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Last Night's Lashes
Songs like
Last Night's Lashes
by
Pecos & the Rooftops
Based on a tempo of (+/- 10%) and a similar genre
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Pecos & the Rooftops
Last Night's Lashes
114 bpm • G# Maj • 03:25 • -6.57db
54% Popularity • 60% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Parker McCollum
I Can't Breathe
114 bpm • C Maj • 04:17 • -6.66db
64% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
66% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
73% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
55% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
65% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Pecos & the Rooftops
Conociste
113 bpm • G# min • 04:43 • -13db
44% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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William Clark Green
Still Think About You
115 bpm • A# Maj • 04:08 • -6.82db
45% Popularity • 60% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Parker McCollum
Young Man's Blues
114 bpm • G# Maj • 03:26 • -5db
62% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
75% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Pecos & the Rooftops
Time for Wine
116 bpm • C# Maj • 04:54 • -13.34db
25% Popularity • 50% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
69% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
72% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Seven Miles South
Texas Rain
117 bpm • E Maj • 03:31 • -6.91db
51% Popularity • 58% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Treaty Oak Revival
Ode To Bourbon
112 bpm • G Maj • 04:01 • -3db
69% Popularity • 37% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
86% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Wallen
Don't Think Jesus
117 bpm • D Maj • 03:45 • -6.81db
63% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Cody Jinks
David
117 bpm • B Maj • 04:42 • -7.69db
61% Popularity • 56% Danceability • 72% Energy • 7% Liveness
2% Instrumentalness • 55% Positiveness
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Turnpike Troubadours
Unrung
117 bpm • G Maj • 03:07 • -6.91db
57% Popularity • 61% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
60% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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William Clark Green
Ringling Road
117 bpm • B min • 04:08 • -5.15db
50% Popularity • 55% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Bingham
Southside Of Heaven
111 bpm • G Maj • 06:19 • -10.21db
63% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Zach Bryan
Heading South
110 bpm • E Maj • 02:51 • -14.11db
86% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kody West
Love Me Too
117 bpm • E Maj • 04:11 • -5.24db
45% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Logan Michael
Breaking Point (F U)
118 bpm • A# min • 02:47 • -5.51db
65% Popularity • 66% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Jinks
We Get By
118 bpm • D Maj • 03:54 • -6.1db
55% Popularity • 55% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Arlo McKinley
This Damn Town
110 bpm • G Maj • 03:13 • -10db
50% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Gavin Adcock
Deep End
118 bpm • C# Maj • 02:46 • -4.64db
68% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
67% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
73% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Pecos & the Rooftops
Leave Me Lonely
118 bpm • G# Maj • 04:31 • -11.89db
48% Popularity • 57% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Cody Jinks
I'm Not the Devil
118 bpm • C# Maj • 03:35 • -7.58db
52% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Zach Bryan
The Good I'll Do
118 bpm • A# Maj • 03:31 • -8db
74% Popularity • 43% Danceability • 22% Energy • 46% Liveness
0% Instrumentalness • 19% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
76% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Parker McCollum
Misunderstood
110 bpm • C Maj • 03:21 • -7.3db
52% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Pecos & the Rooftops
Kill a Man
110 bpm • F# Maj • 05:19 • -13db
46% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cameron Sacky Band
Bittersweet Babe
118 bpm • D# Maj • 02:24 • -20db
52% Popularity • 68% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Midland
Sunrise Tells The Story
110 bpm • C Maj • 03:27 • -8db
52% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Zach Bryan
From Austin
110 bpm • C Maj • 03:27 • -8db
79% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Rogers Band
Buy Myself A Chance
110 bpm • E Maj • 03:41 • -5.38db
54% Popularity • 73% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Pecos & the Rooftops
Happy
110 bpm • G# Maj • 02:52 • -3.68db
41% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Whiskey Myers
John Wayne
109 bpm • F# min • 04:55 • -6db
52% Popularity • 64% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Kenny Feidler
Cowboy Shit
119 bpm • G Maj • 03:32 • -2.87db
49% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Braxton Keith
A Little Bit Closer
109 bpm • F Maj • 03:27 • -5db
49% Popularity • 61% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Zach Bryan
Jamie
119 bpm • E min • 03:40 • -8db
68% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
62% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Pecos & the Rooftops
Wouldn't Have to Miss You
110 bpm • F min • 04:27 • -12db
55% Popularity • 43% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Upchurch
Holler Boys
120 bpm • C# Maj • 03:31 • -7.72db
64% Popularity • 67% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
67% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Meloy
You Here Tonight
120 bpm • G Maj • 03:34 • -8.4db
69% Popularity • 68% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Randy Rogers Band
Kiss Me In The Dark
108 bpm • A# Maj • 03:48 • -6db
55% Popularity • 55% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
73% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Pecos & the Rooftops
Lonely With You
120 bpm • F min • 04:07 • -13db
43% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Koe Wetzel
YellaBush Road
120 bpm • D Maj • 05:06 • -7db
55% Popularity • 53% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Cody Johnson
Dirt Cheap
120 bpm • C# Maj • 03:59 • -5.89db
75% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Muscadine Bloodline
Enemy
120 bpm • C# Maj • 03:26 • -8.3db
51% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Wade Forster
Cigarettes
120 bpm • E min • 02:40 • -6.12db
50% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Pecos & the Rooftops
Yesteryear
120 bpm • F# Maj • 04:18 • -11.18db
41% Popularity • 58% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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The Wilder Blue
Palomino Gold
108 bpm • C# Maj • 04:33 • -9.68db
53% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Cody Jinks
Ain't a Train
121 bpm • A# min • 03:05 • -3.51db
56% Popularity • 36% Danceability • 88% Energy • 27% Liveness
2% Instrumentalness • 40% Positiveness
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Ole 60
insane
121 bpm • B min • 04:14 • -13.89db
64% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jelly Roll
Halfway To Hell
107 bpm • D min • 02:58 • -5.38db
73% Popularity • 50% Danceability • 86% Energy • 95% Liveness
0% Instrumentalness • 44% Positiveness
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Logan Michael
Leave Me Alone
108 bpm • C Maj • 03:10 • -13.77db
56% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
73% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
71% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Colter Wall
Cowpoke
122 bpm • C Maj • 03:12 • -12.05db
70% Popularity • 48% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Oliver Anthony Music
Rich Men North of Richmond
122 bpm • A# Maj • 03:07 • -12.38db
82% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
81% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Kolby Cooper
Every Single Kiss
122 bpm • A# Maj • 03:26 • -3.79db
52% Popularity • 51% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
71% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Austin Snell
Excuse The Mess
122 bpm • A# min • 02:51 • -5.2db
58% Popularity • 59% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin Adcock
Sober
122 bpm • C# Maj • 03:13 • -10.33db
62% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Uncle Lucius
Keep The Wolves Away
122 bpm • C# min • 04:35 • -10.28db
72% Popularity • 68% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
73% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Tanner Usrey
Give It Some Time
123 bpm • F min • 03:22 • -5.29db
46% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
61% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Jinks
Cast No Stones
123 bpm • G# Maj • 05:16 • -7db
52% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Cole Barnhill
Don't Even Say Bye
123 bpm • G# Maj • 03:57 • -4.37db
48% Popularity • 56% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
73% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
69% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Sam Williams
Weatherman
124 bpm • A Maj • 03:34 • -5.24db
49% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin Adcock
I Know A Good Time
124 bpm • G# Maj • 03:04 • -4.51db
53% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
64% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Koe Wetzel
Love
124 bpm • G Maj • 03:43 • -7.53db
63% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Muscadine Bloodline
Put Me in My Place
105 bpm • G# Maj • 03:09 • -11.34db
65% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Parker McCollum
Stoned
124 bpm • A Maj • 03:08 • -4.45db
56% Popularity • 50% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Gavin Adcock
Tore Me Up
104 bpm • G Maj • 02:47 • -5.54db
59% Popularity • 69% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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HARDY
BOOTS
104 bpm • D Maj • 03:13 • -3.83db
64% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Muscadine Bloodline
Evinrudin'
124 bpm • C# Maj • 03:26 • -6db
48% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Bailey Zimmerman
House On Fire
125 bpm • C Maj • 03:40 • -8.17db
61% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
62% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Randall King
You In A Honky Tonk
104 bpm • A Maj • 03:03 • -5.91db
57% Popularity • 63% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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HARDY
JACK
125 bpm • G Maj • 02:48 • -6db
64% Popularity • 55% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Last Night's Lashes