Songs like Lamentations Ieremiae Prophetae: Ierusalem by Alonso Lobo
Based on a tempo of (+/- 10%) and a similar genre
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Rebecca Dale
Night Seasons: II. When It's Darkest, A ...
92 bpm • A# Maj • 06:02 • -18.48db
13% Popularity • 15% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Anton Bruckner
Afferentur regi, WAB 1
92 bpm • F Maj • 01:35 • -28db
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
92 bpm • C Maj • 03:04 • -20.14db
18% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Ierusal...
92 bpm • B min • 03:13 • -30db
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Paul Mealor
She Walks In Beauty
92 bpm • G Maj • 04:47 • -25db
17% Popularity • 11% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 3% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Verily, Verily I Say Unto You
91 bpm • G# min • 01:41 • -23.66db
25% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
12% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Zoltán Kodály
Esti Dal
91 bpm • A# Maj • 03:08 • -31.28db
20% Popularity • 10% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Gretchaninov
Now the Powers of Heaven
91 bpm • C# Maj • 05:40 • -27db
18% Popularity • 10% Danceability • 3% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 3% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
12% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Hildegard von Bingen
Antiphon "O rubor sanguinis"
94 bpm • A# min • 01:38 • -26.33db
17% Popularity • 24% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
9% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
18% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Will Todd
No More Sorrow
90 bpm • F# Maj • 05:12 • -20.23db
10% Popularity • 20% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rebecca Dale
Night Seasons: I. Nox Perpetua
95 bpm • G min • 08:14 • -19.22db
15% Popularity • 12% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 11. Tunc Acceptabis
89 bpm • G min • 01:23 • -24.95db
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 21% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
89 bpm • A min • 06:02 • -31.53db
9% Popularity • 10% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Hubert Parry
Songs of Farewell: At the Round Earth’...
95 bpm • D Maj • 07:26 • -27.03db
14% Popularity • 12% Danceability • 5% Energy • 12% Liveness
28% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 5% Energy • 12% Liveness
28% Instrumentalness • 4% Positiveness
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John Ireland
Ex ore innocentium
89 bpm • D# Maj • 04:05 • -21db
16% Popularity • 19% Danceability • 14% Energy • 11% Liveness
41% Instrumentalness • 3% Positiveness
16% Popularity • 19% Danceability • 14% Energy • 11% Liveness
41% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Hymnus: Ave maris stella
89 bpm • D Maj • 09:17 • -24.32db
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Tallis: Salvator Mundi, Salva Nos I
95 bpm • E Maj • 02:20 • -21.68db
26% Popularity • 19% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Frank Martin
Mass for Double Choir: II. Gloria
88 bpm • C Maj • 05:28 • -25db
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Preserve, O Lord, for Many Years, Op. 79
96 bpm • C Maj • 01:04 • -14db
16% Popularity • 19% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 19% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
89 bpm • D# min • 04:25 • -25.81db
14% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
88 bpm • G# Maj • 02:19 • -25.25db
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Paul Mealor
Stabat Mater: Movement 3
96 bpm • F min • 04:30 • -17.49db
10% Popularity • 35% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 32% Positiveness
10% Popularity • 35% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 32% Positiveness
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Felix Mendelssohn
Psalm 100, "Jauchzet dem Herrn, all Welt...
88 bpm • F Maj • 04:26 • -22.22db
12% Popularity • 15% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
12% Popularity • 15% Danceability • 12% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
27% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: In Paradisum
88 bpm • D Maj • 03:35 • -32.17db
35% Popularity • 17% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Iod I
88 bpm • B min • 01:24 • -25.37db
13% Popularity • 17% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
32% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Our Father
87 bpm • F min • 03:53 • -32.21db
11% Popularity • 16% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Hubert Parry
Music, When Soft Voices Die
87 bpm • E Maj • 02:14 • -26db
10% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae II: Heth...
96 bpm • C# min • 00:40 • -29.06db
12% Popularity • 19% Danceability • 5% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: X. Agnus Dei
87 bpm • F# Maj • 03:27 • -28db
24% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
10% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
30% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
30% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Responsories for Maundy Thursday Nocturn...
86 bpm • G min • 03:30 • -22.94db
13% Popularity • 16% Danceability • 10% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Francisco Guerrero
Maria Magdalene
86 bpm • A Maj • 08:20 • -21.25db
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: Pars me...
85 bpm • B min • 00:52 • -26db
13% Popularity • 14% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
18% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Hieromonk, Jonathan
Plotiyu usnuv (In the flesh Thou didst f...
85 bpm • A min • 03:05 • -37db
15% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
99 bpm • F Maj • 02:47 • -20db
10% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Os Justi, WAB 30
85 bpm • C Maj • 05:05 • -21db
24% Popularity • 10% Danceability • 8% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 8% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: Teth I
85 bpm • D Maj • 00:36 • -24.85db
12% Popularity • 18% Danceability • 9% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 9% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
23% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
23% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
► Preview
Claudio Monteverdi
Quarto libro de madrigali: Io me son gio...
85 bpm • A# Maj • 02:14 • -23.78db
13% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Francisco Guerrero
Virgo prudentissima
85 bpm • A min • 03:14 • -20db
16% Popularity • 25% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Eric Whitacre
Three Songs of Faith: I. hope, faith, li...
84 bpm • A# Maj • 04:06 • -23.28db
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Thomas Weelkes
As Vesta was from Latmos hill descending
84 bpm • F Maj • 03:03 • -22db
12% Popularity • 20% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 20% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
The Cathedral Singers
O Bone Jesu
84 bpm • A# min • 01:39 • -19.1db
34% Popularity • 20% Danceability • 7% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 7% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Rebecca Dale
true love
84 bpm • G Maj • 07:10 • -19.97db
18% Popularity • 17% Danceability • 9% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 9% Energy • 9% Liveness
68% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
14% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
14% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
To Thee, O Victorious Leader
84 bpm • C Maj • 01:46 • -20db
8% Popularity • 14% Danceability • 21% Energy • 7% Liveness
5% Instrumentalness • 12% Positiveness
8% Popularity • 14% Danceability • 21% Energy • 7% Liveness
5% Instrumentalness • 12% Positiveness
► Preview
Claudio Monteverdi
Ch'io non t'ami, cor mio?
84 bpm • G min • 05:11 • -26db
9% Popularity • 10% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander L'Estrange
Prayers for Peace: Lighten our Darkness
84 bpm • E Maj • 01:40 • -33db
14% Popularity • 15% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
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Paul Mealor
Ubi Caritas
84 bpm • G# Maj • 03:55 • -27.72db
21% Popularity • 15% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
21% Popularity • 15% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 3% Positiveness
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James MacMillan
A Child's Prayer
84 bpm • E min • 04:19 • -28db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
37% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Allegri: Miserere - 11. Tunc acceptabis
84 bpm • G min • 01:15 • -24.39db
20% Popularity • 23% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Quel augellin che canta
83 bpm • A# Maj • 02:06 • -23.74db
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 15% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Tomás Luis de Victoria
Responsories for Maundy Thursday Nocturn...
83 bpm • G min • 02:24 • -24.19db
15% Popularity • 11% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 7% Energy • 10% Liveness
15% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Blessed is the Man
83 bpm • D min • 05:37 • -31.3db
11% Popularity • 8% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Schaffe in mir, Gott, ein rein Herz, Op....
83 bpm • G Maj • 06:22 • -23.95db
10% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 11% Energy • 13% Liveness
2% Instrumentalness • 6% Positiveness
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Paul Mealor
Stabat Mater: Movement 4
83 bpm • D# Maj • 05:44 • -19.02db
10% Popularity • 11% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Richard Rodney Bennett
A Good-Night
83 bpm • F min • 02:58 • -34.97db
12% Popularity • 16% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Come, Let Us Worship
102 bpm • C Maj • 02:07 • -22.77db
11% Popularity • 15% Danceability • 7% Energy • 22% Liveness
78% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 7% Energy • 22% Liveness
78% Instrumentalness • 6% Positiveness
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Johannes Brahms
Drei motetten, Op. 110: I. Ich aber bin ...
83 bpm • G Maj • 03:37 • -20.57db
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Paul Mealor
Now Sleeps The Crimson Petal (Four Madri...
83 bpm • F# Maj • 03:17 • -31db
39% Popularity • 16% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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Edward Elgar
They Are at Rest
83 bpm • B min • 03:39 • -35.49db
11% Popularity • 13% Danceability • 1% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 1% Energy • 19% Liveness
82% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Bless the Lord, My Soul
83 bpm • G Maj • 02:25 • -28.38db
23% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
23% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
30% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
20% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness