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Songs like
Launch
by
Gabriel Yared
Based on a tempo of (+/- 10%) and a similar genre
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Nicola Piovani
Soli
109 bpm • C Maj • 02:32 • -20db
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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John Lunn
The Butler And The Housekeeper
109 bpm • F Maj • 02:08 • -20db
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Patrick Doyle
Jaffa to Stamboul
109 bpm • F Maj • 01:27 • -11.94db
21% Popularity • 16% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Gabriel Yared
Launch
109 bpm • A# Maj • 01:40 • -19.79db
21% Popularity • 23% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Andrea Guerra
Una luce nell'anima
109 bpm • E min • 01:57 • -26.42db
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Fernando Velázquez
The Impossible Main Titles
110 bpm • G Maj • 05:11 • -12db
26% Popularity • 16% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
51% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Angelo Badalamenti
Love Theme from Cousins
108 bpm • C# min • 03:27 • -19.1db
19% Popularity • 30% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Laura Rossi
Into Battle
110 bpm • G# Maj • 03:12 • -15.22db
7% Popularity • 34% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
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Gabriel Yared
The Unfeeling Kiss
110 bpm • C# min • 03:42 • -23.67db
32% Popularity • 29% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Nicola Piovani
La stanza del figlio
108 bpm • C Maj • 04:05 • -20.25db
35% Popularity • 33% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
49% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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David Arnold
Solange
108 bpm • A min • 00:59 • -21.89db
37% Popularity • 17% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Philippe Rombi
Le piano d'Isabelle
110 bpm • F min • 01:12 • -28db
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Mark McKenzie
Red's Goodbye
110 bpm • G min • 01:35 • -21.57db
29% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Gabriel Yared
In Town
110 bpm • G min • 01:02 • -21.05db
26% Popularity • 72% Danceability • 31% Energy • 14% Liveness
68% Instrumentalness • 12% Positiveness
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Zbigniew Preisner
Shows Dickon Garden
111 bpm • B min • 01:06 • -24.61db
42% Popularity • 48% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 54% Positiveness
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Ramin Djawadi
The Photograph
111 bpm • C min • 01:46 • -28db
21% Popularity • 24% Danceability • 4% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
I Want You To Have This - Reprise
107 bpm • D# Maj • 01:10 • -27.19db
36% Popularity • 36% Danceability • 3% Energy • 9% Liveness
100% Instrumentalness • 4% Positiveness
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Max Richter
Prelude - Testament of Youth
107 bpm • D Maj • 01:54 • -17db
20% Popularity • 51% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
City Lights
107 bpm • G min • 01:14 • -21.16db
44% Popularity • 16% Danceability • 24% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
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Gabriel Yared
The Lover
110 bpm • G Maj • 03:14 • -21.09db
23% Popularity • 20% Danceability • 8% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
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Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Andrea Guerra
Il dolore di una cittÃ
112 bpm • C min • 01:19 • -26.05db
53% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Sygrayem (Let's Play)
112 bpm • C Maj • 02:11 • -21.46db
50% Popularity • 52% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Gabriel Yared
Will You Watch With Me?
112 bpm • D min • 02:22 • -27.46db
24% Popularity • 17% Danceability • 4% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Howard Shore
The Globe Newsroom
106 bpm • G Maj • 02:02 • -30.09db
44% Popularity • 36% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Angelo Badalamenti
Love Theme from Cousins (Piano Solo)
106 bpm • C# min • 02:01 • -30.87db
19% Popularity • 45% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Geoffrey Burgon
The First Visit
113 bpm • F Maj • 02:23 • -20.12db
23% Popularity • 23% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Gabriel Yared
Shopping
106 bpm • A min • 01:46 • -18.33db
25% Popularity • 19% Danceability • 17% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Max Richter
Memory Lane
114 bpm • B Maj • 02:55 • -22.54db
16% Popularity • 40% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 27% Positiveness
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Guy Farley
You Can't Change Destiny
114 bpm • C min • 01:34 • -22.34db
40% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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David Hirschfelder
They Were Starting to Like Me
115 bpm • G min • 02:16 • -22.94db
29% Popularity • 21% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 23% Positiveness
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Rael Jones
Footloose and Fancy Free
113 bpm • D Maj • 01:19 • -19.44db
40% Popularity • 21% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 11% Positiveness
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Alberto Iglesias
Tessa's Death
104 bpm • C Maj • 02:15 • -25.48db
28% Popularity • 30% Danceability • 7% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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Andrea Guerra
Kalida
103 bpm • G Maj • 01:36 • -22db
52% Popularity • 15% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Anne Dudley
Fresh Paint
115 bpm • D min • 02:01 • -19db
33% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Gabriel Yared
Amelia
103 bpm • A min • 02:16 • -28.43db
13% Popularity • 31% Danceability • 3% Energy • 16% Liveness
79% Instrumentalness • 4% Positiveness
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Patrick Doyle
Ma Katherine
103 bpm • B min • 01:09 • -18.16db
25% Popularity • 14% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
The Edge Of Love: Fire To The Stars
116 bpm • G# min • 04:42 • -20.74db
16% Popularity • 17% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
45% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Lennie Niehaus
End Titles - Flags Of Our Fathers
102 bpm • C Maj • 04:25 • -23.01db
14% Popularity • 36% Danceability • 3% Energy • 24% Liveness
4% Instrumentalness • 7% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Ennio Morricone
Visit to the Cinema
102 bpm • A# Maj • 02:24 • -13.7db
29% Popularity • 15% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Alexandra Harwood
The Guernsey Literary And Potato Peel Pi...
116 bpm • G Maj • 05:36 • -16.44db
23% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Martin Phipps
Rachael
102 bpm • C Maj • 02:54 • -17.68db
13% Popularity • 14% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Mychael Danna
I Don't Feel Alone Anymore
117 bpm • G Maj • 02:22 • -19.6db
15% Popularity • 25% Danceability • 13% Energy • 41% Liveness
61% Instrumentalness • 7% Positiveness
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Alberto Iglesias
Dedicatoria
101 bpm • E min • 01:29 • -21.61db
33% Popularity • 44% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Daisy, Daisy
118 bpm • A min • 02:21 • -21.73db
41% Popularity • 29% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening Titles
118 bpm • C Maj • 01:33 • -26.92db
43% Popularity • 18% Danceability • 2% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Panu Aaltio
The Butterfly Project
120 bpm • A# Maj • 01:54 • -19db
46% Popularity • 34% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 7% Positiveness
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John Lunn
Belgravia
99 bpm • F# min • 05:49 • -12.65db
15% Popularity • 21% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 7% Positiveness
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Cesar Benito
The Idea for the Book
120 bpm • D Maj • 01:40 • -16.41db
27% Popularity • 44% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Miriam Cutler
Ethel Main Title
120 bpm • F Maj • 03:16 • -21.88db
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Jóhann Jóhannsson
A Game of Croquet
118 bpm • E min • 02:45 • -28.73db
60% Popularity • 22% Danceability • 4% Energy • 6% Liveness
40% Instrumentalness • 11% Positiveness
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Craig Armstrong
Didn't You Love Anything
119 bpm • C Maj • 01:44 • -22.67db
40% Popularity • 28% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 12% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
Warsaw Zoo, 1939
120 bpm • E Maj • 05:07 • -19.39db
12% Popularity • 29% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Rael Jones
Who's To Blame
120 bpm • D Maj • 02:05 • -16.33db
20% Popularity • 32% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Panu Aaltio
Coming of the Fall
98 bpm • C# Maj • 01:35 • -17.59db
36% Popularity • 28% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
41% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Patrick Doyle
The Armstrong Case
98 bpm • D Maj • 01:21 • -23.4db
41% Popularity • 41% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
52% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Rael Jones
Mrs. Harris
99 bpm • D Maj • 01:59 • -12.15db
32% Popularity • 32% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 17% Positiveness
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Maurizio Malagnini
The Final Kiss
98 bpm • A Maj • 02:44 • -16.87db
12% Popularity • 14% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Mark McKenzie
You'll See
98 bpm • G# Maj • 01:16 • -32.38db
24% Popularity • 17% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
The Spelling Board
97 bpm • A# Maj • 00:59 • -28.9db
44% Popularity • 12% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
41% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Maurizio Malagnini
Reception Waltzer
97 bpm • A# Maj • 01:27 • -21db
19% Popularity • 24% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 38% Positiveness
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Ennio Morricone
La casa sul lago
96 bpm • G Maj • 07:15 • -22.11db
9% Popularity • 37% Danceability • 4% Energy • 19% Liveness
92% Instrumentalness • 10% Positiveness
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Mychael Danna
See You Again
96 bpm • E Maj • 05:41 • -18.69db
19% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
37% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Martin Phipps
I Lived Here
96 bpm • A min • 01:49 • -16.32db
37% Popularity • 12% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Nicola Piovani
Caro Diario: Medici
124 bpm • F Maj • 02:04 • -29.53db
45% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Alex Heffes
Main Titles
124 bpm • C min • 02:02 • -17.79db
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
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Patrick Doyle
Estella
125 bpm • F Maj • 03:37 • -22.5db
19% Popularity • 36% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Panu Aaltio
Big Plans
125 bpm • D min • 01:57 • -24.7db
43% Popularity • 38% Danceability • 6% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Randy Newman
Real Rain
95 bpm • G Maj • 04:31 • -25.5db
16% Popularity • 19% Danceability • 7% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
I'll Be Back
94 bpm • A Maj • 04:03 • -18.41db
22% Popularity • 12% Danceability • 15% Energy • 37% Liveness
88% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Brief History of Time
94 bpm • D Maj • 02:02 • -25db
48% Popularity • 39% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
Alex Heffes
I Have Been Here Before
126 bpm • G min • 04:18 • -18.53db
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Ramin Djawadi
Meaning of Life
94 bpm • G min • 03:46 • -20.59db
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
► Preview
Geoffrey Burgon
Going to Brideshead
126 bpm • D Maj • 03:02 • -23.42db
26% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Carter Burwell
Drawing Pooh
93 bpm • A min • 02:33 • -15.92db
10% Popularity • 14% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Convento Di Sant'anna
127 bpm • G Maj • 09:12 • -24.03db
24% Popularity • 54% Danceability • 7% Energy • 15% Liveness
92% Instrumentalness • 49% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Gabriel Yared
Promenade
93 bpm • C Maj • 03:36 • -21.24db
12% Popularity • 13% Danceability • 9% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Shigeru Umebayashi
A Variation On Scotty Tails Madeline
127 bpm • C min • 01:52 • -12.75db
29% Popularity • 19% Danceability • 29% Energy • 33% Liveness
61% Instrumentalness • 3% Positiveness
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Rael Jones
Lucky Day
128 bpm • A Maj • 01:16 • -10.46db
33% Popularity • 50% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 43% Positiveness
► Preview
Andrea Guerra
Tema romantico solitario
129 bpm • C Maj • 01:04 • -21.24db
47% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Samuel Sim
Emma Woodhouse Was Born
128 bpm • G min • 03:33 • -18.78db
27% Popularity • 30% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 6% Positiveness
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