Songs like Le Carnaval des Animaux, R. 125: VII. Aquarium by Camille Saint-Saëns
Based on a tempo of (+/- 10%) and a similar genre
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
40% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
30% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Arretez...
126 bpm • C min • 03:42 • -15.47db
2% Popularity • 30% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 30% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 18% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
28% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
28% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
45% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
48% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
48% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
46% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
46% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G minor, Op. 22:...
126 bpm • D# Maj • 05:38 • -25.09db
15% Popularity • 38% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
15% Popularity • 38% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
25% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Anonymous
Le carnaval des animaux: VII. Aquarium
129 bpm • A min • 02:33 • -31db
10% Popularity • 28% Danceability • 5% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 5% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E-Flat Major, Op. 9 No...
129 bpm • A# Maj • 04:08 • -25.68db
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
46% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
26% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
52% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
38% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
38% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
54% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
54% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
61% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
61% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act III: Bacch...
128 bpm • D Maj • 07:18 • -15.64db
3% Popularity • 33% Danceability • 25% Energy • 53% Liveness
90% Instrumentalness • 21% Positiveness
3% Popularity • 33% Danceability • 25% Energy • 53% Liveness
90% Instrumentalness • 21% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
37% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 3: No. 12,...
122 bpm • B min • 05:07 • -26.05db
12% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: V. Songe ...
121 bpm • G min • 10:13 • -16.94db
17% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
17% Popularity • 36% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Je vien...
124 bpm • A Maj • 03:21 • -17.01db
3% Popularity • 28% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 28% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, BWV 8...
121 bpm • C Maj • 03:53 • -25.76db
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
132 bpm • E min • 08:46 • -26.97db
42% Popularity • 23% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
42% Popularity • 23% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
27% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
27% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
132 bpm • G min • 05:21 • -25.06db
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
34% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
34% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
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Georges Bizet
Carmen Suite No. 2: Danse bohème
132 bpm • C Maj • 04:37 • -19.81db
14% Popularity • 35% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 29% Positiveness
14% Popularity • 35% Danceability • 11% Energy • 10% Liveness
66% Instrumentalness • 29% Positiveness
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Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Hymne d...
129 bpm • F Maj • 05:57 • -24.98db
1% Popularity • 18% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 18% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart / Arr. Grieg for Two Pianos: Pian...
120 bpm • C Maj • 04:42 • -24.76db
28% Popularity • 36% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
28% Popularity • 36% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Jeremy Siepmann
Instruments Of The Orchestra: Saint-Saen...
133 bpm • A min • 02:20 • -33db
32% Popularity • 21% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
38% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
38% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Ah! Leve-toi, ...
129 bpm • A# Maj • 04:17 • -16.01db
1% Popularity • 28% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 28% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
48% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
48% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
46% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
46% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
43% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
43% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XII. Fo...
123 bpm • D# Maj • 01:14 • -19db
33% Popularity • 66% Danceability • 28% Energy • 35% Liveness
20% Instrumentalness • 87% Positiveness
33% Popularity • 66% Danceability • 28% Energy • 35% Liveness
20% Instrumentalness • 87% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
33% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
37% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
36% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
36% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 17 In D Minor, Op. 31, ...
137 bpm • G min • 07:37 • -24.22db
50% Popularity • 23% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
50% Popularity • 23% Danceability • 11% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
21% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Roumanian Folk Dances For Orchestra, Sz....
138 bpm • D Maj • 06:26 • -21.44db
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 5% Positiveness
► Preview
Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
115 bpm • D# Maj • 00:42 • -32.12db
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
► Preview
Camille Saint-Saëns
Der Karneval der Tiere, R. 125: IV. Der ...
129 bpm • G Maj • 03:25 • -30.58db
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
49% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
49% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Johann Sebastian Bach
Sicilienne
138 bpm • G min • 03:25 • -31db
23% Popularity • 35% Danceability • 4% Energy • 66% Liveness
90% Instrumentalness • 32% Positiveness
23% Popularity • 35% Danceability • 4% Energy • 66% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 7 in A Major, Op...
139 bpm • E min • 08:11 • -25.79db
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
49% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
49% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
31% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
37% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
37% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20: Op. 20: Act IV No. 29...
113 bpm • B Maj • 05:16 • -11.8db
24% Popularity • 24% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
24% Popularity • 24% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Le Rouet d'Omphale, Op. 31
130 bpm • D Maj • 08:00 • -31db
16% Popularity • 29% Danceability • 2% Energy • 11% Liveness
15% Instrumentalness • 6% Positiveness
16% Popularity • 29% Danceability • 2% Energy • 11% Liveness
15% Instrumentalness • 6% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
51% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
51% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: I. Introit et Ky...
113 bpm • D min • 07:20 • -25db
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 In B Minor, Op. 7,...
113 bpm • B min • 01:32 • -14.6db
43% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
43% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH. 12: Dance of the ...
113 bpm • B min • 01:29 • -30db
53% Popularity • 50% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
53% Popularity • 50% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
112 bpm • G Maj • 02:25 • -19db
43% Popularity • 40% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
43% Popularity • 40% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288: Baccha...
122 bpm • A min • 07:15 • -26.58db
23% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
23% Popularity • 26% Danceability • 8% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
38% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
38% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
49% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
49% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
36% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
43% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
43% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
37% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
37% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
55% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
55% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
44% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
44% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Imploro...
132 bpm • D# Maj • 02:05 • -13.65db
5% Popularity • 33% Danceability • 32% Energy • 60% Liveness
8% Instrumentalness • 34% Positiveness
5% Popularity • 33% Danceability • 32% Energy • 60% Liveness
8% Instrumentalness • 34% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness