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Laboravi in gemitu meo
Songs like
Laboravi in gemitu meo
by
Philippe Rogier
Based on a tempo of (+/- 10%) and a similar genre
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Hildegard von Bingen
Ave generosa
134 bpm • A min • 06:32 • -28.47db
31% Popularity • 26% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
18% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Philippe Rogier
Cantantibus organis
134 bpm • A Maj • 03:42 • -18.57db
3% Popularity • 20% Danceability • 21% Energy • 15% Liveness
67% Instrumentalness • 9% Positiveness
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Johannes Ockeghem
Missa L'homme arme: Kyrie (Missa L' homm...
134 bpm • B Maj • 02:20 • -27.64db
7% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O vos imitatores excelse
134 bpm • G Maj • 06:32 • -30.81db
11% Popularity • 24% Danceability • 1% Energy • 6% Liveness
43% Instrumentalness • 4% Positiveness
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Philip Stopford
He Is Risen (Version for Choir, Brass Qu...
134 bpm • A# Maj • 05:01 • -18.83db
5% Popularity • 22% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
19% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
10% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Oxford Camerata
Mass A 4: Gloria
135 bpm • G# Maj • 06:01 • -23.45db
13% Popularity • 20% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Maximilian Steinberg
Passion Week, Op. 13: VI. Of Thy Mystica...
135 bpm • D min • 04:43 • -25.58db
3% Popularity • 16% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Kiev Chamber Choir
Lord's Prayer
133 bpm • F Maj • 02:23 • -19.42db
30% Popularity • 19% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Adrian Willaert
Christus resurgens (Richafort)
133 bpm • F Maj • 04:13 • -22.98db
3% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Thou knowest Lord
135 bpm • A# Maj • 02:45 • -27.64db
10% Popularity • 19% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 3% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Philippe Verdelot
Letamini in Domino
135 bpm • F Maj • 02:06 • -26db
12% Popularity • 18% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Herbert Howells
4 Anthems: No. 3, Like as the Hart
135 bpm • C Maj • 06:00 • -28.68db
7% Popularity • 16% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Philip Stopford
The Lord Is My Shepherd (Version for Cho...
135 bpm • G# Maj • 04:52 • -22.48db
7% Popularity • 20% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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George Frideric Handel
My Heart is inditing, HWV 261: Upon thy ...
133 bpm • E Maj • 03:20 • -19.81db
2% Popularity • 23% Danceability • 13% Energy • 12% Liveness
55% Instrumentalness • 15% Positiveness
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Richard Carlton
Sound Saddest Notes
133 bpm • F# min • 04:52 • -26.75db
2% Popularity • 16% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
23% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Orlando Gibbons
O Lord, in thy wrath
135 bpm • F min • 03:49 • -26.64db
4% Popularity • 16% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
O vos omnes
136 bpm • D min • 03:56 • -25.61db
4% Popularity • 16% Danceability • 3% Energy • 9% Liveness
30% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
17% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
132 bpm • A# Maj • 02:13 • -17.07db
9% Popularity • 38% Danceability • 19% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Orlando Gibbons
Almighty and everlasting God
136 bpm • G# Maj • 02:30 • -25db
10% Popularity • 17% Danceability • 6% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
24% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Masses, Book 2: Missa Papae Marcelli: Sa...
132 bpm • A Maj • 08:48 • -24.27db
7% Popularity • 19% Danceability • 5% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O successores fortissimi leonis
132 bpm • C min • 08:19 • -38.59db
10% Popularity • 17% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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USSR Ministry of Culture Chamber Choir
Amen, And with thy spirit
136 bpm • C Maj • 01:16 • -28db
30% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
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Thomas Weelkes
As Vesta Was
132 bpm • F Maj • 03:50 • -21.36db
7% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Orlando Gibbons
Out of the deep
136 bpm • A# min • 05:58 • -24.22db
2% Popularity • 18% Danceability • 8% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Nowadays Forces Heavenly
137 bpm • F min • 03:25 • -23db
20% Popularity • 16% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
131 bpm • C# Maj • 04:27 • -24.33db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Tomkins
The Fifth Service: Magnificat (The Fifth...
131 bpm • F min • 05:23 • -26.37db
4% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Healey Willan
Rise up, my love, my fair one, Op. 314
137 bpm • C# Maj • 02:22 • -37db
29% Popularity • 15% Danceability • 1% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
27% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
17% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
11% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Hildegard von Bingen
Alleluia, O virga mediatrix
138 bpm • A Maj • 03:37 • -29.7db
25% Popularity • 21% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Peacemakers: Peace, Peace!
130 bpm • D min • 04:06 • -19.46db
8% Popularity • 22% Danceability • 6% Energy • 9% Liveness
21% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Estêvão de Brito
Lesson I for Good Friday
130 bpm • A min • 06:15 • -24.75db
2% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Motets for 5-8 Voices: Book 4 for 5 Voic...
130 bpm • D min • 03:12 • -23.71db
11% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
130 bpm • A# Maj • 03:26 • -18.36db
10% Popularity • 34% Danceability • 15% Energy • 27% Liveness
4% Instrumentalness • 44% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
31% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
13% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Canzona Seconda (a 6), C196
129 bpm • A min • 04:06 • -25.69db
5% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
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Philippe de Vitry
Tuba sacre fidei - In arboris (Arr. Harr...
139 bpm • G Maj • 02:17 • -19.88db
10% Popularity • 21% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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George Frideric Handel
Silete Venti
129 bpm • A# Maj • 05:44 • -24.88db
3% Popularity • 32% Danceability • 10% Energy • 12% Liveness
32% Instrumentalness • 8% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
7% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tribulationem et dolorem
139 bpm • C Maj • 04:57 • -27.99db
5% Popularity • 15% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
29% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Hugo Alfvén
Uti vår hage
128 bpm • F min • 02:29 • -34.32db
30% Popularity • 25% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Karl Jenkins
Stabat mater: Ave verum corpus
128 bpm • B Maj • 04:23 • -23db
22% Popularity • 18% Danceability • 10% Energy • 27% Liveness
53% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
29% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Laboravi in gemitu meo