveness
37% Popularity • 35% Danceability • 54% Energy • 17% Liveness
86% Instrumentalness • 33% Positiveness
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Albin de la Simone
J'aime Lire
132 bpm • G# Maj • 03:22 • -8.21db
22% Popularity • 83% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 83% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
