Songs like Le lac de Come by Alain Morisod
Based on a tempo of (+/- 10%) and a similar genre
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Berdien Stenberg
Morning Mood
83 bpm • E Maj • 04:23 • -17.36db
10% Popularity • 9% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Joaquin Borges
Rio De Luna
83 bpm • C Maj • 02:31 • -22db
43% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
43% Popularity • 22% Danceability • 10% Energy • 7% Liveness
86% Instrumentalness • 9% Positiveness
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50 Guitars of Tommy Garrett
Somewhere My Love (Lara's Theme From "Dr...
83 bpm • G Maj • 03:02 • -15.44db
35% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
35% Popularity • 54% Danceability • 29% Energy • 10% Liveness
34% Instrumentalness • 57% Positiveness
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Gebroeders Brouwer
A Todas las Chicas Que He Amado (To All ...
83 bpm • C Maj • 03:29 • -10.98db
11% Popularity • 38% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
11% Popularity • 38% Danceability • 34% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Philippe Dubois
Love Story
83 bpm • G min • 03:33 • -16.45db
32% Popularity • 36% Danceability • 26% Energy • 14% Liveness
79% Instrumentalness • 21% Positiveness
32% Popularity • 36% Danceability • 26% Energy • 14% Liveness
79% Instrumentalness • 21% Positiveness
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Alain Morisod
Le lac de Come
83 bpm • A Maj • 02:57 • -14.13db
27% Popularity • 25% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
27% Popularity • 25% Danceability • 28% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Nicolas de Angelis
Ô Père, je suis ton enfant
84 bpm • D Maj • 03:49 • -12.9db
43% Popularity • 53% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
43% Popularity • 53% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Claude Valade
Aide-moi à passer la nuit
83 bpm • C# Maj • 02:49 • -10db
33% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Ballroom Dance Orchestra
That's Amore - Vienna Waltz
82 bpm • A Maj • 02:43 • -11.78db
38% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 42% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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The Sound Academy Orchestra
Dolanès melodie
82 bpm • C Maj • 03:25 • -6.14db
36% Popularity • 56% Danceability • 41% Energy • 10% Liveness
58% Instrumentalness • 34% Positiveness
36% Popularity • 56% Danceability • 41% Energy • 10% Liveness
58% Instrumentalness • 34% Positiveness
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The Romantic Sound Orchestra
Eine Melodie geht um die Welt
84 bpm • G Maj • 03:43 • -8db
21% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
21% Popularity • 10% Danceability • 52% Energy • 31% Liveness
29% Instrumentalness • 15% Positiveness
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Alain Morisod
Crazy
82 bpm • D Maj • 02:47 • -15.29db
9% Popularity • 8% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 8% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Gary Freeman
Crazy
84 bpm • E Maj • 03:26 • -13db
14% Popularity • 54% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
14% Popularity • 54% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 22% Positiveness
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Francis Dupont
Ave Verum
82 bpm • D Maj • 02:21 • -18.27db
18% Popularity • 36% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 36% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Jean Claude Borelly
Comme d'habitude
84 bpm • F min • 03:21 • -7.53db
9% Popularity • 40% Danceability • 74% Energy • 33% Liveness
91% Instrumentalness • 55% Positiveness
9% Popularity • 40% Danceability • 74% Energy • 33% Liveness
91% Instrumentalness • 55% Positiveness
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Gil Ventura
Je t'aime... moi non plus
84 bpm • A# Maj • 03:10 • -9db
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 52% Energy • 10% Liveness
77% Instrumentalness • 49% Positiveness
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Sweet People
Lake Como
82 bpm • A Maj • 02:56 • -17.15db
36% Popularity • 23% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
36% Popularity • 23% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Alain Morisod
Mon pays
84 bpm • G Maj • 04:07 • -11.39db
11% Popularity • 36% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 36% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Pierre Charlon
Dolannes Melodie
82 bpm • E Maj • 03:33 • -13.3db
44% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
44% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
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Salvatore Adamo
Quand les roses
85 bpm • G Maj • 02:34 • -10.31db
35% Popularity • 43% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 43% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Dirk Schiefen
Auld Lang Syne
85 bpm • G# Maj • 02:45 • -7db
22% Popularity • 23% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
22% Popularity • 23% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Daniela de Santos
The Star Of Alhambra
85 bpm • A Maj • 05:14 • -6db
15% Popularity • 49% Danceability • 76% Energy • 11% Liveness
66% Instrumentalness • 64% Positiveness
15% Popularity • 49% Danceability • 76% Energy • 11% Liveness
66% Instrumentalness • 64% Positiveness
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Gebroeders Brouwer
Il silenzio
85 bpm • A# Maj • 02:52 • -12db
28% Popularity • 18% Danceability • 45% Energy • 36% Liveness
85% Instrumentalness • 18% Positiveness
28% Popularity • 18% Danceability • 45% Energy • 36% Liveness
85% Instrumentalness • 18% Positiveness
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Alain Morisod
Fernando
84 bpm • A Maj • 04:40 • -16.29db
16% Popularity • 14% Danceability • 27% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 27% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
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Tol & Tol
Late Night Serenade
81 bpm • E Maj • 03:08 • -18db
35% Popularity • 38% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
35% Popularity • 38% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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The Romantic Sound Orchestra
Yesterday
81 bpm • F Maj • 03:11 • -11.64db
15% Popularity • 22% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 22% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Hugo Strasser
Nikita
85 bpm • G# Maj • 03:39 • -11.72db
23% Popularity • 54% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 62% Positiveness
23% Popularity • 54% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 62% Positiveness
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Daniela de Santos
El Condor Pasa
85 bpm • E min • 03:40 • -7db
31% Popularity • 48% Danceability • 74% Energy • 39% Liveness
37% Instrumentalness • 31% Positiveness
31% Popularity • 48% Danceability • 74% Energy • 39% Liveness
37% Instrumentalness • 31% Positiveness
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Frank Chacksfield Orchestra
Song from the Moulin Rouge
85 bpm • D# Maj • 02:51 • -16db
30% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
30% Popularity • 40% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Saint-Preux
Concerto Pour Elle
81 bpm • E min • 03:53 • -12db
44% Popularity • 32% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
44% Popularity • 32% Danceability • 29% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Franck Pourcel - Franck Pourcel Orchestra
Ave Maria
81 bpm • C Maj • 03:40 • -15.4db
7% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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50 Guitars of Tommy Garrett
Maria Elena
80 bpm • C Maj • 03:20 • -9.24db
28% Popularity • 62% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 50% Positiveness
28% Popularity • 62% Danceability • 27% Energy • 11% Liveness
20% Instrumentalness • 50% Positiveness
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Ricci Ferra
Aranjuez "Mon Amour" Adagio From The Con...
81 bpm • B min • 04:16 • -15.24db
30% Popularity • 37% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
30% Popularity • 37% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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The Fantasy Strings
No More Lonely Nights
80 bpm • F Maj • 03:59 • -8db
26% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
26% Popularity • 46% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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Sweet People
Perce
80 bpm • F# Maj • 04:09 • -14.1db
18% Popularity • 42% Danceability • 44% Energy • 39% Liveness
33% Instrumentalness • 38% Positiveness
18% Popularity • 42% Danceability • 44% Energy • 39% Liveness
33% Instrumentalness • 38% Positiveness
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Alain Barrière
Celtina
86 bpm • F min • 04:31 • -11.09db
15% Popularity • 29% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
15% Popularity • 29% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Alain Morisod
Con Te Partiro (Bocelli's Song)
86 bpm • G Maj • 04:36 • -15.03db
18% Popularity • 9% Danceability • 34% Energy • 46% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 34% Energy • 46% Liveness
89% Instrumentalness • 4% Positiveness
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Frank Davis Orchestra
Cry
80 bpm • A# Maj • 02:40 • -7db
18% Popularity • 46% Danceability • 47% Energy • 33% Liveness
85% Instrumentalness • 27% Positiveness
18% Popularity • 46% Danceability • 47% Energy • 33% Liveness
85% Instrumentalness • 27% Positiveness
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Frank Chacksfield
Limelight
86 bpm • F Maj • 02:49 • -11.57db
39% Popularity • 24% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
39% Popularity • 24% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
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Ricci Ferra
Jeux Interdits
86 bpm • E min • 03:26 • -18.2db
26% Popularity • 35% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
26% Popularity • 35% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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The Romantic Sound Orchestra
Fascination
86 bpm • C Maj • 03:56 • -16.28db
16% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 24% Energy • 14% Liveness
43% Instrumentalness • 4% Positiveness
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Discovey Light Orchestra
Soleado
80 bpm • A# min • 02:55 • -12.87db
54% Popularity • 59% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
54% Popularity • 59% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Alain Morisod
Et les oiseaux chantaient
86 bpm • A Maj • 02:49 • -14db
33% Popularity • 34% Danceability • 32% Energy • 8% Liveness
7% Instrumentalness • 23% Positiveness
33% Popularity • 34% Danceability • 32% Energy • 8% Liveness
7% Instrumentalness • 23% Positiveness
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Tol & Tol
Sedalia (Reprise)
80 bpm • C# min • 01:25 • -20.91db
25% Popularity • 37% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
25% Popularity • 37% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Paul de Senneville
Un linceul n'a pas de poches
86 bpm • E Maj • 02:34 • -13.72db
15% Popularity • 30% Danceability • 31% Energy • 15% Liveness
18% Instrumentalness • 29% Positiveness
15% Popularity • 30% Danceability • 31% Energy • 15% Liveness
18% Instrumentalness • 29% Positiveness
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Nicolas de Angelis
Voici l'Eau pour le Baptême
87 bpm • A Maj • 02:11 • -11.58db
47% Popularity • 60% Danceability • 33% Energy • 17% Liveness
31% Instrumentalness • 49% Positiveness
47% Popularity • 60% Danceability • 33% Energy • 17% Liveness
31% Instrumentalness • 49% Positiveness
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Frank Chacksfield Orchestra
Rodriguez Theme
79 bpm • C min • 03:43 • -18db
29% Popularity • 38% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
29% Popularity • 38% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Golden Strings Orchestra
Tritsch Tratsch
79 bpm • A Maj • 02:41 • -12.78db
37% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 68% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Alain Morisod
Laisse-moi te dire (que je t'aime)
86 bpm • B Maj • 03:33 • -12.02db
16% Popularity • 48% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 48% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Dick Bakker
Raindrops Keep Falling on My Head
87 bpm • F Maj • 03:30 • -18.53db
9% Popularity • 53% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 27% Positiveness
9% Popularity • 53% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 27% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
25% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
25% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Nicolas de Angelis
Comme un souffle fragile
79 bpm • E min • 02:47 • -8.95db
29% Popularity • 77% Danceability • 28% Energy • 11% Liveness
63% Instrumentalness • 25% Positiveness
29% Popularity • 77% Danceability • 28% Energy • 11% Liveness
63% Instrumentalness • 25% Positiveness
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Ross Mitchell, His Band & Singers
Come Back to Sorrento
87 bpm • A# min • 02:30 • -16db
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
33% Popularity • 46% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
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Sebastian Lightfoot
Selendang Soetra
88 bpm • F Maj • 02:37 • -8.8db
22% Popularity • 65% Danceability • 43% Energy • 11% Liveness
39% Instrumentalness • 62% Positiveness
22% Popularity • 65% Danceability • 43% Energy • 11% Liveness
39% Instrumentalness • 62% Positiveness
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Alain Morisod
Salut les amoureux
80 bpm • C Maj • 04:33 • -13.43db
13% Popularity • 65% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 65% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Tol & Tol
Recuerdos De La Alhambra
88 bpm • A Maj • 03:18 • -15.57db
36% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
36% Popularity • 46% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Oh Mio Bambino Caro
88 bpm • G# Maj • 02:41 • -10db
28% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Patricia Janečková
Vtedy na západe - Spiel mir das Lied vo...
88 bpm • A Maj • 04:07 • -8db
34% Popularity • 18% Danceability • 48% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 48% Energy • 13% Liveness
84% Instrumentalness • 5% Positiveness
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Robert Jassen
One Day I`ll Fly Away
78 bpm • E min • 03:19 • -13.39db
34% Popularity • 47% Danceability • 30% Energy • 38% Liveness
2% Instrumentalness • 22% Positiveness
34% Popularity • 47% Danceability • 30% Energy • 38% Liveness
2% Instrumentalness • 22% Positiveness
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Pierre Charlon
Charade
78 bpm • A min • 03:12 • -15.21db
38% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
38% Popularity • 43% Danceability • 24% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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Alain Morisod
Couleur Melancolie
80 bpm • E Maj • 04:28 • -11.98db
11% Popularity • 59% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 59% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Nicolas de Angelis
N'aie pas peur
89 bpm • G Maj • 02:50 • -10.89db
25% Popularity • 47% Danceability • 32% Energy • 20% Liveness
72% Instrumentalness • 50% Positiveness
25% Popularity • 47% Danceability • 32% Energy • 20% Liveness
72% Instrumentalness • 50% Positiveness
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Laurens van Rooyen
Chanson Anonyme
89 bpm • C Maj • 03:56 • -15.06db
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
13% Popularity • 30% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Franz Lambert
Der Pate (The Godfather)
77 bpm • G min • 03:11 • -7.73db
10% Popularity • 38% Danceability • 51% Energy • 37% Liveness
42% Instrumentalness • 41% Positiveness
10% Popularity • 38% Danceability • 51% Energy • 37% Liveness
42% Instrumentalness • 41% Positiveness
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Ballroom Dance Orchestra
Spring Waltz - Vienna Waltz
90 bpm • F# Maj • 02:28 • -11db
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 23% Liveness
60% Instrumentalness • 81% Positiveness
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Billy Vaughn y su Orquesta
Wonderland By Night
77 bpm • E Maj • 02:59 • -9db
19% Popularity • 32% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
19% Popularity • 32% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Alain Morisod
Waterloo's Bridge
88 bpm • G Maj • 04:28 • -9.57db
9% Popularity • 20% Danceability • 40% Energy • 21% Liveness
61% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 40% Energy • 21% Liveness
61% Instrumentalness • 7% Positiveness
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The Romantic Sound Orchestra
Liebestraum
90 bpm • C# min • 03:39 • -15.29db
9% Popularity • 38% Danceability • 13% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
9% Popularity • 38% Danceability • 13% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Mila Khodorkovsky
El Pescador de Perlas
90 bpm • G min • 03:32 • -10db
37% Popularity • 59% Danceability • 38% Energy • 12% Liveness
66% Instrumentalness • 42% Positiveness
37% Popularity • 59% Danceability • 38% Energy • 12% Liveness
66% Instrumentalness • 42% Positiveness
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Versaillesstation
La chanson de Lara
77 bpm • G Maj • 02:42 • -9.15db
22% Popularity • 48% Danceability • 44% Energy • 21% Liveness
6% Instrumentalness • 44% Positiveness
22% Popularity • 48% Danceability • 44% Energy • 21% Liveness
6% Instrumentalness • 44% Positiveness
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Francis Dupont
Berlin Melodie
90 bpm • F Maj • 03:13 • -13db
21% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
21% Popularity • 51% Danceability • 45% Energy • 43% Liveness
91% Instrumentalness • 68% Positiveness
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Daniela de Santos
Meeres Tiefen
90 bpm • C Maj • 03:06 • -10.05db
15% Popularity • 53% Danceability • 52% Energy • 33% Liveness
6% Instrumentalness • 20% Positiveness
15% Popularity • 53% Danceability • 52% Energy • 33% Liveness
6% Instrumentalness • 20% Positiveness
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Alain Morisod
Killing Me Softly (With His Song)
88 bpm • F Maj • 03:44 • -15.34db
9% Popularity • 9% Danceability • 20% Energy • 24% Liveness
97% Instrumentalness • 7% Positiveness
9% Popularity • 9% Danceability • 20% Energy • 24% Liveness
97% Instrumentalness • 7% Positiveness
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Hugo Strasser
Donauwellen (Wiener Walzer 60 T/M)
90 bpm • F Maj • 02:52 • -13.02db
22% Popularity • 69% Danceability • 30% Energy • 8% Liveness
84% Instrumentalness • 75% Positiveness
22% Popularity • 69% Danceability • 30% Energy • 8% Liveness
84% Instrumentalness • 75% Positiveness
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The Strings Of Paris
Sleep Shores
90 bpm • C Maj • 03:27 • -16db
44% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
44% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Saint-Preux
Rhapsodie
76 bpm • C min • 03:45 • -11.57db
38% Popularity • 42% Danceability • 35% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
38% Popularity • 42% Danceability • 35% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Henry Salomon y su Orquesta
Femmes
90 bpm • C min • 04:02 • -10.94db
18% Popularity • 60% Danceability • 45% Energy • 14% Liveness
5% Instrumentalness • 51% Positiveness
18% Popularity • 60% Danceability • 45% Energy • 14% Liveness
5% Instrumentalness • 51% Positiveness
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Dirk Schiefen
Conquest Of Paradise
76 bpm • C Maj • 04:57 • -10db
16% Popularity • 24% Danceability • 36% Energy • 57% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 36% Energy • 57% Liveness
90% Instrumentalness • 10% Positiveness
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Alain Morisod
La dernière séance
77 bpm • C Maj • 03:31 • -9.73db
10% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Sweet People
Aria Pour Notre Amour
90 bpm • G min • 03:25 • -12.21db
17% Popularity • 30% Danceability • 45% Energy • 15% Liveness
76% Instrumentalness • 46% Positiveness
17% Popularity • 30% Danceability • 45% Energy • 15% Liveness
76% Instrumentalness • 46% Positiveness
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Brisbane Mandolin Ensemble
Una Sera A Napoli
91 bpm • D Maj • 09:58 • -11.69db
41% Popularity • 42% Danceability • 33% Energy • 11% Liveness
56% Instrumentalness • 32% Positiveness
41% Popularity • 42% Danceability • 33% Energy • 11% Liveness
56% Instrumentalness • 32% Positiveness
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Berdien Stenberg
Rosamunde Op. 26
91 bpm • G Maj • 04:16 • -13.68db
10% Popularity • 74% Danceability • 29% Energy • 17% Liveness
50% Instrumentalness • 65% Positiveness
10% Popularity • 74% Danceability • 29% Energy • 17% Liveness
50% Instrumentalness • 65% Positiveness
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Melodías Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
55% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
55% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Bernie Saxophone Entertainer
Mexico
91 bpm • D# Maj • 02:32 • -6db
31% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 52% Danceability • 84% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
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Alain Morisod
Le Lac de Come (Lake Como)
77 bpm • A Maj • 03:15 • -18.85db
12% Popularity • 12% Danceability • 14% Energy • 7% Liveness
96% Instrumentalness • 11% Positiveness
12% Popularity • 12% Danceability • 14% Energy • 7% Liveness
96% Instrumentalness • 11% Positiveness
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Pier Béland
Il est parti
91 bpm • E Maj • 03:22 • -9.03db
28% Popularity • 57% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 57% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Salvatore Adamo
Une larme aux nuages
75 bpm • A Maj • 03:01 • -8.83db
27% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Laurens van Rooyen
Love Theme from 'The Godfather'
75 bpm • C min • 03:03 • -22db
17% Popularity • 37% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
17% Popularity • 37% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Hector Delfosse
Adieu Venise Provençale
75 bpm • F Maj • 02:22 • -9.89db
22% Popularity • 35% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 66% Positiveness
22% Popularity • 35% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 66% Positiveness
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Geoff Love & His Orchestra
Theme from 'Elvira Madigan'
92 bpm • C Maj • 03:28 • -17.17db
29% Popularity • 46% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
29% Popularity • 46% Danceability • 9% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Henry Salomon y su Orquesta
Tema de Amor - De: " Romeo y Julieta "
75 bpm • C min • 02:08 • -18.59db
56% Popularity • 12% Danceability • 26% Energy • 33% Liveness
89% Instrumentalness • 21% Positiveness
56% Popularity • 12% Danceability • 26% Energy • 33% Liveness
89% Instrumentalness • 21% Positiveness
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The Romantic Sound Orchestra
Romance Nr.2 in F
92 bpm • F Maj • 02:48 • -12.08db
14% Popularity • 13% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
14% Popularity • 13% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 26% Positiveness
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Milo Pavlovic
Lara´s Theme - Aus dem Film Dr. Schiwag...
92 bpm • C Maj • 02:23 • -13.59db
12% Popularity • 22% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
12% Popularity • 22% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Enrique Ugarte
Moulin Rouge
93 bpm • D# Maj • 02:58 • -8.15db
37% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
33% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
33% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Ricci Ferra
Meditation Aus Thais
74 bpm • D Maj • 03:38 • -15db
23% Popularity • 19% Danceability • 28% Energy • 17% Liveness
35% Instrumentalness • 8% Positiveness
23% Popularity • 19% Danceability • 28% Energy • 17% Liveness
35% Instrumentalness • 8% Positiveness
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Christian Desire Langlade
Divertissement
92 bpm • G Maj • 02:16 • -14.57db
46% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
46% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness