Songs like Laugh To Keep From Crying by Nat Turner Rebellion
Based on a tempo of (+/- 10%) and a similar genre
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Hot Chocolate
We Had True Love
123 bpm • C Maj • 06:16 • -14db
23% Popularity • 70% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 70% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Nat Turner Rebellion
Right On, We're Back
123 bpm • G Maj • 04:03 • -11.68db
2% Popularity • 57% Danceability • 76% Energy • 8% Liveness
5% Instrumentalness • 88% Positiveness
2% Popularity • 57% Danceability • 76% Energy • 8% Liveness
5% Instrumentalness • 88% Positiveness
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Final Solution
To See You Again
123 bpm • B Maj • 04:08 • -6.54db
7% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Out of Sights
Tears Don't Care Who Cries
123 bpm • D Maj • 02:43 • -6.79db
10% Popularity • 42% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 42% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Herb Johnson
Where Are You
123 bpm • C Maj • 02:50 • -8.25db
13% Popularity • 49% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 49% Danceability • 42% Energy • 56% Liveness
0% Instrumentalness • 48% Positiveness
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Impala
I Want To Hug The Sky
123 bpm • B min • 03:20 • -13.62db
34% Popularity • 78% Danceability • 50% Energy • 21% Liveness
17% Instrumentalness • 97% Positiveness
34% Popularity • 78% Danceability • 50% Energy • 21% Liveness
17% Instrumentalness • 97% Positiveness
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Ghetto Brothers
Girl from the Mountain
123 bpm • A# min • 04:24 • -8.6db
33% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Edge Of Daybreak
Let Us
123 bpm • E Maj • 05:10 • -9.46db
19% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Nat Turner Rebellion
Laugh To Keep From Crying
122 bpm • F# min • 03:25 • -13db
11% Popularity • 51% Danceability • 70% Energy • 15% Liveness
68% Instrumentalness • 58% Positiveness
11% Popularity • 51% Danceability • 70% Energy • 15% Liveness
68% Instrumentalness • 58% Positiveness
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Dave Hamilton
Pisces Pace
124 bpm • F min • 02:24 • -3.59db
34% Popularity • 84% Danceability • 81% Energy • 13% Liveness
26% Instrumentalness • 68% Positiveness
34% Popularity • 84% Danceability • 81% Energy • 13% Liveness
26% Instrumentalness • 68% Positiveness
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The Commands
Hey It's Love
122 bpm • F Maj • 02:23 • -7.73db
26% Popularity • 59% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 59% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Ash Soul, Inc.
I Do Love You
124 bpm • G# min • 02:59 • -9.38db
23% Popularity • 59% Danceability • 38% Energy • 22% Liveness
84% Instrumentalness • 60% Positiveness
23% Popularity • 59% Danceability • 38% Energy • 22% Liveness
84% Instrumentalness • 60% Positiveness
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Willie Wright
Lady Of The Year
122 bpm • F Maj • 04:37 • -11.92db
14% Popularity • 40% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
14% Popularity • 40% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Majestic Arrows
We Love Together
122 bpm • A Maj • 03:21 • -12.88db
20% Popularity • 48% Danceability • 39% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
20% Popularity • 48% Danceability • 39% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
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Nolan Porter
I Like What You Give
124 bpm • G Maj • 03:11 • -12.06db
29% Popularity • 84% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
29% Popularity • 84% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 95% Positiveness
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Ben Pirani
Light of My Life
124 bpm • C min • 02:38 • -7.66db
32% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 68% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Wilson Williams
I Got A Whole Lot To Be Thankful For
121 bpm • C# Maj • 04:21 • -4.64db
13% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Skull Snaps
Having You Around - Remastered
121 bpm • E Maj • 04:22 • -9.27db
11% Popularity • 35% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 35% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
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Swamp Dogg
If I Die Tomorrow (I've Lived Tonight)
125 bpm • A# Maj • 02:50 • -14.48db
16% Popularity • 94% Danceability • 39% Energy • 13% Liveness
10% Instrumentalness • 88% Positiveness
16% Popularity • 94% Danceability • 39% Energy • 13% Liveness
10% Instrumentalness • 88% Positiveness
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Amnesty
We Have Love
121 bpm • F Maj • 04:32 • -9.48db
38% Popularity • 44% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Final Solution
We Can Work It Out
125 bpm • E min • 04:36 • -7.47db
11% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Barbara Stant
Unsatisfied Woman
121 bpm • C# Maj • 04:16 • -9.71db
21% Popularity • 63% Danceability • 36% Energy • 56% Liveness
1% Instrumentalness • 54% Positiveness
21% Popularity • 63% Danceability • 36% Energy • 56% Liveness
1% Instrumentalness • 54% Positiveness
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Four Tracks
Charade
121 bpm • C Maj • 03:05 • -9.99db
18% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Darondo
Saving My Love
125 bpm • C# Maj • 03:13 • -8.34db
20% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Gwen McCrae
He Keeps Something Groovy Goin' On
121 bpm • F# Maj • 02:56 • -14.03db
21% Popularity • 50% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 50% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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The Edge Of Daybreak
Edge of Daybreak
125 bpm • F min • 04:02 • -8.21db
12% Popularity • 59% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 59% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Iron Knowledge
Oh Love
125 bpm • C Maj • 05:00 • -5.32db
13% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Barbara Mason
Keep Him
125 bpm • C Maj • 02:04 • -8.46db
24% Popularity • 71% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 71% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Dimas III
So Funny
126 bpm • F min • 02:25 • -6db
15% Popularity • 64% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 64% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Meters
Loving You Is on My Mind
121 bpm • A Maj • 03:19 • -12.92db
36% Popularity • 80% Danceability • 60% Energy • 30% Liveness
78% Instrumentalness • 45% Positiveness
36% Popularity • 80% Danceability • 60% Energy • 30% Liveness
78% Instrumentalness • 45% Positiveness
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Nat Turner Rebellion
Plastic People
120 bpm • G min • 03:12 • -11.2db
2% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 62% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Edge Of Daybreak
Your Destiny
125 bpm • D Maj • 04:28 • -7.58db
13% Popularity • 73% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 73% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Johnson, Hawkins, Tatum & Durr
Your Love Keeps Drawing Me Closer
126 bpm • C Maj • 02:06 • -7db
25% Popularity • 80% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 80% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
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Bob & Gene
Your Name
126 bpm • F Maj • 02:37 • -6.77db
10% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 68% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Manhattans
Blackbird
120 bpm • A min • 03:03 • -10db
35% Popularity • 64% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 64% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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James Knight and The Butlers
There Goes My Baby
126 bpm • F min • 02:44 • -8db
10% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 56% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Family Circle
I Hope You Really Love Me
120 bpm • G min • 02:25 • -12.76db
43% Popularity • 65% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 65% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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The 5th Dimension
Don'tcha Hear Me Callin' To Ya - Remaste...
126 bpm • D min • 03:56 • -8.83db
27% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Edge Of Daybreak
Our Love
126 bpm • C# min • 05:15 • -10db
30% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 60% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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The Fabulous Dynamics
Get Hip To Yourself
120 bpm • D Maj • 01:43 • -11.03db
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 57% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Gene & Eddie
It's No Sin
120 bpm • G Maj • 02:56 • -5.69db
14% Popularity • 61% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 61% Danceability • 70% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Black Fur
When We Get Together Soon
120 bpm • B min • 03:37 • -8.99db
8% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 66% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Final Solution
One Day
120 bpm • B Maj • 03:57 • -7.95db
19% Popularity • 52% Danceability • 64% Energy • 26% Liveness
1% Instrumentalness • 52% Positiveness
19% Popularity • 52% Danceability • 64% Energy • 26% Liveness
1% Instrumentalness • 52% Positiveness
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Funkadelic
This Broken Heart
119 bpm • C# Maj • 03:40 • -10.11db
29% Popularity • 37% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 37% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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The Edge Of Daybreak
Eyes of Love
120 bpm • A min • 04:13 • -10.63db
31% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Bardo
Bad Education
127 bpm • G min • 03:50 • -6.04db
14% Popularity • 46% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 46% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 84% Positiveness
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Joe King
Speak on Up
119 bpm • C Maj • 03:01 • -7.85db
20% Popularity • 61% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 61% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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The Nu'Rons
All My Life
119 bpm • E min • 02:26 • -7.47db
12% Popularity • 66% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Nat Turner Rebellion
Love, Peace & Understanding
127 bpm • F# min • 03:01 • -11.54db
9% Popularity • 56% Danceability • 58% Energy • 23% Liveness
2% Instrumentalness • 91% Positiveness
9% Popularity • 56% Danceability • 58% Energy • 23% Liveness
2% Instrumentalness • 91% Positiveness
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The Exceptional Three
What About Me
127 bpm • F Maj • 03:00 • -7.83db
17% Popularity • 47% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 47% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Helene Smith
Sure Thing
119 bpm • C Maj • 02:03 • -8.31db
33% Popularity • 63% Danceability • 52% Energy • 18% Liveness
53% Instrumentalness • 73% Positiveness
33% Popularity • 63% Danceability • 52% Energy • 18% Liveness
53% Instrumentalness • 73% Positiveness
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Ned Doheny
If You Should Fall
119 bpm • F# Maj • 03:35 • -11.54db
26% Popularity • 80% Danceability • 66% Energy • 34% Liveness
5% Instrumentalness • 97% Positiveness
26% Popularity • 80% Danceability • 66% Energy • 34% Liveness
5% Instrumentalness • 97% Positiveness
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Lil' Bob & the Lollipops
Nobody but You
119 bpm • D min • 02:43 • -10.59db
37% Popularity • 84% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 84% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Harvey Scales
Glamour Girl
127 bpm • C Maj • 02:49 • -3.73db
14% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Bob & Gene
Sailboat
128 bpm • E Maj • 02:21 • -7.47db
32% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Parliament
Wizard Of Finance
118 bpm • F# Maj • 04:24 • -13.08db
38% Popularity • 73% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 73% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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L. Daniels
Nitecap
128 bpm • C Maj • 02:19 • -8.57db
15% Popularity • 39% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 61% Positiveness
15% Popularity • 39% Danceability • 81% Energy • 7% Liveness
89% Instrumentalness • 61% Positiveness
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Willie Wright
Indian Reservation
128 bpm • C# min • 05:13 • -8.88db
17% Popularity • 66% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 66% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Nat Turner Rebellion
Fruit Of The Land
128 bpm • E Maj • 03:49 • -12.01db
2% Popularity • 50% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 50% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Allen Toussaint
Greatest Love - Remastered
118 bpm • C Maj • 02:22 • -8.05db
34% Popularity • 53% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 53% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Kool Blues
I Need You
128 bpm • A Maj • 03:29 • -10db
10% Popularity • 65% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 65% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Darondo
How I Got Over
118 bpm • G min • 03:42 • -9.44db
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
36% Popularity • 70% Danceability • 47% Energy • 14% Liveness
13% Instrumentalness • 59% Positiveness
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The Delfonics
Delfonics Theme (How Could You)
128 bpm • C# Maj • 04:32 • -8.2db
26% Popularity • 45% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
26% Popularity • 45% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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The Attractions
Destination You
129 bpm • C Maj • 02:57 • -5.74db
17% Popularity • 69% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 69% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Swamp Dogg
I Kissed Your Face
129 bpm • F Maj • 03:48 • -13.64db
8% Popularity • 73% Danceability • 34% Energy • 18% Liveness
3% Instrumentalness • 56% Positiveness
8% Popularity • 73% Danceability • 34% Energy • 18% Liveness
3% Instrumentalness • 56% Positiveness
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The Ethics
I Want My Baby Back
117 bpm • F min • 03:05 • -5.59db
17% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Tim Maia
Brother Father Mother Sister
117 bpm • B min • 03:19 • -8.93db
30% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 54% Danceability • 74% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Willie Wright
In The Beauty Of The Night
129 bpm • E Maj • 04:37 • -12.08db
21% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 50% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Eugene McDaniels
Sagittarius Red
130 bpm • C Maj • 03:02 • -10.85db
23% Popularity • 38% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 38% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Bettye Crutcher
A Little Bit More Won't Hurt
130 bpm • G# min • 04:12 • -11.76db
13% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Fred Williams
The Dance Got Old
130 bpm • G# Maj • 02:44 • -9db
22% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Sensational Saints
Don't Take My Sunshine
116 bpm • A# Maj • 02:36 • -9.85db
9% Popularity • 57% Danceability • 48% Energy • 26% Liveness
2% Instrumentalness • 68% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 26% Liveness
2% Instrumentalness • 68% Positiveness
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Shuggie Otis
Someone's Always Singing
130 bpm • C Maj • 03:22 • -12.93db
26% Popularity • 46% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 46% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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The Equatics
Where Is Love?
130 bpm • C Maj • 04:36 • -9.59db
39% Popularity • 42% Danceability • 53% Energy • 60% Liveness
47% Instrumentalness • 38% Positiveness
39% Popularity • 42% Danceability • 53% Energy • 60% Liveness
47% Instrumentalness • 38% Positiveness
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Ronnie McNeir
Extra Extra
116 bpm • G# Maj • 04:47 • -12.79db
13% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Jay Mitchell & The Mitchellites
I Am The Man For You Baby
115 bpm • A Maj • 02:50 • -7.37db
10% Popularity • 59% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 59% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Amnesty
Three Cheers For My Baby
131 bpm • C# Maj • 04:10 • -7.45db
16% Popularity • 59% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 59% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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The Brothers Of Soul
Hurry, Don't Linger
115 bpm • A min • 02:47 • -9.14db
11% Popularity • 55% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 55% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
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Africa
You Take Advantage Of Me
115 bpm • G# Maj • 03:45 • -14.24db
15% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The 5th Dimension
Black Patch
115 bpm • A min • 04:29 • -13.69db
6% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
6% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Eddie Ray
You Got Me - Demo
115 bpm • F# Maj • 02:27 • -7.39db
12% Popularity • 76% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 67% Positiveness
12% Popularity • 76% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 67% Positiveness
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Triads
If You're Looking for Love
132 bpm • D Maj • 02:44 • -8.39db
13% Popularity • 76% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 76% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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The Equatics
Merry Go Round
132 bpm • C min • 02:43 • -10.62db
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 51% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Amnesty
Trouble Will Remain
114 bpm • A min • 02:34 • -9.68db
25% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 70% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nat Turner Rebellion
Ruby Lee
115 bpm • D min • 02:58 • -13.84db
2% Popularity • 54% Danceability • 60% Energy • 7% Liveness
40% Instrumentalness • 73% Positiveness
2% Popularity • 54% Danceability • 60% Energy • 7% Liveness
40% Instrumentalness • 73% Positiveness
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Lizette & Quevin
Grow Forever
132 bpm • F Maj • 03:13 • -8db
33% Popularity • 74% Danceability • 40% Energy • 12% Liveness
17% Instrumentalness • 40% Positiveness
33% Popularity • 74% Danceability • 40% Energy • 12% Liveness
17% Instrumentalness • 40% Positiveness
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Mitch Mitchell
Never Walk Out on You - Instrumental
132 bpm • D min • 02:57 • -7.73db
21% Popularity • 39% Danceability • 69% Energy • 4% Liveness
74% Instrumentalness • 57% Positiveness
21% Popularity • 39% Danceability • 69% Energy • 4% Liveness
74% Instrumentalness • 57% Positiveness
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Rob Galbraith
Tell Me With Your Eyes (Just Be You)
114 bpm • B min • 03:47 • -9db
35% Popularity • 54% Danceability • 58% Energy • 14% Liveness
39% Instrumentalness • 36% Positiveness
35% Popularity • 54% Danceability • 58% Energy • 14% Liveness
39% Instrumentalness • 36% Positiveness
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Clarence Reid
No Way Out
114 bpm • A min • 02:43 • -5.89db
14% Popularity • 58% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 58% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 85% Positiveness
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S.C.A.M.
Spooky
133 bpm • D# Maj • 03:54 • -9.59db
10% Popularity • 59% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
10% Popularity • 59% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Family Connection
This Time
133 bpm • G# Maj • 02:51 • -9.83db
21% Popularity • 52% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
21% Popularity • 52% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 70% Positiveness
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Otis Brown
Southside Chicago
114 bpm • G Maj • 02:27 • -7.07db
18% Popularity • 73% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 73% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Velma Perkins
Yes, My Goodness Yes
114 bpm • E min • 02:51 • -11.53db
13% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The Mark-Keys
Heavenly Thing
113 bpm • F Maj • 03:03 • -8.15db
21% Popularity • 66% Danceability • 55% Energy • 10% Liveness
95% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 55% Energy • 10% Liveness
95% Instrumentalness • 66% Positiveness
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The Beginning Of The End
When She Made Me Promise
113 bpm • A min • 04:17 • -9db
37% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
37% Popularity • 65% Danceability • 90% Energy • 37% Liveness
11% Instrumentalness • 90% Positiveness
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Mitch Mitchell
Never Walk Out On You
134 bpm • D min • 03:20 • -6.54db
14% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 40% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Syl Johnson
Stuck in Chicago
113 bpm • F min • 02:51 • -8.27db
13% Popularity • 73% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
13% Popularity • 73% Danceability • 55% Energy • 6% Liveness
3% Instrumentalness • 73% Positiveness
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Pattie Ward
(Girls) You Have to Wait for Love
113 bpm • F Maj • 03:08 • -8db
8% Popularity • 63% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 63% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
