Songs like Lazy Days by Dean Brody
Based on a tempo of (+/- 10%) and a similar genre
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Canaan Smith
Country Boy Things
116 bpm • F Maj • 02:46 • -4db
39% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Tebey
What Was I Drinking
116 bpm • E min • 02:57 • -3db
36% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
58% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
55% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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HARDY
ALL SHE LEFT WAS ME
116 bpm • D Maj • 02:41 • -4.57db
55% Popularity • 61% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
55% Popularity • 61% Danceability • 80% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Dan Davidson
Barn Burner
116 bpm • A Maj • 03:13 • -4db
30% Popularity • 63% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 63% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Trace Adkins
Ladies Love Country Boys
116 bpm • G Maj • 03:41 • -4db
62% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 66% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Dean Brody
Black Sheep
117 bpm • C Maj • 03:16 • -5.43db
28% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Frankie Ballard
Young & Crazy
115 bpm • C Maj • 03:00 • -4db
51% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 61% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Hunter Brothers
Born and Raised
115 bpm • B min • 03:01 • -3db
40% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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George Canyon
Your Lips Got In The Way
115 bpm • E Maj • 02:52 • -2.34db
22% Popularity • 58% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 58% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
62% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Trace Adkins
Heartbreak Song
116 bpm • E min • 03:14 • -5.67db
32% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 55% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Dean Brody
Sweet Lola
117 bpm • E Maj • 03:47 • -4.96db
24% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Mason
Chasing Stardust
117 bpm • C# min • 03:04 • -9db
53% Popularity • 77% Danceability • 55% Energy • 18% Liveness
3% Instrumentalness • 26% Positiveness
53% Popularity • 77% Danceability • 55% Energy • 18% Liveness
3% Instrumentalness • 26% Positiveness
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Aaron Goodvin
Country Dance
115 bpm • G Maj • 03:10 • -4.17db
47% Popularity • 71% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 71% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Jon Pardi
Missin' You Crazy
117 bpm • E Maj • 03:18 • -3.68db
46% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 61% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Reklaws
Roots - World Junior Song
115 bpm • C Maj • 03:26 • -4.59db
37% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
37% Popularity • 53% Danceability • 76% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Trace Adkins
Rough And Ready - Single Edit
117 bpm • D Maj • 03:08 • -6db
42% Popularity • 68% Danceability • 90% Energy • 37% Liveness
1% Instrumentalness • 71% Positiveness
42% Popularity • 68% Danceability • 90% Energy • 37% Liveness
1% Instrumentalness • 71% Positiveness
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Jade Eagleson
Shakin' In Them Boots
117 bpm • F# Maj • 02:49 • -3.3db
47% Popularity • 59% Danceability • 93% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 59% Danceability • 93% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
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Dean Brody
Roll That Barrel Out
117 bpm • E Maj • 03:10 • -4.52db
26% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 70% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Dusty Black
Them Boots
115 bpm • B Maj • 02:35 • -3.61db
48% Popularity • 56% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Blackjack Billy
The Booze Cruise
115 bpm • G Maj • 02:52 • -3db
41% Popularity • 79% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 79% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Paul Brandt
I'm An Open Road
115 bpm • D Maj • 03:54 • -6db
34% Popularity • 50% Danceability • 79% Energy • 23% Liveness
18% Instrumentalness • 17% Positiveness
34% Popularity • 50% Danceability • 79% Energy • 23% Liveness
18% Instrumentalness • 17% Positiveness
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Luke Bryan
Take My Drunk Ass Home
118 bpm • D Maj • 03:22 • -3.97db
51% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 64% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Brandon Lay
For My Money
118 bpm • F# min • 03:10 • -7.16db
36% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Dean Brody
Soggy Bottom Summer
114 bpm • A Maj • 02:56 • -4.8db
34% Popularity • 66% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 66% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 65% Positiveness
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Jade Eagleson
Do It Anyway
114 bpm • A Maj • 02:52 • -3.19db
48% Popularity • 56% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 56% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Easton Corbin
Somebody's Gotta Be Country
114 bpm • G# Maj • 03:02 • -2.81db
49% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 73% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Casey Donahew
Country Song
118 bpm • D Maj • 03:08 • -3db
39% Popularity • 66% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 66% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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George Birge
That Drink
118 bpm • B min • 02:52 • -4.48db
39% Popularity • 61% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 61% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Lee Brice
If You
118 bpm • D Maj • 02:13 • -5.93db
39% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
39% Popularity • 67% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Dillon Carmichael
Big Truck
114 bpm • A Maj • 03:11 • -4db
35% Popularity • 71% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 71% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Turner
Country State Of Mind
119 bpm • C# Maj • 04:02 • -5.56db
39% Popularity • 59% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 59% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Tebey
Happened on a Saturday Night
119 bpm • C# Maj • 02:53 • -5.11db
43% Popularity • 64% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 64% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Hunter Brothers
Those Were the Nights
113 bpm • G Maj • 03:25 • -4.57db
42% Popularity • 57% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Jade Eagleson
Neon Dreamin'
113 bpm • A Maj • 03:27 • -3.81db
40% Popularity • 63% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 63% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Dean Brody
8th Day
113 bpm • E Maj • 03:02 • -4.61db
31% Popularity • 67% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 67% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Darryl Worley
Awful Beautiful Life
113 bpm • D Maj • 03:52 • -7db
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Randy Houser
Country Round Here Tonight
119 bpm • F min • 03:36 • -6db
51% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 67% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Canaan Smith
Mason Jars & Fireflies
120 bpm • B min • 03:07 • -5.65db
36% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Brothers Osborne
All Night
120 bpm • E min • 02:48 • -4.84db
56% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 76% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Shane Profitt
How It Oughta Be
120 bpm • G# Maj • 03:08 • -4db
50% Popularity • 54% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 54% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Kip Moore
Fire On Wheels
120 bpm • G Maj • 02:36 • -4.59db
51% Popularity • 71% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 71% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Dean Brody
Can't Help Myself
120 bpm • D Maj • 02:38 • -3.45db
58% Popularity • 70% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 70% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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The 615 House
Mexican Jail
120 bpm • D Maj • 03:24 • -4.31db
46% Popularity • 60% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 60% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
62% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Dan Davidson
Church
120 bpm • C# Maj • 02:58 • -5.75db
26% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Ian Munsick
Humble
120 bpm • E Maj • 03:40 • -4.68db
48% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Austin Burke
Wet Dream
120 bpm • G# Maj • 03:10 • -5.59db
48% Popularity • 76% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 76% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Dean Brody
Paint The Town Redneck
120 bpm • F Maj • 02:48 • -4.36db
23% Popularity • 68% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 68% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
43% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
62% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
65% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
65% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Blackjack Billy
Blood Sweat And Beer
121 bpm • C Maj • 02:58 • -4.49db
33% Popularity • 73% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 73% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Josh Gracin
Nothin' To Lose
121 bpm • G Maj • 02:36 • -4.12db
59% Popularity • 61% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
59% Popularity • 61% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Brandt
Convoy
111 bpm • F min • 04:29 • -9.91db
45% Popularity • 64% Danceability • 85% Energy • 62% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 64% Danceability • 85% Energy • 62% Liveness
0% Instrumentalness • 78% Positiveness
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Luke Combs
Memories Are Made Of
121 bpm • D Maj • 03:36 • -6.19db
58% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
53% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
53% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Sam Grow
Song About You
111 bpm • A# Maj • 03:01 • -4.3db
55% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Dean Brody
It's Friday
122 bpm • E Maj • 03:10 • -5.88db
49% Popularity • 64% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 64% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Elvie Shane
Love, Cold Beer, Cheap Smoke
122 bpm • A Maj • 03:19 • -3.75db
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Combs
Every Little Bit Helps
122 bpm • G# Maj • 04:07 • -4.27db
53% Popularity • 55% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 55% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
53% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Tim Hicks
No Truck Song
122 bpm • G# Maj • 03:12 • -3.04db
44% Popularity • 62% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 62% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Tim & The Glory Boys
When You Know You Know
122 bpm • C Maj • 02:49 • -5.25db
40% Popularity • 60% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 60% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Dean Brody
Four Wheel Drive
122 bpm • D Maj • 03:47 • -7db
24% Popularity • 63% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 63% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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The Washboard Union
Country Thunder
122 bpm • C# min • 03:09 • -2.26db
37% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Janson
Who's Your Farmer
110 bpm • B min • 02:50 • -3.69db
32% Popularity • 62% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 62% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Dallas Smith
Side Effects
110 bpm • E Maj • 02:57 • -4db
38% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Tim Hicks
Dodge Out Of Hell
122 bpm • G# Maj • 03:12 • -4.46db
38% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 59% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Hunter Brothers
Lost
110 bpm • C# Maj • 02:43 • -4.47db
43% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 58% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Dean Brody
Everything’s Better
122 bpm • A Maj • 03:42 • -3.26db
20% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Buddy Brown
Red Like Reagan
110 bpm • B Maj • 02:59 • -3.94db
36% Popularity • 67% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 67% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
40% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dan Davidson
Found
110 bpm • A# Maj • 03:14 • -5db
46% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 60% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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Tim Hicks
Got a Feeling
110 bpm • A Maj • 03:15 • -4.94db
36% Popularity • 80% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 80% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
63% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dean Brody
Canadian Summer
122 bpm • F# Maj • 03:24 • -2.93db
43% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 52% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Shy Carter
Beer With My Friends
110 bpm • A Maj • 02:57 • -2.6db
43% Popularity • 60% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
43% Popularity • 60% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Buddy Brown
Just Sayin'
110 bpm • A Maj • 03:27 • -6.88db
39% Popularity • 63% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 63% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Cody Johnson
Known for Loving You
123 bpm • A Maj • 02:45 • -4.16db
47% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 56% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Kip Moore
The Bull
123 bpm • G Maj • 03:09 • -6.33db
55% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Canaan Smith
Catch Me If You Can
123 bpm • A min • 02:49 • -5db
39% Popularity • 61% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 61% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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High Valley
Make You Mine
123 bpm • C Maj • 03:31 • -4db
51% Popularity • 58% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 58% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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The Road Hammers
Get on Down the Road
109 bpm • F# min • 03:14 • -5.44db
30% Popularity • 63% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 63% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Sean Stemaly
Product Of A Small Town
109 bpm • C# min • 02:34 • -4.02db
54% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 54% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Rice
Bad Day To Be A Cold Beer
124 bpm • E Maj • 03:03 • -4.28db
44% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kip Moore
She's Mine
123 bpm • G Maj • 03:49 • -5.86db
56% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
38% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
58% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Dean Brody
Monterey
124 bpm • F# Maj • 03:45 • -4.08db
27% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Brandt
Alberta Bound
124 bpm • E Maj • 03:48 • -8.97db
45% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
