Songs like Lady Madonna (Arr. for Chamber Ensemble) by Les Boreades de Montreal
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Confitebor tibi I
114 bpm • C Maj • 07:29 • -21.06db
9% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Caldara
Atenaide: Bel piacer di fido core
114 bpm • C# min • 04:03 • -17.23db
9% Popularity • 38% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245, Pt. 2: No. 2,...
114 bpm • G# min • 03:46 • -16.07db
18% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Chor und Orchester von St. Augustin
Missa in D-Dur, KV194: Benedictus
114 bpm • D Maj • 02:03 • -21.92db
10% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: VII. Sanctus
114 bpm • C# min • 01:12 • -21.89db
10% Popularity • 33% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 44% Positiveness
10% Popularity • 33% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 44% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
114 bpm • F# min • 03:26 • -16.71db
8% Popularity • 33% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
8% Popularity • 33% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Première En...
115 bpm • F# Maj • 02:18 • -27.14db
9% Popularity • 49% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 49% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
113 bpm • D Maj • 01:07 • -15.46db
8% Popularity • 32% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 32% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Georg Philipp Telemann
Sonata in E Minor, TWV 50:4: II. Alla br...
115 bpm • D# min • 02:49 • -18.01db
13% Popularity • 40% Danceability • 18% Energy • 33% Liveness
92% Instrumentalness • 50% Positiveness
13% Popularity • 40% Danceability • 18% Energy • 33% Liveness
92% Instrumentalness • 50% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 7. Eia Mater
113 bpm • E min • 02:13 • -23.66db
14% Popularity • 33% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 33% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245, Pt. 2: No. 13...
115 bpm • B Maj • 03:22 • -17.82db
16% Popularity • 46% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 46% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Cre...
113 bpm • C# min • 01:12 • -19.45db
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "Forse...
113 bpm • F# min • 03:11 • -17.84db
8% Popularity • 42% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 42% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Claudio Monteverdi
Chiome d'oro
113 bpm • B Maj • 03:37 • -21.75db
9% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Kuhnau
Kuhnau: Magnificat in C Major: XIII. Cho...
112 bpm • B Maj • 01:15 • -18.5db
11% Popularity • 34% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
11% Popularity • 34% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245, II. Teil: 30....
113 bpm • A# min • 05:21 • -23.07db
29% Popularity • 25% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
29% Popularity • 25% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Jan Dismas Zelenka
In exitu Israel, ZWV 83: In exitu Israel...
116 bpm • C# min • 07:00 • -18.9db
20% Popularity • 37% Danceability • 20% Energy • 21% Liveness
11% Instrumentalness • 31% Positiveness
20% Popularity • 37% Danceability • 20% Energy • 21% Liveness
11% Instrumentalness • 31% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
112 bpm • F# min • 01:04 • -19.15db
23% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
23% Popularity • 23% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
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Alessandro Stradella
San Giovanni Battista: Deste un tempo
116 bpm • D Maj • 01:19 • -17db
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Missa Dolorosa: V. Benedictus
112 bpm • C# Maj • 01:54 • -20.97db
18% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Sebastian Bach
Nach dir, Herr, verlanget mich, BWV 150:...
113 bpm • A# min • 03:12 • -13.19db
12% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 24% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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George Frideric Handel
Handel: Amadigi di Gaula, HWV 11, Act 2:...
116 bpm • C# min • 05:35 • -16.66db
8% Popularity • 29% Danceability • 11% Energy • 9% Liveness
11% Instrumentalness • 9% Positiveness
8% Popularity • 29% Danceability • 11% Energy • 9% Liveness
11% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Gloria. Quoniam
115 bpm • G# Maj • 02:00 • -22.56db
9% Popularity • 41% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 36% Positiveness
9% Popularity • 41% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 36% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629 / Act 1: Scene O...
112 bpm • E Maj • 06:39 • -20.46db
16% Popularity • 48% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 48% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
116 bpm • B min • 01:20 • -18.99db
12% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
12% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
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William Christie
Purcell : King Arthur : Act 5 "You say '...
111 bpm • F min • 05:26 • -25.64db
10% Popularity • 40% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 7% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. II: Ar...
112 bpm • A# min • 05:54 • -28db
43% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
116 bpm • E Maj • 01:42 • -26.29db
22% Popularity • 42% Danceability • 4% Energy • 17% Liveness
34% Instrumentalness • 44% Positiveness
22% Popularity • 42% Danceability • 4% Energy • 17% Liveness
34% Instrumentalness • 44% Positiveness
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Jan Dismas Zelenka
Missa Sancti Spiritus, ZWV 4: Sanctus
111 bpm • C# Maj • 01:14 • -15.73db
17% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
17% Popularity • 35% Danceability • 29% Energy • 53% Liveness
66% Instrumentalness • 22% Positiveness
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Lisa Milne
Magnificat in D, BWV 243: Deposuit poten...
111 bpm • F min • 01:54 • -21.73db
9% Popularity • 46% Danceability • 29% Energy • 34% Liveness
87% Instrumentalness • 70% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 34% Liveness
87% Instrumentalness • 70% Positiveness
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Domenico Zipoli
Beatus vir: I. Beatus vir
117 bpm • E Maj • 02:16 • -19db
12% Popularity • 50% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 50% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Antonio Vivaldi
Salve Regina, R.616 (Antiphona): 6. "O c...
111 bpm • B min • 02:36 • -29.15db
10% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: VI. Et m...
116 bpm • D# min • 03:40 • -27db
23% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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George Frideric Handel
Nisi Dominus, HWV 238: V. Beatus vir
117 bpm • A# min • 02:13 • -24.8db
18% Popularity • 34% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 34% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Pate...
117 bpm • C# min • 06:24 • -23.17db
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 21% Positiveness
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Alessandro Scarlatti
La Giuditta: Part I: Aria: A che giova d...
111 bpm • G# min • 02:08 • -22.43db
17% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Francesco Feo
Feo: Dies irae: "Juste Judex ultionis"
110 bpm • E Maj • 01:41 • -16db
18% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
110 bpm • F# Maj • 01:26 • -27.47db
12% Popularity • 48% Danceability • 7% Energy • 11% Liveness
22% Instrumentalness • 74% Positiveness
12% Popularity • 48% Danceability • 7% Energy • 11% Liveness
22% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 21, Und d...
111 bpm • F# min • 05:25 • -17.36db
10% Popularity • 40% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 40% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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George Frideric Handel
Mi palpita il cor, HWV 132c: IV. Se un d...
111 bpm • F# Maj • 03:25 • -18.61db
10% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 57% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
118 bpm • E Maj • 01:10 • -19.12db
17% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
17% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
110 bpm • D Maj • 01:03 • -15.68db
12% Popularity • 35% Danceability • 24% Energy • 9% Liveness
37% Instrumentalness • 50% Positiveness
12% Popularity • 35% Danceability • 24% Energy • 9% Liveness
37% Instrumentalness • 50% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Belinda...
119 bpm • C# min • 03:07 • -22.65db
10% Popularity • 36% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 36% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: II. Et...
109 bpm • A Maj • 02:08 • -20db
20% Popularity • 44% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
"Nach dir, Herr, verlanget mich" BWV 150...
117 bpm • C min • 01:36 • -24.03db
12% Popularity • 38% Danceability • 3% Energy • 16% Liveness
20% Instrumentalness • 29% Positiveness
12% Popularity • 38% Danceability • 3% Energy • 16% Liveness
20% Instrumentalness • 29% Positiveness
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George Frideric Handel
Handel: Brockes-Passion, HWV 48: No. 42c...
110 bpm • F# min • 01:19 • -18db
11% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Credo in ...
110 bpm • C# Maj • 01:25 • -18.77db
11% Popularity • 34% Danceability • 33% Energy • 14% Liveness
78% Instrumentalness • 54% Positiveness
11% Popularity • 34% Danceability • 33% Energy • 14% Liveness
78% Instrumentalness • 54% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VI. "Te ergo quaesumus"
109 bpm • C# Maj • 02:25 • -31.08db
20% Popularity • 20% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
20% Popularity • 20% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 9% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Morte col fier...
120 bpm • F# min • 04:12 • -13.86db
8% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 47% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Gloria: Qui sedes ad dexteram Patris
109 bpm • A# min • 02:10 • -24.52db
30% Popularity • 46% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
30% Popularity • 46% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Johann Sebastian Bach
Coffee Cantata, BWV 211: Aria: Heute noc...
120 bpm • F# Maj • 06:37 • -21.29db
16% Popularity • 38% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part I: Part I:...
112 bpm • D Maj • 01:00 • -16.89db
16% Popularity • 25% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Georg Philipp Telemann
Ich fahre auf zu meinem Vater, TWV 1:825...
108 bpm • E Maj • 03:38 • -18.09db
22% Popularity • 47% Danceability • 22% Energy • 24% Liveness
3% Instrumentalness • 47% Positiveness
22% Popularity • 47% Danceability • 22% Energy • 24% Liveness
3% Instrumentalness • 47% Positiveness
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Claudio Monteverdi
Ahi che si parte il mio bel sol adorno: ...
108 bpm • B Maj • 04:56 • -20.12db
16% Popularity • 35% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
16% Popularity • 35% Danceability • 10% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
► Preview
Antonio Vivaldi
Dixit Dominus (Salmo 109), RV 594: VI. D...
108 bpm • C Maj • 01:51 • -16.78db
10% Popularity • 60% Danceability • 40% Energy • 16% Liveness
21% Instrumentalness • 83% Positiveness
10% Popularity • 60% Danceability • 40% Energy • 16% Liveness
21% Instrumentalness • 83% Positiveness
► Preview
Johann Sebastian Bach
Der Herr denket an uns, BWV 196: Duet. D...
120 bpm • C# Maj • 01:52 • -24.62db
14% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: VIII. Gloria Pat...
108 bpm • C# Maj • 03:11 • -20.5db
19% Popularity • 36% Danceability • 18% Energy • 16% Liveness
16% Instrumentalness • 51% Positiveness
19% Popularity • 36% Danceability • 18% Energy • 16% Liveness
16% Instrumentalness • 51% Positiveness
► Preview
Henry Purcell
The Tempest, Z. 631, "The Enchanted Isla...
108 bpm • B Maj • 07:26 • -28.07db
14% Popularity • 25% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
14% Popularity • 25% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
The Sixteen
Cantata IV: Ad latus (To the Side): Salv...
122 bpm • C# min • 01:16 • -24.09db
8% Popularity • 31% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
122 bpm • B min • 02:28 • -20.39db
14% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Antonio Vivaldi
Motetto "Ostro picta, armata spina", RV....
121 bpm • A# min • 01:05 • -21.29db
10% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Coffee Cantata, BWV 211: Recitative: Wen...
107 bpm • C# Maj • 01:07 • -20.77db
9% Popularity • 56% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 56% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
George Frideric Handel
Orlando / Act 3: Sorge infausta una proc...
118 bpm • B min • 03:56 • -17.16db
34% Popularity • 61% Danceability • 37% Energy • 10% Liveness
15% Instrumentalness • 65% Positiveness
34% Popularity • 61% Danceability • 37% Energy • 10% Liveness
15% Instrumentalness • 65% Positiveness
► Preview
Henry Purcell
Come ye sons of art: Sound the Trumpet
108 bpm • C# Maj • 03:00 • -12.32db
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Jan Dismas Zelenka
Magnificat, ZWV 108: Magnificat anima me...
122 bpm • G# Maj • 03:52 • -16.11db
9% Popularity • 39% Danceability • 21% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
9% Popularity • 39% Danceability • 21% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
► Preview
František Tůma
Motetto per ogni Tempo: IV. Aria. Amen
106 bpm • C# Maj • 01:45 • -23.79db
8% Popularity • 44% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 91% Positiveness
8% Popularity • 44% Danceability • 25% Energy • 13% Liveness
85% Instrumentalness • 91% Positiveness
► Preview
Antonio Vivaldi
Vestro Principi divino, in F major, RV63...
121 bpm • E Maj • 02:12 • -24.6db
9% Popularity • 54% Danceability • 5% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 54% Danceability • 5% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245: No. 18, Da sp...
107 bpm • C# Maj • 01:52 • -17.35db
10% Popularity • 48% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Judas Maccabaeus, HWV 63, Act III: Duet ...
109 bpm • F# Maj • 06:35 • -28db
26% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 33% Danceability • 2% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": For ...
107 bpm • B Maj • 02:33 • -25.87db
13% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 33% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIII. Dignare Domine di...
123 bpm • C# Maj • 02:51 • -21.05db
13% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: III. Coro...
106 bpm • A Maj • 01:05 • -18.42db
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: VI. Beatus vir
123 bpm • A Maj • 00:59 • -22.19db
13% Popularity • 39% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 39% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part II: N...
105 bpm • A# min • 01:34 • -16.67db
16% Popularity • 53% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 53% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Joseph Haydn
Missa in Angustiis "Lord Nelson Mass": I...
123 bpm • D Maj • 02:44 • -19db
13% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
How Happy the Lover
122 bpm • F# min • 06:19 • -20db
8% Popularity • 30% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 23% Positiveness
8% Popularity • 30% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 23% Positiveness
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Francesco Durante
Magnificat in B flat major: Suscepit Isr...
105 bpm • B Maj • 02:03 • -25db
13% Popularity • 20% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 20% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 12 Ari...
105 bpm • D# min • 02:36 • -20db
9% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jan Dismas Zelenka
Beatus vir, ZWV 75: Beatus vir - After P...
105 bpm • G# min • 05:18 • -22.27db
8% Popularity • 42% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: IV. A...
111 bpm • D# min • 01:40 • -15.73db
16% Popularity • 37% Danceability • 42% Energy • 36% Liveness
4% Instrumentalness • 71% Positiveness
16% Popularity • 37% Danceability • 42% Energy • 36% Liveness
4% Instrumentalness • 71% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerebat
105 bpm • D Maj • 02:05 • -21.32db
15% Popularity • 46% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 46% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": A Pa...
105 bpm • C# min • 05:12 • -20.12db
10% Popularity • 34% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 34% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Johan Helmich Roman
Then Svenska Messan: Herre förbarma tig...
125 bpm • E Maj • 01:38 • -23.22db
8% Popularity • 20% Danceability • 7% Energy • 23% Liveness
28% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 23% Liveness
28% Instrumentalness • 8% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Kyrie: Kyrie I
125 bpm • C# min • 02:33 • -20.65db
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 16, Da f�...
117 bpm • G# min • 03:57 • -17.31db
11% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610: ...
104 bpm • E Maj • 02:17 • -20.52db
20% Popularity • 50% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 50% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Purcell
Ode for St Cecilia's Day, "Welcome to al...
105 bpm • A# min • 04:35 • -18db
9% Popularity • 25% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BUXWV 75, cantata IV...
104 bpm • C# min • 01:17 • -24db
13% Popularity • 30% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Act I: Ritournelle (Atys, ...
104 bpm • F min • 03:51 • -15.34db
11% Popularity • 35% Danceability • 29% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 35% Danceability • 29% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Ariett...
104 bpm • D# Maj • 05:57 • -18.33db
8% Popularity • 36% Danceability • 14% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 36% Danceability • 14% Energy • 57% Liveness
0% Instrumentalness • 41% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 2: No....
110 bpm • G# min • 03:57 • -22.28db
9% Popularity • 36% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 36% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
125 bpm • G# min • 02:39 • -27.8db
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Gloria in ex...
104 bpm • C# Maj • 02:45 • -18.81db
11% Popularity • 47% Danceability • 29% Energy • 30% Liveness
79% Instrumentalness • 81% Positiveness
11% Popularity • 47% Danceability • 29% Energy • 30% Liveness
79% Instrumentalness • 81% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z. 323: III. ...
104 bpm • C# Maj • 02:27 • -18db
8% Popularity • 55% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 55% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
