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L'addition
Songs like
L'addition
by
Charlie Mole
Based on a tempo of (+/- 10%) and a similar genre
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Charlie Mole
L'addition
69 bpm • C min • 02:00 • -20.65db
15% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
18% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Fate of the Ninth
69 bpm • A# min • 02:03 • -20.47db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Alan Silvestri
The Primer
69 bpm • D Maj • 06:20 • -31.54db
33% Popularity • 6% Danceability • 4% Energy • 17% Liveness
87% Instrumentalness • 3% Positiveness
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John Lunn
A meeting is arranged
69 bpm • B min • 02:13 • -14.22db
10% Popularity • 13% Danceability • 16% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
32% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Confirmation
69 bpm • C Maj • 05:52 • -24.87db
12% Popularity • 21% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Martin Phipps
It Is True
69 bpm • G Maj • 01:34 • -18.68db
25% Popularity • 31% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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Mark McKenzie
Emily's Chemo
70 bpm • A# Maj • 01:22 • -18db
30% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jocelyn Pook
Baptising The Baby
70 bpm • C Maj • 03:02 • -18.04db
6% Popularity • 10% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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John Lunn
A Mother's Love
69 bpm • D# min • 01:46 • -13.85db
27% Popularity • 16% Danceability • 29% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Steven Price
The Importance Of This River
68 bpm • A Maj • 02:40 • -18.19db
29% Popularity • 19% Danceability • 20% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Rachel LaFond
Apparition - Remembrance
68 bpm • G min • 04:13 • -15.85db
8% Popularity • 28% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 5% Positiveness
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Martin Phipps
Lord M
70 bpm • D# min • 02:44 • -19.73db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
54% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Kite - Finding Neverland/Soundtrack ...
68 bpm • C Maj • 01:37 • -16.92db
39% Popularity • 29% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Mark Mancina
Looking At You
70 bpm • A Maj • 04:29 • -18db
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Steven Price
Airlock
70 bpm • F Maj • 01:57 • -36.84db
33% Popularity • 20% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Jocelyn Pook
Blood Stain
70 bpm • D Maj • 01:36 • -14.21db
7% Popularity • 19% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
26% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Rob Lane
There's Something About Matthew
68 bpm • G min • 01:43 • -29.95db
14% Popularity • 18% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Patrick Doyle
Hamnet's Grave
68 bpm • D min • 02:31 • -22db
15% Popularity • 25% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
Crossing Mars
70 bpm • C min • 03:36 • -18.67db
44% Popularity • 6% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
One Day Soon
70 bpm • C# Maj • 01:10 • -32.84db
39% Popularity • 45% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Stephen Warbeck
The Beach and the Past
70 bpm • G min • 02:52 • -20.21db
22% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Kathryn Kluge
Kluge: Dreams and Echoes
68 bpm • G Maj • 02:41 • -30.19db
22% Popularity • 7% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Brook
Rose's Grave
68 bpm • E Maj • 01:43 • -18.39db
6% Popularity • 19% Danceability • 14% Energy • 20% Liveness
53% Instrumentalness • 4% Positiveness
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George Fenton
The Journey of the Sun
68 bpm • F Maj • 03:24 • -21.41db
23% Popularity • 14% Danceability • 10% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Carter Burwell
Keep Your Memories
70 bpm • G Maj • 03:27 • -17.67db
25% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Niall Byrne
Sofia's Theme
70 bpm • C Maj • 01:02 • -26.85db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Crops Are Dead
70 bpm • F# min • 03:26 • -30.9db
27% Popularity • 20% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Martin Phipps
Mirrors
68 bpm • D# min • 01:32 • -20db
33% Popularity • 25% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Laurent Eyquem
The World Turned Upside Down - Pt. 2
71 bpm • A# Maj • 02:20 • -23db
22% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
36% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Carter Burwell
Meeting Miriam
67 bpm • C Maj • 01:33 • -18db
26% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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John Williams
Appomattox, April 9, 1865
71 bpm • G min • 02:38 • -31.13db
21% Popularity • 6% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jacob Shea
The House Of Gods (Angel Falls)
71 bpm • C Maj • 02:13 • -16.77db
26% Popularity • 15% Danceability • 15% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Alan Silvestri
Jenny's Grave
71 bpm • F Maj • 01:23 • -37.82db
29% Popularity • 16% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Chess - Finding Neverland/Soundtrack...
67 bpm • A min • 01:07 • -16.29db
36% Popularity • 18% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Peter Gregson
Marie-Claire's Toys
67 bpm • B min • 01:10 • -41.15db
31% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
► Preview
Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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John Williams
Scanning the Papers
71 bpm • F# min • 02:22 • -29.56db
14% Popularity • 25% Danceability • 3% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Let It End
67 bpm • B min • 06:45 • -18.87db
20% Popularity • 10% Danceability • 6% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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James Horner
A Dark Cloud Is Forever Lifted
67 bpm • C# min • 09:55 • -23.62db
19% Popularity • 6% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Assano Seppuku
67 bpm • A min • 02:41 • -18.91db
49% Popularity • 19% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Peter Gregson
When You Are Strong Enough
71 bpm • G Maj • 03:00 • -34.08db
17% Popularity • 18% Danceability • 0% Energy • 29% Liveness
44% Instrumentalness • 8% Positiveness
► Preview
Roque Baños
Meeting Old Nickerson - Bonus Track
67 bpm • C min • 02:26 • -30.4db
11% Popularity • 14% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
40% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
The Chamber Orchestra Of London
Titanic
71 bpm • G# min • 02:09 • -14.58db
33% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
Iris: Pt. 2 - Instrumental
71 bpm • G# min • 03:24 • -25.08db
3% Popularity • 15% Danceability • 10% Energy • 20% Liveness
90% Instrumentalness • 3% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Patrick Doyle
Science and Magic
71 bpm • F Maj • 02:53 • -34db
29% Popularity • 17% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
23% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Christopher Lennertz
Moby Dick
67 bpm • A min • 02:49 • -26.43db
19% Popularity • 19% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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James Horner
Playing A Game Of "Go!"
67 bpm • D min • 03:33 • -28.84db
35% Popularity • 6% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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Jocelyn Pook
Story Of A Leg
66 bpm • G min • 01:24 • -16.26db
7% Popularity • 32% Danceability • 8% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Atli Örvarsson
Esca's Freedom
66 bpm • E min • 01:42 • -25.06db
31% Popularity • 20% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
The Final Arrow
66 bpm • F min • 02:29 • -17.15db
46% Popularity • 18% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Alan Silvestri
Where Heaven Ends
66 bpm • G min • 01:32 • -38.36db
31% Popularity • 21% Danceability • 1% Energy • 21% Liveness
72% Instrumentalness • 4% Positiveness
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John Williams
Ilsa's Library
72 bpm • A min • 02:21 • -28.61db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
29% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Abel Korzeniowski
Back Hand Of God
73 bpm • C min • 02:22 • -19.24db
22% Popularity • 14% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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David Wingo
Time Passing
66 bpm • A Maj • 02:06 • -27.43db
10% Popularity • 26% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
James Horner
First Landing
73 bpm • D Maj • 04:45 • -32.18db
18% Popularity • 6% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Alan Silvestri
No Words
72 bpm • C Maj • 01:42 • -32db
20% Popularity • 22% Danceability • 3% Energy • 8% Liveness
52% Instrumentalness • 4% Positiveness
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Nathan Barr
Marlo and Ray
73 bpm • D min • 02:24 • -26.43db
17% Popularity • 12% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Pray for Us
65 bpm • C# min • 01:42 • -29.17db
11% Popularity • 20% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Trevor Morris
Jane Washes Her Hair
73 bpm • A min • 01:16 • -26.1db
22% Popularity • 14% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
38% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
35% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Martin Phipps
Prey
65 bpm • A Maj • 01:05 • -30.48db
23% Popularity • 14% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Marcelo Zarvos
The Author
65 bpm • F Maj • 01:01 • -39.16db
31% Popularity • 20% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 11% Positiveness
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Amelia Warner
Clara
73 bpm • A min • 02:58 • -16.84db
16% Popularity • 18% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Benji Merrison
Offspring / Come To His Side
73 bpm • C min • 03:57 • -25.62db
2% Popularity • 10% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Abel Korzeniowski
Everyone Likes Oranges
74 bpm • A# min • 01:44 • -31.78db
33% Popularity • 20% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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John Lunn
The Trenchards
73 bpm • D# min • 04:56 • -18.9db
11% Popularity • 12% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Patrick Doyle
Can You See Jane?
65 bpm • D# Maj • 02:23 • -21.44db
35% Popularity • 16% Danceability • 11% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Amelia Warner
Seance
74 bpm • G min • 01:30 • -19.25db
14% Popularity • 18% Danceability • 21% Energy • 5% Liveness
98% Instrumentalness • 3% Positiveness
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George Fenton
The Choice is Ours
74 bpm • D Maj • 03:12 • -24.11db
4% Popularity • 16% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Jocelyn Pook
Unbandaging Tin
64 bpm • F# min • 01:43 • -14.39db
5% Popularity • 31% Danceability • 13% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Collateral Beauty
64 bpm • D Maj • 02:47 • -44.81db
26% Popularity • 22% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
40% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Sibylla
64 bpm • C min • 01:49 • -31.36db
34% Popularity • 21% Danceability • 3% Energy • 25% Liveness
40% Instrumentalness • 8% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
50% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Fernando Velázquez
The House
74 bpm • C# Maj • 01:48 • -19db
27% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Paul Hepker
She's Beautiful
64 bpm • C# Maj • 01:16 • -24.71db
24% Popularity • 18% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
► Preview
Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
48% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
David Hirschfelder
Baby Steps, James
64 bpm • C Maj • 01:38 • -20.3db
22% Popularity • 18% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Charlie Mole
Ellen Love's Entrance
75 bpm • F Maj • 01:28 • -11.8db
4% Popularity • 31% Danceability • 21% Energy • 12% Liveness
72% Instrumentalness • 14% Positiveness
► Preview
Edward Shearmur
Bluebird - K-Pax
64 bpm • G# min • 03:52 • -22.28db
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Rob Lane
First Kiss
75 bpm • F min • 02:34 • -32.9db
15% Popularity • 7% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 2% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
► Preview
Kerry Muzzey
The Sting of Loss
63 bpm • E min • 04:57 • -21.09db
8% Popularity • 21% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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L'addition