Songs like Laguna Seca by Joy Unlimited
Based on a tempo of (+/- 10%) and a similar genre
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Rolf Kühn
Playmate
99 bpm • E min • 02:31 • -9db
19% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
19% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
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Dizzy Gillespie
Stomped and Wasted
99 bpm • C# Maj • 04:54 • -9.01db
18% Popularity • 53% Danceability • 68% Energy • 12% Liveness
46% Instrumentalness • 88% Positiveness
18% Popularity • 53% Danceability • 68% Energy • 12% Liveness
46% Instrumentalness • 88% Positiveness
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Joy Unlimited
Laguna Seca - Inka Waltz
99 bpm • G Maj • 02:50 • -12.68db
0% Popularity • 56% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 77% Positiveness
0% Popularity • 56% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 77% Positiveness
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Misha Panfilov
Follow the Clouds
99 bpm • C Maj • 02:51 • -9.36db
11% Popularity • 70% Danceability • 83% Energy • 7% Liveness
81% Instrumentalness • 89% Positiveness
11% Popularity • 70% Danceability • 83% Energy • 7% Liveness
81% Instrumentalness • 89% Positiveness
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Alan Parker
Ice Breaker
99 bpm • G Maj • 03:54 • -17.49db
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
11% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
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Keith Mansfield
Hot Property
99 bpm • D min • 01:59 • -10.97db
16% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
16% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
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Piero Umiliani
Senza tregua
100 bpm • D min • 01:57 • -9.87db
15% Popularity • 79% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 76% Positiveness
15% Popularity • 79% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 76% Positiveness
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Alessandro Alessandroni
Parata n°2
98 bpm • C# Maj • 02:30 • -6.5db
16% Popularity • 61% Danceability • 65% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
16% Popularity • 61% Danceability • 65% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
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Alan Moorhouse
Soul Skimmer
99 bpm • C Maj • 02:12 • -8.19db
22% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
22% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
19% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
19% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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John Cameron
Afro Metropolis
99 bpm • C Maj • 02:43 • -11.57db
11% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
11% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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稲垣次郎とソウル・メディア
Hurting Each Other
100 bpm • F Maj • 02:46 • -9.86db
12% Popularity • 47% Danceability • 32% Energy • 19% Liveness
85% Instrumentalness • 23% Positiveness
12% Popularity • 47% Danceability • 32% Energy • 19% Liveness
85% Instrumentalness • 23% Positiveness
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Stelvio Cipriani
Mark il poliziotto - Originale
100 bpm • E min • 02:41 • -16.49db
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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Pablo Delgado Aguilar
Es De Chill
100 bpm • C Maj • 03:08 • -7.17db
8% Popularity • 79% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 78% Positiveness
8% Popularity • 79% Danceability • 80% Energy • 7% Liveness
90% Instrumentalness • 78% Positiveness
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Raul Mixteco
Dia de Los Muertos
100 bpm • E min • 03:47 • -3.9db
9% Popularity • 68% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
9% Popularity • 68% Danceability • 78% Energy • 10% Liveness
1% Instrumentalness • 84% Positiveness
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Linco
People Get Down
100 bpm • B Maj • 02:51 • -8.61db
13% Popularity • 84% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 84% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Joni Mitchell
Rainy Night House - Live at Universal Am...
98 bpm • D min • 04:04 • -19.46db
16% Popularity • 44% Danceability • 19% Energy • 48% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 44% Danceability • 19% Energy • 48% Liveness
0% Instrumentalness • 36% Positiveness
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Harlem Pop Trotters
Mocassin
100 bpm • G Maj • 02:34 • -8.92db
11% Popularity • 69% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 61% Positiveness
11% Popularity • 69% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 61% Positiveness
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Piero Piccioni
Psychedelic Mood
98 bpm • E Maj • 02:33 • -12.25db
13% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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The Flying Guitar
Barabajagal
100 bpm • D Maj • 02:43 • -9.93db
14% Popularity • 63% Danceability • 88% Energy • 6% Liveness
10% Instrumentalness • 78% Positiveness
14% Popularity • 63% Danceability • 88% Energy • 6% Liveness
10% Instrumentalness • 78% Positiveness
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Orville Dunlop
No One
98 bpm • E Maj • 02:44 • -5.66db
26% Popularity • 40% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 40% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Alessandro Alessandroni
Cielo verde
98 bpm • F min • 02:44 • -9.55db
15% Popularity • 54% Danceability • 62% Energy • 30% Liveness
88% Instrumentalness • 82% Positiveness
15% Popularity • 54% Danceability • 62% Energy • 30% Liveness
88% Instrumentalness • 82% Positiveness
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Alan Tew
Headlights
100 bpm • E min • 01:10 • -17.76db
31% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
31% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Victor Cavini
Pictures Of Japan XIV
97 bpm • G Maj • 02:42 • -11db
10% Popularity • 77% Danceability • 42% Energy • 11% Liveness
66% Instrumentalness • 86% Positiveness
10% Popularity • 77% Danceability • 42% Energy • 11% Liveness
66% Instrumentalness • 86% Positiveness
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Piero Umiliani
Raptus - Samba
101 bpm • G# Maj • 01:18 • -11.07db
13% Popularity • 60% Danceability • 48% Energy • 19% Liveness
64% Instrumentalness • 84% Positiveness
13% Popularity • 60% Danceability • 48% Energy • 19% Liveness
64% Instrumentalness • 84% Positiveness
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Ennio Morricone
18 Pari
97 bpm • D min • 03:16 • -17.66db
9% Popularity • 67% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 87% Positiveness
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台視大樂隊
可憐落魄人
97 bpm • F min • 03:07 • -14.31db
8% Popularity • 49% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
8% Popularity • 49% Danceability • 38% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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Allison Haskins
Honey, Feel The Rhythm
97 bpm • G Maj • 01:50 • -10.83db
13% Popularity • 68% Danceability • 45% Energy • 62% Liveness
88% Instrumentalness • 41% Positiveness
13% Popularity • 68% Danceability • 45% Energy • 62% Liveness
88% Instrumentalness • 41% Positiveness
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Alessandro Alessandroni
Spiagge azzurre
101 bpm • G# Maj • 04:46 • -10.41db
17% Popularity • 63% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
17% Popularity • 63% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Marcelo Marinho Tex
Tex Harlem
97 bpm • A# Maj • 05:36 • -9.11db
0% Popularity • 43% Danceability • 85% Energy • 49% Liveness
84% Instrumentalness • 43% Positiveness
0% Popularity • 43% Danceability • 85% Energy • 49% Liveness
84% Instrumentalness • 43% Positiveness
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Pearls & Lazer
Mezcalero
101 bpm • C Maj • 03:08 • -7.57db
9% Popularity • 66% Danceability • 57% Energy • 6% Liveness
41% Instrumentalness • 90% Positiveness
9% Popularity • 66% Danceability • 57% Energy • 6% Liveness
41% Instrumentalness • 90% Positiveness
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Puccio Roelens
Peggy
97 bpm • G# Maj • 03:23 • -3db
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Brian Auger's Oblivion Express
Freedom Jazz Dance
97 bpm • G min • 05:25 • -10.13db
10% Popularity • 61% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 77% Positiveness
10% Popularity • 61% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 77% Positiveness
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Passport
Mandragora
101 bpm • F min • 03:50 • -9db
8% Popularity • 42% Danceability • 85% Energy • 28% Liveness
76% Instrumentalness • 82% Positiveness
8% Popularity • 42% Danceability • 85% Energy • 28% Liveness
76% Instrumentalness • 82% Positiveness
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John Cameron
Range Rover
97 bpm • C Maj • 03:28 • -12.86db
7% Popularity • 56% Danceability • 51% Energy • 5% Liveness
94% Instrumentalness • 63% Positiveness
7% Popularity • 56% Danceability • 51% Energy • 5% Liveness
94% Instrumentalness • 63% Positiveness
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MC Random
Impeaches and Lemons
96 bpm • C# min • 03:38 • -7.81db
8% Popularity • 64% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Experience
Pink Movement
102 bpm • F Maj • 02:43 • -7.24db
9% Popularity • 72% Danceability • 90% Energy • 9% Liveness
61% Instrumentalness • 96% Positiveness
9% Popularity • 72% Danceability • 90% Energy • 9% Liveness
61% Instrumentalness • 96% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
23% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Alain Goraguer
Générique (Fin) - Alternate Mix / Band...
96 bpm • F# min • 02:05 • -7.16db
10% Popularity • 43% Danceability • 77% Energy • 12% Liveness
85% Instrumentalness • 64% Positiveness
10% Popularity • 43% Danceability • 77% Energy • 12% Liveness
85% Instrumentalness • 64% Positiveness
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Pete Jolly
Autumn Festival
96 bpm • A Maj • 03:14 • -15.53db
14% Popularity • 26% Danceability • 53% Energy • 13% Liveness
46% Instrumentalness • 44% Positiveness
14% Popularity • 26% Danceability • 53% Energy • 13% Liveness
46% Instrumentalness • 44% Positiveness
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Jacky Giordano
Don't Be Cool
96 bpm • F min • 02:20 • -16.58db
31% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
31% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Armando Trovajoli
Tony's Magnum
102 bpm • C Maj • 03:26 • -14.27db
10% Popularity • 55% Danceability • 64% Energy • 12% Liveness
92% Instrumentalness • 85% Positiveness
10% Popularity • 55% Danceability • 64% Energy • 12% Liveness
92% Instrumentalness • 85% Positiveness
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The Explorers Club
The Price is Wrong
96 bpm • F Maj • 00:56 • -4.26db
16% Popularity • 79% Danceability • 85% Energy • 22% Liveness
8% Instrumentalness • 83% Positiveness
16% Popularity • 79% Danceability • 85% Energy • 22% Liveness
8% Instrumentalness • 83% Positiveness
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Hysear Don Walker
Children Of The Night
102 bpm • A min • 04:06 • -13.3db
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Damon
Birds Fly So High
96 bpm • C Maj • 03:30 • -11.68db
9% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Les Baxter
Hot Wind
102 bpm • F Maj • 01:55 • -7.07db
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
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Joy Unlimited
In Search for the Last Word
96 bpm • C# Maj • 01:58 • -17.32db
0% Popularity • 46% Danceability • 18% Energy • 8% Liveness
9% Instrumentalness • 55% Positiveness
0% Popularity • 46% Danceability • 18% Energy • 8% Liveness
9% Instrumentalness • 55% Positiveness
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Armando Trovajoli
Tony's Back!
102 bpm • F Maj • 03:24 • -13.33db
7% Popularity • 58% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 80% Positiveness
7% Popularity • 58% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 80% Positiveness
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Detroit Emeralds
I've Got To Move
96 bpm • F Maj • 03:09 • -13.17db
9% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Jack McDuff
To Be Named Later
102 bpm • B Maj • 04:31 • -13.92db
8% Popularity • 67% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 70% Positiveness
8% Popularity • 67% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 70% Positiveness
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Galt MacDermot
Lost Dreams
96 bpm • B min • 01:48 • -9.7db
13% Popularity • 60% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 60% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Tele Music
Tender Love
96 bpm • C Maj • 03:22 • -13.23db
15% Popularity • 50% Danceability • 29% Energy • 15% Liveness
95% Instrumentalness • 29% Positiveness
15% Popularity • 50% Danceability • 29% Energy • 15% Liveness
95% Instrumentalness • 29% Positiveness
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Cafe Music BGM channel
Autumn Morning
95 bpm • F Maj • 04:21 • 0.9db
12% Popularity • 61% Danceability • 98% Energy • 24% Liveness
72% Instrumentalness • 87% Positiveness
12% Popularity • 61% Danceability • 98% Energy • 24% Liveness
72% Instrumentalness • 87% Positiveness
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Armando Trovajoli
Il Profeta - Party Mood
102 bpm • G Maj • 03:21 • -12.35db
11% Popularity • 67% Danceability • 57% Energy • 25% Liveness
7% Instrumentalness • 78% Positiveness
11% Popularity • 67% Danceability • 57% Energy • 25% Liveness
7% Instrumentalness • 78% Positiveness
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East Of Eden
Isadora - Remastered 1985
103 bpm • D min • 04:17 • -12.08db
24% Popularity • 42% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 42% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Kerry
Stargazer
103 bpm • F Maj • 03:23 • -16.91db
8% Popularity • 71% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 71% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Manu Dibango
Dakar Streets
103 bpm • G Maj • 04:34 • -9.19db
8% Popularity • 69% Danceability • 63% Energy • 12% Liveness
88% Instrumentalness • 94% Positiveness
8% Popularity • 69% Danceability • 63% Energy • 12% Liveness
88% Instrumentalness • 94% Positiveness
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Terry Durham
Crystal Telephone
95 bpm • D min • 03:04 • -16.67db
31% Popularity • 49% Danceability • 42% Energy • 40% Liveness
1% Instrumentalness • 76% Positiveness
31% Popularity • 49% Danceability • 42% Energy • 40% Liveness
1% Instrumentalness • 76% Positiveness
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Circus 2000
Must Walk Forever
95 bpm • D Maj • 03:50 • -15.27db
8% Popularity • 42% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 48% Positiveness
8% Popularity • 42% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 48% Positiveness
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Orville Dunlop
The Poor
95 bpm • E Maj • 05:58 • -17.97db
27% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Gert Wilden & Orchestra
Dirty Beat (Schulmädchenreport 2)
103 bpm • F Maj • 02:53 • -8db
13% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
13% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
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432 Hz Sweden
Winter
95 bpm • E min • 03:34 • -11.81db
18% Popularity • 68% Danceability • 52% Energy • 23% Liveness
47% Instrumentalness • 45% Positiveness
18% Popularity • 68% Danceability • 52% Energy • 23% Liveness
47% Instrumentalness • 45% Positiveness
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The Cyrkle
Nicole
95 bpm • D Maj • 04:12 • -16.09db
10% Popularity • 35% Danceability • 40% Energy • 7% Liveness
18% Instrumentalness • 57% Positiveness
10% Popularity • 35% Danceability • 40% Energy • 7% Liveness
18% Instrumentalness • 57% Positiveness
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Kraan
Let's Take a Ride
103 bpm • F# min • 05:25 • -8.19db
8% Popularity • 38% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
8% Popularity • 38% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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East Of Eden
You Can Find The Star - Remastered 1985
103 bpm • B Maj • 06:01 • -19.86db
23% Popularity • 48% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
23% Popularity • 48% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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The Animated Egg
Sock It My Way
95 bpm • C min • 03:22 • -12.59db
13% Popularity • 63% Danceability • 47% Energy • 21% Liveness
78% Instrumentalness • 16% Positiveness
13% Popularity • 63% Danceability • 47% Energy • 21% Liveness
78% Instrumentalness • 16% Positiveness
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Stelvio Cipriani
Bambole di droga - Originale
95 bpm • G# Maj • 02:16 • -17.89db
19% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
19% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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I Marc 4
Marketing
103 bpm • F# Maj • 02:40 • -11.24db
13% Popularity • 79% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 79% Positiveness
13% Popularity • 79% Danceability • 53% Energy • 12% Liveness
93% Instrumentalness • 79% Positiveness
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Les Baxter
Take It From Me
95 bpm • D min • 02:11 • -6.35db
9% Popularity • 40% Danceability • 65% Energy • 36% Liveness
97% Instrumentalness • 55% Positiveness
9% Popularity • 40% Danceability • 65% Energy • 36% Liveness
97% Instrumentalness • 55% Positiveness
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Joy Unlimited
Homunkulus - Moderato Rock
95 bpm • A# min • 01:58 • -10.12db
0% Popularity • 65% Danceability • 69% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
0% Popularity • 65% Danceability • 69% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Golden Hands
Country Scenes
104 bpm • B min • 05:08 • -10.84db
11% Popularity • 78% Danceability • 48% Energy • 11% Liveness
12% Instrumentalness • 95% Positiveness
11% Popularity • 78% Danceability • 48% Energy • 11% Liveness
12% Instrumentalness • 95% Positiveness
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Giuliano Sorgini
Wandering man
104 bpm • D min • 03:11 • -20.05db
13% Popularity • 82% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 82% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Orville Dunlop
Wrinkled Skin
104 bpm • F# Maj • 03:47 • -15.85db
26% Popularity • 54% Danceability • 52% Energy • 58% Liveness
87% Instrumentalness • 82% Positiveness
26% Popularity • 54% Danceability • 52% Energy • 58% Liveness
87% Instrumentalness • 82% Positiveness
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Gianni Ferrio
La gabbia
104 bpm • E Maj • 02:10 • -21.21db
9% Popularity • 72% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 49% Positiveness
9% Popularity • 72% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 49% Positiveness
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Bruno Nicolai
Allora, Il Treno
94 bpm • C Maj • 03:31 • -8.37db
8% Popularity • 44% Danceability • 83% Energy • 7% Liveness
18% Instrumentalness • 68% Positiveness
8% Popularity • 44% Danceability • 83% Energy • 7% Liveness
18% Instrumentalness • 68% Positiveness
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Janko Nilovic
Ballet dans l'espace - Remastered
95 bpm • A Maj • 03:05 • -5.12db
16% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
16% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
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Julie Driscoll
Why (Am I Treated So Bad)
94 bpm • A# min • 03:33 • -7.79db
11% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Pierre Cavalli
Transmissão Mutàvel
104 bpm • E min • 02:32 • -14.33db
16% Popularity • 61% Danceability • 56% Energy • 16% Liveness
90% Instrumentalness • 58% Positiveness
16% Popularity • 61% Danceability • 56% Energy • 16% Liveness
90% Instrumentalness • 58% Positiveness
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Joy Unlimited
Parabolica - Fast Beat
104 bpm • D min • 02:21 • -11.46db
1% Popularity • 68% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 82% Positiveness
1% Popularity • 68% Danceability • 70% Energy • 11% Liveness
86% Instrumentalness • 82% Positiveness
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The Free Pop Electronic Concept
Chewing Gum Delirium
105 bpm • A Maj • 08:43 • -12.34db
7% Popularity • 48% Danceability • 78% Energy • 41% Liveness
36% Instrumentalness • 68% Positiveness
7% Popularity • 48% Danceability • 78% Energy • 41% Liveness
36% Instrumentalness • 68% Positiveness
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The Flavors
Binky
105 bpm • A min • 03:20 • -11.98db
9% Popularity • 68% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 88% Positiveness
9% Popularity • 68% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 88% Positiveness
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Melitop
For Once In My Life
105 bpm • F Maj • 02:48 • -16.4db
10% Popularity • 47% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 47% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Alberto Baldan Bembo
Cantata In Re
105 bpm • D min • 02:38 • -19.84db
8% Popularity • 60% Danceability • 18% Energy • 8% Liveness
79% Instrumentalness • 76% Positiveness
8% Popularity • 60% Danceability • 18% Energy • 8% Liveness
79% Instrumentalness • 76% Positiveness
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Hunger
Open Your Eyes
105 bpm • D# Maj • 03:46 • -9.35db
8% Popularity • 50% Danceability • 59% Energy • 5% Liveness
36% Instrumentalness • 76% Positiveness
8% Popularity • 50% Danceability • 59% Energy • 5% Liveness
36% Instrumentalness • 76% Positiveness
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台視大樂隊
為我男人的愛
93 bpm • D min • 03:49 • -13.56db
16% Popularity • 44% Danceability • 52% Energy • 22% Liveness
85% Instrumentalness • 54% Positiveness
16% Popularity • 44% Danceability • 52% Energy • 22% Liveness
85% Instrumentalness • 54% Positiveness
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Pete Moore
Street Groove
105 bpm • D Maj • 03:01 • -8.09db
8% Popularity • 50% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 91% Positiveness
8% Popularity • 50% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 91% Positiveness
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F-uki
Ha Ha
105 bpm • G Maj • 02:16 • -11.44db
18% Popularity • 84% Danceability • 59% Energy • 6% Liveness
60% Instrumentalness • 83% Positiveness
18% Popularity • 84% Danceability • 59% Energy • 6% Liveness
60% Instrumentalness • 83% Positiveness
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Odyssey
Home Of The Brave
105 bpm • A Maj • 03:33 • -7.03db
8% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Jacques Loussier
Ballade Dans Paris La Nuit
93 bpm • C Maj • 03:22 • -8.62db
23% Popularity • 46% Danceability • 79% Energy • 11% Liveness
64% Instrumentalness • 33% Positiveness
23% Popularity • 46% Danceability • 79% Energy • 11% Liveness
64% Instrumentalness • 33% Positiveness
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Pierre Cavalli
Caçador
93 bpm • C Maj • 02:33 • -12.1db
14% Popularity • 59% Danceability • 69% Energy • 69% Liveness
50% Instrumentalness • 82% Positiveness
14% Popularity • 59% Danceability • 69% Energy • 69% Liveness
50% Instrumentalness • 82% Positiveness
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The Flavors
Fred's Potatoes
105 bpm • G Maj • 04:38 • -14.33db
7% Popularity • 75% Danceability • 56% Energy • 16% Liveness
88% Instrumentalness • 86% Positiveness
7% Popularity • 75% Danceability • 56% Energy • 16% Liveness
88% Instrumentalness • 86% Positiveness
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Joy Unlimited
Jamara - Latin Beat
105 bpm • A# min • 02:54 • -10.25db
2% Popularity • 68% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
2% Popularity • 68% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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I Marc 4
Peroche
105 bpm • D# Maj • 02:50 • -15.34db
15% Popularity • 83% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 67% Positiveness
15% Popularity • 83% Danceability • 29% Energy • 11% Liveness
81% Instrumentalness • 67% Positiveness
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Barry Morgan
Light (6)
93 bpm • G Maj • 02:41 • -20db
22% Popularity • 64% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
22% Popularity • 64% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Jacques Loussier
Clara'E Jerk
105 bpm • A# Maj • 02:35 • -8.58db
23% Popularity • 59% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 82% Positiveness
23% Popularity • 59% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 82% Positiveness
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Brian Auger's Oblivion Express
Bumpin' On Sunset (Karma's Sunset Edit)
93 bpm • A# Maj • 08:51 • -8.73db
17% Popularity • 61% Danceability • 50% Energy • 57% Liveness
42% Instrumentalness • 41% Positiveness
17% Popularity • 61% Danceability • 50% Energy • 57% Liveness
42% Instrumentalness • 41% Positiveness
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Alan Moorhouse
West Coastin
93 bpm • E min • 02:30 • -9.41db
11% Popularity • 48% Danceability • 66% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
11% Popularity • 48% Danceability • 66% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
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Roger Webb
Heavy Lace
92 bpm • A Maj • 01:31 • -13.01db
17% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
