Songs like L'Abeille by François Couperin

168 bpm • G min • 01:58 • -37db

55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness

169 bpm • F Maj • 02:13 • -23.26db

15% Popularity • 42% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 90% Positiveness

167 bpm • G Maj • 01:38 • -25.18db

44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness

171 bpm • A# Maj • 03:37 • -30.67db

26% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness

171 bpm • A# Maj • 04:21 • -24.9db

37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness

171 bpm • G Maj • 04:29 • -27.37db

0% Popularity • 13% Danceability • 3% Energy • 14% Liveness
24% Instrumentalness • 10% Positiveness

166 bpm • F# min • 02:17 • -29db

51% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness

165 bpm • D min • 03:03 • -25.22db

31% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness

172 bpm • A# Maj • 03:14 • -26db

39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness

172 bpm • E min • 03:04 • -28db

33% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness

173 bpm • C Maj • 01:34 • -35db

61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness

164 bpm • G Maj • 04:23 • -30.29db

1% Popularity • 14% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness

173 bpm • F# Maj • 06:31 • -32.74db

29% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness

173 bpm • C Maj • 02:05 • -37db

49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness

174 bpm • A Maj • 05:01 • -26db

52% Popularity • 32% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 21% Positiveness

175 bpm • E min • 01:03 • -27db

46% Popularity • 10% Danceability • 3% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness

176 bpm • F Maj • 01:31 • -27.33db

54% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness

174 bpm • G Maj • 01:33 • -22.8db

2% Popularity • 36% Danceability • 23% Energy • 14% Liveness
84% Instrumentalness • 89% Positiveness

161 bpm • C# min • 01:14 • -21.97db

1% Popularity • 22% Danceability • 17% Energy • 4% Liveness
96% Instrumentalness • 51% Positiveness

177 bpm • C# Maj • 01:23 • -47db

53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness

179 bpm • B min • 09:08 • -27.31db

15% Popularity • 28% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 10% Positiveness

180 bpm • C min • 06:51 • -23db

23% Popularity • 17% Danceability • 8% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness

181 bpm • G# Maj • 01:31 • -23db

45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness

182 bpm • F# min • 02:01 • -30db

54% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness

178 bpm • B Maj • 01:25 • -27.93db

1% Popularity • 20% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness

186 bpm • D Maj • 06:37 • -24.47db

50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness

152 bpm • E min • 01:19 • -24.19db

33% Popularity • 34% Danceability • 26% Energy • 14% Liveness
93% Instrumentalness • 93% Positiveness

149 bpm • A Maj • 01:36 • -30.79db

46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness

187 bpm • G# Maj • 01:04 • -28db

49% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness

147 bpm • C# min • 03:22 • -14.46db

24% Popularity • 30% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 45% Positiveness

158 bpm • D# min • 01:46 • -16.38db

4% Popularity • 22% Danceability • 38% Energy • 22% Liveness
64% Instrumentalness • 47% Positiveness

147 bpm • F# Maj • 01:58 • -18db

24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness

148 bpm • E min • 00:56 • -22.81db

42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness

147 bpm • C min • 01:15 • -18db

55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness

147 bpm • B min • 06:21 • -35.22db

30% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness

146 bpm • C# Maj • 02:24 • -14db

50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness

156 bpm • B Maj • 03:39 • -21.41db

7% Popularity • 30% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness

144 bpm • F# min • 02:11 • -34db

41% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness

197 bpm • B min • 02:47 • -35.32db

56% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness

145 bpm • D min • 04:33 • -17db

36% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness

143 bpm • G min • 02:30 • -21.42db

49% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness

185 bpm • G# Maj • 02:36 • -17.92db

4% Popularity • 17% Danceability • 26% Energy • 10% Liveness
99% Instrumentalness • 23% Positiveness

149 bpm • A# Maj • 02:24 • -33db

40% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness

145 bpm • A Maj • 03:19 • -29db

24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness

145 bpm • C Maj • 02:18 • -20db

30% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness