Songs like Latino Suite by Dado Moroni
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Payton
The Last Goodbye
160 bpm • D Maj • 05:25 • -12db
36% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 32% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Pat Senatore
Like Someone In Love
158 bpm • C min • 06:25 • -14.41db
4% Popularity • 39% Danceability • 50% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
4% Popularity • 39% Danceability • 50% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
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Carl Bagge Trio
Só Tinha de Ser Com Você
157 bpm • F Maj • 03:56 • -14.79db
12% Popularity • 70% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 67% Positiveness
12% Popularity • 70% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 67% Positiveness
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Wolfgang Lackerschmid
Half The Way
157 bpm • F min • 03:31 • -10db
18% Popularity • 38% Danceability • 48% Energy • 13% Liveness
41% Instrumentalness • 71% Positiveness
18% Popularity • 38% Danceability • 48% Energy • 13% Liveness
41% Instrumentalness • 71% Positiveness
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Paolo Fresu Quintet
Pour une femme (Dedicated to chet)
156 bpm • D min • 06:17 • -22.11db
11% Popularity • 38% Danceability • 7% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
11% Popularity • 38% Danceability • 7% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
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Cheesy Jazzdaddy
Meet Me There
162 bpm • C Maj • 01:51 • -25.06db
10% Popularity • 46% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 22% Positiveness
10% Popularity • 46% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 22% Positiveness
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Dado Moroni
Minority
155 bpm • F min • 05:50 • -13.17db
0% Popularity • 34% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
0% Popularity • 34% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Joshua Redman Quartet
Alone in the Morning
155 bpm • G Maj • 05:05 • -14.54db
22% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Bruno D'Ambra
Top Geezer
152 bpm • A# Maj • 02:33 • -12.29db
14% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
14% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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George Robert
Susanita
152 bpm • C Maj • 04:50 • -10.51db
0% Popularity • 38% Danceability • 41% Energy • 16% Liveness
91% Instrumentalness • 15% Positiveness
0% Popularity • 38% Danceability • 41% Energy • 16% Liveness
91% Instrumentalness • 15% Positiveness
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Rosello Blue
Blue Tears
168 bpm • A# Maj • 02:13 • -18.51db
14% Popularity • 39% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 25% Positiveness
14% Popularity • 39% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 25% Positiveness
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Yoko Miwa Trio
Keep Talkin'
151 bpm • G# Maj • 04:16 • -12.14db
30% Popularity • 52% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
30% Popularity • 52% Danceability • 70% Energy • 9% Liveness
97% Instrumentalness • 64% Positiveness
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Dado Moroni
Desafinado
155 bpm • C min • 08:58 • -17.51db
0% Popularity • 52% Danceability • 46% Energy • 16% Liveness
93% Instrumentalness • 80% Positiveness
0% Popularity • 52% Danceability • 46% Energy • 16% Liveness
93% Instrumentalness • 80% Positiveness
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Joey Calderazzo
Slings And Arrows
151 bpm • G Maj • 05:10 • -11.38db
12% Popularity • 30% Danceability • 73% Energy • 34% Liveness
93% Instrumentalness • 60% Positiveness
12% Popularity • 30% Danceability • 73% Energy • 34% Liveness
93% Instrumentalness • 60% Positiveness
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Mads Vinding
Softly, As In A Morning Sunrise
151 bpm • D# Maj • 09:01 • -14.95db
0% Popularity • 35% Danceability • 55% Energy • 71% Liveness
78% Instrumentalness • 66% Positiveness
0% Popularity • 35% Danceability • 55% Energy • 71% Liveness
78% Instrumentalness • 66% Positiveness
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Stefano Bollani Trio
Orvieto
150 bpm • F Maj • 07:57 • -21.14db
10% Popularity • 35% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
10% Popularity • 35% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
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Gonzalo Rubalcaba
Turning I
150 bpm • G# Maj • 02:10 • -14db
30% Popularity • 26% Danceability • 54% Energy • 26% Liveness
93% Instrumentalness • 57% Positiveness
30% Popularity • 26% Danceability • 54% Energy • 26% Liveness
93% Instrumentalness • 57% Positiveness
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PURSUANCE
Serene
169 bpm • G# Maj • 09:36 • -18.38db
10% Popularity • 30% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 30% Danceability • 15% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Dado Moroni
The Secret Life of Plants
165 bpm • D# Maj • 05:33 • -9.05db
2% Popularity • 45% Danceability • 46% Energy • 27% Liveness
93% Instrumentalness • 12% Positiveness
2% Popularity • 45% Danceability • 46% Energy • 27% Liveness
93% Instrumentalness • 12% Positiveness
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Thrasher Dream Trio
Spartacus: Love Theme
150 bpm • E min • 03:38 • -11.87db
8% Popularity • 52% Danceability • 76% Energy • 74% Liveness
1% Instrumentalness • 50% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 74% Liveness
1% Instrumentalness • 50% Positiveness
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Brussels Jazz Orchestra
Only for the Honest
169 bpm • C# Maj • 06:27 • -12.58db
11% Popularity • 34% Danceability • 32% Energy • 32% Liveness
41% Instrumentalness • 34% Positiveness
11% Popularity • 34% Danceability • 32% Energy • 32% Liveness
41% Instrumentalness • 34% Positiveness
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Tom Stills Quartet
Bringing It All Back
149 bpm • F min • 02:40 • -17.17db
22% Popularity • 50% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
22% Popularity • 50% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 43% Positiveness
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Marc Copland
Flip Side
170 bpm • G# Maj • 03:45 • -22.96db
39% Popularity • 33% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 33% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Cyrus Chestnut
Darn That Dream
148 bpm • G Maj • 05:05 • -24.55db
44% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
44% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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El Comité
Nada Mas
171 bpm • A# Maj • 05:18 • -14.84db
7% Popularity • 38% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
7% Popularity • 38% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Dado Moroni
What Is This Thing Called Love
148 bpm • C Maj • 05:15 • -11.9db
0% Popularity • 37% Danceability • 48% Energy • 35% Liveness
64% Instrumentalness • 38% Positiveness
0% Popularity • 37% Danceability • 48% Energy • 35% Liveness
64% Instrumentalness • 38% Positiveness
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Cory Weeds
Too Marvelous For Words
148 bpm • C# Maj • 05:47 • -9.62db
11% Popularity • 62% Danceability • 32% Energy • 10% Liveness
40% Instrumentalness • 52% Positiveness
11% Popularity • 62% Danceability • 32% Energy • 10% Liveness
40% Instrumentalness • 52% Positiveness
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The Modern Jazz Trio
There Will Never Be Another You
172 bpm • D Maj • 04:53 • -10.79db
8% Popularity • 38% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
8% Popularity • 38% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 48% Positiveness
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The Cube
Purpura
172 bpm • C# Maj • 02:47 • -23.09db
0% Popularity • 59% Danceability • 21% Energy • 14% Liveness
92% Instrumentalness • 51% Positiveness
0% Popularity • 59% Danceability • 21% Energy • 14% Liveness
92% Instrumentalness • 51% Positiveness
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Max Ionata
Lotus Blossom
172 bpm • A# Maj • 03:50 • -15.48db
1% Popularity • 36% Danceability • 15% Energy • 9% Liveness
61% Instrumentalness • 8% Positiveness
1% Popularity • 36% Danceability • 15% Energy • 9% Liveness
61% Instrumentalness • 8% Positiveness
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Michel Bisceglia
Out To Sea
172 bpm • G# Maj • 05:00 • -19.3db
10% Popularity • 38% Danceability • 17% Energy • 18% Liveness
83% Instrumentalness • 30% Positiveness
10% Popularity • 38% Danceability • 17% Energy • 18% Liveness
83% Instrumentalness • 30% Positiveness
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Ova Wunsch
KissWorm
146 bpm • A# min • 03:21 • -14.59db
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
27% Popularity • 56% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Kenny Barron Trio
How Deep Is The Ocean
174 bpm • F min • 08:20 • -9.05db
10% Popularity • 42% Danceability • 54% Energy • 11% Liveness
4% Instrumentalness • 47% Positiveness
10% Popularity • 42% Danceability • 54% Energy • 11% Liveness
4% Instrumentalness • 47% Positiveness
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Nick Hempton
I'm a Fool to Want You
175 bpm • F min • 05:33 • -11.32db
9% Popularity • 45% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 36% Positiveness
9% Popularity • 45% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 36% Positiveness
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Sodermalm Strand
Whispers of the Evening
145 bpm • C Maj • 03:15 • -10.82db
42% Popularity • 50% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
42% Popularity • 50% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Jazzy Boy
Jazzy Boy
144 bpm • C Maj • 02:20 • -12.65db
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
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Max Ionata
Day Dream
176 bpm • A# Maj • 04:45 • -12.41db
1% Popularity • 44% Danceability • 12% Energy • 21% Liveness
20% Instrumentalness • 21% Positiveness
1% Popularity • 44% Danceability • 12% Energy • 21% Liveness
20% Instrumentalness • 21% Positiveness
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Kevin Yosua
How Deep is the Ocean
144 bpm • C# Maj • 05:41 • -15.38db
0% Popularity • 42% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 34% Positiveness
0% Popularity • 42% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 34% Positiveness
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Ova Wunsch
All Me
144 bpm • A# min • 03:19 • -12.7db
27% Popularity • 65% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 73% Positiveness
27% Popularity • 65% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 73% Positiveness
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Gathering in Jazz
Blues for All
143 bpm • G Maj • 05:26 • -10db
21% Popularity • 46% Danceability • 44% Energy • 22% Liveness
41% Instrumentalness • 40% Positiveness
21% Popularity • 46% Danceability • 44% Energy • 22% Liveness
41% Instrumentalness • 40% Positiveness
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Sam Johnson Trio
Waltz For Taylor
177 bpm • F Maj • 03:18 • -19.81db
9% Popularity • 41% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 40% Positiveness
9% Popularity • 41% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 40% Positiveness
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Kevin Hays
Elegia
143 bpm • G Maj • 09:54 • -15db
12% Popularity • 35% Danceability • 33% Energy • 7% Liveness
56% Instrumentalness • 23% Positiveness
12% Popularity • 35% Danceability • 33% Energy • 7% Liveness
56% Instrumentalness • 23% Positiveness
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Isaiah J. Thompson
Hi-Fly
143 bpm • G min • 04:41 • -19.98db
19% Popularity • 50% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 50% Positiveness
19% Popularity • 50% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 50% Positiveness
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Jazzy Boy
Looking for Love
143 bpm • D# Maj • 04:56 • -17.19db
17% Popularity • 40% Danceability • 13% Energy • 13% Liveness
78% Instrumentalness • 13% Positiveness
17% Popularity • 40% Danceability • 13% Energy • 13% Liveness
78% Instrumentalness • 13% Positiveness
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Enrico Rava
Easy Living
142 bpm • C Maj • 04:14 • -20.99db
16% Popularity • 37% Danceability • 1% Energy • 9% Liveness
19% Instrumentalness • 17% Positiveness
16% Popularity • 37% Danceability • 1% Energy • 9% Liveness
19% Instrumentalness • 17% Positiveness
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Dado Moroni
Love's in Need of Love Today
142 bpm • D# Maj • 04:23 • -8.04db
4% Popularity • 48% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
4% Popularity • 48% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
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Reverie Trio
Come Fly Away
142 bpm • C Maj • 03:29 • -19.75db
30% Popularity • 48% Danceability • 12% Energy • 14% Liveness
60% Instrumentalness • 13% Positiveness
30% Popularity • 48% Danceability • 12% Energy • 14% Liveness
60% Instrumentalness • 13% Positiveness
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Pat Senatore
There Will Never Be Another You
142 bpm • F min • 07:20 • -16.77db
4% Popularity • 50% Danceability • 35% Energy • 28% Liveness
90% Instrumentalness • 48% Positiveness
4% Popularity • 50% Danceability • 35% Energy • 28% Liveness
90% Instrumentalness • 48% Positiveness
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Doctor 3
Close To You
141 bpm • F Maj • 03:52 • -17.39db
10% Popularity • 46% Danceability • 10% Energy • 10% Liveness
35% Instrumentalness • 16% Positiveness
10% Popularity • 46% Danceability • 10% Energy • 10% Liveness
35% Instrumentalness • 16% Positiveness
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McCoy Tyner Trio
Speak Low - 2018 Digitally Remastered
142 bpm • C Maj • 06:17 • -19.25db
27% Popularity • 36% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
27% Popularity • 36% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Maria Kannegaard Trio
Don't Worry
141 bpm • F# Maj • 05:33 • -14.82db
14% Popularity • 44% Danceability • 24% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
14% Popularity • 44% Danceability • 24% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
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Eric Legnini
Think of One
140 bpm • C Maj • 03:45 • -21.93db
20% Popularity • 56% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
20% Popularity • 56% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 52% Positiveness
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Arne Torvik Trio
Longing For The Woods
141 bpm • A# min • 06:00 • -17.47db
14% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
14% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Russell Malone
Gaslight
140 bpm • E Maj • 04:38 • -15.53db
11% Popularity • 54% Danceability • 40% Energy • 9% Liveness
17% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 40% Energy • 9% Liveness
17% Instrumentalness • 55% Positiveness
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Yoko Miwa Trio
Sunset Lane
139 bpm • C Maj • 06:09 • -15db
15% Popularity • 37% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
15% Popularity • 37% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Ben Allison
The Afterbeat
181 bpm • A# min • 05:37 • -16.79db
12% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Coffee Shop Jazz
Urban Jazz Nightscape
182 bpm • E min • 01:49 • -15.79db
18% Popularity • 38% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
18% Popularity • 38% Danceability • 14% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Dado Moroni
Don't Get Around Much Anymore
139 bpm • F min • 05:19 • -14.94db
1% Popularity • 55% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 48% Positiveness
1% Popularity • 55% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 48% Positiveness
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Tom Harrell
Sail Away
139 bpm • C Maj • 05:15 • -21.1db
19% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
19% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 26% Positiveness
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Magnus Hjorth Trio
Yantoon
183 bpm • G min • 05:53 • -22.38db
10% Popularity • 36% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
10% Popularity • 36% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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Kevin Yosua
Up Jumped Spring
182 bpm • A# Maj • 06:29 • -14.95db
0% Popularity • 37% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
0% Popularity • 37% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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The Cube
Easy Living
138 bpm • G min • 03:56 • -16.8db
0% Popularity • 42% Danceability • 10% Energy • 3% Liveness
30% Instrumentalness • 29% Positiveness
0% Popularity • 42% Danceability • 10% Energy • 3% Liveness
30% Instrumentalness • 29% Positiveness
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Samyr Guarrera
Blues for Family
138 bpm • G# Maj • 05:14 • -14.57db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
40% Instrumentalness • 46% Positiveness
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
40% Instrumentalness • 46% Positiveness
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Dado Moroni
Send One Your Love
138 bpm • C min • 07:41 • -8.03db
2% Popularity • 64% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
2% Popularity • 64% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Mads Vinding
Quiet Yesterday
138 bpm • F Maj • 08:29 • -15.07db
3% Popularity • 60% Danceability • 24% Energy • 58% Liveness
79% Instrumentalness • 40% Positiveness
3% Popularity • 60% Danceability • 24% Energy • 58% Liveness
79% Instrumentalness • 40% Positiveness
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Benedikt Jahnel Trio
Further Consequences
137 bpm • D Maj • 05:49 • -22db
8% Popularity • 30% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
8% Popularity • 30% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Kevin Yosua
The Cup Bearers
137 bpm • C Maj • 04:13 • -14.24db
1% Popularity • 44% Danceability • 39% Energy • 18% Liveness
96% Instrumentalness • 36% Positiveness
1% Popularity • 44% Danceability • 39% Energy • 18% Liveness
96% Instrumentalness • 36% Positiveness
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Max Ionata
Come Sunday
138 bpm • A# Maj • 03:33 • -14.33db
0% Popularity • 39% Danceability • 9% Energy • 20% Liveness
86% Instrumentalness • 20% Positiveness
0% Popularity • 39% Danceability • 9% Energy • 20% Liveness
86% Instrumentalness • 20% Positiveness
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New York Trio
They Say It's Wonderful
137 bpm • D Maj • 04:02 • -10db
13% Popularity • 33% Danceability • 41% Energy • 8% Liveness
83% Instrumentalness • 14% Positiveness
13% Popularity • 33% Danceability • 41% Energy • 8% Liveness
83% Instrumentalness • 14% Positiveness
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Reggie Johnson
Amsterdam After Dark
137 bpm • D# min • 06:51 • -13.64db
0% Popularity • 58% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 49% Positiveness
0% Popularity • 58% Danceability • 37% Energy • 18% Liveness
2% Instrumentalness • 49% Positiveness
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Alessio Menconi
Azul
137 bpm • B min • 05:38 • -9.37db
1% Popularity • 54% Danceability • 86% Energy • 30% Liveness
90% Instrumentalness • 51% Positiveness
1% Popularity • 54% Danceability • 86% Energy • 30% Liveness
90% Instrumentalness • 51% Positiveness
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Joe Locascio
Tell Me, What Do You See?
136 bpm • C min • 06:04 • -10.67db
15% Popularity • 42% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
15% Popularity • 42% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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Dave O'Higgins
Nothing to Lose
136 bpm • D min • 05:12 • -11.07db
11% Popularity • 55% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 43% Positiveness
11% Popularity • 55% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 43% Positiveness
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Diego Rivera
Pee Wee
136 bpm • C# Maj • 04:12 • -16.08db
11% Popularity • 48% Danceability • 12% Energy • 11% Liveness
40% Instrumentalness • 11% Positiveness
11% Popularity • 48% Danceability • 12% Energy • 11% Liveness
40% Instrumentalness • 11% Positiveness
► Preview
Thomas Darelid
Valorie
136 bpm • A# Maj • 05:14 • -24db
7% Popularity • 66% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
7% Popularity • 66% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Hugo Fattoruso
Aquello
136 bpm • D min • 03:03 • -18.81db
1% Popularity • 35% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
1% Popularity • 35% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Danilo Madonia
In viaggio verso Nizza
136 bpm • C Maj • 04:19 • -14db
2% Popularity • 59% Danceability • 42% Energy • 37% Liveness
4% Instrumentalness • 22% Positiveness
2% Popularity • 59% Danceability • 42% Energy • 37% Liveness
4% Instrumentalness • 22% Positiveness
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Thilo Wolf Jazz Quartett
Fascinating Rhythm
136 bpm • F min • 02:12 • -16.78db
21% Popularity • 64% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
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Jim Snidero
You Go to My Head
136 bpm • C# Maj • 07:32 • -10.21db
9% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
► Preview
Tom Harrell
Oak Tree
136 bpm • F min • 03:34 • -13db
15% Popularity • 53% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 24% Positiveness
15% Popularity • 53% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 24% Positiveness
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Al Foster
Kierra
136 bpm • D# min • 05:31 • -14.37db
7% Popularity • 47% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
7% Popularity • 47% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 22% Positiveness
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Fred Nardin Trio
Look Ahead
135 bpm • C Maj • 04:08 • -9.34db
13% Popularity • 43% Danceability • 64% Energy • 7% Liveness
29% Instrumentalness • 31% Positiveness
13% Popularity • 43% Danceability • 64% Energy • 7% Liveness
29% Instrumentalness • 31% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
42% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
42% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Peter Schmidlin
City Lights
135 bpm • D# Maj • 07:39 • -21.26db
0% Popularity • 44% Danceability • 12% Energy • 9% Liveness
64% Instrumentalness • 26% Positiveness
0% Popularity • 44% Danceability • 12% Energy • 9% Liveness
64% Instrumentalness • 26% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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Tom Harrell
Streets
135 bpm • F min • 07:12 • -11.5db
3% Popularity • 47% Danceability • 40% Energy • 24% Liveness
71% Instrumentalness • 41% Positiveness
3% Popularity • 47% Danceability • 40% Energy • 24% Liveness
71% Instrumentalness • 41% Positiveness
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Lyle Mays
Bill Evans
135 bpm • A min • 04:49 • -23.56db
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
48% Instrumentalness • 13% Positiveness
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
48% Instrumentalness • 13% Positiveness
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Eximo Blue
Check In But not Out
202 bpm • G min • 02:48 • -11.24db
17% Popularity • 48% Danceability • 62% Energy • 29% Liveness
89% Instrumentalness • 89% Positiveness
17% Popularity • 48% Danceability • 62% Energy • 29% Liveness
89% Instrumentalness • 89% Positiveness
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Baptiste Herbin
Retro Sax Track
203 bpm • A# Maj • 01:02 • -11.59db
21% Popularity • 57% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
21% Popularity • 57% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 96% Positiveness
