Songs like Lachrimae Pavan (Arr. J. Schop for Violin & Basso continuo) by John Dowland
Based on a tempo of (+/- 10%) and a similar genre
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Vincenzo Galilei
Contrappunto Primo B.M.
99 bpm • G min • 02:14 • -22db
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
11% Popularity • 36% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Minuet
99 bpm • E Maj • 01:58 • -24.18db
17% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
17% Popularity • 64% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 37% Positiveness
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John Dowland
Lachrimæ Pavan
99 bpm • F min • 04:31 • -30.59db
8% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
8% Popularity • 34% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: III...
99 bpm • B min • 01:36 • -21.82db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 32% Positiveness
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Lucas Ruiz de Ribayaz
Luz y norte musical: Pabanas
99 bpm • C# Maj • 02:20 • -35db
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 23% Liveness
97% Instrumentalness • 24% Positiveness
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Kristine West
Polska efter Sven Donat
99 bpm • G min • 02:07 • -17.64db
8% Popularity • 39% Danceability • 11% Energy • 29% Liveness
81% Instrumentalness • 65% Positiveness
8% Popularity • 39% Danceability • 11% Energy • 29% Liveness
81% Instrumentalness • 65% Positiveness
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Giovanni Zamboni
Ceccona
100 bpm • E Maj • 02:35 • -25.66db
12% Popularity • 44% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Francesco Valdambrini
Intavolatura di chitarra a cinque ordini...
98 bpm • C# Maj • 02:57 • -32.32db
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
8% Popularity • 55% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Francesco Corbetta
Gigue in A Minor
100 bpm • G# min • 01:38 • -32.83db
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
15% Popularity • 40% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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John Playford
The English Dancing Master: St. Paul's s...
98 bpm • G min • 01:00 • -27.73db
21% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
21% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
100 bpm • C# Maj • 01:14 • -20.03db
20% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
20% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
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Johann Adolf Hasse
Ezio: Aria. Vi fida lo sposo (Arr. For l...
100 bpm • E Maj • 04:47 • -28.17db
8% Popularity • 46% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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John Dowland
The Earl of Essex Galliard
100 bpm • G min • 01:31 • -23db
13% Popularity • 28% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
13% Popularity • 28% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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Luis de Milán
Fantaisie No. 8: Fantasia VIII
98 bpm • A# Maj • 02:36 • -33.31db
15% Popularity • 41% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
15% Popularity • 41% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Francesco Corbetta
Partie de Chaconne en ut majeur
98 bpm • B Maj • 02:38 • -24.94db
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Pierre Attaingnant
Première Suytte de Branles d'Escosse
97 bpm • C Maj • 01:53 • -26.21db
11% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
11% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
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Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
25% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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Marchetto Cara
Mal un muta per effecto
97 bpm • A min • 02:15 • -19.88db
23% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Alessandro Scarlatti
Cello Sonata No. 3 in C Major: III. Amor...
101 bpm • C Maj • 01:55 • -25.81db
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
101 bpm • C Maj • 01:19 • -15.77db
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
16% Popularity • 44% Danceability • 44% Energy • 46% Liveness
89% Instrumentalness • 77% Positiveness
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Alessandro Piccinini
Toccata XX
96 bpm • D min • 02:39 • -22.76db
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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John Dowland
Lachrimae or Seven Tears: I. Lachrimae a...
97 bpm • G# min • 04:02 • -23.24db
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
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Giovanni Antonio Terzi
Jouissance
96 bpm • C Maj • 05:02 • -38db
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
12% Popularity • 22% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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Giovanni Paolo Foscarini
Passacaglia
102 bpm • G# min • 02:55 • -34.32db
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
10% Popularity • 42% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Christopher Tye
In Nomine à 5 "Crye"
96 bpm • C min • 01:56 • -22.21db
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Paolo Pandolfo
Passemezzo … nei boschi del Re
102 bpm • D min • 06:50 • -25db
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
25% Popularity • 31% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 11% Positiveness
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John Dowland
Captaine Piper his Galiard
101 bpm • F min • 02:55 • -22.55db
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
10% Popularity • 36% Danceability • 6% Energy • 13% Liveness
29% Instrumentalness • 25% Positiveness
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Hopkinson Smith
Lady Rich's Galliard
96 bpm • G Maj • 01:40 • -22.46db
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 12% Liveness
68% Instrumentalness • 38% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Marin Marais
Pièces de viole, Livre IV, Suite d'un g...
96 bpm • E min • 03:36 • -39.34db
10% Popularity • 24% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Giovanni Girolamo Kapsberger
Canario
96 bpm • F# Maj • 02:35 • -22.17db
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness
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John Dowland
Mrs. Winter's Jump, P. 55
97 bpm • C Maj • 01:39 • -22db
19% Popularity • 49% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 66% Positiveness
19% Popularity • 49% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 66% Positiveness
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Francesco Corbetta
Concert en e mi la: V. Menüet
103 bpm • D# min • 01:17 • -22.07db
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
17% Instrumentalness • 70% Positiveness
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Vincenzo Capirola
Ricercar ottava
103 bpm • B Maj • 01:34 • -33.8db
19% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
19% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Marin Marais
Pièces de viole, Book 5, Suite No. 1 in...
102 bpm • G# min • 01:34 • -26.11db
14% Popularity • 36% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
14% Popularity • 36% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: V. ...
103 bpm • B min • 03:03 • -21.43db
31% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
31% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Antonio de Santa Cruz
Jacaras
103 bpm • D Maj • 04:11 • -22.23db
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
53% Instrumentalness • 37% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Luis de Narváez
Fantasia
95 bpm • C min • 01:48 • -31db
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 41% Positiveness
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William Byrd
Byrd: Christe redemptor a 4
95 bpm • A# Maj • 02:58 • -26.8db
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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William Lawes
Lawes: Aire, for Lyra Viol, VdGS No. 462
103 bpm • G min • 02:15 • -26db
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Adam Falkenhagen
Variationen 'Nun sich der Tag geendet ha...
103 bpm • F# min • 03:20 • -28.61db
15% Popularity • 22% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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Hopkinson Smith
MRS. White's Nothing
95 bpm • G min • 04:23 • -24db
14% Popularity • 39% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 24% Positiveness
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John Dowland
Come Away, P. 60
102 bpm • D# Maj • 02:24 • -24.55db
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
93% Instrumentalness • 65% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Traditional
Nana: Duérmente, Niño, Duerme, 1914 (D...
104 bpm • A min • 04:29 • -26.99db
6% Popularity • 33% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
6% Popularity • 33% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Stephen Stubbs
Improvisation I on the Folia bass
95 bpm • C# min • 07:45 • -23.17db
16% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Jordi Savall
Lachrimae Antiquae Novae
94 bpm • A min • 04:51 • -20.97db
6% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
6% Popularity • 13% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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John Dowland
Fortune My Foe, P. 62
96 bpm • C min • 02:51 • -30db
17% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
17% Popularity • 37% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 29% Positiveness
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Michael Praetorius
Terpsichore*: Volte
104 bpm • C Maj • 01:00 • -22db
25% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 54% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Diego Ortiz
Recercada No. 1: Recercada primera
104 bpm • D min • 01:14 • -27.06db
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 10% Liveness
99% Instrumentalness • 37% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Esaias Reusner
Delitiae testudinis Suite No. 13 in E-Fl...
94 bpm • D Maj • 03:48 • -27db
20% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
20% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Andrea Falconieri
Ciaconna
94 bpm • C Maj • 03:28 • -17db
18% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
18% Popularity • 55% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 78% Positiveness
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John Dowland
Prelude, P. 98
103 bpm • F min • 01:06 • -23.87db
28% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
28% Popularity • 36% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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Johann Sebastian Bach
Suite in E Minor, BWV 996: II. Allemande
104 bpm • F min • 03:13 • -26.26db
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
14% Popularity • 35% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 65% Positiveness
► Preview
Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Hopkinson Smith
Elizabeth and Essex - The Earl of Essex'...
94 bpm • G min • 01:53 • -24db
16% Popularity • 41% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
16% Popularity • 41% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 43% Positiveness
► Preview
Alessandro Piccinini
Toccata VIII
94 bpm • F# min • 01:48 • -22.35db
25% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
25% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
► Preview
Bellerofonte Castaldi
Aurora Corrente. Capricci a Due Stroment...
104 bpm • F Maj • 03:17 • -34.75db
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Michael Praetorius
Terpsichore*: a. Bransle Gay 1 b. Bransl...
105 bpm • D# Maj • 02:35 • -22.93db
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 52% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
► Preview
Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
► Preview
Jacques Champion de Chambonnières
Pavane L'entretien des Dieux
105 bpm • G# Maj • 06:04 • -20.69db
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 6% Energy • 27% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Piffaro
Was Wird Es Doch Des Wunders Noch (A 7)
94 bpm • C# Maj • 02:09 • -23.77db
17% Popularity • 37% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 48% Positiveness
17% Popularity • 37% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 48% Positiveness
► Preview
Luis de Narváez
Baxa de Contrapunto
105 bpm • A min • 01:17 • -28db
21% Popularity • 32% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 94% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 16% Liveness
90% Instrumentalness • 94% Positiveness
► Preview
Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
► Preview
Jacques Gallot
Folies d'Espagne
93 bpm • G# min • 06:10 • -30db
14% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
14% Popularity • 41% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
► Preview
John Dowland
The Queen's Galliard, P. 97
93 bpm • C# Maj • 01:43 • -24.04db
17% Popularity • 48% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
17% Popularity • 48% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 53% Positiveness
► Preview
David Kellner
Fantasia in D Major
93 bpm • C# Maj • 03:14 • -22.38db
19% Popularity • 39% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 39% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Carlo Calvi
Espanoletta
93 bpm • G# min • 03:55 • -30.74db
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Pierre Attaingnant
Première suytte de Bransles d'Escosse
105 bpm • C min • 03:27 • -22db
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
13% Popularity • 47% Danceability • 20% Energy • 9% Liveness
98% Instrumentalness • 57% Positiveness
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John Dowland
Fortune my foe
93 bpm • C Maj • 02:17 • -39.57db
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
66% Instrumentalness • 28% Positiveness
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Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
15% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Francesco Corbetta
Suite in C Major: II. Allemanda
105 bpm • B Maj • 01:38 • -34.82db
18% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
18% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Charles Mouton
Suite in C Minor from Pieces de luth Pre...
93 bpm • F# min • 01:13 • -22.2db
19% Popularity • 51% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
19% Popularity • 51% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
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Matthew Locke
Suite No. 1 in G Minor: IV. Saraband
93 bpm • F# min • 00:59 • -16.86db
20% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
20% Popularity • 42% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Hopkinson Smith
Three Feminine Portraits - La Mia Barbar...
93 bpm • D min • 05:01 • -23.45db
13% Popularity • 29% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
13% Popularity • 29% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Nigel North
Dowland's Tears (arr. N. North of I Saw ...
106 bpm • F# min • 02:07 • -24.38db
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Stephen Stubbs
Refrain 2
93 bpm • A min • 01:43 • -41db
30% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 42% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 19% Positiveness
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Francesco Corbetta
Concert for 2 Guitars in E Minor: Menuet
106 bpm • F# Maj • 01:25 • -26.16db
21% Popularity • 57% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
21% Popularity • 57% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Alonso Mudarra
Tiento
106 bpm • F Maj • 01:45 • -35db
31% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
31% Popularity • 40% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Edward Martin and Paul Berget
Sonata in C Major (Weiss) - Largo
92 bpm • G# min • 04:47 • -26db
8% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
8% Popularity • 46% Danceability • 4% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Diego Ortiz
Passamezzo Antiguo. Recercada 1ª
107 bpm • C Maj • 01:39 • -21.95db
16% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 15% Liveness
60% Instrumentalness • 43% Positiveness
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Vincenzo Capirola
Ricercare No. 7 - Balletto - De tous bie...
107 bpm • C Maj • 09:48 • -26db
12% Popularity • 43% Danceability • 10% Energy • 7% Liveness
77% Instrumentalness • 26% Positiveness
12% Popularity • 43% Danceability • 10% Energy • 7% Liveness
77% Instrumentalness • 26% Positiveness
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Francesco Corbetta
La Guitarre Royalle: Gigue 'cherie du Ro...
106 bpm • C# min • 01:17 • -24.96db
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 61% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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Luis de Narváez
Cancion del Emperador
92 bpm • F# min • 01:56 • -14.17db
11% Popularity • 47% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
11% Popularity • 47% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 49% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Charles Mouton
Gavotte
107 bpm • B Maj • 01:09 • -22db
16% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
16% Popularity • 47% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
