Songs like Last Chance by Emily Kinney
Based on a tempo of (+/- 10%) and a similar genre
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Emily Kinney
Last Chance
120 bpm • A Maj • 03:17 • -4.56db
8% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Florence + The Machine
My Boy Builds Coffins - Acoustic
120 bpm • F Maj • 02:50 • -11.16db
31% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 50% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Jillette Johnson
True North
120 bpm • C# Maj • 03:29 • -9.42db
12% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Eliza Noxon
Forget to Forget
120 bpm • C Maj • 03:36 • -11.24db
13% Popularity • 74% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 74% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Gabrielle Christian
Fantasy Crush
120 bpm • G Maj • 03:34 • -6.35db
12% Popularity • 73% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 73% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Kyler England
We Rise Like Smoke
120 bpm • G Maj • 02:47 • -8db
17% Popularity • 63% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 63% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Emily Kinney
Walkin' Round Your Dreams
120 bpm • B Maj • 03:07 • -10.33db
23% Popularity • 83% Danceability • 48% Energy • 8% Liveness
3% Instrumentalness • 66% Positiveness
23% Popularity • 83% Danceability • 48% Energy • 8% Liveness
3% Instrumentalness • 66% Positiveness
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Peter Panic
House At the End of the Street
120 bpm • E min • 04:26 • -8.96db
7% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 56% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Zolita
Explosion
120 bpm • F Maj • 03:30 • -15db
30% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Mary Lambert
Sing To Me
120 bpm • F Maj • 03:53 • -14.53db
11% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 49% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Rescues
My Heart With You
120 bpm • C# Maj • 04:24 • -15.98db
32% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 40% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Vanessa Carlton
Willows
119 bpm • A Maj • 02:53 • -10.01db
4% Popularity • 52% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
4% Popularity • 52% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Emily Kinney
Drunk and Lost
120 bpm • C# min • 04:04 • -7.02db
14% Popularity • 66% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
14% Popularity • 66% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Jill Andrews
I'm Not OK
121 bpm • D Maj • 04:36 • -7.41db
15% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Zella Day
The Outlaw Josey Wales
121 bpm • B Maj • 03:08 • -5.38db
35% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 56% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Butterfly Boucher
Scary Fragile
119 bpm • E Maj • 03:04 • -11db
15% Popularity • 74% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 74% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Rosi Golan
Can't Go Back
119 bpm • D# Maj • 03:47 • -11db
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 56% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Unkle Bob
Swans (Extended Version)
118 bpm • B min • 04:07 • -5.61db
18% Popularity • 49% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
18% Popularity • 49% Danceability • 67% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Emily Kinney
Omaha Hotel
120 bpm • B Maj • 03:24 • -11.54db
19% Popularity • 67% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 67% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Sophia Anne Caruso
Toys
122 bpm • F min • 03:13 • -12db
21% Popularity • 42% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 42% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Jess Godwin
Fool Me Once (2015)
118 bpm • A min • 03:59 • -14.14db
27% Popularity • 57% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 57% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jillette Johnson
Bunny
122 bpm • C Maj • 04:01 • -12.26db
8% Popularity • 45% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 45% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Jam in the Van
B or C for Effort - Live
118 bpm • A# Maj • 03:18 • -8.59db
8% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 69% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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SIØBHAN
The Darkness
118 bpm • A# min • 03:36 • -7.35db
25% Popularity • 59% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 59% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Emily Kinney
Michael
118 bpm • C Maj • 02:52 • -6db
5% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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SHEL
The Wise Old Owl
118 bpm • G# Maj • 03:24 • -9.16db
11% Popularity • 77% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 77% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Brandi Carlile
100
122 bpm • C# Maj • 03:21 • -5.3db
31% Popularity • 74% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
31% Popularity • 74% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Ruth B.
I Was Married
118 bpm • C Maj • 01:34 • -11db
34% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Florence + The Machine
I'm Not Calling You A Liar
118 bpm • G Maj • 03:05 • -5.45db
47% Popularity • 58% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 58% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Vanessa Carlton
Nothing Where Something Used To Be
118 bpm • D Maj • 04:01 • -9.25db
1% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Emily Kinney
Mess
118 bpm • E Maj • 03:10 • -5.45db
7% Popularity • 74% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 74% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Fleurie
Fire in My Bones
118 bpm • A min • 03:35 • -10.57db
30% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 30% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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April Smith and the Great Picture Show
Beloved
117 bpm • E Maj • 03:38 • -15.02db
16% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 48% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Liz Lawrence
When I Was Younger
123 bpm • B Maj • 03:24 • -9.36db
38% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Mae Bowen
When You Were Young
117 bpm • D Maj • 03:49 • -6.06db
19% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 52% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Rachel Zegler
let me try
117 bpm • G Maj • 04:15 • -23.05db
38% Popularity • 52% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 52% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Kinney
Soda Glass
117 bpm • B Maj • 03:27 • -6.57db
15% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sleeping At Last
Bad Blood
117 bpm • E min • 04:54 • -9db
38% Popularity • 27% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 27% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Salome Hansom
Holy Cafe
117 bpm • G Maj • 02:35 • -6.76db
12% Popularity • 68% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 68% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Of Monsters and Men
Silhouettes
117 bpm • B min • 04:31 • -9.05db
49% Popularity • 49% Danceability • 59% Energy • 20% Liveness
40% Instrumentalness • 15% Positiveness
49% Popularity • 49% Danceability • 59% Energy • 20% Liveness
40% Instrumentalness • 15% Positiveness
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Christina Li
Disappear
117 bpm • F# min • 03:48 • -9.77db
22% Popularity • 39% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 39% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 22% Positiveness
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Allison's Invention
Ran
116 bpm • F# min • 03:45 • -11.81db
12% Popularity • 51% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
12% Popularity • 51% Danceability • 34% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
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Emily Kinney
Boy Band Hero
123 bpm • C# Maj • 03:35 • -6.82db
15% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Debbie Neigher
Wishbone
123 bpm • D# Maj • 03:51 • -15.92db
22% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kate Nash
Space Odyssey 2001
124 bpm • D Maj • 04:53 • -5.99db
8% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jam in the Van
Easy - Live Session, Los Angeles, CA, 20...
116 bpm • F Maj • 02:44 • -7.75db
5% Popularity • 64% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 64% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Low Anthem
Lover Is Childlike
124 bpm • D Maj • 04:15 • -14.86db
29% Popularity • 56% Danceability • 30% Energy • 11% Liveness
16% Instrumentalness • 30% Positiveness
29% Popularity • 56% Danceability • 30% Energy • 11% Liveness
16% Instrumentalness • 30% Positiveness
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Eliza Rickman
Bright Star
124 bpm • G min • 04:06 • -6.96db
8% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Emily Kinney
Holding Your Hand in Nashville
123 bpm • B Maj • 03:33 • -5.59db
10% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lili Roquelin
Rise Above
124 bpm • F Maj • 04:44 • -7.28db
15% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
15% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Emily Keener
Lilac Wine - The Voice Performance
116 bpm • A Maj • 02:37 • -6.64db
14% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jam in the Van
Reasons to Stay Alive - Live
116 bpm • B Maj • 03:53 • -9.48db
7% Popularity • 54% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 54% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Dia Frampton
Inventing Shadows - The Voice Performanc...
124 bpm • B Maj • 03:33 • -6.27db
16% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Natalia Kills
Outta Time
124 bpm • G# Maj • 03:42 • -6db
23% Popularity • 65% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 65% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Garrison Starr
Sit With Me Tonight
124 bpm • A# Maj • 02:41 • -18.98db
16% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Killola
Traffic
124 bpm • C Maj • 02:49 • -8.22db
10% Popularity • 61% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 61% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Delta Rae
Chasing Twisters
116 bpm • C# Maj • 03:21 • -6db
28% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 60% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Goss
Breath and Sound
116 bpm • D Maj • 03:38 • -12.52db
12% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 62% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jill Andrews
Back Home
116 bpm • D Maj • 05:56 • -13.14db
12% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Karmina
Prove
116 bpm • F# Maj • 03:07 • -8.74db
10% Popularity • 38% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
10% Popularity • 38% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 24% Positiveness
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Greg Holden
Boys in the Street
115 bpm • C Maj • 04:14 • -14db
30% Popularity • 58% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 58% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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Quiet Arrows
You Are My Planet
125 bpm • C Maj • 03:01 • -11.08db
24% Popularity • 60% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 60% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Hannah Telle
More Like Her
125 bpm • E Maj • 03:07 • -11.81db
11% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Grace Potter & The Nocturnals
White Rabbit
115 bpm • D Maj • 03:21 • -6.46db
28% Popularity • 44% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 44% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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The Shoe
His Gorgeousness
125 bpm • D Maj • 03:35 • -10.99db
8% Popularity • 81% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 81% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Anna Graceman
Green and Gold (Graceman Band Version)
125 bpm • C# Maj • 04:03 • -5.7db
8% Popularity • 65% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 65% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Emily Kinney
Mortal
125 bpm • F Maj • 03:46 • -5.98db
17% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 78% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Stephanie Mabey
Unstoppable
125 bpm • E min • 03:41 • -7.07db
9% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Catey Shaw
Night Go Slow
125 bpm • D Maj • 03:19 • -10.12db
30% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 64% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Paget
Drove To The Ocean
115 bpm • C# Maj • 02:56 • -13.28db
31% Popularity • 67% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 27% Positiveness
31% Popularity • 67% Danceability • 30% Energy • 12% Liveness
16% Instrumentalness • 27% Positiveness
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Claire Guerreso
Hide and Seek
115 bpm • E min • 02:55 • -9.01db
27% Popularity • 61% Danceability • 56% Energy • 16% Liveness
29% Instrumentalness • 31% Positiveness
27% Popularity • 61% Danceability • 56% Energy • 16% Liveness
29% Instrumentalness • 31% Positiveness
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Bearcat
Crazy Fishes
115 bpm • F Maj • 03:21 • -4.76db
8% Popularity • 64% Danceability • 86% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 64% Danceability • 86% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
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Jaymay
Corduroy
125 bpm • C Maj • 03:27 • -14.21db
14% Popularity • 62% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 62% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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April Smith and the Great Picture Show
Stop Wondering
115 bpm • D Maj • 02:12 • -11.32db
24% Popularity • 56% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 56% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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PHILDEL
Beside You
126 bpm • A min • 03:30 • -11.3db
35% Popularity • 74% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 74% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jam in the Van
When the Midnight Fireworks Start - Live...
126 bpm • B Maj • 03:17 • -7.63db
3% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Allison Gray
Off My Mind
126 bpm • A# min • 04:17 • -6.36db
28% Popularity • 66% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 66% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Hannah Telle
Obstacles
126 bpm • D# Maj • 03:23 • -17.95db
25% Popularity • 61% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
25% Popularity • 61% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Jim Camacho
I Don't Need You Anymore
114 bpm • G Maj • 02:57 • -14.9db
12% Popularity • 57% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 57% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Emily Kinney
Death by a Picture on a Phone
114 bpm • D Maj • 02:54 • -8.04db
18% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 76% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Bird Call
The Animals Know
127 bpm • A# Maj • 04:02 • -14.78db
11% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Nerina Pallot
Hold Tight
114 bpm • C Maj • 04:22 • -7.61db
8% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Jayme Dee
Rules
114 bpm • G Maj • 03:27 • -13.86db
32% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Rosi Golan
Shine
127 bpm • D# Maj • 02:55 • -7.92db
10% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 65% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ruelle
Closing In
128 bpm • C Maj • 02:56 • -10.7db
33% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Emily Kinney
Reasons to Stay Alive
128 bpm • B Maj • 03:29 • -9.95db
16% Popularity • 70% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 70% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Good Mad
Bird in Another Tree
128 bpm • E Maj • 03:29 • -8.16db
13% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jill Andrews
Here Now
128 bpm • C# Maj • 04:11 • -9.2db
14% Popularity • 60% Danceability • 49% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
14% Popularity • 60% Danceability • 49% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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Lili Roquelin
Feel Good
128 bpm • B Maj • 03:25 • -6.27db
15% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 64% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Chely Wright
Like Me
112 bpm • G# Maj • 03:50 • -16.01db
13% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cactus Tree
Sunstone
112 bpm • C Maj • 03:43 • -12db
11% Popularity • 63% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 63% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Emily Kinney
Easy
128 bpm • F Maj • 02:27 • -11.43db
16% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jam in the Van
Walkin' Round Your Dreams - Live
112 bpm • B Maj • 03:09 • -10.94db
7% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jenny Owen Youngs
Here is a Heart
112 bpm • G Maj • 04:23 • -8db
29% Popularity • 56% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 30% Positiveness
29% Popularity • 56% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 30% Positiveness
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April Smith and the Great Picture Show
Bright White Jackets (Bonus)
129 bpm • D Maj • 04:34 • -6db
17% Popularity • 58% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 58% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Sharon Van Etten
Serpents (Basement)
112 bpm • A min • 04:08 • -6.26db
38% Popularity • 30% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 30% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Mary Lambert
The Machine
112 bpm • D Maj • 02:51 • -20.05db
9% Popularity • 59% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 59% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Emily Kinney
The Supporting Character
128 bpm • B Maj • 03:09 • -10.1db
14% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 57% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
