Songs like Lazarus Man by Terry Callier
Based on a tempo of (+/- 10%) and a similar genre
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Melanie Charles
Woman Of The Ghetto - Reimagined
102 bpm • G Maj • 04:57 • -10.8db
19% Popularity • 61% Danceability • 51% Energy • 43% Liveness
1% Instrumentalness • 31% Positiveness
19% Popularity • 61% Danceability • 51% Energy • 43% Liveness
1% Instrumentalness • 31% Positiveness
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Nostalgia 77
Quiet Dawn
102 bpm • E min • 05:54 • -11.65db
27% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Melanie De Biasio
Afro Blue
102 bpm • A min • 04:33 • -16.52db
40% Popularity • 64% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 59% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 59% Positiveness
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Terry Callier
Lazarus Man
102 bpm • D Maj • 08:28 • -11.92db
28% Popularity • 54% Danceability • 52% Energy • 8% Liveness
10% Instrumentalness • 11% Positiveness
28% Popularity • 54% Danceability • 52% Energy • 8% Liveness
10% Instrumentalness • 11% Positiveness
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Shuggie Otis
Aht Uh Mi Hed
103 bpm • F# min • 04:17 • -8.14db
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
45% Popularity • 82% Danceability • 62% Energy • 10% Liveness
15% Instrumentalness • 82% Positiveness
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Lemon Jelly
Soft
103 bpm • D# min • 04:35 • -10db
42% Popularity • 77% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 77% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Terry Reid
River
101 bpm • G Maj • 05:45 • -16db
31% Popularity • 71% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
31% Popularity • 71% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 65% Positiveness
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Marlena Shaw
Woman Of The Ghetto
101 bpm • A min • 06:02 • -12.69db
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Bryan Ferry
Casanova
103 bpm • D# Maj • 02:46 • -9db
38% Popularity • 74% Danceability • 59% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
38% Popularity • 74% Danceability • 59% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
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Brad Mehldau
Paranoid Android
101 bpm • G min • 09:05 • -13.03db
31% Popularity • 38% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 38% Danceability • 57% Energy • 9% Liveness
89% Instrumentalness • 12% Positiveness
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Abdullah Ibrahim
Soweto
101 bpm • C# min • 04:07 • -9.5db
30% Popularity • 53% Danceability • 61% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
30% Popularity • 53% Danceability • 61% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
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Olu Dara
Harlem Country Girl
101 bpm • C# Maj • 05:48 • -14.38db
27% Popularity • 50% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Francis Bebey
Forest Nativity
103 bpm • B Maj • 04:23 • -10.84db
30% Popularity • 68% Danceability • 57% Energy • 14% Liveness
65% Instrumentalness • 68% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 14% Liveness
65% Instrumentalness • 68% Positiveness
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Shabaka and the Ancestors
The Observer
100 bpm • F min • 09:02 • -10db
16% Popularity • 40% Danceability • 48% Energy • 13% Liveness
83% Instrumentalness • 18% Positiveness
16% Popularity • 40% Danceability • 48% Energy • 13% Liveness
83% Instrumentalness • 18% Positiveness
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Morphine
You Look Like Rain
101 bpm • F Maj • 03:40 • -19.3db
47% Popularity • 56% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 56% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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King Curtis
A Whiter Shade of Pale - Live at Fillmor...
100 bpm • C Maj • 05:26 • -17.09db
35% Popularity • 44% Danceability • 24% Energy • 77% Liveness
65% Instrumentalness • 22% Positiveness
35% Popularity • 44% Danceability • 24% Energy • 77% Liveness
65% Instrumentalness • 22% Positiveness
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Eddie Gale
The Rain
100 bpm • D min • 06:30 • -10.23db
17% Popularity • 31% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 31% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Terry Callier
Love Two Love
100 bpm • D Maj • 02:48 • -15.62db
3% Popularity • 53% Danceability • 38% Energy • 11% Liveness
10% Instrumentalness • 69% Positiveness
3% Popularity • 53% Danceability • 38% Energy • 11% Liveness
10% Instrumentalness • 69% Positiveness
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Melanie De Biasio
Brother
100 bpm • C min • 03:11 • -15.76db
26% Popularity • 57% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
26% Popularity • 57% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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Erik Truffaz
Trippin' the Lovelight Fantastic
104 bpm • C# Maj • 04:42 • -12.33db
19% Popularity • 53% Danceability • 55% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
19% Popularity • 53% Danceability • 55% Energy • 10% Liveness
82% Instrumentalness • 61% Positiveness
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Henri Texier
Varech
100 bpm • C Maj • 04:11 • -20.81db
16% Popularity • 63% Danceability • 19% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
16% Popularity • 63% Danceability • 19% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
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Tony Allen
Never (Lagos Never Gonna Be the Same)
100 bpm • F Maj • 03:53 • -8.46db
38% Popularity • 77% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
38% Popularity • 77% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Alif Tree
Forgotten Places
100 bpm • F# Maj • 04:51 • -8db
35% Popularity • 71% Danceability • 70% Energy • 12% Liveness
20% Instrumentalness • 67% Positiveness
35% Popularity • 71% Danceability • 70% Energy • 12% Liveness
20% Instrumentalness • 67% Positiveness
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Hailu Mergia
Lala Belu
100 bpm • G# Maj • 04:42 • -7.3db
20% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Melanie De Biasio
I'm Gonna Leave You - The Cinematic Orch...
100 bpm • G min • 08:56 • -10.94db
33% Popularity • 47% Danceability • 58% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
33% Popularity • 47% Danceability • 58% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Tim Buckley
Pleasant Street
104 bpm • E min • 05:17 • -10db
36% Popularity • 39% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 39% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Sopwith Camel
Orange Peel
104 bpm • D# min • 05:36 • -15.11db
33% Popularity • 69% Danceability • 23% Energy • 16% Liveness
13% Instrumentalness • 57% Positiveness
33% Popularity • 69% Danceability • 23% Energy • 16% Liveness
13% Instrumentalness • 57% Positiveness
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The Matthew Herbert Big Band
Turning Pages
100 bpm • A# min • 07:45 • -14.52db
22% Popularity • 44% Danceability • 25% Energy • 7% Liveness
62% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 25% Energy • 7% Liveness
62% Instrumentalness • 34% Positiveness
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Henri Texier
Quand tout s'arrête
104 bpm • D Maj • 01:30 • -18.57db
18% Popularity • 18% Danceability • 17% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 17% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Terry Callier
900 Miles - Take 1
104 bpm • D Maj • 05:02 • -14.78db
11% Popularity • 34% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 34% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Lloyd
TM
100 bpm • G Maj • 05:08 • -16.09db
16% Popularity • 37% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Pentangle
Goodbye Pork Pie Hat -
100 bpm • D Maj • 03:48 • -23.72db
29% Popularity • 44% Danceability • 15% Energy • 64% Liveness
83% Instrumentalness • 16% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 64% Liveness
83% Instrumentalness • 16% Positiveness
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Pete Brandt's Method
What You Are
105 bpm • G min • 03:35 • -10.85db
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
35% Popularity • 65% Danceability • 60% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Portico Quartet
Knee-Deep in the North Sea - Live in Cop...
99 bpm • F min • 06:09 • -16db
26% Popularity • 24% Danceability • 26% Energy • 92% Liveness
95% Instrumentalness • 6% Positiveness
26% Popularity • 24% Danceability • 26% Energy • 92% Liveness
95% Instrumentalness • 6% Positiveness
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Béla Fleck
Nashville
105 bpm • A min • 03:51 • -15db
22% Popularity • 43% Danceability • 52% Energy • 81% Liveness
92% Instrumentalness • 66% Positiveness
22% Popularity • 43% Danceability • 52% Energy • 81% Liveness
92% Instrumentalness • 66% Positiveness
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Terry Callier
900 Miles
105 bpm • D Maj • 05:07 • -16db
45% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Kurt Elling
Matte Kudasai
105 bpm • C Maj • 04:19 • -21db
21% Popularity • 39% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
21% Popularity • 39% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Henri Texier
Hocoka
99 bpm • A Maj • 03:48 • -23.03db
10% Popularity • 77% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
10% Popularity • 77% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 57% Positiveness
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Menahan Street Band
Three Faces
99 bpm • A# Maj • 04:36 • -7db
29% Popularity • 46% Danceability • 65% Energy • 6% Liveness
84% Instrumentalness • 31% Positiveness
29% Popularity • 46% Danceability • 65% Energy • 6% Liveness
84% Instrumentalness • 31% Positiveness
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Nine Horses
Wonderful World
105 bpm • C min • 06:02 • -11.45db
24% Popularity • 44% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 44% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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David Byrne
A Soft Seduction
99 bpm • D Maj • 03:01 • -15.38db
37% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Terry Callier
Promenade In Green - Take 1
105 bpm • G Maj • 03:54 • -16.73db
12% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kid Loco
She's my lover
99 bpm • G# Maj • 04:37 • -6db
41% Popularity • 48% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 16% Positiveness
41% Popularity • 48% Danceability • 89% Energy • 26% Liveness
90% Instrumentalness • 16% Positiveness
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Vieux Farka Touré
Bonheur
105 bpm • G Maj • 05:38 • -12.83db
30% Popularity • 57% Danceability • 75% Energy • 6% Liveness
86% Instrumentalness • 76% Positiveness
30% Popularity • 57% Danceability • 75% Energy • 6% Liveness
86% Instrumentalness • 76% Positiveness
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Roberta Flack
Go up Moses
99 bpm • D min • 05:23 • -14db
29% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 62% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Baby Huey
A Change Is Going To Come
105 bpm • F# min • 09:31 • -10.47db
32% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 46% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Mose Allison
Young Man's Blues
99 bpm • F Maj • 01:23 • -14db
43% Popularity • 56% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
43% Popularity • 56% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 57% Positiveness
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Terry Callier
You Goin' Miss Your Candyman
99 bpm • A min • 07:19 • -12.8db
44% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
44% Popularity • 45% Danceability • 65% Energy • 28% Liveness
10% Instrumentalness • 61% Positiveness
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Yusef Lateef
Juba Juba - Remastered
99 bpm • C min • 04:23 • -19.19db
24% Popularity • 51% Danceability • 30% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
24% Popularity • 51% Danceability • 30% Energy • 11% Liveness
28% Instrumentalness • 29% Positiveness
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Songhoy Blues
Sahara
98 bpm • G Maj • 03:03 • -8db
31% Popularity • 47% Danceability • 77% Energy • 20% Liveness
5% Instrumentalness • 76% Positiveness
31% Popularity • 47% Danceability • 77% Energy • 20% Liveness
5% Instrumentalness • 76% Positiveness
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Tinariwen
Cler Achel
99 bpm • D Maj • 04:27 • -5db
39% Popularity • 68% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
39% Popularity • 68% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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This Is The Kit
Moonshine Freeze
98 bpm • F# min • 03:41 • -9db
38% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Alice Coltrane
Journey In Satchidananda
98 bpm • B min • 06:36 • -14db
50% Popularity • 18% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 18% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Greg Foat
Of My Hands
98 bpm • E min • 07:04 • -12.9db
18% Popularity • 51% Danceability • 47% Energy • 11% Liveness
43% Instrumentalness • 36% Positiveness
18% Popularity • 51% Danceability • 47% Energy • 11% Liveness
43% Instrumentalness • 36% Positiveness
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Howe Gelb
A Thousand Kisses Deep
106 bpm • F min • 05:39 • -16db
29% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
29% Popularity • 76% Danceability • 27% Energy • 44% Liveness
1% Instrumentalness • 75% Positiveness
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C.W. Stoneking
Mama Got The Blues
98 bpm • A# min • 03:24 • -15.04db
36% Popularity • 77% Danceability • 23% Energy • 12% Liveness
50% Instrumentalness • 26% Positiveness
36% Popularity • 77% Danceability • 23% Energy • 12% Liveness
50% Instrumentalness • 26% Positiveness
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Henri Texier
L'éléphant
106 bpm • A Maj • 03:14 • -18.91db
29% Popularity • 58% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
29% Popularity • 58% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
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Tony Allen
Moving On
106 bpm • F min • 06:40 • -5.44db
19% Popularity • 76% Danceability • 98% Energy • 6% Liveness
60% Instrumentalness • 92% Positiveness
19% Popularity • 76% Danceability • 98% Energy • 6% Liveness
60% Instrumentalness • 92% Positiveness
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Indra Rios-Moore
Money
106 bpm • F# min • 04:09 • -11.26db
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Mop Mop
Spaceship: Earth
98 bpm • D min • 05:58 • -9db
40% Popularity • 80% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
40% Popularity • 80% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Kronos Quartet
Sorrow Tears + Blood
98 bpm • F min • 08:33 • -12.14db
1% Popularity • 75% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 65% Positiveness
1% Popularity • 75% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 65% Positiveness
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Marc Ribot
How To Walk In Freedom
98 bpm • E min • 05:44 • -10.05db
11% Popularity • 39% Danceability • 52% Energy • 14% Liveness
27% Instrumentalness • 58% Positiveness
11% Popularity • 39% Danceability • 52% Energy • 14% Liveness
27% Instrumentalness • 58% Positiveness
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John Mayall
California - Live
106 bpm • C Maj • 09:31 • -18db
34% Popularity • 48% Danceability • 32% Energy • 70% Liveness
76% Instrumentalness • 66% Positiveness
34% Popularity • 48% Danceability • 32% Energy • 70% Liveness
76% Instrumentalness • 66% Positiveness
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Michael Kiwanuka
Tell Me A Tale
98 bpm • G Maj • 04:09 • -8.78db
43% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Allen Toussaint
St. James Infirmary
107 bpm • F min • 03:51 • -14.98db
42% Popularity • 89% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 46% Positiveness
42% Popularity • 89% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 46% Positiveness
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Cassandra Wilson
Death Letter
98 bpm • G# min • 04:14 • -15.29db
39% Popularity • 77% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 77% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Harvey Mandel
A Wade In The Water
107 bpm • A# min • 07:50 • -11db
23% Popularity • 40% Danceability • 48% Energy • 21% Liveness
82% Instrumentalness • 56% Positiveness
23% Popularity • 40% Danceability • 48% Energy • 21% Liveness
82% Instrumentalness • 56% Positiveness
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Talk Talk
Happiness Is Easy - 1997 Remaster
107 bpm • F min • 06:30 • -13db
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
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Muddy Waters
Feel Like Going Home
107 bpm • G min • 03:57 • -21.29db
32% Popularity • 57% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
32% Popularity • 57% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
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Michael Kiwanuka
You've Got Nothing to Lose
98 bpm • B Maj • 03:20 • -13.07db
40% Popularity • 47% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 47% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Olu Dara
Neighborhoods
107 bpm • F# Maj • 04:53 • -9.93db
16% Popularity • 68% Danceability • 47% Energy • 9% Liveness
10% Instrumentalness • 68% Positiveness
16% Popularity • 68% Danceability • 47% Energy • 9% Liveness
10% Instrumentalness • 68% Positiveness
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Mop Mop
Heritage Anthony Joseph
97 bpm • C# Maj • 04:55 • -10.19db
25% Popularity • 80% Danceability • 68% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
25% Popularity • 80% Danceability • 68% Energy • 10% Liveness
79% Instrumentalness • 63% Positiveness
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Eugene McDaniels
Unspoken Dreams of Light
97 bpm • C Maj • 06:43 • -8db
16% Popularity • 49% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 49% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Terry Callier
Holdin' On
97 bpm • A min • 05:25 • -10.63db
3% Popularity • 69% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
3% Popularity • 69% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Jeremy Spencer Band
Cool Breeze
108 bpm • C min • 03:33 • -12.87db
41% Popularity • 84% Danceability • 44% Energy • 12% Liveness
18% Instrumentalness • 97% Positiveness
41% Popularity • 84% Danceability • 44% Energy • 12% Liveness
18% Instrumentalness • 97% Positiveness
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Pete Josef
Colour
108 bpm • F Maj • 05:39 • -10db
41% Popularity • 74% Danceability • 48% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
41% Popularity • 74% Danceability • 48% Energy • 8% Liveness
8% Instrumentalness • 60% Positiveness
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Ojah
Afro Beat Blues
97 bpm • A# min • 06:48 • -7.08db
41% Popularity • 78% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 90% Positiveness
41% Popularity • 78% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 90% Positiveness
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Mop Mop
Let I Go Anthony Joseph
97 bpm • C# min • 05:18 • -8.84db
29% Popularity • 87% Danceability • 70% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
29% Popularity • 87% Danceability • 70% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Nadia Reid
Track of the Time
109 bpm • F Maj • 04:37 • -13.08db
28% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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MY BABY
Out On Gin
96 bpm • G Maj • 04:53 • -10.99db
35% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Letta Mbulu
What's Wrong With Groovin'
96 bpm • G Maj • 02:53 • -5.9db
35% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 59% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tim Buckley
Sweet Surrender
109 bpm • D Maj • 06:47 • -8.3db
34% Popularity • 55% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 55% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Roberta Flack
Tryin' Times
109 bpm • G Maj • 05:08 • -14db
33% Popularity • 65% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 65% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Terry Callier
Baby Take Your Time
96 bpm • G Maj • 03:03 • -6.55db
4% Popularity • 65% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 65% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Gábor Szabó
Love Is Blue
109 bpm • A Maj • 04:18 • -10db
28% Popularity • 48% Danceability • 44% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
28% Popularity • 48% Danceability • 44% Energy • 9% Liveness
10% Instrumentalness • 34% Positiveness
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Nick Waterhouse
Lucky Once
95 bpm • F Maj • 05:44 • -12db
26% Popularity • 68% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
26% Popularity • 68% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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Marlena Shaw
Woman Of The Ghetto - Live From The Mont...
95 bpm • D min • 09:58 • -14.08db
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Asha Puthli
Right Down Here
95 bpm • A# min • 04:08 • -17.81db
34% Popularity • 86% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 88% Positiveness
34% Popularity • 86% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 88% Positiveness
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Hannah Williams
Dazed and Confused
95 bpm • B min • 06:19 • -6.36db
31% Popularity • 53% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 53% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Terry Callier
Love Theme From Spartacus
109 bpm • E min • 04:29 • -19.68db
25% Popularity • 44% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 44% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Henri Texier
Le piroguier
109 bpm • E Maj • 04:24 • -14.08db
26% Popularity • 64% Danceability • 22% Energy • 8% Liveness
20% Instrumentalness • 15% Positiveness
26% Popularity • 64% Danceability • 22% Energy • 8% Liveness
20% Instrumentalness • 15% Positiveness
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Gábor Szabó
Bang Bang (My Baby Shot Me Down)
95 bpm • G min • 02:28 • -10.61db
28% Popularity • 44% Danceability • 51% Energy • 10% Liveness
6% Instrumentalness • 48% Positiveness
28% Popularity • 44% Danceability • 51% Energy • 10% Liveness
6% Instrumentalness • 48% Positiveness
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Ronny Jordan
The Jackal
95 bpm • G Maj • 07:01 • -11.41db
34% Popularity • 81% Danceability • 46% Energy • 34% Liveness
7% Instrumentalness • 63% Positiveness
34% Popularity • 81% Danceability • 46% Energy • 34% Liveness
7% Instrumentalness • 63% Positiveness
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John Lurie
Small Car
95 bpm • D# min • 05:47 • -10.58db
30% Popularity • 70% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 89% Positiveness
30% Popularity • 70% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 89% Positiveness
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Anthony Joseph
Milligan (The Ocean)
95 bpm • F# min • 08:26 • -6.06db
10% Popularity • 65% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 65% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Terry Callier
Jack O’Diamonds
110 bpm • D Maj • 05:37 • -14.63db
15% Popularity • 53% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 53% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Jean-Jacques Milteau
Paris Blues
110 bpm • G Maj • 04:48 • -11.06db
1% Popularity • 69% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 69% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Gábor Szabó
Bacchanal
110 bpm • G# Maj • 04:57 • -16db
23% Popularity • 46% Danceability • 44% Energy • 8% Liveness
94% Instrumentalness • 52% Positiveness
23% Popularity • 46% Danceability • 44% Energy • 8% Liveness
94% Instrumentalness • 52% Positiveness
