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Last Time
Songs like
Last Time
by
Adam Melchor
Based on a tempo of (+/- 10%) and a similar genre
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Adam Melchor
Last Time
146 bpm • G Maj • 03:13 • -11.35db
43% Popularity • 49% Danceability • 56% Energy • 29% Liveness
4% Instrumentalness • 41% Positiveness
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Sophie Holohan
butterfly effect - demo
145 bpm • F# Maj • 02:11 • -7.49db
45% Popularity • 49% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Burg
Letter From Last Summer
145 bpm • D# Maj • 02:36 • -18.5db
37% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Wasia Project
impossible
146 bpm • F Maj • 04:29 • -7.88db
52% Popularity • 31% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Mon RovÃŽa
To Watch the World Spin Without You
145 bpm • D Maj • 02:32 • -9.42db
53% Popularity • 76% Danceability • 32% Energy • 14% Liveness
12% Instrumentalness • 38% Positiveness
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Sarah and the Sundays
Ruby Fields
145 bpm • C# min • 03:07 • -7db
51% Popularity • 54% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Adam Melchor
not good for you
145 bpm • A Maj • 02:16 • -9.13db
45% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Matt Maltese
Everyone Adores You (quiet)
145 bpm • F min • 03:25 • -12.14db
51% Popularity • 60% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
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Hailaker
Colorado
145 bpm • G Maj • 03:20 • -13.58db
42% Popularity • 56% Danceability • 18% Energy • 12% Liveness
60% Instrumentalness • 21% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
48% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Ezra Glatt
Pathways
144 bpm • A# Maj • 03:44 • -14.45db
31% Popularity • 38% Danceability • 34% Energy • 9% Liveness
27% Instrumentalness • 31% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
57% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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The Brazen Youth
Emma
144 bpm • D Maj • 03:49 • -11.52db
31% Popularity • 51% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Genevieve Stokes
Parking Lot - Stripped
144 bpm • C Maj • 02:39 • -15db
28% Popularity • 53% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Laura Elliott
For Now
143 bpm • C Maj • 03:37 • -17.17db
19% Popularity • 35% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Ezra Glatt
Dust
148 bpm • E Maj • 02:47 • -15.25db
29% Popularity • 60% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Adam Melchor
Best Problem
150 bpm • E Maj • 03:58 • -9.04db
25% Popularity • 32% Danceability • 41% Energy • 18% Liveness
72% Instrumentalness • 13% Positiveness
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Fenne Lily
I Used To Hate My Body But Now I Just Ha...
142 bpm • G# Maj • 04:29 • -12db
40% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Field Guide
Cracked Open
142 bpm • A Maj • 01:42 • -10.73db
31% Popularity • 44% Danceability • 31% Energy • 11% Liveness
13% Instrumentalness • 37% Positiveness
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Wasia Project
Burning Eyes R Calling
150 bpm • G# Maj • 05:13 • -21.27db
42% Popularity • 38% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
50% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
48% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Runnner
Ur Name on a Grain of Rice
150 bpm • C Maj • 05:01 • -8db
46% Popularity • 44% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Maria Kelly
the sum of the in-between
150 bpm • C# Maj • 04:16 • -16db
37% Popularity • 46% Danceability • 18% Energy • 10% Liveness
45% Instrumentalness • 39% Positiveness
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Cece Coakley
Perfect Strangers
142 bpm • A Maj • 03:07 • -12.38db
31% Popularity • 64% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Jensen McRae
Immune
150 bpm • F# Maj • 03:30 • -9db
42% Popularity • 55% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Melchor
Plan On You
142 bpm • G Maj • 03:28 • -12.72db
28% Popularity • 36% Danceability • 41% Energy • 12% Liveness
62% Instrumentalness • 49% Positiveness
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Kevin Atwater
christopher street
141 bpm • D# Maj • 03:09 • -12.83db
31% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Peter McPoland
Sally Forth
141 bpm • C Maj • 04:23 • -10.42db
32% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Philip Brooks
red dress
141 bpm • C Maj • 02:42 • -15.32db
24% Popularity • 36% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Day
Twenty Two and Some Change
140 bpm • G# Maj • 02:54 • -9.44db
44% Popularity • 66% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Daniel Nunnelee
Fireworks (The Last Time)
152 bpm • F Maj • 03:22 • -11.22db
23% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
50% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Adam Melchor
Angel Numbers
152 bpm • D# Maj • 03:12 • -9db
25% Popularity • 60% Danceability • 58% Energy • 33% Liveness
2% Instrumentalness • 44% Positiveness
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Rayland Baxter
Without Me
152 bpm • G Maj • 05:44 • -9.82db
42% Popularity • 48% Danceability • 34% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
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Grace Gardner
Deny Me
140 bpm • D Maj • 05:07 • -16.78db
40% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Shallow Alcove
Old Bones
140 bpm • D Maj • 03:30 • -11.23db
27% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ritt Momney
Golden Slumbers
140 bpm • C Maj • 02:58 • -12.31db
35% Popularity • 38% Danceability • 32% Energy • 10% Liveness
69% Instrumentalness • 12% Positiveness
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Hailaker
Iridesce
140 bpm • F Maj • 03:39 • -10.85db
27% Popularity • 40% Danceability • 33% Energy • 11% Liveness
7% Instrumentalness • 22% Positiveness
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Eloise
Intertwined
140 bpm • G Maj • 02:41 • -10db
45% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Nunnelee
Colorado (The First Time)
140 bpm • G Maj • 03:25 • -9.58db
31% Popularity • 45% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Flyte
Love is an Accident
153 bpm • F# Maj • 03:05 • -8.64db
39% Popularity • 65% Danceability • 42% Energy • 13% Liveness
26% Instrumentalness • 67% Positiveness
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Shallow Alcove
Your Star
140 bpm • G# Maj • 04:55 • -11.81db
29% Popularity • 60% Danceability • 32% Energy • 12% Liveness
14% Instrumentalness • 32% Positiveness
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Philip Brooks
wait till u get home
153 bpm • B Maj • 02:26 • -15.3db
46% Popularity • 45% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Laura Elliott
Blue
139 bpm • D Maj • 04:12 • -13db
35% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hailaker
Oh, Boy
154 bpm • A Maj • 03:49 • -11.09db
29% Popularity • 52% Danceability • 27% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Olive Klug
Parched
154 bpm • A# Maj • 04:02 • -13.35db
24% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Adam Melchor
Means To A Mend
154 bpm • D Maj • 03:39 • -13.49db
26% Popularity • 38% Danceability • 17% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Cece Coakley
Monday Morning
138 bpm • D Maj • 03:16 • -8.91db
32% Popularity • 61% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Son of Cloud
All That I Want
138 bpm • G Maj • 03:56 • -12.26db
28% Popularity • 72% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Stephen Sanchez
Kayla
138 bpm • G# Maj • 02:55 • -9db
50% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sydney Rose
Phoebe Told Me
155 bpm • A Maj • 03:56 • -9.38db
29% Popularity • 37% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Adam Melchor
Three Hours Ahead
138 bpm • F Maj • 03:30 • -8.28db
24% Popularity • 46% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Peter McPoland
Lady Bird
138 bpm • A Maj • 04:01 • -7.87db
37% Popularity • 49% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rusty Clanton
Comfort
138 bpm • A# Maj • 04:40 • -7.87db
27% Popularity • 47% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
37% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
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Son of Cloud
Sleeping in My Arms
155 bpm • E Maj • 03:20 • -11.61db
15% Popularity • 45% Danceability • 40% Energy • 12% Liveness
44% Instrumentalness • 38% Positiveness
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Oshima Brothers
Lost at Sea
156 bpm • F Maj • 03:18 • -11.34db
29% Popularity • 45% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 23% Positiveness
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Adam Melchor
RESOLUTION
137 bpm • D Maj • 04:36 • -8.07db
24% Popularity • 40% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Tiny Habits
Flicker
137 bpm • F# min • 03:44 • -8.32db
40% Popularity • 49% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Liang Lawrence
(not) a love song - live & acoustic
156 bpm • E Maj • 02:49 • -14.73db
36% Popularity • 34% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Field Guide
Tupperware
156 bpm • E Maj • 03:06 • -12.44db
38% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Hailaker
Famous
136 bpm • C# Maj • 03:53 • -12.56db
44% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Samia
As You Are
136 bpm • B Maj • 02:21 • -11db
40% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Adam Melchor
Rest Of My Night
156 bpm • A# Maj • 03:35 • -9.79db
22% Popularity • 34% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 31% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
55% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Annika Bennett
Boy Who Has Everything
136 bpm • C# Maj • 03:06 • -13db
36% Popularity • 55% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Eloise
Trick of the Moon
136 bpm • C Maj • 01:59 • -16db
51% Popularity • 59% Danceability • 27% Energy • 81% Liveness
0% Instrumentalness • 65% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sammy Copley
Growing Pains
135 bpm • D Maj • 04:15 • -24db
26% Popularity • 50% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Adam Melchor
I CHOOSE YOU
135 bpm • B Maj • 03:37 • -4.9db
42% Popularity • 56% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Cece Coakley
Halfway
158 bpm • E Maj • 03:06 • -7.26db
27% Popularity • 50% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Matilda Mann
Japan
134 bpm • A# Maj • 02:14 • -12db
40% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Eloise
Wanderlust
134 bpm • C min • 03:07 • -16.16db
47% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Peter McPoland
News At 9
134 bpm • D# Maj • 03:13 • -6db
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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The Brazen Youth
If These Wild Winds Are Yours
134 bpm • F# Maj • 03:32 • -11.07db
20% Popularity • 55% Danceability • 44% Energy • 16% Liveness
14% Instrumentalness • 18% Positiveness
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Rusty Clanton
Oh, Isabella
134 bpm • E Maj • 02:55 • -8.71db
26% Popularity • 33% Danceability • 30% Energy • 85% Liveness
4% Instrumentalness • 12% Positiveness
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EASHA
Dying Is a Beautiful Thing to Do
159 bpm • C Maj • 03:05 • -15.28db
40% Popularity • 44% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Phoebe Bridgers
Summer's End - Spotify Singles
134 bpm • C# Maj • 03:54 • -13.72db
55% Popularity • 47% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Tiny Habits
delay
160 bpm • G Maj • 03:37 • -8db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Liang Lawrence
unposted letters
160 bpm • C# Maj • 03:25 • -8.71db
41% Popularity • 63% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Christian Leave
Why Not?
133 bpm • A# Maj • 02:29 • -5.37db
32% Popularity • 46% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Rusty Clanton
I Hope It's You
134 bpm • B Maj • 03:57 • -8.96db
32% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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stories
Paranoia Purple
133 bpm • A# Maj • 03:57 • -11.75db
34% Popularity • 39% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Peter McPoland
Romeo & Juliet
161 bpm • C Maj • 02:46 • -7.11db
58% Popularity • 32% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 8% Positiveness
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Laura Elliott
Better Off Alone
132 bpm • E Maj • 04:07 • -17db
24% Popularity • 62% Danceability • 20% Energy • 32% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Samia
Minnesota
132 bpm • C Maj • 03:01 • -6.42db
15% Popularity • 70% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ethan Gruska
Maybe I'll Go Nowhere
161 bpm • C# Maj • 04:03 • -17.42db
30% Popularity • 56% Danceability • 29% Energy • 9% Liveness
12% Instrumentalness • 45% Positiveness
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Lizzy McAlpine
weird
132 bpm • G Maj • 03:29 • -13.75db
45% Popularity • 47% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
59% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Young Mister
Everything Has Its Place
132 bpm • A Maj • 04:12 • -12db
43% Popularity • 39% Danceability • 25% Energy • 9% Liveness
12% Instrumentalness • 30% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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