Songs like Ladies Don't Play Guitar by Tennis
Based on a tempo of (+/- 10%) and a similar genre
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Barrie
Canyons
100 bpm • F min • 03:39 • -6db
28% Popularity • 64% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 68% Positiveness
28% Popularity • 64% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 68% Positiveness
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Deerhunter
Living My Life
100 bpm • F# Maj • 03:49 • -7.43db
27% Popularity • 54% Danceability • 74% Energy • 8% Liveness
81% Instrumentalness • 44% Positiveness
27% Popularity • 54% Danceability • 74% Energy • 8% Liveness
81% Instrumentalness • 44% Positiveness
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Generationals
Put a Light On
100 bpm • C# Maj • 03:44 • -4.46db
61% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Nick Leng
Playing with Fire
100 bpm • A Maj • 04:37 • -7.67db
34% Popularity • 60% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 9% Positiveness
34% Popularity • 60% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 9% Positiveness
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Wye Oak
Spiral
100 bpm • B min • 05:48 • -9.33db
37% Popularity • 57% Danceability • 70% Energy • 12% Liveness
84% Instrumentalness • 53% Positiveness
37% Popularity • 57% Danceability • 70% Energy • 12% Liveness
84% Instrumentalness • 53% Positiveness
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Classixx
In These Fine Times
100 bpm • F# min • 03:28 • -8.16db
21% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Tei Shi
Baby
100 bpm • G Maj • 04:19 • -10db
31% Popularity • 64% Danceability • 40% Energy • 16% Liveness
28% Instrumentalness • 37% Positiveness
31% Popularity • 64% Danceability • 40% Energy • 16% Liveness
28% Instrumentalness • 37% Positiveness
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Sunflower Bean
I Want You to Give Me Enough Time
100 bpm • E Maj • 03:31 • -5.36db
13% Popularity • 67% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 77% Positiveness
13% Popularity • 67% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 77% Positiveness
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Hamilton Leithauser
Sick as a Dog
100 bpm • C Maj • 04:33 • -7.85db
35% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Tennis
Ladies Don't Play Guitar
100 bpm • G min • 03:44 • -5.51db
37% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Generationals
In Green
100 bpm • B min • 02:53 • -6.92db
50% Popularity • 72% Danceability • 86% Energy • 12% Liveness
14% Instrumentalness • 91% Positiveness
50% Popularity • 72% Danceability • 86% Energy • 12% Liveness
14% Instrumentalness • 91% Positiveness
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Blood Orange
Sutphin Boulevard
100 bpm • B min • 03:34 • -10.44db
42% Popularity • 84% Danceability • 38% Energy • 12% Liveness
25% Instrumentalness • 86% Positiveness
42% Popularity • 84% Danceability • 38% Energy • 12% Liveness
25% Instrumentalness • 86% Positiveness
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Rostam
Gwan
100 bpm • A Maj • 04:45 • -10.48db
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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She-Devils
The World Laughs
100 bpm • F Maj • 03:51 • -8.31db
9% Popularity • 35% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 35% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sam Evian
Dark Love
100 bpm • E Maj • 04:47 • -7db
33% Popularity • 62% Danceability • 55% Energy • 6% Liveness
48% Instrumentalness • 74% Positiveness
33% Popularity • 62% Danceability • 55% Energy • 6% Liveness
48% Instrumentalness • 74% Positiveness
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Washed Out
New Theory
101 bpm • G Maj • 02:48 • -1.83db
54% Popularity • 55% Danceability • 86% Energy • 15% Liveness
19% Instrumentalness • 36% Positiveness
54% Popularity • 55% Danceability • 86% Energy • 15% Liveness
19% Instrumentalness • 36% Positiveness
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Sweet Spirit
Baby When I Close My Eyes
99 bpm • C Maj • 03:52 • -5.03db
31% Popularity • 57% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 57% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Palehound
If You Met Her
99 bpm • G Maj • 03:49 • -5.59db
26% Popularity • 64% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
26% Popularity • 64% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Mr Twin Sister
All Around and Away We Go
101 bpm • A Maj • 04:36 • -9db
17% Popularity • 71% Danceability • 62% Energy • 9% Liveness
83% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 62% Energy • 9% Liveness
83% Instrumentalness • 80% Positiveness
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Angel Olsen
Sister
101 bpm • D Maj • 07:45 • -9db
37% Popularity • 34% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 34% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Mark Ronson
True Blue
102 bpm • F# Maj • 05:48 • -7.58db
40% Popularity • 56% Danceability • 78% Energy • 55% Liveness
2% Instrumentalness • 51% Positiveness
40% Popularity • 56% Danceability • 78% Energy • 55% Liveness
2% Instrumentalness • 51% Positiveness
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Astronauts, etc.
Upward Swing
102 bpm • D# Maj • 03:21 • -9.24db
26% Popularity • 64% Danceability • 50% Energy • 9% Liveness
74% Instrumentalness • 46% Positiveness
26% Popularity • 64% Danceability • 50% Energy • 9% Liveness
74% Instrumentalness • 46% Positiveness
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Lower Dens
Real Thing
98 bpm • C Maj • 04:16 • -9db
18% Popularity • 57% Danceability • 62% Energy • 14% Liveness
12% Instrumentalness • 18% Positiveness
18% Popularity • 57% Danceability • 62% Energy • 14% Liveness
12% Instrumentalness • 18% Positiveness
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Greta Kline
Forgive
98 bpm • G Maj • 02:46 • -5.76db
22% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Mr Twin Sister
Rude Boy
101 bpm • B min • 03:20 • -9.83db
38% Popularity • 75% Danceability • 45% Energy • 11% Liveness
57% Instrumentalness • 61% Positiveness
38% Popularity • 75% Danceability • 45% Energy • 11% Liveness
57% Instrumentalness • 61% Positiveness
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Public Access T.V.
All We Want
102 bpm • D Maj • 03:54 • -4.38db
20% Popularity • 62% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 62% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Phoenix
J-Boy
98 bpm • C Maj • 04:07 • -7.27db
47% Popularity • 53% Danceability • 90% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
47% Popularity • 53% Danceability • 90% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Caroline Rose
Jeannie Becomes A Mom
102 bpm • F Maj • 04:21 • -4.79db
43% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
43% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
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Generationals
Catahoula Man
98 bpm • D Maj • 04:06 • -5.27db
34% Popularity • 69% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 69% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Whitney
Light Upon the Lake
98 bpm • C# Maj • 03:09 • -14.03db
40% Popularity • 49% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 14% Energy • 10% Liveness
58% Instrumentalness • 14% Positiveness
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Craft Spells
Nausea
98 bpm • A Maj • 04:29 • -9db
33% Popularity • 52% Danceability • 62% Energy • 17% Liveness
56% Instrumentalness • 33% Positiveness
33% Popularity • 52% Danceability • 62% Energy • 17% Liveness
56% Instrumentalness • 33% Positiveness
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Widowspeak
Stoned
98 bpm • F Maj • 03:11 • -8.91db
34% Popularity • 62% Danceability • 45% Energy • 11% Liveness
37% Instrumentalness • 31% Positiveness
34% Popularity • 62% Danceability • 45% Energy • 11% Liveness
37% Instrumentalness • 31% Positiveness
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Tennis
Superstar
98 bpm • G# Maj • 02:55 • -5.31db
32% Popularity • 58% Danceability • 63% Energy • 27% Liveness
3% Instrumentalness • 52% Positiveness
32% Popularity • 58% Danceability • 63% Energy • 27% Liveness
3% Instrumentalness • 52% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
37% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Hotel Eden
Golden Sun
103 bpm • D Maj • 03:53 • -4db
31% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 52% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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French Kicks
Said so What
102 bpm • A Maj • 04:18 • -6.15db
35% Popularity • 53% Danceability • 60% Energy • 86% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 53% Danceability • 60% Energy • 86% Liveness
0% Instrumentalness • 11% Positiveness
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U.S. Girls
Window Shades
97 bpm • C# Maj • 04:41 • -8db
33% Popularity • 40% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
33% Popularity • 40% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 48% Positiveness
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Unknown Mortal Orchestra
So Good at Being in Trouble
104 bpm • C Maj • 03:50 • -10.14db
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Tennis
Island Music
98 bpm • B min • 03:39 • -18.18db
34% Popularity • 29% Danceability • 46% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
34% Popularity • 29% Danceability • 46% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
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Tashaki Miyaki
Cool Runnings
103 bpm • E Maj • 02:34 • -6.79db
14% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 40% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Astronauts, etc.
Shake It Loose
96 bpm • D# min • 03:06 • -9.88db
31% Popularity • 76% Danceability • 39% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
31% Popularity • 76% Danceability • 39% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
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Barrie
Geology
104 bpm • E Maj • 04:28 • -8db
37% Popularity • 69% Danceability • 72% Energy • 12% Liveness
65% Instrumentalness • 36% Positiveness
37% Popularity • 69% Danceability • 72% Energy • 12% Liveness
65% Instrumentalness • 36% Positiveness
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U.S. Girls
Rosebud
104 bpm • B min • 03:09 • -6db
35% Popularity • 75% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 83% Positiveness
35% Popularity • 75% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 83% Positiveness
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Grizzly Bear
Losing All Sense
96 bpm • G# min • 05:05 • -6db
39% Popularity • 53% Danceability • 74% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
39% Popularity • 53% Danceability • 74% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Tennis
Please Don't Ruin This for Me
96 bpm • A Maj • 02:45 • -7.36db
28% Popularity • 58% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 58% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Unknown Mortal Orchestra
Necessary Evil
96 bpm • A Maj • 05:17 • -7.22db
52% Popularity • 83% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
52% Popularity • 83% Danceability • 72% Energy • 13% Liveness
6% Instrumentalness • 70% Positiveness
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Hudson Scott
Clay
96 bpm • G Maj • 03:46 • -6.75db
21% Popularity • 65% Danceability • 84% Energy • 8% Liveness
8% Instrumentalness • 85% Positiveness
21% Popularity • 65% Danceability • 84% Energy • 8% Liveness
8% Instrumentalness • 85% Positiveness
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Barrie
Hutch
96 bpm • F# min • 02:26 • -10.12db
30% Popularity • 65% Danceability • 49% Energy • 34% Liveness
70% Instrumentalness • 43% Positiveness
30% Popularity • 65% Danceability • 49% Energy • 34% Liveness
70% Instrumentalness • 43% Positiveness
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Wild Nothing
Whenever I
96 bpm • G# min • 04:57 • -6.81db
28% Popularity • 50% Danceability • 74% Energy • 13% Liveness
44% Instrumentalness • 52% Positiveness
28% Popularity • 50% Danceability • 74% Energy • 13% Liveness
44% Instrumentalness • 52% Positiveness
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RomeThaWorld
mistake
104 bpm • B min • 02:09 • -12.74db
1% Popularity • 72% Danceability • 23% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
1% Popularity • 72% Danceability • 23% Energy • 11% Liveness
18% Instrumentalness • 8% Positiveness
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Ducktails
Headbanging in the Mirror
104 bpm • E min • 03:34 • -6db
27% Popularity • 58% Danceability • 55% Energy • 6% Liveness
37% Instrumentalness • 84% Positiveness
27% Popularity • 58% Danceability • 55% Energy • 6% Liveness
37% Instrumentalness • 84% Positiveness
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Blood Orange
E.V.P.
105 bpm • A# Maj • 05:43 • -7.68db
39% Popularity • 71% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
39% Popularity • 71% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Minden
Sheila
105 bpm • D Maj • 03:27 • -6.57db
8% Popularity • 66% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 66% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Barrie
Michigan
96 bpm • C Maj • 03:35 • -8db
31% Popularity • 68% Danceability • 66% Energy • 18% Liveness
77% Instrumentalness • 52% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 18% Liveness
77% Instrumentalness • 52% Positiveness
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Unknown Mortal Orchestra
The World Is Crowded
95 bpm • C# Maj • 04:19 • -7db
39% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Evian
Sleep Easy
105 bpm • F Maj • 04:19 • -7db
36% Popularity • 69% Danceability • 77% Energy • 20% Liveness
68% Instrumentalness • 91% Positiveness
36% Popularity • 69% Danceability • 77% Energy • 20% Liveness
68% Instrumentalness • 91% Positiveness
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Japanese Breakfast
Road Head
95 bpm • E Maj • 03:15 • -8.73db
53% Popularity • 54% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 16% Positiveness
53% Popularity • 54% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 16% Positiveness
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Springtime Carnivore
Last One to Know
95 bpm • B min • 03:50 • -5.98db
15% Popularity • 52% Danceability • 71% Energy • 11% Liveness
6% Instrumentalness • 70% Positiveness
15% Popularity • 52% Danceability • 71% Energy • 11% Liveness
6% Instrumentalness • 70% Positiveness
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The Undercover Dream Lovers
Come Home
95 bpm • G# min • 04:50 • -6.29db
39% Popularity • 71% Danceability • 57% Energy • 27% Liveness
48% Instrumentalness • 38% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 27% Liveness
48% Instrumentalness • 38% Positiveness
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Tennis
My Emotions Are Blinding
95 bpm • C min • 03:41 • -4.29db
30% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Summer Camp
House Party
95 bpm • C Maj • 02:14 • -4.79db
15% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Whitney
No Matter Where We Go
106 bpm • C min • 02:41 • -4db
41% Popularity • 62% Danceability • 93% Energy • 15% Liveness
47% Instrumentalness • 62% Positiveness
41% Popularity • 62% Danceability • 93% Energy • 15% Liveness
47% Instrumentalness • 62% Positiveness
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Blood Orange
It Is What It Is
95 bpm • F# Maj • 05:07 • -8db
47% Popularity • 72% Danceability • 65% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
47% Popularity • 72% Danceability • 65% Energy • 8% Liveness
9% Instrumentalness • 27% Positiveness
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Springtime Carnivore
Under The Spell
106 bpm • G Maj • 04:25 • -4db
28% Popularity • 58% Danceability • 82% Energy • 14% Liveness
12% Instrumentalness • 45% Positiveness
28% Popularity • 58% Danceability • 82% Energy • 14% Liveness
12% Instrumentalness • 45% Positiveness
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Caroline Rose
Got To Go My Own Way
106 bpm • G# min • 03:21 • -3.09db
27% Popularity • 65% Danceability • 87% Energy • 6% Liveness
59% Instrumentalness • 56% Positiveness
27% Popularity • 65% Danceability • 87% Energy • 6% Liveness
59% Instrumentalness • 56% Positiveness
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Beirut
Perth
94 bpm • B Maj • 03:37 • -6.4db
46% Popularity • 70% Danceability • 73% Energy • 7% Liveness
64% Instrumentalness • 81% Positiveness
46% Popularity • 70% Danceability • 73% Energy • 7% Liveness
64% Instrumentalness • 81% Positiveness
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Nico Yaryan
Just Tell Me
94 bpm • A Maj • 02:42 • -5.58db
35% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Brave Shores
More Like You
94 bpm • D Maj • 04:05 • -5db
31% Popularity • 60% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 60% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Little Scream
Love as a Weapon
107 bpm • B min • 04:52 • -8.93db
27% Popularity • 68% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
27% Popularity • 68% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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Tennis
Petition
107 bpm • F Maj • 03:11 • -5.97db
30% Popularity • 69% Danceability • 89% Energy • 19% Liveness
9% Instrumentalness • 74% Positiveness
30% Popularity • 69% Danceability • 89% Energy • 19% Liveness
9% Instrumentalness • 74% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
55% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Caroline Rose
Feel The Way I Want
107 bpm • F Maj • 04:03 • -5.58db
38% Popularity • 83% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 83% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Soccer Mommy
Cool
107 bpm • A Maj • 03:16 • -8.88db
40% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
66% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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Ducktails
Light a Candle
107 bpm • F Maj • 03:47 • -10.93db
17% Popularity • 76% Danceability • 44% Energy • 10% Liveness
42% Instrumentalness • 79% Positiveness
17% Popularity • 76% Danceability • 44% Energy • 10% Liveness
42% Instrumentalness • 79% Positiveness
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Foxygen
Coulda Been My Love
93 bpm • A min • 03:04 • -10db
30% Popularity • 34% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 39% Positiveness
30% Popularity • 34% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 39% Positiveness
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Sweet Spirit
Have Mercy
108 bpm • E Maj • 03:02 • -6.16db
14% Popularity • 65% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
14% Popularity • 65% Danceability • 70% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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The Dig
Astronaut
93 bpm • D min • 04:00 • -7.51db
20% Popularity • 62% Danceability • 69% Energy • 10% Liveness
51% Instrumentalness • 76% Positiveness
20% Popularity • 62% Danceability • 69% Energy • 10% Liveness
51% Instrumentalness • 76% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Kate Bollinger
Yards / Gardens
108 bpm • A# Maj • 02:21 • -7.52db
61% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
61% Popularity • 80% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 74% Positiveness
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Wild Moccasins
Open Sesames
108 bpm • G# Maj • 03:58 • -5.61db
2% Popularity • 56% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
2% Popularity • 56% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Generationals
Spinoza
92 bpm • D Maj • 03:29 • -3db
46% Popularity • 56% Danceability • 94% Energy • 33% Liveness
23% Instrumentalness • 79% Positiveness
46% Popularity • 56% Danceability • 94% Energy • 33% Liveness
23% Instrumentalness • 79% Positiveness
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French Kicks
Sex Tourists
108 bpm • F# Maj • 03:31 • -6.1db
44% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Caroline Rose
Freak Like Me
92 bpm • F# min • 03:42 • -7.38db
28% Popularity • 64% Danceability • 74% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
28% Popularity • 64% Danceability • 74% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Warpaint
So Good
109 bpm • B min • 05:59 • -6db
42% Popularity • 66% Danceability • 87% Energy • 10% Liveness
85% Instrumentalness • 96% Positiveness
42% Popularity • 66% Danceability • 87% Energy • 10% Liveness
85% Instrumentalness • 96% Positiveness
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Chairlift
Polymorphing
91 bpm • C Maj • 04:43 • -7.84db
34% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Grizzly Bear
Three Rings
109 bpm • B min • 04:48 • -6.16db
36% Popularity • 51% Danceability • 88% Energy • 8% Liveness
63% Instrumentalness • 15% Positiveness
36% Popularity • 51% Danceability • 88% Energy • 8% Liveness
63% Instrumentalness • 15% Positiveness
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Sorcha Richardson
Ruin Your Night
109 bpm • A Maj • 03:08 • -6.93db
41% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 72% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Kishi Bashi
Say Yeah
110 bpm • E min • 04:34 • -7.82db
30% Popularity • 70% Danceability • 56% Energy • 39% Liveness
1% Instrumentalness • 72% Positiveness
30% Popularity • 70% Danceability • 56% Energy • 39% Liveness
1% Instrumentalness • 72% Positiveness
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Tune-Yards
Powa
110 bpm • F Maj • 05:03 • -7.46db
45% Popularity • 75% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 75% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Barrie
Darjeeling
110 bpm • E Maj • 03:19 • -8db
40% Popularity • 64% Danceability • 69% Energy • 23% Liveness
14% Instrumentalness • 56% Positiveness
40% Popularity • 64% Danceability • 69% Energy • 23% Liveness
14% Instrumentalness • 56% Positiveness
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Japanese Breakfast
The Woman That Loves You
110 bpm • F# min • 02:24 • -6db
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
40% Popularity • 52% Danceability • 77% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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Unknown Mortal Orchestra
Ffunny Ffrends
91 bpm • B Maj • 04:16 • -4.67db
43% Popularity • 69% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
43% Popularity • 69% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
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Cut Copy
Counting Down
110 bpm • C# min • 03:50 • -5db
36% Popularity • 59% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
36% Popularity • 59% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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RomeThaWorld
blinded pt. 1
110 bpm • A min • 02:54 • -6.44db
0% Popularity • 76% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 76% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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The Undercover Dream Lovers
Good Luck
110 bpm • F# Maj • 04:36 • -7db
33% Popularity • 75% Danceability • 76% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
33% Popularity • 75% Danceability • 76% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Barrie
Tal Uno
110 bpm • B min • 04:27 • -9db
40% Popularity • 53% Danceability • 62% Energy • 30% Liveness
89% Instrumentalness • 42% Positiveness
40% Popularity • 53% Danceability • 62% Energy • 30% Liveness
89% Instrumentalness • 42% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
