Songs like Last of the Travelling People by Pecker Dunne
Based on a tempo of (+/- 10%) and a similar genre
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Owen McDonagh
Free Belfast
114 bpm • G Maj • 01:42 • -10.53db
14% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 51% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Terence O'Neill & Cormac O'Moore
Plastic Bullets
114 bpm • C Maj • 03:45 • -12.62db
14% Popularity • 43% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 43% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lankum
Father Had a Knife
114 bpm • C# Maj • 01:20 • -8db
28% Popularity • 72% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 72% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Declan Hunt
Third West Cork Brigade
114 bpm • G Maj • 02:57 • -7.45db
9% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 46% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Fighting Men From Crossmaglen
Auf Wiedersehen Crossmaglen
114 bpm • D Maj • 04:00 • -15.84db
15% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Seán Ó Sé
An Poc Ar Buile
114 bpm • D Maj • 02:53 • -6db
23% Popularity • 49% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Andy Irvine
The Close Shave/East at Glendart
114 bpm • D Maj • 04:12 • -7.34db
14% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Pecker Dunne
Dirty Old Town
114 bpm • B Maj • 03:11 • -13.6db
8% Popularity • 54% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 54% Danceability • 18% Energy • 71% Liveness
0% Instrumentalness • 49% Positiveness
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Arcady
The Sally Gardens, Miss McLeod's Reel, T...
114 bpm • D Maj • 06:22 • -13db
19% Popularity • 59% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
19% Popularity • 59% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
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The Blarney Lads
Mountain Tae (The Hills of Connemara)
114 bpm • D Maj • 01:29 • -12.79db
35% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Wolfe Tones
The Boys of the Old Brigade
114 bpm • F Maj • 02:58 • -13.59db
14% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The McCalmans
Johnnie Cope
114 bpm • B min • 02:15 • -10db
31% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Terry O' Neill
James Connolly
113 bpm • A# Maj • 03:57 • -6db
12% Popularity • 33% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 10% Positiveness
12% Popularity • 33% Danceability • 40% Energy • 10% Liveness
27% Instrumentalness • 10% Positiveness
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Four Men & A Dog
Hidden Love/Sheila Coyles
115 bpm • D# Maj • 05:28 • -14db
15% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 42% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Pecker Dunne
Last of the Travelling People
114 bpm • D Maj • 01:48 • -11.01db
35% Popularity • 61% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 61% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Dominic Behan
Dicey Riley
115 bpm • G Maj • 01:05 • -17.82db
41% Popularity • 64% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 90% Positiveness
41% Popularity • 64% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 90% Positiveness
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Athenrye
Sniper's Promise
115 bpm • F Maj • 04:46 • -16.44db
24% Popularity • 50% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 50% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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The McCalmans
John Barleycorn
115 bpm • F# min • 02:52 • -10.74db
16% Popularity • 56% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 56% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Blarney Lads
Muirsheen Durkin
115 bpm • D Maj • 01:59 • -10.07db
18% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Andy Irvine
When They Boys Are On Parade
113 bpm • E Maj • 04:42 • -5.33db
10% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Pat Woods
Mountains of Mourne
113 bpm • E Maj • 03:57 • -23.65db
5% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
5% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Dick Gaughan
Workers' Song
113 bpm • G# Maj • 03:06 • -11.72db
33% Popularity • 47% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 47% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Ewan MacColl
Johnnie O'Breadisley (Johnie Cock)(Child...
115 bpm • D Maj • 04:11 • -16.64db
19% Popularity • 73% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 73% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Seamus Ennis
What Would You Do If You Married a Soldi...
113 bpm • F Maj • 01:46 • -12.07db
16% Popularity • 36% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 36% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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The Wolfe Tones' Derek Warfield
The Soldier's Song.
115 bpm • A Maj • 05:06 • -6db
35% Popularity • 50% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 50% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Shebeen
Disband the R.U.C
115 bpm • C Maj • 02:33 • -12.46db
37% Popularity • 65% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 65% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Irish Lads Of Limerick
Crooked Jack
115 bpm • D Maj • 02:00 • -12db
36% Popularity • 64% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 64% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Cu Chulainn
Finnegan's Wake
113 bpm • A# Maj • 03:02 • -9db
23% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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De Dannan
Donegal Reels
115 bpm • D# Maj • 02:03 • -9.69db
29% Popularity • 36% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 36% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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The McCalmans
Willie's Gane Tae Melville Castle
115 bpm • G# Maj • 02:13 • -10.23db
15% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Brier
I'll Tell Me Ma/Mountain Dew/Mursheen Du...
113 bpm • D Maj • 03:30 • -16db
23% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Wolfe Tones' Derek Warfield
Wrap the Green Flag Around Me Boys
115 bpm • F Maj • 04:03 • -4.42db
14% Popularity • 49% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 49% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Blackthorn
Lid Of Me Granny's Bin
113 bpm • F Maj • 03:21 • -15db
33% Popularity • 74% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 74% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Pecker Dunne
Sullivan's John
113 bpm • C min • 02:20 • -12.64db
2% Popularity • 61% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 61% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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North Sea Gas
Ballad of St. Anne's Reel / St. Anne's R...
113 bpm • D Maj • 03:24 • -11.3db
11% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Brady
Don't Come Again
112 bpm • G# Maj • 03:38 • -10.81db
19% Popularity • 69% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 69% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Gerry O'Connor
The Reconciliation Set
116 bpm • D# Maj • 04:37 • -5.91db
14% Popularity • 46% Danceability • 85% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
14% Popularity • 46% Danceability • 85% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Glasnevin
George & Pop
112 bpm • D Maj • 05:34 • -10.79db
28% Popularity • 65% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 65% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Declan Hunt
Who Fears to Speak Of '98
112 bpm • G Maj • 03:31 • -9db
10% Popularity • 46% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 46% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Pecker Dunne
The Tinker's Lullaby
112 bpm • C Maj • 02:53 • -11.24db
2% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Fighting Men From Crossmaglen
The Black Watch
112 bpm • D Maj • 02:19 • -18.88db
13% Popularity • 65% Danceability • 34% Energy • 55% Liveness
61% Instrumentalness • 83% Positiveness
13% Popularity • 65% Danceability • 34% Energy • 55% Liveness
61% Instrumentalness • 83% Positiveness
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The Dicey Reillys
The Craic Was 90 in the Isle of Man
116 bpm • G Maj • 03:17 • -6.13db
30% Popularity • 59% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 59% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Brier
When The Boys Come Rolling Home
112 bpm • D# Maj • 03:31 • -17.07db
13% Popularity • 67% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 67% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Gary Óg
James Connolly - Irish Citizen Army
116 bpm • C# min • 03:10 • -13.85db
30% Popularity • 50% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 50% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Johnstons
The Curragh of Kildare
116 bpm • D# Maj • 02:51 • -14.26db
23% Popularity • 48% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 48% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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North Sea Gas
Maries Wedding
116 bpm • D Maj • 02:20 • -8db
25% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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The Dicey Rileys
The Craic Was Ninety
116 bpm • G Maj • 03:16 • -7.28db
21% Popularity • 59% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 59% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Declan Hunt
The Green Flag
116 bpm • G Maj • 02:33 • -11.53db
8% Popularity • 42% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 42% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Pecker Dunne
Sullivan's John
112 bpm • D# Maj • 02:18 • -10db
32% Popularity • 61% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 61% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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The McCalmans
Smuggler
116 bpm • F Maj • 03:00 • -9.35db
17% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 74% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Danny Doyle
Step It Out Mary
112 bpm • C# min • 02:39 • -10db
15% Popularity • 72% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 94% Positiveness
15% Popularity • 72% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 94% Positiveness
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Go Lucky Four
It's a Grand Old Country
116 bpm • F Maj • 01:59 • -8.85db
30% Popularity • 75% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 75% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Brier
The Flight Of The Earls
112 bpm • A# Maj • 05:00 • -17db
13% Popularity • 67% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 67% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Declan Hunt
3rd West Cork Brigade
112 bpm • G Maj • 02:56 • -12db
16% Popularity • 27% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 27% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Dessie O'Halloran
Come Down from the Mountain Katie Daly -...
112 bpm • C Maj • 03:18 • -6.48db
22% Popularity • 55% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 55% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Pecker Dunne
Tinker's Lullaby
112 bpm • C Maj • 02:50 • -9db
32% Popularity • 31% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 31% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Irish Lads Of Limerick
I'll Tell Me Ma
112 bpm • D Maj • 01:51 • -9db
37% Popularity • 83% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 83% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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The Irish Ramblers
A Nation Once Again
116 bpm • G Maj • 02:10 • -14.53db
24% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Ray McAreavey
Erin's Flag
112 bpm • G Maj • 02:38 • -11.23db
12% Popularity • 54% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 54% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Brier
The Boys Of Killybegs
117 bpm • C Maj • 02:32 • -15.34db
29% Popularity • 66% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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De Dannan
Monaghan Jig / Drowsy Maggie / The Maid ...
117 bpm • F min • 04:36 • -5.03db
21% Popularity • 46% Danceability • 84% Energy • 21% Liveness
94% Instrumentalness • 73% Positiveness
21% Popularity • 46% Danceability • 84% Energy • 21% Liveness
94% Instrumentalness • 73% Positiveness
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Pecker Dunne
Donegal Danny
116 bpm • B Maj • 04:40 • -13.25db
9% Popularity • 62% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 62% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 53% Positiveness
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Declan Hunt
Connelly Was There
111 bpm • C Maj • 01:55 • -7.69db
9% Popularity • 53% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 53% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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The Irish Ramblers
Sean South of Garryowen
117 bpm • G Maj • 02:41 • -14.49db
23% Popularity • 64% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 64% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Alastair McDonald and Leo Maguire
The Barras
117 bpm • C min • 03:34 • -13db
14% Popularity • 85% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 85% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Brier
Finnegan's Wake
117 bpm • C Maj • 02:59 • -14.46db
18% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Fighting Men From Crossmaglen
Little Armalite
111 bpm • E Maj • 03:21 • -17.6db
19% Popularity • 69% Danceability • 39% Energy • 33% Liveness
4% Instrumentalness • 96% Positiveness
19% Popularity • 69% Danceability • 39% Energy • 33% Liveness
4% Instrumentalness • 96% Positiveness
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Pecker Dunne
Mcalpine's Fusiliers
112 bpm • A Maj • 05:39 • -15db
11% Popularity • 65% Danceability • 32% Energy • 79% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 65% Danceability • 32% Energy • 79% Liveness
0% Instrumentalness • 64% Positiveness
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Danú
Easy And Free
111 bpm • C Maj • 04:43 • -17db
11% Popularity • 39% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
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Stockton's Wing
The Mason's Apron
117 bpm • D Maj • 03:19 • -6.08db
24% Popularity • 61% Danceability • 88% Energy • 17% Liveness
78% Instrumentalness • 71% Positiveness
24% Popularity • 61% Danceability • 88% Energy • 17% Liveness
78% Instrumentalness • 71% Positiveness
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Jim Reid
The Wild Geese
111 bpm • A# Maj • 03:31 • -13.97db
16% Popularity • 41% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 41% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Brier
I Used To Love Her
111 bpm • A Maj • 02:31 • -20db
17% Popularity • 50% Danceability • 24% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 50% Danceability • 24% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
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Terry O' Neill
H-Block Song
117 bpm • F Maj • 05:22 • -7.79db
18% Popularity • 31% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
18% Popularity • 31% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Pecker Dunne
Couchy Farmer
111 bpm • B Maj • 03:57 • -15.04db
9% Popularity • 60% Danceability • 15% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 15% Energy • 83% Liveness
0% Instrumentalness • 62% Positiveness
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Kilfenora Céilà Band
Molly Bán (Reels). Molly Bán/The Doneg...
117 bpm • G Maj • 03:09 • -6.46db
20% Popularity • 55% Danceability • 82% Energy • 33% Liveness
92% Instrumentalness • 96% Positiveness
20% Popularity • 55% Danceability • 82% Energy • 33% Liveness
92% Instrumentalness • 96% Positiveness
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De Dannan
Rambling Irishman
111 bpm • A# Maj • 03:36 • -14.47db
26% Popularity • 62% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 62% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Justice
One Shot Paddy
117 bpm • A Maj • 02:08 • -11db
36% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 71% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Declan Hunt
Connolly Was There
111 bpm • C Maj • 01:53 • -9.71db
15% Popularity • 45% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 75% Positiveness
15% Popularity • 45% Danceability • 50% Energy • 10% Liveness
3% Instrumentalness • 75% Positiveness
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Barnbrack
Whiskey in the Jar / I'll Tell Me Ma
111 bpm • A Maj • 01:58 • -7db
35% Popularity • 48% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 48% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 93% Positiveness
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The Mary Wallopers
Barbara Allen
117 bpm • F Maj • 04:36 • -18.42db
27% Popularity • 61% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 61% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Kilfenora Céilà Band
The Test of Time. Morning Dew/Denis Murp...
117 bpm • D Maj • 02:47 • -2.63db
15% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 99% Positiveness
15% Popularity • 61% Danceability • 90% Energy • 6% Liveness
89% Instrumentalness • 99% Positiveness
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Shane MacGowan & The Popes
The Rising Of The Moon
117 bpm • C Maj • 02:28 • -12.61db
31% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Danny Doyle
Irish Soldier Laddie
111 bpm • D# Maj • 02:32 • -8db
20% Popularity • 57% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 57% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Goats Don’t Shave
Las Vegas (In the Hills of Donegal)
117 bpm • G Maj • 03:47 • -9db
49% Popularity • 46% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 46% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Brier
Las Vegas (In The Hill Of Donegal)
111 bpm • G# Maj • 02:49 • -15db
21% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Watersons
King Arthur's Servants
110 bpm • F# min • 01:15 • -11.05db
24% Popularity • 81% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 81% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Men of No Property
The Bogside Doodle Bug
110 bpm • D# Maj • 02:44 • -17.21db
13% Popularity • 81% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 81% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Barnbrack
Home Boys Home/Courtin' in the Kitchen/A...
118 bpm • E Maj • 03:25 • -11db
16% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Malinky
The Bonnie Lass Of Fyvie
118 bpm • D Maj • 05:07 • -9db
26% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Mary Wallopers
As I Roved Out
110 bpm • A min • 02:47 • -9.87db
42% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Matt McGinn
The Ballad of John McLean
110 bpm • B min • 03:40 • -13.86db
13% Popularity • 59% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 59% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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Shamróg
Free the People
118 bpm • D Maj • 03:06 • -14db
13% Popularity • 30% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 30% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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The Clare Celts
A Sniper's Promise
118 bpm • F Maj • 05:26 • -15db
11% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Flying Column
The Song of the Dawn
118 bpm • C Maj • 02:32 • -7db
26% Popularity • 57% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 57% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 82% Positiveness
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North Sea Gas
Twa Recruiting Sergeants
110 bpm • G Maj • 03:46 • -6.67db
16% Popularity • 66% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 66% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Cu Chulainn
Hills of Connemara
110 bpm • G Maj • 02:35 • -7.25db
28% Popularity • 67% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 67% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Wolfe Tones
The Broad Black Brimmer
110 bpm • F Maj • 02:38 • -13.8db
12% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Kilfenora Céilà Band
Kitty's Reels
118 bpm • D Maj • 03:46 • -8.9db
16% Popularity • 56% Danceability • 69% Energy • 28% Liveness
3% Instrumentalness • 92% Positiveness
16% Popularity • 56% Danceability • 69% Energy • 28% Liveness
3% Instrumentalness • 92% Positiveness