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Lately
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Lately
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Dan + Shay
Based on a tempo of (+/- 10%) and a similar genre
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Chris Young
Losing Sleep
92 bpm • C# Maj • 02:58 • -5.7db
57% Popularity • 58% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Janson
Good Vibes
92 bpm • C Maj • 02:45 • -2.77db
63% Popularity • 58% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
24% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kane Brown
Lose It
92 bpm • E min • 02:58 • -4.97db
63% Popularity • 55% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Dan + Shay
Lately
92 bpm • C Maj • 04:03 • -6db
48% Popularity • 62% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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BEXAR
Handmade
92 bpm • F min • 03:08 • -4.28db
31% Popularity • 81% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Maren Morris
I Could Use a Love Song
92 bpm • F# Maj • 03:16 • -6.47db
64% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Carrie Underwood
End Up With You
93 bpm • A# min • 03:13 • -4.23db
42% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Seth Ennis
Fast Girl
92 bpm • D# Maj • 02:51 • -6db
23% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jana Kramer
I've Done Love
91 bpm • D min • 03:09 • -5db
32% Popularity • 64% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Frankie Ballard
Sunshine & Whiskey
93 bpm • A Maj • 03:02 • -6.79db
65% Popularity • 67% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Temecula Road
What If I Kissed You
93 bpm • C# Maj • 03:40 • -5.34db
21% Popularity • 54% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
44% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Dylan Schneider
Two Black X's
91 bpm • C# Maj • 03:14 • -5.67db
47% Popularity • 62% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Currington
Don't It
91 bpm • C# Maj • 03:09 • -4.48db
66% Popularity • 57% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Russell Dickerson
Every Little Thing
94 bpm • C# Maj • 03:10 • -4.66db
63% Popularity • 64% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Michael Tyler
They Can't See
94 bpm • F Maj • 03:12 • -6.72db
32% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Kenny Chesney
Setting the World On Fire
94 bpm • C Maj • 03:37 • -4.42db
61% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Young
What If I Stay
94 bpm • E Maj • 03:25 • -6.05db
44% Popularity • 58% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dan + Shay
Parking Brake
90 bpm • F# Maj • 03:36 • -5.39db
34% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jerrod Niemann
But I Do
94 bpm • B min • 03:44 • -7.65db
35% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Currington
Do I Make You Wanna
90 bpm • A Maj • 03:54 • -5.43db
65% Popularity • 55% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Jason Aldean
Drowns The Whiskey
90 bpm • G# Maj • 03:22 • -4.82db
61% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Cale Dodds
All Over
90 bpm • B Maj • 02:51 • -4.98db
27% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Jordan Davis
Selfish
90 bpm • G# Maj • 03:12 • -6.07db
59% Popularity • 75% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Dan + Shay
Tequila - Live Session at Sound Stage St...
90 bpm • B Maj • 02:54 • -6.6db
36% Popularity • 63% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Brandon Ratcliff
Number in My Phone
90 bpm • D Maj • 02:53 • -4.26db
23% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Gabby Barrett
The Good Ones
90 bpm • D Maj • 03:35 • -5.02db
71% Popularity • 52% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Scotty McCreery
Wherever You Are
90 bpm • B Maj • 03:05 • -5.54db
39% Popularity • 41% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Cassadee Pope
FYI
89 bpm • D Maj • 03:24 • -5db
29% Popularity • 26% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Lauren Alaina
Getting Good
94 bpm • B Maj • 03:20 • -5.45db
44% Popularity • 53% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jordan Davis
Lose You
95 bpm • F# Maj • 03:23 • -6db
60% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dan + Shay
Round the Clock
95 bpm • G Maj • 03:22 • -6.58db
37% Popularity • 58% Danceability • 74% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Schneider
How Bad Could One Kiss Hurt
95 bpm • C# Maj • 02:56 • -5.26db
42% Popularity • 53% Danceability • 84% Energy • 12% Liveness
4% Instrumentalness • 79% Positiveness
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Florida Georgia Line
Blessings
89 bpm • E Maj • 03:18 • -6db
57% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
59% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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LOCASH
I Know Somebody
89 bpm • C# Maj • 03:17 • -3.7db
31% Popularity • 50% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Brett Young
Sleep Without You
89 bpm • F min • 03:07 • -6db
61% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dan + Shay
All To Myself
95 bpm • C# Maj • 02:49 • -4.62db
64% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Lindsey Stirling
Those Days
96 bpm • G Maj • 03:46 • -4.44db
39% Popularity • 48% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Dylan Schneider
Grew up Slower
96 bpm • A min • 02:56 • -6.73db
42% Popularity • 64% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Brandon Lay
Yada Yada Yada
96 bpm • C Maj • 03:37 • -7.52db
38% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Bandi
Only One
96 bpm • C# min • 02:59 • -5.99db
29% Popularity • 63% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Young
Close Enough
89 bpm • G Maj • 03:06 • -5.31db
38% Popularity • 51% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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King Calaway
World For Two
97 bpm • A# Maj • 03:05 • -8.1db
40% Popularity • 68% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Brothers Osborne
Stay A Little Longer
97 bpm • F# Maj • 05:35 • -5.36db
64% Popularity • 56% Danceability • 89% Energy • 16% Liveness
11% Instrumentalness • 55% Positiveness
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Old Dominion
Crazy Beautiful Sexy
97 bpm • G# Maj • 03:08 • -4.33db
45% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Brandon Lay
Speakers, Bleachers And Preachers
96 bpm • F# Maj • 03:12 • -6.59db
51% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Brooks & Dunn
Ain't Nothing 'Bout You - with Brett You...
97 bpm • G# min • 04:01 • -6db
49% Popularity • 68% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Brett Young
Here Tonight
96 bpm • B Maj • 03:36 • -5db
59% Popularity • 52% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Russell Dickerson
Would You Love Me
97 bpm • C# Maj • 02:50 • -4.84db
38% Popularity • 63% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Morgan Evans
Day Drunk
97 bpm • A# Maj • 03:14 • -5.45db
57% Popularity • 65% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
64% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Dan + Shay
Good Things
97 bpm • B Maj • 02:28 • -6db
54% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Canaan Smith
Always And Forever
98 bpm • A# Maj • 02:54 • -6.36db
44% Popularity • 65% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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CB30
Like It's a Bad Thing
98 bpm • G Maj • 02:55 • -5.45db
16% Popularity • 63% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Brett Young
Ticket To L.A.
86 bpm • A Maj • 03:29 • -6.55db
44% Popularity • 55% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Seth Ennis
Call Your Mama
86 bpm • F# Maj • 03:16 • -7.93db
39% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Brandon Ray
Ends of the Earth
86 bpm • A# Maj • 02:56 • -6.11db
27% Popularity • 54% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Dan + Shay
No Such Thing
87 bpm • C Maj • 02:59 • -5db
42% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Carly Pearce
If My Name Was Whiskey
86 bpm • G Maj • 03:17 • -7db
43% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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JT Hodges
Drink You Down
99 bpm • C Maj • 03:17 • -5.06db
13% Popularity • 66% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Zac Brown Band
Loving You Easy
99 bpm • C# Maj • 02:35 • -4.18db
63% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Thomas Rhett
Marry Me
85 bpm • D# Maj • 03:25 • -8.63db
67% Popularity • 33% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Thompson Square
Breakers
85 bpm • C Maj • 03:56 • -8.38db
25% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Dan + Shay
Tequila
86 bpm • B Maj • 03:16 • -5.73db
72% Popularity • 49% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Alaina
Ladies In The '90s
100 bpm • G Maj • 03:45 • -3db
52% Popularity • 64% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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LOCASH
It’s Only Midnight
100 bpm • A Maj • 02:54 • -4.83db
44% Popularity • 59% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
70% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Currington
Bring It On Over
100 bpm • C Maj • 03:02 • -4.58db
47% Popularity • 70% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Maddie & Tae
Friends Don't
100 bpm • G Maj • 03:08 • -5.95db
60% Popularity • 53% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Dan + Shay
All Nighter
98 bpm • E Maj • 03:23 • -4.03db
38% Popularity • 54% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Chase Bryant
Hell If I Know
100 bpm • G# Maj • 02:49 • -5.64db
42% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Logan Mize
Better Off Gone
100 bpm • F min • 03:02 • -7.42db
57% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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LOCASH
Ring On Every Finger
100 bpm • G Maj • 03:31 • -4db
30% Popularity • 59% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Scott
Naked
100 bpm • G min • 03:27 • -7.74db
37% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Seth Alley
Be Yourself
100 bpm • B Maj • 03:19 • -6.77db
20% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Dan + Shay
Tequila - The Vocals
86 bpm • F# Maj • 03:09 • -9.05db
27% Popularity • 56% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Carrie Underwood
Southbound
101 bpm • C Maj • 03:22 • -4.02db
55% Popularity • 61% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Old Dominion
Written in the Sand
84 bpm • F# Maj • 03:04 • -9.6db
66% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Young
Radio and the Rain
84 bpm • G min • 03:00 • -6.6db
32% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Dustin Lynch
Why We Call Each Other
84 bpm • A# min • 03:20 • -6.15db
31% Popularity • 63% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Scotty McCreery
I Love You This Big
84 bpm • A Maj • 04:06 • -6.34db
46% Popularity • 52% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Dan + Shay
Nothin' Like You
85 bpm • E Maj • 03:06 • -4.77db
60% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Joe Nichols
Undone
84 bpm • C Maj • 03:22 • -5.35db
37% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
64% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Blake Shelton
I'll Name the Dogs
83 bpm • E Maj • 03:03 • -6db
62% Popularity • 35% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Dustin Lynch
I'd Be Jealous Too
101 bpm • C Maj • 03:05 • -5.36db
54% Popularity • 72% Danceability • 72% Energy • 47% Liveness
0% Instrumentalness • 54% Positiveness
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Carly Pearce
Honeysuckle
101 bpm • F Maj • 03:18 • -4db
24% Popularity • 63% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Kip Moore
Hey Pretty Girl
83 bpm • D Maj • 03:35 • -10.62db
59% Popularity • 29% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Jana Kramer
Love
102 bpm • G# Maj • 03:24 • -5.25db
33% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Brothers
Want
102 bpm • B min • 02:54 • -4.9db
22% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Old Dominion
Nowhere Fast
102 bpm • G Maj • 03:08 • -7.31db
53% Popularity • 79% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dustin Lynch
Seein' Red
101 bpm • C# min • 03:14 • -4.73db
55% Popularity • 65% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Dan + Shay
Can't Say No
102 bpm • F Maj • 02:54 • -11db
45% Popularity • 74% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
35% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Kane Brown
Work
83 bpm • D Maj • 03:05 • -8.7db
42% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Carly Pearce
You Know Where To Find Me
83 bpm • F min • 03:28 • -4.43db
28% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
67% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Thompson Square
Masterpiece
83 bpm • C# Maj • 04:07 • -6db
31% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lately