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Lawrence of Arcadia
Songs like
Lawrence of Arcadia
by
David Keenan
Based on a tempo of (+/- 10%) and a similar genre
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David Keenan
Lawrence of Arcadia
170 bpm • D Maj • 04:44 • -7.76db
18% Popularity • 45% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Tiny Ruins
Bird in the Thyme
172 bpm • A# min • 03:49 • -19.4db
36% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Our Native Daughters
I Knew I Could Fly
167 bpm • C Maj • 03:41 • -17.17db
36% Popularity • 54% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
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Sam Beam
Sailor to Siren
171 bpm • C# Maj • 03:15 • -11.12db
34% Popularity • 48% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Glen Hansard
Brother's Keeper
173 bpm • G Maj • 05:07 • -7.83db
18% Popularity • 44% Danceability • 54% Energy • 11% Liveness
54% Instrumentalness • 48% Positiveness
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Rose Cousins
The Swimmer (To Be an Old Man)
174 bpm • D min • 04:07 • -11.76db
50% Popularity • 28% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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David Keenan
Sentimental Dole
171 bpm • F# Maj • 03:14 • -9.87db
10% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Darlingside
Time Will Be
167 bpm • A min • 04:18 • -9.66db
17% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Emily Barker
The Woman Who Planted Trees
166 bpm • A Maj • 03:15 • -9.12db
22% Popularity • 35% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lorkin O'Reilly
Ribcage
165 bpm • C# Maj • 02:28 • -16.87db
14% Popularity • 43% Danceability • 14% Energy • 12% Liveness
24% Instrumentalness • 50% Positiveness
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The Secret Sisters
Kathy's Song
175 bpm • A# Maj • 03:43 • -19.42db
39% Popularity • 35% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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A Blaze of Feather
More Than I
175 bpm • D Maj • 04:30 • -9.75db
33% Popularity • 25% Danceability • 52% Energy • 14% Liveness
10% Instrumentalness • 24% Positiveness
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David Keenan
An Irish Song
171 bpm • B Maj • 04:56 • -10.27db
15% Popularity • 30% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Tallest Man On Earth
What I’ve Been Kicking Around
165 bpm • G Maj • 03:28 • -10.6db
33% Popularity • 44% Danceability • 28% Energy • 27% Liveness
1% Instrumentalness • 46% Positiveness
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Ondara
God Bless America
165 bpm • A Maj • 03:50 • -11.55db
21% Popularity • 48% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew And The Atlas
Calling Long Distance - Mahogany Session...
175 bpm • D Maj • 03:24 • -12.05db
17% Popularity • 31% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 47% Positiveness
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Eamon O'leary
Her Bright Smile Haunts Me Still
165 bpm • G# Maj • 04:43 • -13.12db
20% Popularity • 44% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Jarrod Dickenson
Come What May
164 bpm • D Maj • 03:23 • -10.02db
10% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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David Keenan
The Grave of Johnny Filth
169 bpm • C# min • 04:04 • -10.58db
9% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Rayland Baxter
Mother, Mother
164 bpm • E Maj • 03:35 • -19.24db
33% Popularity • 37% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Beta Radio
Kilimanjaro (Acoustic)
176 bpm • A# Maj • 03:29 • -10.73db
36% Popularity • 35% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Downey
Renewed
177 bpm • A Maj • 03:24 • -12.46db
6% Popularity • 66% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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First Aid Kit
To Live a Life
177 bpm • F# Maj • 03:12 • -10.83db
48% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lemoncello
Morning
177 bpm • C Maj • 05:55 • -12.9db
18% Popularity • 23% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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David Keenan
The Healing
162 bpm • F# min • 03:20 • -7.65db
12% Popularity • 40% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Amidon
Juma Mountain
162 bpm • B min • 03:38 • -12.45db
27% Popularity • 48% Danceability • 47% Energy • 29% Liveness
60% Instrumentalness • 24% Positiveness
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I'm With Her
Ryland (Under The Apple Tree)
178 bpm • A Maj • 03:29 • -19db
27% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Shannon Lay
Always Room
160 bpm • C min • 02:14 • -16.65db
27% Popularity • 40% Danceability • 23% Energy • 13% Liveness
15% Instrumentalness • 45% Positiveness
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Joan Shelley
We’d Be Home
183 bpm • C# Maj • 03:06 • -16db
26% Popularity • 33% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ana Egge
Dance Around the Room with Me
160 bpm • A Maj • 02:58 • -12.67db
14% Popularity • 68% Danceability • 36% Energy • 24% Liveness
2% Instrumentalness • 59% Positiveness
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David Keenan
Corner Boys Lament - Mahogany Sessions
162 bpm • D# Maj • 04:50 • -9.11db
14% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Joshua Burnside
26th Street
185 bpm • A# Maj • 03:22 • -8.5db
22% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Anna Mieke
Parallel
185 bpm • G# Maj • 04:41 • -13.58db
27% Popularity • 35% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Fionn Regan
Abacus
156 bpm • F# Maj • 02:32 • -10.6db
33% Popularity • 35% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 47% Positiveness
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Joan Shelley
I Got What I Wanted
183 bpm • C min • 03:06 • -13db
28% Popularity • 43% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 33% Positiveness
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I'm With Her
Call My Name
156 bpm • F# Maj • 03:12 • -11.37db
45% Popularity • 60% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 43% Positiveness
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Josienne Clarke and Ben Walker
Bathed in Light
156 bpm • B Maj • 04:01 • -18.06db
15% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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David Keenan
Bark
186 bpm • B Maj • 02:28 • -8.63db
7% Popularity • 33% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Bird
Olympians - Acoustic
155 bpm • G Maj • 04:57 • -8db
28% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Tallest Man On Earth
Hotel Bar
187 bpm • C Maj • 04:29 • -11.26db
31% Popularity • 21% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Craig Cardiff
Miss Ohio
154 bpm • F Maj • 04:25 • -12.36db
30% Popularity • 56% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
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Jarle Skavhellen
Matylda
153 bpm • A# Maj • 03:30 • -9.86db
16% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bermuda Triangle
Rosey
153 bpm • G Maj • 03:45 • -11db
31% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Saint Sister
Dynamite
152 bpm • C# Maj • 03:21 • -8db
23% Popularity • 65% Danceability • 58% Energy • 37% Liveness
1% Instrumentalness • 38% Positiveness
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The Staves
Nothing's Gonna Happen (Demo)
151 bpm • D Maj • 03:56 • -12db
54% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Ye Vagabonds
Blue is the Eye
151 bpm • D# Maj • 06:02 • -13.95db
41% Popularity • 38% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 19% Positiveness
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Niamh Regan
She
150 bpm • F# Maj • 02:33 • -14.56db
29% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jim and Sam
Doctor Please
150 bpm • E Maj • 03:06 • -13.64db
36% Popularity • 60% Danceability • 35% Energy • 11% Liveness
17% Instrumentalness • 16% Positiveness
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Ryan Montbleau
Helplessly Hoping
150 bpm • G Maj • 03:03 • -9.58db
27% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Saint Sister
Manchester Air
151 bpm • A# Maj • 04:07 • -10.74db
20% Popularity • 30% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Matthew And The Atlas
Tower Above the Sun - Acoustic Version
150 bpm • F Maj • 04:38 • -16.27db
7% Popularity • 41% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
44% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Honeysuckle
Board That Plane
149 bpm • F Maj • 03:11 • -8.76db
25% Popularity • 50% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
29% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Anthony da Costa
You're Free Now
148 bpm • E Maj • 04:19 • -13.52db
35% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Birds of Chicago
Superlover
149 bpm • E Maj • 03:52 • -12.76db
31% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Aoife O'Donovan
Nebraska - Acoustic
148 bpm • D Maj • 03:48 • -13db
38% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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David Keenan
Snakes & Ladders
147 bpm • F# min • 04:35 • -8.9db
10% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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I Draw Slow
My Portion
147 bpm • C Maj • 04:15 • -10.43db
27% Popularity • 51% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Baiman
Something To Lose
147 bpm • C min • 03:12 • -13.14db
27% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lemoncello
Mantlepiece
147 bpm • C Maj • 05:47 • -12.53db
25% Popularity • 28% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Glen Hansard
Why Woman
147 bpm • E Maj • 03:03 • -8.19db
49% Popularity • 41% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Matthew And The Atlas
White Bird
147 bpm • C Maj • 03:24 • -11db
13% Popularity • 63% Danceability • 41% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
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Joan Shelley
Even Though
147 bpm • A# min • 03:20 • -15.53db
15% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ye Vagabonds
The Foggy Dew
146 bpm • F Maj • 03:40 • -16.43db
37% Popularity • 42% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ane Brun
Girl From The North Country
146 bpm • E Maj • 04:00 • -13.32db
33% Popularity • 42% Danceability • 18% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
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Anna Tivel
For Emily Asleep
145 bpm • A# Maj • 03:27 • -13.27db
14% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Aoife O'Donovan
Stanley Park
145 bpm • C# Maj • 02:50 • -11db
43% Popularity • 47% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Rose Cousins
Freedom
145 bpm • G# Maj • 04:28 • -8.86db
34% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Milk Carton Kids
As the Moon Starts to Rise
145 bpm • F Maj • 03:57 • -14db
20% Popularity • 49% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 38% Positiveness
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The Ocelots
Till We Get There
145 bpm • E Maj • 04:02 • -12.52db
14% Popularity • 32% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Matthew And The Atlas
Calling Long Distance - Acoustic Version
145 bpm • D Maj • 03:57 • -17.82db
7% Popularity • 49% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Anna Tivel
Bird or Beast
145 bpm • A# Maj • 04:42 • -12.85db
15% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Bonny Light Horseman
Jane Jane
201 bpm • E min • 03:06 • -8db
33% Popularity • 38% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Christof van der Ven
Empty Handed
203 bpm • G# Maj • 03:58 • -10.33db
18% Popularity • 22% Danceability • 28% Energy • 22% Liveness
8% Instrumentalness • 17% Positiveness
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Joshua Burnside
The Unrequited Kind
201 bpm • F# Maj • 03:44 • -11.98db
23% Popularity • 34% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 23% Positiveness
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Fionn Regan
Turn the Skies of Blue On
204 bpm • C Maj • 02:09 • -19.7db
33% Popularity • 45% Danceability • 29% Energy • 15% Liveness
82% Instrumentalness • 44% Positiveness
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Lawrence of Arcadia