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Late Date
Songs like
Late Date
by
Lars Gullin
Based on a tempo of (+/- 10%) and a similar genre
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Putte Wickman
Marlowe's Theme
81 bpm • A# min • 05:16 • -20.26db
33% Popularity • 38% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 18% Positiveness
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Thad Jones
Minor On Top - Remastered 1997
82 bpm • A# Maj • 08:43 • -13.29db
17% Popularity • 68% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 54% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
37% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Lou Donaldson
Green Eyes
82 bpm • F min • 05:19 • -13.57db
45% Popularity • 59% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jeremy Pelt
Little Girl Blue
80 bpm • F Maj • 07:17 • -19db
43% Popularity • 30% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 16% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
46% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Henderson
Blue Bossa - Remastered
82 bpm • F min • 08:02 • -11.7db
50% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Anders Widmark Trio
Bereden väg för Herran (Psalm 103)
80 bpm • G Maj • 03:15 • -18db
26% Popularity • 25% Danceability • 30% Energy • 13% Liveness
80% Instrumentalness • 46% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
38% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Sweet Jazz Trio
Somliga GÃ¥r I Trasiga Skor
82 bpm • C min • 04:17 • -28.77db
14% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
58% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Rebecka Törnqvist
After You're Gone
82 bpm • C min • 04:59 • -13db
13% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
28% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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Merit Hemmingson
Little Green Apples
79 bpm • C Maj • 04:22 • -12.91db
19% Popularity • 38% Danceability • 40% Energy • 16% Liveness
62% Instrumentalness • 38% Positiveness
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The Ben Webster Quintet
Where Are You?
83 bpm • G# min • 04:43 • -21.06db
30% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
43% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Jackie McLean
Yams
83 bpm • C min • 08:00 • -11.91db
47% Popularity • 57% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
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Thad Jones
Mean What You Say
79 bpm • C Maj • 04:34 • -19db
30% Popularity • 44% Danceability • 21% Energy • 15% Liveness
57% Instrumentalness • 33% Positiveness
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Sidney Bechet
Summertime
83 bpm • D# Maj • 04:11 • -17db
44% Popularity • 61% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Lars Gullin
Late Date
83 bpm • G# Maj • 03:20 • -11.14db
10% Popularity • 30% Danceability • 37% Energy • 24% Liveness
82% Instrumentalness • 23% Positiveness
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Wayne Shorter
Black Orpheus
83 bpm • F min • 04:35 • -15db
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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Don Byas
Candy
79 bpm • A# Maj • 03:18 • -15.39db
24% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
35% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Warne Marsh
Dixie's Dilemma
83 bpm • G# Maj • 04:22 • -17.18db
17% Popularity • 57% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 53% Positiveness
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Lennie Tristano
Requiem
83 bpm • G min • 04:52 • -11.85db
25% Popularity • 45% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
28% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Sweet Jazz Trio
I Can't Give You Anything But Love
79 bpm • G min • 02:00 • -28.47db
20% Popularity • 49% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 72% Positiveness
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Duke Pearson
Farewell Machelle
78 bpm • C min • 02:48 • -26.67db
34% Popularity • 45% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 12% Positiveness
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James Moody
With Malice Towards None
84 bpm • B min • 03:17 • -16.67db
14% Popularity • 34% Danceability • 16% Energy • 17% Liveness
71% Instrumentalness • 17% Positiveness
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Stanley Turrentine
Dorene Don't Cry, I - Remastered
78 bpm • A# Maj • 06:14 • -11db
44% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
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Johnny Griffin
It's All Right With Me - Remastered 2006...
84 bpm • D min • 05:00 • -6.91db
38% Popularity • 42% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 59% Positiveness
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Gerry Mulligan
Stardust
84 bpm • C# Maj • 04:46 • -18.63db
52% Popularity • 54% Danceability • 7% Energy • 10% Liveness
78% Instrumentalness • 32% Positiveness
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Monica Zetterlund
I'm a Fool to Want You
84 bpm • G# min • 03:06 • -16.04db
29% Popularity • 49% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sweet Jazz Trio
Underbart Är Kort
78 bpm • C min • 05:34 • -25.79db
9% Popularity • 52% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Don Cherry
What Reason Could I Give
78 bpm • F Maj • 03:47 • -25.02db
23% Popularity • 31% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Rebecka Törnqvist
My Shining Hour
85 bpm • A# Maj • 02:11 • -10.86db
23% Popularity • 55% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Lou Donaldson
Play Ray
78 bpm • D# Maj • 05:31 • -17.34db
43% Popularity • 70% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Al Cohn - Zoot Sims Quintet
Awful Lonely
77 bpm • F Maj • 04:19 • -13.16db
11% Popularity • 41% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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The Gil Evans Orchestra
Where Flamingos Fly
77 bpm • D min • 05:12 • -22.85db
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
50% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Lars Gullin
I Fall in Love Too Easily
77 bpm • F# min • 03:25 • -15db
18% Popularity • 54% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
30% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Joe Henderson
Act II: I Loves You Porgy
77 bpm • D# Maj • 04:20 • -22db
17% Popularity • 39% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Warne Marsh
Quintessence
77 bpm • C min • 04:15 • -15db
32% Popularity • 58% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Griffin
The Way You Look Tonight - Remastered 20...
85 bpm • G# Maj • 06:19 • -7.84db
16% Popularity • 52% Danceability • 66% Energy • 21% Liveness
22% Instrumentalness • 62% Positiveness
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Per 'Texas' Johansson
Miljarder stjärnor
86 bpm • D# Maj • 05:39 • -12.62db
15% Popularity • 24% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 24% Positiveness
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Lars Gullin
Late Summer
77 bpm • C# Maj • 05:17 • -10.72db
10% Popularity • 49% Danceability • 28% Energy • 26% Liveness
89% Instrumentalness • 30% Positiveness
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Amanda Ginsburg
Min bild
86 bpm • G Maj • 04:54 • -16.92db
24% Popularity • 59% Danceability • 12% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
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Tommy Flanagan Trio
Velvet Moon
76 bpm • G# Maj • 05:19 • -18.4db
48% Popularity • 42% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Wayne Shorter
Black Nile - Remastered 2004 / Rudy Van ...
76 bpm • G min • 06:28 • -10.11db
35% Popularity • 44% Danceability • 59% Energy • 8% Liveness
18% Instrumentalness • 59% Positiveness
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Don Byas
Stardust (09-06-45)
75 bpm • C# Maj • 03:05 • -15.33db
14% Popularity • 36% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 56% Positiveness
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Marian McPartland
Love Is Here To Stay
75 bpm • D Maj • 02:50 • -16.67db
34% Popularity • 48% Danceability • 15% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
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Lars Gullin
Dyningar
86 bpm • G Maj • 02:50 • -22.67db
0% Popularity • 29% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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Joe Lovano
Seeds Of Change
87 bpm • G# min • 05:13 • -20.59db
35% Popularity • 34% Danceability • 5% Energy • 16% Liveness
9% Instrumentalness • 22% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
54% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Bud Shank
Cool Fool
75 bpm • G# Maj • 03:26 • -10.24db
20% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Gonsalves
I Cover The Waterfront
75 bpm • G min • 04:05 • -25.21db
40% Popularity • 54% Danceability • 4% Energy • 14% Liveness
40% Instrumentalness • 33% Positiveness
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Gerry Mulligan & Johnny Hodges
Shady Side
75 bpm • C Maj • 07:04 • -17.66db
37% Popularity • 66% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Lars Gullin
Man Lover (Lover Man)
87 bpm • D min • 03:02 • -19.41db
3% Popularity • 58% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 62% Positiveness
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Per 'Texas' Johansson
Tunnelseende
88 bpm • C# Maj • 05:44 • -12db
17% Popularity • 50% Danceability • 39% Energy • 26% Liveness
92% Instrumentalness • 62% Positiveness
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Joe Lovano
Stella By Starlight
88 bpm • C min • 05:47 • -17db
45% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Lennie Tristano
Atonement
74 bpm • A min • 02:32 • -19.87db
33% Popularity • 56% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Sweet Jazz Trio
Byssan Lull
88 bpm • F min • 03:34 • -27db
14% Popularity • 50% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 36% Positiveness
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Pepper Adams
Inanout
89 bpm • G min • 05:53 • -14.45db
13% Popularity • 33% Danceability • 56% Energy • 37% Liveness
9% Instrumentalness • 62% Positiveness
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Lars Gullin
I Fall in Love Too Easily
75 bpm • F min • 03:30 • -17db
13% Popularity • 56% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 49% Positiveness
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Count Basie
Softly, With Feeling
74 bpm • F min • 03:05 • -17.58db
16% Popularity • 36% Danceability • 15% Energy • 13% Liveness
69% Instrumentalness • 18% Positiveness
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Putte Wickman
Misty
89 bpm • G# Maj • 03:53 • -14db
18% Popularity • 27% Danceability • 21% Energy • 13% Liveness
49% Instrumentalness • 36% Positiveness
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Otis Williams
Red Hot Love
89 bpm • D min • 03:03 • -17.52db
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
36% Instrumentalness • 42% Positiveness
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Howard Roberts
When The Sun Comes Out
89 bpm • C min • 04:15 • -15.06db
31% Popularity • 60% Danceability • 20% Energy • 16% Liveness
66% Instrumentalness • 40% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
36% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Quincy Jones
For Lena And Lennie
73 bpm • C Maj • 04:19 • -18.13db
44% Popularity • 44% Danceability • 9% Energy • 9% Liveness
64% Instrumentalness • 21% Positiveness
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Lars Gullin
A La Carte
90 bpm • C Maj • 05:20 • -13.18db
14% Popularity • 62% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Wynton Marsalis
When It's Sleepytime Down South
90 bpm • G# Maj • 05:09 • -16.08db
42% Popularity • 53% Danceability • 13% Energy • 17% Liveness
16% Instrumentalness • 35% Positiveness
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Billy Taylor
Can You Tell by Looking at Me
73 bpm • G min • 04:24 • -16.26db
27% Popularity • 36% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Hank Mobley
My Groove Your Move - Rudy Van Gelder Ed...
73 bpm • D min • 06:07 • -12.17db
46% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bud Shank
Steve Allen Theme
90 bpm • A# min • 04:11 • -12db
28% Popularity • 65% Danceability • 25% Energy • 7% Liveness
83% Instrumentalness • 48% Positiveness
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Otis Williams
I'm Waiting Just For You
90 bpm • D# Maj • 03:49 • -12.01db
19% Popularity • 66% Danceability • 29% Energy • 21% Liveness
1% Instrumentalness • 71% Positiveness
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Lars Gullin
She's Funny That Way
73 bpm • A# min • 02:58 • -14.28db
3% Popularity • 43% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 52% Positiveness
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Joe Henderson
Recorda Me
91 bpm • C Maj • 06:01 • -10.18db
40% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
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Joe Lovano
Early Autumn
72 bpm • A# Maj • 07:31 • -18.62db
21% Popularity • 52% Danceability • 15% Energy • 33% Liveness
76% Instrumentalness • 33% Positiveness
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Don Byas
Misty
72 bpm • F Maj • 03:06 • -14.87db
43% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 49% Positiveness
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Brew Moore
Svinget 14
92 bpm • C Maj • 04:44 • -16.11db
0% Popularity • 54% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Miles Davis Quartet
Blue Haze
72 bpm • C min • 06:08 • -15.23db
33% Popularity • 60% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Lars Gullin
Prima Vera
72 bpm • C Maj • 04:15 • -18.9db
29% Popularity • 48% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Bud Shank
I've Grown Accustomed To Her Face
72 bpm • C min • 02:45 • -21db
30% Popularity • 40% Danceability • 13% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Stanley Turrentine & The Three Sounds
Willow Weep For Me - Remastered/2000
92 bpm • D min • 09:55 • -16db
33% Popularity • 56% Danceability • 9% Energy • 27% Liveness
77% Instrumentalness • 26% Positiveness
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Förnuft och Känsla
Händelse
92 bpm • F Maj • 04:39 • -16.12db
17% Popularity • 64% Danceability • 34% Energy • 10% Liveness
78% Instrumentalness • 85% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
34% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Charlie Rouse
Stella By Starlight
92 bpm • G min • 06:14 • -16db
14% Popularity • 60% Danceability • 9% Energy • 10% Liveness
19% Instrumentalness • 29% Positiveness
► Preview
Lars Gullin
Manchester Fog
72 bpm • A min • 04:20 • -18.44db
6% Popularity • 45% Danceability • 7% Energy • 18% Liveness
95% Instrumentalness • 14% Positiveness
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Ornette Coleman
When Will The Blues Leave?
92 bpm • A min • 05:00 • -14.76db
34% Popularity • 63% Danceability • 28% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Bengt Hallberg
One O'Clock Jump
93 bpm • F min • 03:53 • -13.88db
1% Popularity • 58% Danceability • 40% Energy • 10% Liveness
5% Instrumentalness • 67% Positiveness
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Don Byas
Old Folks
71 bpm • F Maj • 03:02 • -14db
38% Popularity • 50% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 73% Positiveness
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James Moody
I'm in the Mood for Love
71 bpm • C Maj • 02:52 • -13.37db
28% Popularity • 45% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 44% Positiveness
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Gil Melle
Sunset Concerto
93 bpm • G Maj • 02:07 • -16db
25% Popularity • 53% Danceability • 15% Energy • 12% Liveness
75% Instrumentalness • 28% Positiveness
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Lars Gullin
Like Someone in Love
93 bpm • G# Maj • 05:33 • -13.85db
5% Popularity • 59% Danceability • 21% Energy • 34% Liveness
2% Instrumentalness • 37% Positiveness
► Preview
Lennie Tristano
Inflight
93 bpm • F min • 02:05 • -17db
52% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
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Hank Mobley
Dam That Dream
71 bpm • A min • 06:10 • -15.73db
34% Popularity • 56% Danceability • 15% Energy • 8% Liveness
21% Instrumentalness • 36% Positiveness
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Sonny Clark
Gee Baby, Ain't I Good To You
70 bpm • D Maj • 03:58 • -16db
52% Popularity • 62% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 22% Positiveness
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Late Date