Songs like Late Day Swell by David Binney
Based on a tempo of (+/- 10%) and a similar genre
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Melissa Aldana
Unconscious Whispers
114 bpm • A Maj • 06:49 • -15.27db
37% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
37% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Nuvole
Three is a Crowd
114 bpm • A# Maj • 04:32 • -17.91db
12% Popularity • 48% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 36% Positiveness
12% Popularity • 48% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 36% Positiveness
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Sasha Berliner
Ephemerality
114 bpm • B Maj • 04:04 • -14.64db
8% Popularity • 40% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
8% Popularity • 40% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
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ELGNZA
IF I ENTER
114 bpm • C# min • 02:50 • -18.78db
16% Popularity • 44% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
16% Popularity • 44% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Louis Matute
Movie Star
115 bpm • G min • 03:56 • -13.55db
16% Popularity • 37% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
16% Popularity • 37% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
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Emma Rawicz
Rune
115 bpm • D Maj • 05:33 • -12.13db
14% Popularity • 42% Danceability • 37% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 37% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Martin Lindholm
Moving Forward
115 bpm • A min • 03:08 • -16.09db
20% Popularity • 51% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 24% Positiveness
20% Popularity • 51% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 24% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
21% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
21% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Remy Le Boeuf
Little Song
115 bpm • G# min • 05:47 • -9.11db
13% Popularity • 38% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
13% Popularity • 38% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Spider's Egg
Fuki's Tune (Live)
115 bpm • A min • 09:29 • -7.8db
1% Popularity • 37% Danceability • 92% Energy • 54% Liveness
28% Instrumentalness • 21% Positiveness
1% Popularity • 37% Danceability • 92% Energy • 54% Liveness
28% Instrumentalness • 21% Positiveness
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Kait Dunton
River
115 bpm • A# Maj • 01:48 • -14db
18% Popularity • 59% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 59% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Adam Rogers
My Ship
115 bpm • D min • 07:17 • -18.76db
1% Popularity • 42% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
1% Popularity • 42% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Jonnathan Green
Undisturbed Peace
115 bpm • F# Maj • 04:00 • -18.64db
8% Popularity • 52% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
8% Popularity • 52% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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David Binney Quartet
In a Way
115 bpm • E min • 04:50 • -13.34db
1% Popularity • 41% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 11% Positiveness
1% Popularity • 41% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 11% Positiveness
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Marcio Philomena
Trails
113 bpm • G Maj • 07:48 • -13.07db
14% Popularity • 54% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
14% Popularity • 54% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 47% Positiveness
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Daniel Karlsson Trio
Sorry Boss
115 bpm • A# min • 06:06 • -15.52db
11% Popularity • 42% Danceability • 52% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
11% Popularity • 42% Danceability • 52% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Hamrå Orkester
Hälsingland
113 bpm • C min • 04:41 • -18.54db
6% Popularity • 38% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 17% Positiveness
6% Popularity • 38% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 17% Positiveness
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Akropolis Reed Quintet
Strands
113 bpm • G# Maj • 07:33 • -11db
11% Popularity • 45% Danceability • 42% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
11% Popularity • 45% Danceability • 42% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
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Damien Kingston Quartet
CLFL Maps
116 bpm • C Maj • 02:07 • -12.85db
11% Popularity • 47% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
11% Popularity • 47% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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CAPTCHA
Follow the Detour
112 bpm • G Maj • 09:26 • -8.95db
8% Popularity • 44% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
8% Popularity • 44% Danceability • 50% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Will Vinson
Olive Tree
112 bpm • C Maj • 05:29 • -11.17db
14% Popularity • 41% Danceability • 22% Energy • 14% Liveness
36% Instrumentalness • 8% Positiveness
14% Popularity • 41% Danceability • 22% Energy • 14% Liveness
36% Instrumentalness • 8% Positiveness
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Adam Ratner
Nebula Vision
116 bpm • A# Maj • 05:59 • -10.55db
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
87% Instrumentalness • 63% Positiveness
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
87% Instrumentalness • 63% Positiveness
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Kris Monson
No. 2 Hit
112 bpm • C# Maj • 07:15 • -15.01db
21% Popularity • 51% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 43% Positiveness
21% Popularity • 51% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 43% Positiveness
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Sonny Greenwich Jr
Sins
112 bpm • G Maj • 03:30 • -7.26db
1% Popularity • 49% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
1% Popularity • 49% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Edson Ensemble
Heal Spell
116 bpm • A# Maj • 03:33 • -21.95db
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
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Joel Harrison
Tennesee Waltz
112 bpm • G Maj • 06:11 • -17.02db
2% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Karlsson Trio
Happy hour
116 bpm • G min • 04:36 • -17.3db
9% Popularity • 50% Danceability • 60% Energy • 15% Liveness
92% Instrumentalness • 43% Positiveness
9% Popularity • 50% Danceability • 60% Energy • 15% Liveness
92% Instrumentalness • 43% Positiveness
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David Binney
Magnolia
112 bpm • D min • 05:06 • -14.07db
0% Popularity • 42% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 42% Danceability • 23% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Spirale
Oh No
117 bpm • E min • 03:57 • -12.07db
9% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
9% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
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Sonny Greenwich Jr
Sins Redux
111 bpm • F Maj • 03:30 • -8.03db
0% Popularity • 30% Danceability • 53% Energy • 11% Liveness
19% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 53% Energy • 11% Liveness
19% Instrumentalness • 6% Positiveness
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Pablo Held
Scatoons Island
111 bpm • D Maj • 05:17 • -17.9db
13% Popularity • 46% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
13% Popularity • 46% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Janek Gwizdala
Constance
111 bpm • D min • 01:25 • -16.98db
9% Popularity • 22% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Fadhilah Kharisma Apriliani
Kemarau - Acoustic
117 bpm • F# min • 01:00 • -22.74db
10% Popularity • 49% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 68% Positiveness
10% Popularity • 49% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 68% Positiveness
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David Binney
The Fall
117 bpm • A# min • 03:32 • -11.4db
1% Popularity • 46% Danceability • 42% Energy • 12% Liveness
18% Instrumentalness • 11% Positiveness
1% Popularity • 46% Danceability • 42% Energy • 12% Liveness
18% Instrumentalness • 11% Positiveness
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Eden Har-Gil
Hearts of Palm
111 bpm • F Maj • 06:51 • -10.21db
10% Popularity • 57% Danceability • 40% Energy • 13% Liveness
30% Instrumentalness • 41% Positiveness
10% Popularity • 57% Danceability • 40% Energy • 13% Liveness
30% Instrumentalness • 41% Positiveness
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Tomasz DÄ…browski
Oddly Abstract Nature
111 bpm • D Maj • 03:06 • -15.04db
12% Popularity • 40% Danceability • 47% Energy • 31% Liveness
43% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 47% Energy • 31% Liveness
43% Instrumentalness • 21% Positiveness
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Wajdi Riahi
Choral Stambeli
117 bpm • G min • 03:21 • -17.53db
13% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
13% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Logan Kane
Spiders
117 bpm • F# Maj • 06:24 • -11.45db
1% Popularity • 36% Danceability • 25% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
1% Popularity • 36% Danceability • 25% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Petter Bergander Trio
On The Train to Lviv
118 bpm • G min • 07:45 • -16.8db
13% Popularity • 38% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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David Binney
Light Through Water
117 bpm • F# Maj • 05:47 • -19.16db
2% Popularity • 17% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
2% Popularity • 17% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Valentina Marán
Depuis Séville sans amour
110 bpm • G min • 03:55 • -9.84db
24% Popularity • 61% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 61% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Alina Bzhezhinska
Sans End
118 bpm • G# Maj • 05:38 • -17.81db
7% Popularity • 72% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 26% Positiveness
7% Popularity • 72% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 26% Positiveness
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Petter Eldh
Koma Rail
110 bpm • C Maj • 02:07 • -13.51db
14% Popularity • 28% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Matt Carmichael
Firth
110 bpm • B Maj • 06:36 • -14.63db
10% Popularity • 43% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
10% Popularity • 43% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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Fabrizio Graceffa
July and Dave
110 bpm • C# Maj • 04:56 • -18.13db
8% Popularity • 59% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
8% Popularity • 59% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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David Binney
I'mmuable
111 bpm • D# min • 04:40 • -10.95db
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
39% Instrumentalness • 54% Positiveness
14% Popularity • 74% Danceability • 38% Energy • 7% Liveness
39% Instrumentalness • 54% Positiveness
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Diggs Duke
Breathe Into Me
118 bpm • C min • 01:01 • -15.88db
14% Popularity • 22% Danceability • 20% Energy • 12% Liveness
99% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 20% Energy • 12% Liveness
99% Instrumentalness • 9% Positiveness
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Jahari Stampley
Replay
110 bpm • C# Maj • 04:22 • -10.41db
10% Popularity • 46% Danceability • 60% Energy • 11% Liveness
75% Instrumentalness • 46% Positiveness
10% Popularity • 46% Danceability • 60% Energy • 11% Liveness
75% Instrumentalness • 46% Positiveness
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Will Vinson
Oberkampf
110 bpm • A# Maj • 07:36 • -10.47db
11% Popularity • 56% Danceability • 35% Energy • 11% Liveness
41% Instrumentalness • 8% Positiveness
11% Popularity • 56% Danceability • 35% Energy • 11% Liveness
41% Instrumentalness • 8% Positiveness
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Musicmusicmusic
Friendly Intentions
110 bpm • F# Maj • 06:57 • -15.34db
10% Popularity • 30% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Lucien Johnson
Dawn
109 bpm • A Maj • 03:55 • -15.01db
11% Popularity • 24% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 26% Positiveness
11% Popularity • 24% Danceability • 42% Energy • 12% Liveness
83% Instrumentalness • 26% Positiveness
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David Binney
Cochise
117 bpm • F# min • 05:55 • -13.42db
0% Popularity • 52% Danceability • 56% Energy • 8% Liveness
7% Instrumentalness • 66% Positiveness
0% Popularity • 52% Danceability • 56% Energy • 8% Liveness
7% Instrumentalness • 66% Positiveness
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Ron Horton
A Prayer for Andrew
109 bpm • D min • 01:22 • -9.7db
9% Popularity • 24% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 24% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Louis Matute
Tangos
119 bpm • F min • 06:16 • -10.44db
10% Popularity • 44% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 32% Positiveness
10% Popularity • 44% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 32% Positiveness
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Patrick Booth
In the Still Silence
119 bpm • B Maj • 06:24 • -13.1db
12% Popularity • 37% Danceability • 36% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
12% Popularity • 37% Danceability • 36% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Bach Jazz
Badinerie, BWV 1067
109 bpm • G Maj • 03:00 • -20.86db
23% Popularity • 53% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
23% Popularity • 53% Danceability • 27% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
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Kit Downes
Sun
109 bpm • D Maj • 03:07 • -14.69db
19% Popularity • 41% Danceability • 45% Energy • 6% Liveness
91% Instrumentalness • 57% Positiveness
19% Popularity • 41% Danceability • 45% Energy • 6% Liveness
91% Instrumentalness • 57% Positiveness
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David Binney
Without You
118 bpm • C# Maj • 04:09 • -13.14db
0% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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AGE
Ballage
119 bpm • D Maj • 03:43 • -14.47db
8% Popularity • 60% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 21% Positiveness
8% Popularity • 60% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 21% Positiveness
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Logan Kane
DSP
119 bpm • G# Maj • 02:44 • -7.3db
1% Popularity • 43% Danceability • 91% Energy • 14% Liveness
44% Instrumentalness • 69% Positiveness
1% Popularity • 43% Danceability • 91% Energy • 14% Liveness
44% Instrumentalness • 69% Positiveness
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Nir Felder
Revival
109 bpm • E min • 08:23 • -8.68db
13% Popularity • 50% Danceability • 61% Energy • 10% Liveness
50% Instrumentalness • 36% Positiveness
13% Popularity • 50% Danceability • 61% Energy • 10% Liveness
50% Instrumentalness • 36% Positiveness
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Marco Papa Emil Buchholtz
Brainstorming (second session) V
109 bpm • A Maj • 01:16 • -45.18db
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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BGM channel
I Hope He's Good For You
109 bpm • D# min • 03:51 • -17.42db
15% Popularity • 70% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 32% Positiveness
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David Binney
Rue De Fishes
119 bpm • D Maj • 07:43 • -16.89db
0% Popularity • 51% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
0% Popularity • 51% Danceability • 30% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
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AGE
Tanuki the First
119 bpm • C# Maj • 03:49 • -15.04db
11% Popularity • 45% Danceability • 19% Energy • 21% Liveness
8% Instrumentalness • 13% Positiveness
11% Popularity • 45% Danceability • 19% Energy • 21% Liveness
8% Instrumentalness • 13% Positiveness
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Tom Ollendorff
Arrows and Loops
119 bpm • D# min • 10:23 • -13.5db
12% Popularity • 47% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
12% Popularity • 47% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Outside World
Outro
109 bpm • G Maj • 06:03 • -12.09db
10% Popularity • 56% Danceability • 47% Energy • 9% Liveness
79% Instrumentalness • 48% Positiveness
10% Popularity • 56% Danceability • 47% Energy • 9% Liveness
79% Instrumentalness • 48% Positiveness
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SAI
Hajimari
109 bpm • F# Maj • 01:23 • -11.05db
19% Popularity • 30% Danceability • 29% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
19% Popularity • 30% Danceability • 29% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
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John Zorn
Tharsis
108 bpm • C Maj • 05:54 • -8.78db
9% Popularity • 49% Danceability • 77% Energy • 10% Liveness
21% Instrumentalness • 45% Positiveness
9% Popularity • 49% Danceability • 77% Energy • 10% Liveness
21% Instrumentalness • 45% Positiveness
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David Binney
Watch Your Head
109 bpm • F# Maj • 05:43 • -12.18db
0% Popularity • 49% Danceability • 53% Energy • 37% Liveness
2% Instrumentalness • 51% Positiveness
0% Popularity • 49% Danceability • 53% Energy • 37% Liveness
2% Instrumentalness • 51% Positiveness
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Dan Rosenboom
Apes in Rapture
120 bpm • A Maj • 06:17 • -8.36db
0% Popularity • 40% Danceability • 81% Energy • 13% Liveness
8% Instrumentalness • 63% Positiveness
0% Popularity • 40% Danceability • 81% Energy • 13% Liveness
8% Instrumentalness • 63% Positiveness
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Laurent Dury
Negroni on the Rocks
120 bpm • D min • 01:59 • -12.58db
20% Popularity • 69% Danceability • 52% Energy • 30% Liveness
21% Instrumentalness • 54% Positiveness
20% Popularity • 69% Danceability • 52% Energy • 30% Liveness
21% Instrumentalness • 54% Positiveness
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DJ-AJC
Echolalia Inferno
120 bpm • C Maj • 01:56 • -15.57db
9% Popularity • 76% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
9% Popularity • 76% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
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Jahari Stampley
Still Listening - LIVE WITH STRINGS
120 bpm • E min • 03:11 • -13.12db
13% Popularity • 49% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
13% Popularity • 49% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Jonnathan Green
Don't Pile On
120 bpm • C# Maj • 03:17 • -18.33db
21% Popularity • 80% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
21% Popularity • 80% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
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David Binney
Once, when she was here
109 bpm • C# Maj • 06:47 • -15.9db
7% Popularity • 41% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
7% Popularity • 41% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Lis Wessberg
Tapestry of Life
120 bpm • C# min • 03:51 • -13.78db
3% Popularity • 57% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
3% Popularity • 57% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
11% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
17% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
17% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Cz Duo
Skyfall
108 bpm • E Maj • 03:34 • -10.76db
0% Popularity • 33% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
0% Popularity • 33% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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Jonnathan Green
The Rest Will Have to Wait Their Turn
120 bpm • C# min • 03:34 • -14.58db
21% Popularity • 81% Danceability • 31% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
21% Popularity • 81% Danceability • 31% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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David Binney
Seven Sixty
120 bpm • G Maj • 07:25 • -11.92db
1% Popularity • 51% Danceability • 42% Energy • 13% Liveness
63% Instrumentalness • 50% Positiveness
1% Popularity • 51% Danceability • 42% Energy • 13% Liveness
63% Instrumentalness • 50% Positiveness
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David Friedman
3 + 1 = 5
121 bpm • F min • 05:51 • -13.68db
10% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
10% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
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Peace Flag Ensemble
Agnes Martin Dreams of Macklin
108 bpm • D Maj • 03:38 • -17.2db
15% Popularity • 27% Danceability • 21% Energy • 28% Liveness
91% Instrumentalness • 11% Positiveness
15% Popularity • 27% Danceability • 21% Energy • 28% Liveness
91% Instrumentalness • 11% Positiveness
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Slowly Rolling Camera
You Are the Truth
108 bpm • A# min • 04:39 • -13.29db
12% Popularity • 31% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 38% Positiveness
12% Popularity • 31% Danceability • 54% Energy • 16% Liveness
91% Instrumentalness • 38% Positiveness
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Kit Downes
Hollywood Bypass
121 bpm • D Maj • 02:47 • -13.95db
24% Popularity • 41% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
24% Popularity • 41% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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Tom Ollendorff
Deluge
107 bpm • E Maj • 04:35 • -16.4db
9% Popularity • 54% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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David Binney
Secret Miracle
109 bpm • E min • 07:35 • -10.45db
0% Popularity • 52% Danceability • 47% Energy • 12% Liveness
18% Instrumentalness • 34% Positiveness
0% Popularity • 52% Danceability • 47% Energy • 12% Liveness
18% Instrumentalness • 34% Positiveness
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Dave Douglas
Kind of Teal
107 bpm • C Maj • 07:26 • -12.38db
9% Popularity • 55% Danceability • 36% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
9% Popularity • 55% Danceability • 36% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
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Harald Lassen
Good luck, W
122 bpm • B Maj • 04:54 • -15.43db
12% Popularity • 36% Danceability • 27% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 36% Danceability • 27% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Spider's Egg
Unsaid (Live)
107 bpm • A# min • 08:19 • -11.06db
1% Popularity • 39% Danceability • 46% Energy • 12% Liveness
44% Instrumentalness • 11% Positiveness
1% Popularity • 39% Danceability • 46% Energy • 12% Liveness
44% Instrumentalness • 11% Positiveness
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XYQuartet
Spazio Angusto
122 bpm • G Maj • 06:52 • -15.97db
8% Popularity • 55% Danceability • 21% Energy • 10% Liveness
22% Instrumentalness • 10% Positiveness
8% Popularity • 55% Danceability • 21% Energy • 10% Liveness
22% Instrumentalness • 10% Positiveness
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Melissa Aldana
I Know You Know
122 bpm • F# min • 06:29 • -13.97db
18% Popularity • 55% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
18% Popularity • 55% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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David Binney
She Hates, Outro
120 bpm • C# Maj • 01:53 • -11.71db
7% Popularity • 40% Danceability • 55% Energy • 12% Liveness
52% Instrumentalness • 30% Positiveness
7% Popularity • 40% Danceability • 55% Energy • 12% Liveness
52% Instrumentalness • 30% Positiveness
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Joel Harrison
My Sweet Lord
107 bpm • D Maj • 04:45 • -15.88db
1% Popularity • 54% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
1% Popularity • 54% Danceability • 27% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
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Atrisma
Lucioles
122 bpm • A# min • 01:11 • -18.68db
22% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
22% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Jesse Koolhaas
Six Shooter
122 bpm • G# Maj • 06:56 • -16.46db
8% Popularity • 55% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 55% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Flash Pig
QG
107 bpm • G min • 05:35 • -10.95db
14% Popularity • 61% Danceability • 46% Energy • 12% Liveness
24% Instrumentalness • 35% Positiveness
14% Popularity • 61% Danceability • 46% Energy • 12% Liveness
24% Instrumentalness • 35% Positiveness
