Songs like Le Beep Beep by Vasco
Based on a tempo of (+/- 10%) and a similar genre
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Emre Ramazanoglu
Le Bleep Bass
95 bpm • D Maj • 03:26 • -6.78db
0% Popularity • 50% Danceability • 93% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
0% Popularity • 50% Danceability • 93% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
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Vasco
Cosmic Alice
95 bpm • F Maj • 02:58 • -8.94db
2% Popularity • 60% Danceability • 76% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
2% Popularity • 60% Danceability • 76% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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Alexandre Desplat
Julia's Theme
95 bpm • A# Maj • 02:13 • -14.6db
35% Popularity • 44% Danceability • 26% Energy • 10% Liveness
64% Instrumentalness • 45% Positiveness
35% Popularity • 44% Danceability • 26% Energy • 10% Liveness
64% Instrumentalness • 45% Positiveness
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Cavendish Music
Autumn Clouds
95 bpm • G# Maj • 02:15 • -7.93db
26% Popularity • 53% Danceability • 35% Energy • 37% Liveness
68% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 35% Energy • 37% Liveness
68% Instrumentalness • 34% Positiveness
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Golden Age Radio
Another Sunny Day
95 bpm • F Maj • 02:06 • -13db
18% Popularity • 68% Danceability • 48% Energy • 15% Liveness
96% Instrumentalness • 94% Positiveness
18% Popularity • 68% Danceability • 48% Energy • 15% Liveness
96% Instrumentalness • 94% Positiveness
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Original Paris Swing
Recado
96 bpm • B min • 04:07 • -14.06db
41% Popularity • 68% Danceability • 48% Energy • 15% Liveness
84% Instrumentalness • 60% Positiveness
41% Popularity • 68% Danceability • 48% Energy • 15% Liveness
84% Instrumentalness • 60% Positiveness
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George Stephenson
Jewel Runner
95 bpm • A# min • 03:00 • -6.17db
1% Popularity • 81% Danceability • 79% Energy • 14% Liveness
52% Instrumentalness • 64% Positiveness
1% Popularity • 81% Danceability • 79% Energy • 14% Liveness
52% Instrumentalness • 64% Positiveness
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Vasco
Le Beep Beep
95 bpm • F Maj • 02:58 • -10.66db
9% Popularity • 81% Danceability • 35% Energy • 18% Liveness
3% Instrumentalness • 94% Positiveness
9% Popularity • 81% Danceability • 35% Energy • 18% Liveness
3% Instrumentalness • 94% Positiveness
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Greg J Walker
What Eyes You Have (Instrumental)
94 bpm • B min • 02:34 • -9.28db
23% Popularity • 75% Danceability • 42% Energy • 14% Liveness
79% Instrumentalness • 86% Positiveness
23% Popularity • 75% Danceability • 42% Energy • 14% Liveness
79% Instrumentalness • 86% Positiveness
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Ivan Mladek
Twelfth Street Rag
96 bpm • C# Maj • 02:18 • -20db
32% Popularity • 63% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
32% Popularity • 63% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
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TrackTribe
A Brand New Start
96 bpm • D Maj • 02:45 • -23.79db
24% Popularity • 59% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 49% Positiveness
24% Popularity • 59% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 49% Positiveness
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Cavendish Music
Upbeat Swing
96 bpm • A min • 02:02 • -6.27db
29% Popularity • 79% Danceability • 42% Energy • 13% Liveness
21% Instrumentalness • 82% Positiveness
29% Popularity • 79% Danceability • 42% Energy • 13% Liveness
21% Instrumentalness • 82% Positiveness
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Al Bowlly
The Very Thought of You
97 bpm • F min • 03:29 • -10.9db
20% Popularity • 48% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 37% Positiveness
20% Popularity • 48% Danceability • 19% Energy • 11% Liveness
67% Instrumentalness • 37% Positiveness
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Jackie Gleason
Days Of Wine And Roses - Remastered/1996
97 bpm • F Maj • 03:27 • -20db
34% Popularity • 13% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
34% Popularity • 13% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Charles Trenet
Verlaine - Remasterisé en 2017
93 bpm • D# Maj • 03:24 • -11.5db
38% Popularity • 53% Danceability • 27% Energy • 16% Liveness
28% Instrumentalness • 47% Positiveness
38% Popularity • 53% Danceability • 27% Energy • 16% Liveness
28% Instrumentalness • 47% Positiveness
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Texas Gypsies
A Distant Dream
93 bpm • D Maj • 04:11 • -8.63db
20% Popularity • 62% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
20% Popularity • 62% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 38% Positiveness
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John Lunn
Crazy Rhythm
97 bpm • C min • 02:13 • -10.65db
21% Popularity • 73% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 73% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Dean Parks
Living on Luck
97 bpm • C min • 03:00 • -17db
29% Popularity • 82% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
29% Popularity • 82% Danceability • 14% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
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Jay Israelson
Beatrice at the Benefit
97 bpm • G Maj • 01:08 • -12.6db
34% Popularity • 50% Danceability • 34% Energy • 18% Liveness
96% Instrumentalness • 27% Positiveness
34% Popularity • 50% Danceability • 34% Energy • 18% Liveness
96% Instrumentalness • 27% Positiveness
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Almost Here
Seeing You Again
97 bpm • F min • 03:06 • -15.55db
30% Popularity • 55% Danceability • 11% Energy • 13% Liveness
51% Instrumentalness • 10% Positiveness
30% Popularity • 55% Danceability • 11% Energy • 13% Liveness
51% Instrumentalness • 10% Positiveness
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Theo Degler
Paris
98 bpm • G Maj • 01:04 • -8.41db
31% Popularity • 62% Danceability • 38% Energy • 9% Liveness
12% Instrumentalness • 97% Positiveness
31% Popularity • 62% Danceability • 38% Energy • 9% Liveness
12% Instrumentalness • 97% Positiveness
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Radio Night
Like You Used to Be
98 bpm • F Maj • 02:04 • -10.36db
13% Popularity • 52% Danceability • 24% Energy • 14% Liveness
75% Instrumentalness • 39% Positiveness
13% Popularity • 52% Danceability • 24% Energy • 14% Liveness
75% Instrumentalness • 39% Positiveness
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Jeff Beal
Monk Theme - Extended Version
98 bpm • D# Maj • 02:33 • -10.06db
36% Popularity • 58% Danceability • 44% Energy • 9% Liveness
76% Instrumentalness • 73% Positiveness
36% Popularity • 58% Danceability • 44% Energy • 9% Liveness
76% Instrumentalness • 73% Positiveness
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Ludovic Bource
My Most Beautiful Favorite Theme
98 bpm • B Maj • 01:26 • -8db
20% Popularity • 60% Danceability • 59% Energy • 12% Liveness
9% Instrumentalness • 25% Positiveness
20% Popularity • 60% Danceability • 59% Energy • 12% Liveness
9% Instrumentalness • 25% Positiveness
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Vasco
Sambette Donut
92 bpm • C Maj • 01:50 • -7.5db
3% Popularity • 85% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 87% Positiveness
3% Popularity • 85% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 87% Positiveness
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TrackTribe
Easy Stroll
98 bpm • G Maj • 03:28 • -8.09db
17% Popularity • 87% Danceability • 29% Energy • 12% Liveness
12% Instrumentalness • 49% Positiveness
17% Popularity • 87% Danceability • 29% Energy • 12% Liveness
12% Instrumentalness • 49% Positiveness
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Theo Degler
Lyon
98 bpm • A min • 01:06 • -9db
27% Popularity • 67% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 94% Positiveness
27% Popularity • 67% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 94% Positiveness
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Paul Reeves
Violins over Vegas
92 bpm • D min • 02:40 • -8.21db
1% Popularity • 30% Danceability • 44% Energy • 52% Liveness
11% Instrumentalness • 10% Positiveness
1% Popularity • 30% Danceability • 44% Energy • 52% Liveness
11% Instrumentalness • 10% Positiveness
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Radio Night
Taking It All Back
98 bpm • C min • 02:09 • -9.45db
15% Popularity • 41% Danceability • 15% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
15% Popularity • 41% Danceability • 15% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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The Fly Guy Five
Blue Zones
92 bpm • F Maj • 03:14 • -11.76db
22% Popularity • 73% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
22% Popularity • 73% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
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Vasco
A viagem da tartaruga
98 bpm • A# Maj • 03:24 • -8.52db
0% Popularity • 90% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 90% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Cavendish Music
Left Bank Swing
98 bpm • C min • 02:15 • -6.03db
22% Popularity • 74% Danceability • 48% Energy • 6% Liveness
16% Instrumentalness • 74% Positiveness
22% Popularity • 74% Danceability • 48% Energy • 6% Liveness
16% Instrumentalness • 74% Positiveness
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Anders Johan Greger Lewen
Winding Back the Years
92 bpm • C Maj • 02:20 • -13.53db
22% Popularity • 71% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 87% Positiveness
22% Popularity • 71% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 87% Positiveness
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Stuart Roslyn
Autumn Chill
98 bpm • D# Maj • 02:47 • -9.21db
3% Popularity • 50% Danceability • 41% Energy • 9% Liveness
64% Instrumentalness • 6% Positiveness
3% Popularity • 50% Danceability • 41% Energy • 9% Liveness
64% Instrumentalness • 6% Positiveness
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Trabant 33
Mi Dispiace
98 bpm • D# Maj • 02:04 • -10.42db
8% Popularity • 69% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
8% Popularity • 69% Danceability • 38% Energy • 16% Liveness
3% Instrumentalness • 73% Positiveness
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Billy Munn
Dream Away
98 bpm • F# Maj • 02:41 • -18db
29% Popularity • 40% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 21% Energy • 14% Liveness
88% Instrumentalness • 24% Positiveness
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Nino Rota
La Dolce Vita (Finale)
99 bpm • C# min • 02:56 • -16db
18% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Benny Goodman Quartet
Whispering
99 bpm • D# Maj • 03:23 • -15.83db
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
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Martin Landström
Bossa for Noa
91 bpm • D Maj • 03:29 • -8.99db
28% Popularity • 68% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 69% Positiveness
28% Popularity • 68% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 69% Positiveness
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Stephane Wrembel
Bistro Fada
99 bpm • E min • 03:03 • -15.14db
39% Popularity • 78% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 87% Positiveness
39% Popularity • 78% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 87% Positiveness
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Tony Osborne
Springtime in Paris
91 bpm • C Maj • 02:40 • -10db
20% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Nocturnal Spirits
Not That Serious
99 bpm • G min • 04:17 • -14.76db
28% Popularity • 78% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 47% Positiveness
28% Popularity • 78% Danceability • 18% Energy • 11% Liveness
81% Instrumentalness • 47% Positiveness
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Paul Reeves
Let's Dance Together ('Til Morning)
91 bpm • G Maj • 01:02 • -11.79db
30% Popularity • 82% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 82% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Joe E. Lee
Me and My Accordion
99 bpm • C# Maj • 02:06 • -11db
16% Popularity • 63% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Jesse O'Mahoney
She's a Rainbow
99 bpm • A# Maj • 01:52 • -13db
44% Popularity • 64% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 42% Positiveness
44% Popularity • 64% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 42% Positiveness
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Kyle Cox
Happy on My Own
91 bpm • C min • 02:44 • -15db
40% Popularity • 74% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 74% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Vasco
Happy in the Valley
99 bpm • G Maj • 02:01 • -10.27db
6% Popularity • 76% Danceability • 83% Energy • 9% Liveness
98% Instrumentalness • 96% Positiveness
6% Popularity • 76% Danceability • 83% Energy • 9% Liveness
98% Instrumentalness • 96% Positiveness
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Mark Maxwell
Why Don't You Do Right?
100 bpm • C min • 04:15 • -12db
19% Popularity • 65% Danceability • 30% Energy • 32% Liveness
86% Instrumentalness • 57% Positiveness
19% Popularity • 65% Danceability • 30% Energy • 32% Liveness
86% Instrumentalness • 57% Positiveness
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Paul Reeves
Cafe Paris
91 bpm • A min • 01:02 • -12.26db
43% Popularity • 91% Danceability • 25% Energy • 10% Liveness
60% Instrumentalness • 88% Positiveness
43% Popularity • 91% Danceability • 25% Energy • 10% Liveness
60% Instrumentalness • 88% Positiveness
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Bohoman
Old Movie
100 bpm • C Maj • 02:05 • -9.93db
30% Popularity • 87% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
30% Popularity • 87% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Balance Back
Kissed by a Rose
100 bpm • G min • 02:38 • -13.74db
9% Popularity • 77% Danceability • 33% Energy • 11% Liveness
74% Instrumentalness • 75% Positiveness
9% Popularity • 77% Danceability • 33% Energy • 11% Liveness
74% Instrumentalness • 75% Positiveness
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Stuart Roslyn
Chilling in Lisbon
100 bpm • A Maj • 02:02 • -9.05db
0% Popularity • 72% Danceability • 57% Energy • 36% Liveness
87% Instrumentalness • 70% Positiveness
0% Popularity • 72% Danceability • 57% Energy • 36% Liveness
87% Instrumentalness • 70% Positiveness
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Redeemin'
Warm Heart
100 bpm • C Maj • 02:01 • -12.58db
33% Popularity • 72% Danceability • 72% Energy • 9% Liveness
80% Instrumentalness • 77% Positiveness
33% Popularity • 72% Danceability • 72% Energy • 9% Liveness
80% Instrumentalness • 77% Positiveness
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The Ink Spots
Address Unknown - Better Call Saul Mix
90 bpm • A# Maj • 03:11 • -23.04db
17% Popularity • 49% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 49% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Reeves
Croque-Monsieur
100 bpm • G Maj • 01:32 • -10.02db
23% Popularity • 91% Danceability • 39% Energy • 23% Liveness
82% Instrumentalness • 89% Positiveness
23% Popularity • 91% Danceability • 39% Energy • 23% Liveness
82% Instrumentalness • 89% Positiveness
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Invisible Walls
Menu Theme
100 bpm • G Maj • 01:22 • -17.25db
23% Popularity • 62% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 62% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Bohoman
French Jazz
100 bpm • G Maj • 01:24 • -6.79db
32% Popularity • 95% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
32% Popularity • 95% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Stuart Roslyn
Barcelona Beach
100 bpm • A min • 02:41 • -9.46db
1% Popularity • 59% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
1% Popularity • 59% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Craig Sharmat
Parisian Summer
100 bpm • C Maj • 01:36 • -6.67db
32% Popularity • 56% Danceability • 50% Energy • 15% Liveness
25% Instrumentalness • 55% Positiveness
32% Popularity • 56% Danceability • 50% Energy • 15% Liveness
25% Instrumentalness • 55% Positiveness
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Redeemin'
Fica Frio Amigo
90 bpm • A min • 02:03 • -13db
34% Popularity • 72% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
34% Popularity • 72% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 74% Positiveness
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Nicky Dowling
Harlem Spills
90 bpm • F min • 01:33 • -15.7db
32% Popularity • 81% Danceability • 27% Energy • 7% Liveness
48% Instrumentalness • 74% Positiveness
32% Popularity • 81% Danceability • 27% Energy • 7% Liveness
48% Instrumentalness • 74% Positiveness
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Cantovano and His Orchestra
George Valentin - The Artist
90 bpm • A min • 02:12 • -8.13db
34% Popularity • 74% Danceability • 42% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
34% Popularity • 74% Danceability • 42% Energy • 11% Liveness
52% Instrumentalness • 47% Positiveness
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Bohoman
Gypsy
100 bpm • G Maj • 01:24 • -6.79db
31% Popularity • 95% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
31% Popularity • 95% Danceability • 61% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Stuart Roslyn
Velvet Night
90 bpm • F# min • 03:21 • -8.15db
2% Popularity • 64% Danceability • 81% Energy • 37% Liveness
49% Instrumentalness • 69% Positiveness
2% Popularity • 64% Danceability • 81% Energy • 37% Liveness
49% Instrumentalness • 69% Positiveness
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Vasco
Jewel Thief
90 bpm • G Maj • 02:17 • -10.59db
17% Popularity • 82% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 82% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Redeemin'
Mi Limonero
90 bpm • B Maj • 02:08 • -15.32db
30% Popularity • 72% Danceability • 64% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
30% Popularity • 72% Danceability • 64% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Global Genius
Jazzy Wanderer
90 bpm • G Maj • 03:47 • -10.37db
15% Popularity • 74% Danceability • 42% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
15% Popularity • 74% Danceability • 42% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Tkay Maidza
Carry On - Vasco Remix
90 bpm • D Maj • 02:22 • -3.66db
1% Popularity • 65% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 65% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Benny Goodman Trio
Where or When
100 bpm • E min • 03:22 • -11.9db
42% Popularity • 70% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
42% Popularity • 70% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 47% Positiveness
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David Tobin
You Are
90 bpm • C Maj • 03:37 • -14.42db
17% Popularity • 44% Danceability • 30% Energy • 28% Liveness
7% Instrumentalness • 33% Positiveness
17% Popularity • 44% Danceability • 30% Energy • 28% Liveness
7% Instrumentalness • 33% Positiveness
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Vasco
Nossa Vibe
90 bpm • C min • 01:41 • -6.87db
7% Popularity • 81% Danceability • 42% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
7% Popularity • 81% Danceability • 42% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Burnie Whibley
Table for Two
100 bpm • D min • 02:33 • -12db
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
32% Popularity • 38% Danceability • 38% Energy • 21% Liveness
93% Instrumentalness • 34% Positiveness
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Jay Israelson
Crash Sequence
90 bpm • G Maj • 01:50 • -15db
27% Popularity • 54% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
27% Popularity • 54% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Cavendish Music
Summer in Paris
101 bpm • A# Maj • 01:27 • -7.74db
41% Popularity • 62% Danceability • 52% Energy • 7% Liveness
23% Instrumentalness • 76% Positiveness
41% Popularity • 62% Danceability • 52% Energy • 7% Liveness
23% Instrumentalness • 76% Positiveness
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Anne Dudley
Jeeves And Wooster
101 bpm • D# min • 01:14 • -10.94db
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
33% Popularity • 67% Danceability • 36% Energy • 15% Liveness
37% Instrumentalness • 87% Positiveness
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Asher Fulero
Web Weaver's Dance
101 bpm • C min • 03:34 • -15.23db
13% Popularity • 47% Danceability • 23% Energy • 17% Liveness
87% Instrumentalness • 80% Positiveness
13% Popularity • 47% Danceability • 23% Energy • 17% Liveness
87% Instrumentalness • 80% Positiveness
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Oleg Kirilkov
Bossa
89 bpm • C Maj • 01:08 • -8.17db
32% Popularity • 90% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
32% Popularity • 90% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Orchestra Heinz Kiessling
Warm 'n' cuddly
89 bpm • G Maj • 03:02 • -12db
17% Popularity • 43% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 54% Positiveness
17% Popularity • 43% Danceability • 33% Energy • 17% Liveness
18% Instrumentalness • 54% Positiveness
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Jay Israelson
The Valmont
89 bpm • G Maj • 01:12 • -15db
37% Popularity • 39% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 9% Positiveness
37% Popularity • 39% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 9% Positiveness
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TrackTribe
Running Errands
89 bpm • D Maj • 04:24 • -24.85db
22% Popularity • 62% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
22% Popularity • 62% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Almost Here
Just Wanted to Tell You
102 bpm • C Maj • 04:20 • -13db
22% Popularity • 46% Danceability • 30% Energy • 22% Liveness
12% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 30% Energy • 22% Liveness
12% Instrumentalness • 36% Positiveness
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Vasco
Um tubarão debaixo da cama
102 bpm • D# Maj • 02:46 • -5.51db
2% Popularity • 74% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 74% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Reeves
Chocks Away!
88 bpm • G Maj • 01:03 • -13.09db
22% Popularity • 66% Danceability • 29% Energy • 19% Liveness
52% Instrumentalness • 65% Positiveness
22% Popularity • 66% Danceability • 29% Energy • 19% Liveness
52% Instrumentalness • 65% Positiveness
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Golden Age Radio
Two by Two
88 bpm • C min • 02:36 • -10.62db
24% Popularity • 45% Danceability • 64% Energy • 35% Liveness
94% Instrumentalness • 68% Positiveness
24% Popularity • 45% Danceability • 64% Energy • 35% Liveness
94% Instrumentalness • 68% Positiveness
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William Ross
Toblerone
88 bpm • A Maj • 01:09 • -17.38db
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
68% Instrumentalness • 14% Positiveness
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Anders Johan Greger Lewen
Last Dance in Paris
88 bpm • G Maj • 02:15 • -15.42db
26% Popularity • 40% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
26% Popularity • 40% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Trio Leo
It's Getting Late, My Love
87 bpm • A Maj • 01:59 • -11.77db
30% Popularity • 28% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
30% Popularity • 28% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 80% Positiveness
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Mike Franklyn
Apple Thief Dance
88 bpm • D min • 01:46 • -8db
18% Popularity • 77% Danceability • 63% Energy • 9% Liveness
76% Instrumentalness • 83% Positiveness
18% Popularity • 77% Danceability • 63% Energy • 9% Liveness
76% Instrumentalness • 83% Positiveness
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Werner Tautz
Honeymoon Swoon
87 bpm • G# Maj • 02:32 • -10.77db
31% Popularity • 19% Danceability • 40% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
31% Popularity • 19% Danceability • 40% Energy • 14% Liveness
18% Instrumentalness • 49% Positiveness
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The Fly Guy Five
Inspecting Ripley
104 bpm • A min • 02:09 • -11.79db
9% Popularity • 80% Danceability • 49% Energy • 9% Liveness
81% Instrumentalness • 92% Positiveness
9% Popularity • 80% Danceability • 49% Energy • 9% Liveness
81% Instrumentalness • 92% Positiveness
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Helmut Reinhardt
Cash or Check
104 bpm • A# Maj • 02:50 • -13.56db
9% Popularity • 66% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
9% Popularity • 66% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Vincent Carenzi
Sur la Marne
104 bpm • E Maj • 02:02 • -4.57db
33% Popularity • 46% Danceability • 71% Energy • 14% Liveness
7% Instrumentalness • 66% Positiveness
33% Popularity • 46% Danceability • 71% Energy • 14% Liveness
7% Instrumentalness • 66% Positiveness
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Armando Trovajoli
Eritrea - Bossa
104 bpm • F min • 02:19 • -8.66db
18% Popularity • 62% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
18% Popularity • 62% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Ian Post
Spring in Barcelona
104 bpm • G min • 01:15 • -18.02db
38% Popularity • 68% Danceability • 9% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
38% Popularity • 68% Danceability • 9% Energy • 12% Liveness
73% Instrumentalness • 51% Positiveness
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Redeemin'
Some Catalan Mysteries
87 bpm • F Maj • 02:17 • -14db
34% Popularity • 82% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
34% Popularity • 82% Danceability • 59% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
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Rael Jones
The Legion Dance
104 bpm • D Maj • 03:09 • -8.08db
16% Popularity • 52% Danceability • 51% Energy • 14% Liveness
76% Instrumentalness • 53% Positiveness
16% Popularity • 52% Danceability • 51% Energy • 14% Liveness
76% Instrumentalness • 53% Positiveness
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Gustav Lundgren
Monsters, Inc
104 bpm • G# Maj • 02:15 • -19.88db
13% Popularity • 70% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
13% Popularity • 70% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 79% Positiveness
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Klaus Weiss
Swingin' Five
104 bpm • F Maj • 02:48 • -12.35db
22% Popularity • 52% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 52% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
