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Lamplight
Songs like
Lamplight
by
Del Water Gap
Based on a tempo of (+/- 10%) and a similar genre
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Del Water Gap
Lamplight
141 bpm • B Maj • 04:23 • -8db
39% Popularity • 64% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 69% Positiveness
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The Takes
River Stones
141 bpm • F Maj • 04:35 • -6.46db
33% Popularity • 33% Danceability • 67% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Arcy Drive
Smoke & Fire (Live)
141 bpm • G# Maj • 03:12 • -5.3db
40% Popularity • 30% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Backseat Lovers
Words I Used
141 bpm • D# Maj • 05:23 • -12db
50% Popularity • 43% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Caamp
Ohio
140 bpm • C Maj • 02:18 • -7.87db
45% Popularity • 48% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Racoma
Untitled
140 bpm • D# Maj • 02:06 • -6.42db
43% Popularity • 32% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Del Water Gap
I Hope You Understand
141 bpm • E Maj • 03:09 • -6.27db
34% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Arlie
didya think
140 bpm • E Maj • 03:20 • -2.97db
58% Popularity • 47% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 71% Positiveness
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Prince of Eden
Shadesandcolors
140 bpm • F# Maj • 03:51 • -11.32db
23% Popularity • 52% Danceability • 57% Energy • 8% Liveness
17% Instrumentalness • 27% Positiveness
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HARBOUR
Judy You Hung the Moon
140 bpm • F# min • 03:30 • -7.7db
53% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Duncan Fellows
New Skin
140 bpm • G Maj • 03:59 • -13.85db
19% Popularity • 70% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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The Brook & The Bluff
Rush
140 bpm • C min • 04:12 • -6.54db
40% Popularity • 60% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Del Water Gap
Vanessa
142 bpm • G# Maj • 04:08 • -5.07db
30% Popularity • 47% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Racoma
Fucked Up
140 bpm • D Maj • 03:19 • -8.21db
33% Popularity • 24% Danceability • 35% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
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Hans Williams
Willows
140 bpm • C Maj • 03:41 • -8.3db
57% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Stelth Ulvang
Denim
143 bpm • E Maj • 02:46 • -11.14db
31% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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The Brazen Youth
Emma
144 bpm • D Maj • 03:49 • -11.52db
31% Popularity • 51% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Moon Taxi
Rooftops
144 bpm • A Maj • 03:49 • -9.22db
33% Popularity • 66% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Del Water Gap
Chastain - live in Fresno
138 bpm • F Maj • 03:46 • -10.6db
16% Popularity • 46% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Lord Huron
Hurricane (Johnnie's Theme)
144 bpm • G Maj • 02:46 • -4.99db
39% Popularity • 59% Danceability • 81% Energy • 27% Liveness
4% Instrumentalness • 75% Positiveness
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Racoma
Country
140 bpm • B Maj • 03:07 • -7.15db
61% Popularity • 52% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
46% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Krooked Kings
Coming of Age
144 bpm • A Maj • 03:36 • -7.05db
48% Popularity • 63% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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WATSON
Sophia
138 bpm • D Maj • 02:29 • -4.13db
21% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Ezra Bell
Fluoridated Water
144 bpm • G Maj • 02:38 • -8.88db
25% Popularity • 61% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Peter McPoland
Lady Bird
138 bpm • A Maj • 04:01 • -7.87db
36% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Stelth Ulvang
Mornings
138 bpm • F Maj • 03:37 • -12.89db
26% Popularity • 30% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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HARBOUR
Float
145 bpm • B Maj • 04:31 • -6.33db
58% Popularity • 56% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Oliver Hazard
Summertime Whiskey
138 bpm • E Maj • 02:59 • -9.62db
32% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
50% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Arlie
barcelona boots
145 bpm • A# min • 03:47 • -4db
44% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bendigo Fletcher
Sugar in the Creek
145 bpm • B Maj • 04:11 • -7.84db
50% Popularity • 32% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Prince of Eden
Always
145 bpm • D Maj • 03:10 • -12.33db
17% Popularity • 46% Danceability • 54% Energy • 11% Liveness
46% Instrumentalness • 58% Positiveness
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HARBOUR
Fish Tank
145 bpm • E Maj • 03:41 • -5db
49% Popularity • 38% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Wormy
Big Mountain
137 bpm • C Maj • 04:47 • -9.22db
36% Popularity • 54% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Tyler Sjöström
Holding On
137 bpm • A Maj • 03:06 • -8.58db
27% Popularity • 73% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Trudy and the Romance
Angel
137 bpm • E Maj • 04:02 • -5.58db
32% Popularity • 48% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Bendigo Fletcher
AMF
146 bpm • D Maj • 04:57 • -11.24db
21% Popularity • 34% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Sure Sure
Warm Animal (Acoustic)
146 bpm • F Maj • 03:00 • -9db
38% Popularity • 68% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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HARBOUR
Thoughts on Letting Go
145 bpm • B Maj • 02:00 • -9db
34% Popularity • 38% Danceability • 49% Energy • 35% Liveness
11% Instrumentalness • 24% Positiveness
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Golden Boy
Mistaken for Granite
146 bpm • G Maj • 03:25 • -5.96db
21% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Del Water Gap
Let's Pretend
136 bpm • F Maj • 03:56 • -3.93db
38% Popularity • 52% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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George Taylor
I Hear Your Song, Sweetness
136 bpm • C min • 03:53 • -10.5db
35% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tyson Motsenbocker
Can't Come Home Again
136 bpm • A Maj • 04:23 • -9.46db
26% Popularity • 63% Danceability • 57% Energy • 13% Liveness
26% Instrumentalness • 39% Positiveness
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Glass House Point
Creatures
147 bpm • G Maj • 04:42 • -7db
25% Popularity • 53% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Bendigo Fletcher
Birding
147 bpm • F# min • 03:40 • -8.4db
30% Popularity • 46% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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hey, nothing
Too Drunk to Drive
135 bpm • E Maj • 03:32 • -7.2db
46% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
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Sara Keden
Everybody
135 bpm • A Maj • 04:43 • -6.79db
24% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Del Water Gap
Don't Let Me
135 bpm • A min • 04:28 • -8.78db
29% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Racoma
Get On
135 bpm • E Maj • 03:17 • -7.49db
55% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Whitney
Dave's Song - Demo
135 bpm • C# Maj • 03:11 • -11.59db
27% Popularity • 64% Danceability • 46% Energy • 20% Liveness
17% Instrumentalness • 32% Positiveness
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Bird and Byron
Where'd All the Time Go
147 bpm • E Maj • 04:01 • -4db
43% Popularity • 50% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Vista Kicks
Chasing Waves
148 bpm • G# Maj • 05:37 • -5.76db
41% Popularity • 38% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Phillip LaRue
Summer
148 bpm • C# min • 03:52 • -10.99db
46% Popularity • 68% Danceability • 54% Energy • 12% Liveness
28% Instrumentalness • 32% Positiveness
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Del Water Gap
Complicated - Spotify Singles
148 bpm • C# Maj • 03:58 • -6.11db
32% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Porch Music
Canyon Road
134 bpm • C# min • 03:58 • -11.29db
23% Popularity • 56% Danceability • 53% Energy • 17% Liveness
92% Instrumentalness • 66% Positiveness
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Caamp
See the World
134 bpm • C# Maj • 02:18 • -10.34db
60% Popularity • 42% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 40% Positiveness
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Arcy Drive
They Don't Dance
149 bpm • A min • 03:54 • -6.88db
38% Popularity • 25% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Burchfield
The Last of the Honey Bees
134 bpm • F# Maj • 03:50 • -6.93db
56% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Oliver Hazard
Fly Right
133 bpm • D# Maj • 03:21 • -15.18db
33% Popularity • 67% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Del Water Gap
Coping on Unemployment
134 bpm • B Maj • 03:48 • -7.17db
45% Popularity • 58% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Ritt Momney
Sunny Boy
133 bpm • C Maj • 03:43 • -8db
34% Popularity • 72% Danceability • 61% Energy • 11% Liveness
23% Instrumentalness • 43% Positiveness
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Joe P
Leaves
133 bpm • F# Maj • 04:03 • -7db
40% Popularity • 44% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Briston Maroney
Caroline
150 bpm • G Maj • 03:25 • -10.64db
59% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Ghost of Paul Revere
Montreal
150 bpm • C# Maj • 03:46 • -7db
42% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Oliver Hazard
Fly Right
133 bpm • A# Maj • 03:23 • -9.37db
36% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Del Water Gap
Don't Read the Mirror
133 bpm • D# Maj • 02:44 • -4.59db
27% Popularity • 51% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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HARBOUR
I Can't Stand It
150 bpm • E Maj • 04:20 • -5.8db
32% Popularity • 36% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sarah and the Sundays
Vices
150 bpm • C min • 04:35 • -6.66db
48% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Racoma
Outside (For Now)
150 bpm • E min • 03:27 • -7.93db
32% Popularity • 41% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 16% Positiveness
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Joe Kaplow
Allison
133 bpm • F Maj • 05:02 • -11.45db
27% Popularity • 64% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Ethan Tasch
Wherever I Am
150 bpm • C Maj • 03:28 • -9.63db
37% Popularity • 60% Danceability • 59% Energy • 17% Liveness
23% Instrumentalness • 54% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Elliot Root
Punks and Poets
150 bpm • C Maj • 04:03 • -11.59db
36% Popularity • 58% Danceability • 49% Energy • 12% Liveness
3% Instrumentalness • 29% Positiveness
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Welcome Stranger
Half a Man
150 bpm • B Maj • 04:11 • -7.71db
32% Popularity • 49% Danceability • 78% Energy • 13% Liveness
1% Instrumentalness • 18% Positiveness
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The Districts
Sing Me Sweetly
132 bpm • B min • 02:47 • -14.8db
26% Popularity • 60% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Lumineers
Where The Skies Are Blue
132 bpm • A Maj • 02:20 • -6.58db
63% Popularity • 57% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Gregory Alan Isakov
Saint Valentine
132 bpm • D# Maj • 03:23 • -11db
56% Popularity • 54% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Great Caesar
Jolene
132 bpm • D Maj • 04:12 • -7db
31% Popularity • 59% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Melchor
Joyride
132 bpm • A Maj • 03:32 • -7db
49% Popularity • 52% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Ezra Bell
The Pride of N. Sumner
152 bpm • D Maj • 02:10 • -10db
35% Popularity • 63% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Racoma
Howl
131 bpm • D Maj • 02:44 • -8.37db
52% Popularity • 48% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Iron Eyes Cody
The Distance
152 bpm • A# Maj • 03:52 • -6db
34% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Good Old War
Every Morning
152 bpm • G Maj • 03:00 • -6db
32% Popularity • 57% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Vacation Manor
Fading
152 bpm • A Maj • 03:22 • -5db
47% Popularity • 50% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Bendigo Fletcher
Wonderfully Bizarre
131 bpm • E Maj • 05:20 • -10.5db
39% Popularity • 60% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Gregory Alan Isakov
Dark, Dark, Dark
130 bpm • D Maj • 02:59 • -8.19db
63% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Racoma
Tides High
131 bpm • C Maj • 02:23 • -4.07db
47% Popularity • 56% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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The Brazen Youth
Center of Gravity
130 bpm • C# min • 05:27 • -12.14db
47% Popularity • 52% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Lord Huron
Louisa
130 bpm • D Maj • 03:09 • -6.03db
40% Popularity • 64% Danceability • 80% Energy • 26% Liveness
56% Instrumentalness • 69% Positiveness
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Quiet Hounds
Time Gone
130 bpm • A Maj • 02:08 • -6.46db
30% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Joe P
All Day I Dream About
130 bpm • B Maj • 03:20 • -7.71db
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rainbow Kitten Surprise
Shameful Company
130 bpm • C Maj • 03:41 • -12.36db
46% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Backseat Lovers
Maple Syrup
153 bpm • D Maj • 04:03 • -9.7db
71% Popularity • 54% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 38% Positiveness
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Del Water Gap
All We Ever Do Is Talk
153 bpm • D Maj • 03:46 • -5.49db
60% Popularity • 47% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Arlie
too long
130 bpm • C Maj • 03:46 • -4db
35% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Night Cap
Everest
130 bpm • E Maj • 04:46 • -11.9db
37% Popularity • 59% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Joe P
Going to California
130 bpm • G Maj • 04:04 • -11.31db
34% Popularity • 32% Danceability • 35% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
62% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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