Songs like La Wally, Act I: Ebben? Ne andrò lontana by Alfredo Catalani
Based on a tempo of (+/- 10%) and a similar genre
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Arcangelo Corelli
Concerto Grosso No. 8 in G Minor, Op. 6,...
73 bpm • G min • 02:27 • -13.92db
42% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
42% Popularity • 42% Danceability • 16% Energy • 31% Liveness
3% Instrumentalness • 56% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
73 bpm • C# Maj • 05:18 • -25.45db
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
73 bpm • A# Maj • 03:06 • -17.85db
14% Popularity • 30% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 30% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 21% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben? Ne andrò lontan...
73 bpm • E min • 05:05 • -21db
16% Popularity • 16% Danceability • 12% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 12% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II: Polovtsian...
72 bpm • D Maj • 03:52 • -19.46db
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 7% Liveness
37% Instrumentalness • 6% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
30% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Antonín Dvořák
Ciganské melodie, Op. 55, B. 104 - Arr....
73 bpm • C# Maj • 03:05 • -19.56db
17% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Gioachino Rossini
La Cenerentola / Act 2: "Nacqui all'affa...
72 bpm • E Maj • 07:32 • -18.08db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Howard Shore
The End of All Things
72 bpm • A min • 05:12 • -15.87db
39% Popularity • 7% Danceability • 22% Energy • 24% Liveness
82% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 22% Energy • 24% Liveness
82% Instrumentalness • 4% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Emmerich Kálmán
"Heia, heia, in den Bergen ist mein Heim...
72 bpm • C min • 03:25 • -14db
19% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Antonín Dvořák
Ciganské melodie, Op. 55, B. 104: 4. So...
74 bpm • D Maj • 02:24 • -19.15db
11% Popularity • 26% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act I: "...
72 bpm • G# Maj • 02:37 • -29.2db
11% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Jules Massenet
Manon, Act I: Je suis encore tout étour...
72 bpm • A# Maj • 03:58 • -25.28db
8% Popularity • 25% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Giulio Cesare / Act 2: "V'adoro, pupille...
72 bpm • E Maj • 04:52 • -17db
27% Popularity • 26% Danceability • 14% Energy • 30% Liveness
1% Instrumentalness • 10% Positiveness
27% Popularity • 26% Danceability • 14% Energy • 30% Liveness
1% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte ossia La scuola degli am...
74 bpm • E Maj • 03:09 • -18.61db
25% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
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Dustin Henze
La Boheme
74 bpm • D Maj • 04:47 • -14db
11% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
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Mirella Freni
La Bohème: Mi chiamano Mimi
74 bpm • D Maj • 05:07 • -15.42db
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Signore, ascolta"
74 bpm • F# Maj • 02:40 • -23.68db
23% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 1: Hastrmánku, t...
72 bpm • D# Maj • 05:10 • -20.43db
17% Popularity • 17% Danceability • 6% Energy • 43% Liveness
6% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 6% Energy • 43% Liveness
6% Instrumentalness • 3% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
23% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Gustav Mahler
Mahler: Symphony No. 8 in E-Flat Major "...
71 bpm • D# Maj • 05:47 • -17.91db
13% Popularity • 6% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Orchestral Suite No. 3 in D Major, BWV 1...
71 bpm • D Maj • 04:14 • -18.41db
36% Popularity • 18% Danceability • 21% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
36% Popularity • 18% Danceability • 21% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act II: Vissi d'arte, viss...
75 bpm • D# Maj • 03:49 • -19.99db
21% Popularity • 28% Danceability • 14% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 14% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 1: Sem casto pric...
75 bpm • F Maj • 04:08 • -18.34db
17% Popularity • 18% Danceability • 15% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 15% Energy • 6% Liveness
8% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
75 bpm • E min • 03:43 • -9.74db
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Bedřich Smetana
The Kiss (Hubicka) - Opera in 2 Acts: Lu...
75 bpm • A Maj • 04:08 • -24.48db
12% Popularity • 16% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La rondine, Act 1: "Chi il bel ...
75 bpm • D min • 03:10 • -16.74db
12% Popularity • 20% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man - A Mass For Peace: VIII. ...
70 bpm • E min • 04:44 • -22.69db
24% Popularity • 11% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
39% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
39% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Richard Strauss
Sechs Lieder op.19: 2. Breit über mein ...
76 bpm • C# Maj • 02:45 • -23.37db
12% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Carl Orff
Orff: Carmina Burana: In Trutina
70 bpm • D Maj • 02:31 • -23.43db
27% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 2: "Où va la jeune...
70 bpm • E min • 06:30 • -22db
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
76 bpm • D Maj • 02:32 • -10db
41% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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London Philharmonic Orchestra
Swan Lake Suite, Op. 20: Scène
77 bpm • E min • 03:01 • -13.58db
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Largo ...
69 bpm • G Maj • 05:00 • -17db
17% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
17% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus / Act 2: Nr.10 Csárdás:...
69 bpm • D Maj • 04:36 • -19.1db
10% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: Valse...
77 bpm • F Maj • 03:35 • -22db
10% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Alexander Borodin
Borodin: Prince Igor, Act II, Polovtsian...
77 bpm • A Maj • 02:34 • -26.99db
14% Popularity • 10% Danceability • 4% Energy • 14% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 4% Energy • 14% Liveness
26% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Un bel ...
77 bpm • C# Maj • 04:52 • -19.56db
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Rusalka, Op. 114 / Act 1: Sestry, jedna ...
69 bpm • D# Maj • 03:36 • -15.34db
13% Popularity • 25% Danceability • 24% Energy • 28% Liveness
37% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 24% Energy • 28% Liveness
37% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Symphony No. 4 in F Mi...
78 bpm • F min • 08:41 • -17.59db
7% Popularity • 19% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 1, Sea ...
78 bpm • C Maj • 05:02 • -24.98db
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
The Marriage of Figaro: Part IV, "Contes...
68 bpm • D# Maj • 03:51 • -10.86db
8% Popularity • 24% Danceability • 54% Energy • 93% Liveness
40% Instrumentalness • 6% Positiveness
8% Popularity • 24% Danceability • 54% Energy • 93% Liveness
40% Instrumentalness • 6% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
68 bpm • G Maj • 07:37 • -12db
25% Popularity • 27% Danceability • 27% Energy • 9% Liveness
20% Instrumentalness • 32% Positiveness
25% Popularity • 27% Danceability • 27% Energy • 9% Liveness
20% Instrumentalness • 32% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • A# min • 04:42 • -17.94db
15% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonín Dvořák
Dvorák: Rusalka, B. 203, Op. 114, Act 1...
68 bpm • F# Maj • 06:26 • -21.85db
8% Popularity • 14% Danceability • 14% Energy • 78% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 78% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 2: "In questa reggia"
78 bpm • D Maj • 06:36 • -13.7db
16% Popularity • 27% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart / Compl. Beyer: Requiem in D Mino...
78 bpm • D min • 02:58 • -23.06db
26% Popularity • 16% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Beato voi, compar...
68 bpm • G Maj • 06:57 • -15db
25% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
22% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
22% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
London Philharmonic Orchestra
Má Vlast (My Fatherland): Vltava (The M...
78 bpm • G Maj • 11:26 • -14.42db
21% Popularity • 19% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
79 bpm • E Maj • 04:49 • -17.03db
20% Popularity • 23% Danceability • 12% Energy • 30% Liveness
2% Instrumentalness • 32% Positiveness
20% Popularity • 23% Danceability • 12% Energy • 30% Liveness
2% Instrumentalness • 32% Positiveness
► Preview
Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act 1: "La dolcissi...
79 bpm • G# Maj • 02:31 • -17db
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Claude Debussy
Beau Soir
67 bpm • F# min • 02:53 • -19db
7% Popularity • 24% Danceability • 5% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 5% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Edward Elgar
The Wand of Youth, Suite No. 1 Op. 1a: 1...
80 bpm • D# Maj • 01:35 • -19.5db
3% Popularity • 34% Danceability • 17% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
3% Popularity • 34% Danceability • 17% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
79 bpm • E Maj • 03:04 • -23.04db
10% Popularity • 18% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda / Act II: "Cielo e mar"
80 bpm • D# Maj • 05:14 • -18db
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Remo Giazotto
Adagio in G Minor
80 bpm • C min • 08:37 • -15db
42% Popularity • 10% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Les contes d'Hoffmann (The Tales of Hoff...
80 bpm • D Maj • 03:33 • -19.69db
33% Popularity • 19% Danceability • 14% Energy • 27% Liveness
53% Instrumentalness • 7% Positiveness
33% Popularity • 19% Danceability • 14% Energy • 27% Liveness
53% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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スーザン・マカロック
歌劇「ホフマン物語」/舟歌 (�...
80 bpm • D Maj • 03:43 • -19.69db
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
66 bpm • E Maj • 06:08 • -18.82db
11% Popularity • 31% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 31% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:41 • -28.76db
16% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les Troyens, H 133 / Act V: "Ah! Ah! Je ...
80 bpm • G# Maj • 06:45 • -23.17db
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 2, In H...
66 bpm • C Maj • 02:06 • -23.68db
22% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Léo Delibes
Lakmé / Act I: Viens, Mallika, ... Dôm...
80 bpm • B Maj • 06:43 • -20.36db
34% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Largo al factot...
66 bpm • C Maj • 04:55 • -17.1db
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Leonard Bernstein
West Side Story: IX. One Hand, One Heart
66 bpm • F# Maj • 05:41 • -29db
7% Popularity • 9% Danceability • 2% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 2% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Carlisle Floyd
Susannah / Act 1: "Ain't it a pretty nig...
80 bpm • B Maj • 05:57 • -17db
7% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
"Lascia ch'io pianga" , HWV 7
66 bpm • D Maj • 03:14 • -20.36db
22% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
9% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana - 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:34 • -38.72db
9% Popularity • 19% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 4, Wher...
66 bpm • B min • 04:11 • -21db
18% Popularity • 27% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 27% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
