Songs like Last Train Home by John Mayer
Based on a tempo of (+/- 10%) and a similar genre
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John Mayer
Last Train Home
93 bpm • E Maj • 03:07 • -6.61db
64% Popularity • 59% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 59% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Brandi Carlile
The Story
94 bpm • B Maj • 03:58 • -8.25db
64% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Van Morrison
Days Like This
94 bpm • C min • 03:17 • -7.85db
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Beatles
Blackbird - Remastered 2009
94 bpm • G Maj • 02:18 • -14.36db
78% Popularity • 69% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 69% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Eric Clapton
Layla - Acoustic Live
94 bpm • D min • 04:49 • -11.64db
70% Popularity • 56% Danceability • 52% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 56% Danceability • 52% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
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The Goo Goo Dolls
Come to Me
92 bpm • C Maj • 03:45 • -5db
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Howie Day
Collide
94 bpm • B Maj • 04:09 • -8db
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Nathanson
Come On Get Higher
92 bpm • A Maj • 03:35 • -5.7db
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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George Ezra
Barcelona
94 bpm • F Maj • 03:08 • -9.33db
66% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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John Mayer
Your Body Is a Wonderland
94 bpm • F Maj • 04:09 • -6.25db
72% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
72% Popularity • 65% Danceability • 73% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
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Hozier
Someone New
92 bpm • G Maj • 03:42 • -5.95db
72% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
72% Popularity • 59% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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The Script
Breakeven
94 bpm • A# Maj • 04:21 • -4.5db
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Extreme
More Than Words
92 bpm • F# Maj • 05:34 • -14.9db
75% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 63% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Counting Crows
Round Here
94 bpm • G Maj • 05:31 • -9.37db
60% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
60% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Tristan Prettyman
Say Anything
92 bpm • C# Maj • 03:56 • -10db
41% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 66% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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John Mayer
Moving On and Getting Over
94 bpm • F# min • 04:25 • -9.02db
52% Popularity • 85% Danceability • 46% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
52% Popularity • 85% Danceability • 46% Energy • 9% Liveness
4% Instrumentalness • 62% Positiveness
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James Taylor
You've Got a Friend - 2019 Remaster
92 bpm • A Maj • 04:28 • -18.63db
67% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
67% Popularity • 69% Danceability • 20% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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JP Cooper
September Song - Guitar Acoustic
95 bpm • C min • 03:32 • -8.95db
61% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
61% Popularity • 59% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Bradley Adams
My Arms Were Always Around You
91 bpm • C# Maj • 03:20 • -12.25db
58% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
58% Popularity • 64% Danceability • 44% Energy • 11% Liveness
46% Instrumentalness • 42% Positiveness
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Jacob Collier
Never Gonna Be Alone – Live at the Tr...
95 bpm • C Maj • 04:32 • -9.43db
33% Popularity • 47% Danceability • 31% Energy • 92% Liveness
1% Instrumentalness • 29% Positiveness
33% Popularity • 47% Danceability • 31% Energy • 92% Liveness
1% Instrumentalness • 29% Positiveness
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Taylor John Williams
The Mates of Soul (Remastered)
95 bpm • A min • 03:59 • -9.33db
57% Popularity • 79% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 79% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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John Mayer
Perfectly Lonely
92 bpm • C Maj • 04:28 • -8.52db
56% Popularity • 68% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 68% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Train
If It's Love
95 bpm • F# Maj • 03:59 • -3db
48% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Corinne Bailey Rae
Trouble Sleeping
91 bpm • F min • 03:28 • -6.91db
54% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Juke Ross
Fresh Roses
91 bpm • C# min • 03:21 • -10.61db
55% Popularity • 76% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 76% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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James TW
Torn - Bonus Track
95 bpm • A Maj • 03:16 • -6.46db
53% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Drew Holcomb & The Neighbors
What Would I Do Without You
91 bpm • G# Maj • 02:52 • -11.11db
61% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
61% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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John Mayer
Clarity
95 bpm • D Maj • 04:31 • -3.55db
55% Popularity • 66% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
55% Popularity • 66% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 49% Positiveness
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Bright Eyes
First Day of My Life
95 bpm • C# min • 03:08 • -14.37db
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
68% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Head And The Heart
Lost in My Mind
95 bpm • D Maj • 04:19 • -9db
60% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 37% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Plain White T's
1, 2, 3, 4
91 bpm • D Maj • 03:18 • -7.09db
57% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Eric Hutchinson
Back to Where I Was
95 bpm • C Maj • 03:10 • -6db
39% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Drew Holcomb & The Neighbors
I Like to Be With Me When I'm With You
91 bpm • D Maj • 03:50 • -12db
44% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jacob Collier
Never Gonna Be Alone
91 bpm • C Maj • 04:10 • -9.37db
56% Popularity • 57% Danceability • 42% Energy • 30% Liveness
61% Instrumentalness • 29% Positiveness
56% Popularity • 57% Danceability • 42% Energy • 30% Liveness
61% Instrumentalness • 29% Positiveness
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John Mayer
Dear Marie
95 bpm • A Maj • 03:42 • -10.91db
57% Popularity • 60% Danceability • 36% Energy • 9% Liveness
44% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 36% Energy • 9% Liveness
44% Instrumentalness • 49% Positiveness
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Eric Clapton
Wonderful Tonight
96 bpm • G Maj • 03:45 • -15.63db
75% Popularity • 57% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 48% Positiveness
75% Popularity • 57% Danceability • 21% Energy • 12% Liveness
13% Instrumentalness • 48% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
71% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Howie Day
Collide - Acoustic Version
90 bpm • A# Maj • 04:37 • -11.43db
61% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
61% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Mayer
Who Says
90 bpm • D Maj • 02:55 • -13.11db
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
64% Popularity • 58% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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The Script
If You Ever Come Back
96 bpm • G Maj • 04:01 • -5db
56% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Adams
When The Stars Go Blue
90 bpm • A# Maj • 03:31 • -13.25db
53% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Corinne Bailey Rae
Put Your Records On
96 bpm • A Maj • 03:35 • -7.84db
80% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
80% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Train
Meet Virginia
90 bpm • G Maj • 03:59 • -7.78db
61% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Phillip Phillips
Man On The Moon
90 bpm • F# min • 03:35 • -6.23db
40% Popularity • 55% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 55% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Civil Wars
Billie Jean
90 bpm • A min • 04:19 • -8.52db
55% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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John Mayer
Stop This Train
90 bpm • G Maj • 04:45 • -11.76db
63% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
63% Popularity • 62% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Amy Winehouse
Valerie - Live At BBC Radio 1 Live Loung...
97 bpm • F min • 03:53 • -5.74db
76% Popularity • 77% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
76% Popularity • 77% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Herbie Hancock
Stitched Up
89 bpm • G Maj • 05:27 • -7.59db
39% Popularity • 74% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
39% Popularity • 74% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 73% Positiveness
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Gabe Dixon
If I Love You
90 bpm • D Maj • 04:29 • -11db
30% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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James TW
U Remind Me - Recorded at Spotify Studio...
97 bpm • E min • 03:18 • -12.39db
50% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Clapton
Change the World
97 bpm • A Maj • 03:54 • -8.8db
65% Popularity • 72% Danceability • 56% Energy • 18% Liveness
1% Instrumentalness • 54% Positiveness
65% Popularity • 72% Danceability • 56% Energy • 18% Liveness
1% Instrumentalness • 54% Positiveness
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John Mayer
Why Georgia
97 bpm • G Maj • 04:28 • -7.21db
61% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 61% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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John Smith
Far Too Good
97 bpm • E Maj • 03:39 • -11.4db
61% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 82% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Train
Hey, Soul Sister
97 bpm • C# min • 03:36 • -4.44db
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
85% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Stephen Day
Hey Lady
97 bpm • D# Maj • 03:50 • -7.65db
46% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Leon Bridges
Inside Friend
89 bpm • C# Maj • 02:55 • -7.92db
56% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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John Mayer
Wildfire
97 bpm • G# Maj • 04:13 • -8.59db
59% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 72% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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JP Cooper
All This Love
97 bpm • F Maj • 03:13 • -7.06db
53% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Nathan Angelo
Til I'm Ninety Nine
98 bpm • A Maj • 04:28 • -9.33db
39% Popularity • 67% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
39% Popularity • 67% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Matt Wertz
5:19
98 bpm • E Maj • 03:10 • -7db
39% Popularity • 68% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 68% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Jack Johnson
I Got You
98 bpm • B Maj • 02:59 • -6.55db
69% Popularity • 90% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 90% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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John Mayer
Heartbreak Warfare
97 bpm • D Maj • 04:29 • -8.11db
63% Popularity • 62% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 62% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Brett Dennen
She's Mine
88 bpm • G Maj • 04:32 • -11db
35% Popularity • 72% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 72% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Counting Crows
Big Yellow Taxi
88 bpm • C# Maj • 03:46 • -4.33db
61% Popularity • 67% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
61% Popularity • 67% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Rob Thomas
Her Diamonds
88 bpm • G Maj • 04:40 • -4.93db
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Train
Marry Me
88 bpm • C Maj • 03:25 • -8.51db
65% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
65% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Niall Horan
Slow Hands - Acoustic
87 bpm • A min • 02:40 • -8db
56% Popularity • 82% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 82% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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John Mayer
Vultures
98 bpm • E Maj • 04:10 • -10.39db
57% Popularity • 88% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
57% Popularity • 88% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 80% Positiveness
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Lifehouse
From Where You Are
87 bpm • A min • 03:01 • -11db
50% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 36% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Eric Clapton
Lies
87 bpm • A# Maj • 03:06 • -8.95db
53% Popularity • 72% Danceability • 67% Energy • 21% Liveness
8% Instrumentalness • 90% Positiveness
53% Popularity • 72% Danceability • 67% Energy • 21% Liveness
8% Instrumentalness • 90% Positiveness
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The Script
The Man Who Can't Be Moved
100 bpm • A# Maj • 04:01 • -5.05db
77% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
77% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Petty
Wildflowers
87 bpm • F Maj • 03:10 • -13.79db
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
68% Popularity • 54% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Sixpence None The Richer
Kiss Me
100 bpm • D# Maj • 03:28 • -6.96db
83% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
83% Popularity • 53% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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John Mayer
Why You No Love Me
98 bpm • A Maj • 04:15 • -7.32db
51% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 64% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Hollow Coves
Coastline
100 bpm • D Maj • 03:53 • -11.29db
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
57% Popularity • 67% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Tracy Chapman
Give Me One Reason
100 bpm • B Maj • 04:28 • -10.02db
72% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Van Morrison
Into the Mystic - 2013 Remaster
86 bpm • G# Maj • 03:25 • -10.27db
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Niall Horan
Slow Hands
86 bpm • C Maj • 03:08 • -6.65db
77% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
77% Popularity • 74% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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John Mayer
Something Like Olivia
99 bpm • G Maj • 03:00 • -12.16db
65% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
65% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Tony Bennett
One for My Baby (And One More for the Ro...
100 bpm • A min • 02:56 • -11db
55% Popularity • 57% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
55% Popularity • 57% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Lake Street Dive
Rich Girl
86 bpm • F# min • 03:37 • -7db
59% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Johnnyswim
Take The World
86 bpm • F Maj • 04:23 • -10.01db
46% Popularity • 32% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 32% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Revivalists
Wish I Knew You
101 bpm • C min • 04:34 • -6.59db
69% Popularity • 65% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 72% Positiveness
69% Popularity • 65% Danceability • 72% Energy • 12% Liveness
7% Instrumentalness • 72% Positiveness
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The Head And The Heart
Another Story
86 bpm • F Maj • 04:34 • -10db
62% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
62% Popularity • 26% Danceability • 44% Energy • 27% Liveness
15% Instrumentalness • 11% Positiveness
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Sam Smith
How Will I Know
85 bpm • C Maj • 03:52 • -12.29db
59% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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James Arthur
Say You Won't Let Go
85 bpm • A# Maj • 03:31 • -7.4db
87% Popularity • 36% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
87% Popularity • 36% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Trapper
Angel Appearing in a Small Cafe
85 bpm • A Maj • 01:44 • -13.86db
53% Popularity • 58% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 58% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Hollow Coves
Home
85 bpm • C# Maj • 03:22 • -12db
45% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Colin Hay
Waiting For My Real Life To Begin
85 bpm • B Maj • 05:46 • -13db
47% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
47% Popularity • 45% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
48% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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John Mayer
Neon
102 bpm • F min • 04:22 • -7.66db
58% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 70% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Maggie Rogers
Light On
102 bpm • D Maj • 03:53 • -6.29db
68% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
68% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Head And The Heart
All We Ever Knew
102 bpm • C Maj • 03:45 • -5.91db
61% Popularity • 49% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 49% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
