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Last Night's Lashes
Songs like
Last Night's Lashes
by
Pecos & the Rooftops
Based on a tempo of (+/- 10%) and a similar genre
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Pecos & the Rooftops
Last Night's Lashes
114 bpm • G# Maj • 03:25 • -6.57db
55% Popularity • 60% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Jarrod Morris
Truth Like a Lie
114 bpm • C Maj • 04:12 • -10db
31% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Corey Kent
Boys Growing Up
114 bpm • F# Maj • 03:38 • -6db
48% Popularity • 58% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Wyatt Flores
Burning Bridges
113 bpm • A min • 04:01 • -16db
52% Popularity • 52% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Koe Wetzel
Too High to Cry
115 bpm • E Maj • 06:29 • -8.24db
55% Popularity • 44% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Southall
Stickin' n Movin'
113 bpm • F# min • 03:51 • -7.61db
40% Popularity • 64% Danceability • 73% Energy • 23% Liveness
1% Instrumentalness • 62% Positiveness
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Pecos & the Rooftops
Conociste
113 bpm • G# min • 04:43 • -13db
45% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Muscadine Bloodline
Good to Drive
115 bpm • G# Maj • 02:54 • -7db
58% Popularity • 60% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Casey Donahew
Queen for a Night
115 bpm • G Maj • 03:16 • -6db
45% Popularity • 65% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Jarrod Morris
Western Tears
113 bpm • D Maj • 04:08 • -15db
38% Popularity • 64% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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William Clark Green
Old Fashioned
113 bpm • G# min • 03:51 • -3.19db
37% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Ward
Change My Mind
115 bpm • G Maj • 03:34 • -6db
46% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Pecos & the Rooftops
Worst Way
113 bpm • G# min • 03:10 • -5.01db
33% Popularity • 27% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Triston Marez
Where the Neon Lies
113 bpm • G Maj • 04:02 • -6.09db
35% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Wynn Williams
Tornado
113 bpm • F Maj • 05:00 • -6.19db
40% Popularity • 70% Danceability • 65% Energy • 16% Liveness
1% Instrumentalness • 46% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
55% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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William Clark Green
Still Think About You
115 bpm • A# Maj • 04:08 • -6.82db
46% Popularity • 60% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Riley Green
Same Old Song
112 bpm • F# Maj • 03:08 • -5.29db
57% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Pecos & the Rooftops
Time for Wine
116 bpm • C# Maj • 04:54 • -13.34db
26% Popularity • 50% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Randall King
Baby Do
116 bpm • G Maj • 03:26 • -5db
38% Popularity • 67% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Josh Abbott Band
The Highway Kind
112 bpm • G Maj • 03:59 • -4.33db
49% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Cameron Sacky Band
Nothin' on You
116 bpm • A Maj • 03:54 • -5db
49% Popularity • 74% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Muscadine Bloodline
No, Pedal Steel
112 bpm • G Maj • 03:48 • -10db
47% Popularity • 62% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Graycie York
Texas Rain
112 bpm • C Maj • 03:38 • -8.23db
39% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Treaty Oak Revival
Ode To Bourbon
112 bpm • G Maj • 04:01 • -3db
69% Popularity • 37% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Shotgun Rider
Texas Rain
117 bpm • E Maj • 03:20 • -6db
41% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Seven Miles South
Texas Rain
117 bpm • E Maj • 03:31 • -6.91db
52% Popularity • 58% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Turnpike Troubadours
Unrung
117 bpm • G Maj • 03:07 • -6.91db
58% Popularity • 61% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
61% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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William Clark Green
Ringling Road
117 bpm • B min • 04:08 • -5.15db
51% Popularity • 55% Danceability • 77% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Kody West
Love Me Too
117 bpm • E Maj • 04:11 • -5.24db
47% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Shotgun Rider
Steady as She Goes
111 bpm • D# min • 04:03 • -6db
37% Popularity • 59% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Muscadine Bloodline
Mind of Its Own
118 bpm • F# Maj • 02:59 • -5.52db
52% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Casey Donahew
Kiss Me
118 bpm • E Maj • 03:28 • -4.59db
48% Popularity • 58% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
67% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Pecos & the Rooftops
Leave Me Lonely
118 bpm • G# Maj • 04:31 • -11.89db
49% Popularity • 57% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Cameron Sacky Band
Bittersweet Babe
118 bpm • D# Maj • 02:24 • -20db
53% Popularity • 68% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Midland
Sunrise Tells The Story
110 bpm • C Maj • 03:27 • -8db
53% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Meloy
Oklahoma Blues
119 bpm • G Maj • 03:57 • -5.6db
45% Popularity • 59% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Kenny Feidler
Cowboy Shit
119 bpm • G Maj • 03:32 • -2.87db
50% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Randy Rogers Band
Buy Myself A Chance
110 bpm • E Maj • 03:41 • -5.38db
54% Popularity • 73% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Pecos & the Rooftops
Kill a Man
110 bpm • F# Maj • 05:19 • -13db
47% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jaden Hamilton
If This Hat Could Talk
119 bpm • C# Maj • 03:58 • -5db
44% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sean Stemaly
Product Of A Small Town
109 bpm • C# min • 02:34 • -4.02db
55% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Josh Ward
Lovin' Where It's Goin'
109 bpm • D Maj • 02:59 • -5db
50% Popularity • 72% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Kody West
In The Morning
119 bpm • G Maj • 04:14 • -4.99db
33% Popularity • 47% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Braxton Keith
A Little Bit Closer
109 bpm • F Maj • 03:27 • -5db
49% Popularity • 61% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Pecos & the Rooftops
Happy
110 bpm • G# Maj • 02:52 • -3.68db
42% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Flatland Cavalry
No Shade of Green
109 bpm • F# Maj • 03:01 • -9.36db
53% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Randy Rogers Band
Interstate
120 bpm • C Maj • 04:41 • -5.64db
46% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Colten Jesse
Dryin' Up
108 bpm • F# Maj • 03:25 • -12db
42% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Casey Donahew
That's Why We Ride
120 bpm • G Maj • 03:03 • -3.73db
39% Popularity • 65% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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LECADE
No Good
120 bpm • G Maj • 03:17 • -5db
53% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Pecos & the Rooftops
Wouldn't Have to Miss You
110 bpm • F min • 04:27 • -12db
56% Popularity • 43% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Koe Wetzel
YellaBush Road
120 bpm • D Maj • 05:06 • -7db
56% Popularity • 53% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
58% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kody West
Higher Ground
120 bpm • F Maj • 04:01 • -7.38db
38% Popularity • 58% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Hunter Hicks
One for the Road
120 bpm • C Maj • 03:12 • -5.37db
44% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Muscadine Bloodline
Enemy
120 bpm • C# Maj • 03:26 • -8.3db
52% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Pecos & the Rooftops
Lonely With You
120 bpm • F min • 04:07 • -13db
44% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Wade Forster
Cigarettes
120 bpm • E min • 02:40 • -6.12db
50% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Wilder Blue
Palomino Gold
108 bpm • C# Maj • 04:33 • -9.68db
53% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Randall King
When My Baby’s In Boots
108 bpm • F Maj • 03:03 • -5.2db
48% Popularity • 69% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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ERNEST
Sucker For Small Towns
121 bpm • E Maj • 03:22 • -5.4db
45% Popularity • 59% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Meloy
Overdose
107 bpm • A# Maj • 03:29 • -11db
43% Popularity • 49% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Pecos & the Rooftops
Yesteryear
120 bpm • F# Maj • 04:18 • -11.18db
41% Popularity • 58% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Gavin Adcock
Love To The Grave
107 bpm • G Maj • 03:20 • -5.49db
48% Popularity • 65% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Red Shahan
Never Turn Around
122 bpm • F# Maj • 02:51 • -6.12db
49% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Ian Munsick
Solo
106 bpm • F# Maj • 02:48 • -4.77db
51% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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ERNEST
Tennessee Queen
106 bpm • G Maj • 03:11 • -7db
51% Popularity • 35% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Randy Rogers
Rhinestoned
106 bpm • E Maj • 03:44 • -6.13db
40% Popularity • 58% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Tanner Usrey
Give It Some Time
123 bpm • F min • 03:22 • -5.29db
48% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Kameron Marlowe
Fool Me Again
123 bpm • G Maj • 03:32 • -6.67db
46% Popularity • 55% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Ian Munsick
Weakness
123 bpm • C Maj • 03:34 • -8.55db
45% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Carson Jeffrey
Walk Away
123 bpm • F Maj • 03:25 • -7.33db
41% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jarrod Morris
Red Bandana
123 bpm • C# Maj • 03:39 • -6.62db
43% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Slade Coulter
Hey Mary
123 bpm • G# Maj • 03:46 • -9.34db
34% Popularity • 51% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Barnhill
Don't Even Say Bye
123 bpm • G# Maj • 03:57 • -4.37db
49% Popularity • 56% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Tanner Usrey
Pick Up Your Phone
105 bpm • D Maj • 03:00 • -11.84db
43% Popularity • 70% Danceability • 29% Energy • 17% Liveness
6% Instrumentalness • 18% Positiveness
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Triston Marez
Far from Good
105 bpm • E Maj • 03:44 • -5.84db
35% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Austin Meade
Loser Mentality
105 bpm • C Maj • 03:12 • -6db
31% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Trey Lewis
Shut the Door
105 bpm • A Maj • 02:53 • -6db
39% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Braxton Keith
Cold Hard Steel and Sand
105 bpm • A min • 04:09 • -14.54db
47% Popularity • 62% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Mike Ryan
Bad Reputation
105 bpm • B min • 03:39 • -5db
40% Popularity • 64% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Halverson
'94 Camaro
124 bpm • G Maj • 02:46 • -7.84db
51% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Sam Williams
Weatherman
124 bpm • A Maj • 03:34 • -5.24db
51% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Green
Jesus And Wranglers
124 bpm • E Maj • 03:03 • -5.25db
48% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Braxton Keith
Make Up Your Mind
124 bpm • A min • 03:36 • -4.52db
41% Popularity • 68% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Muscadine Bloodline
Evinrudin'
124 bpm • C# Maj • 03:26 • -6db
49% Popularity • 74% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Cross Canadian Ragweed
17
124 bpm • G Maj • 05:19 • -5.24db
49% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Gavin Adcock
I Know A Good Time
124 bpm • G# Maj • 03:04 • -4.51db
54% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ian Munsick
Mountain Time
104 bpm • A Maj • 03:20 • -3.53db
50% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Riley Green
Damn Good Day To Leave
125 bpm • A# Maj • 03:31 • -5.02db
57% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Lowdown Drifters
If I Had a Dollar
104 bpm • D Maj • 03:30 • -6.93db
47% Popularity • 57% Danceability • 62% Energy • 9% Liveness
7% Instrumentalness • 16% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
55% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Meloy
Ups And Downs
125 bpm • G Maj • 03:29 • -8.37db
51% Popularity • 61% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Adcock
Tore Me Up
104 bpm • G Maj • 02:47 • -5.54db
60% Popularity • 69% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Colby Acuff
Start in the Morning
103 bpm • A Maj • 02:26 • -8db
51% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Last Night's Lashes