Songs like Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti" by Wolfgang Amadeus Mozart
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act I: No. 4, Mada...
90 bpm • D Maj • 05:37 • -18.63db
21% Popularity • 33% Danceability • 23% Energy • 6% Liveness
15% Instrumentalness • 33% Positiveness
21% Popularity • 33% Danceability • 23% Energy • 6% Liveness
15% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: Cl...
90 bpm • C min • 02:34 • -20.14db
15% Popularity • 32% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 32% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
90 bpm • D Maj • 04:38 • -14db
36% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse / Act I HWV40: "Ombra mai fu"
90 bpm • E Maj • 03:03 • -21.78db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: “Ge...
90 bpm • G Maj • 04:01 • -18.88db
11% Popularity • 23% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
91 bpm • G# Maj • 02:31 • -21db
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 3: "Je dis que rien ...
89 bpm • D# Maj • 05:43 • -16.65db
10% Popularity • 21% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Offertory: I...
91 bpm • G min • 03:34 • -21.37db
41% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 2: In quelle trine m...
91 bpm • A# min • 02:11 • -20.69db
11% Popularity • 20% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
88 bpm • A# Maj • 03:42 • -31db
14% Popularity • 19% Danceability • 2% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
90 bpm • F Maj • 05:31 • -18.88db
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte" (T...
89 bpm • D# Maj • 03:05 • -17db
21% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Manon Lescaut: Act II: In quelle trine m...
89 bpm • F# Maj • 02:18 • -23.89db
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: V. Sanctus (Compl. Süs...
90 bpm • D Maj • 02:07 • -13db
43% Popularity • 37% Danceability • 39% Energy • 18% Liveness
82% Instrumentalness • 36% Positiveness
43% Popularity • 37% Danceability • 39% Energy • 18% Liveness
82% Instrumentalness • 36% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Signore ascol...
92 bpm • C# Maj • 02:42 • -21.17db
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: Pe...
86 bpm • C min • 04:51 • -13db
20% Popularity • 25% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 25% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Là ci dar...
89 bpm • A Maj • 03:12 • -21.6db
40% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 4: Sola, perduta, ab...
86 bpm • A# min • 04:51 • -20db
17% Popularity • 26% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 7% Positiveness
17% Popularity • 26% Danceability • 6% Energy • 9% Liveness
14% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
86 bpm • C Maj • 04:55 • -18db
10% Popularity • 29% Danceability • 21% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
10% Popularity • 29% Danceability • 21% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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Gabriel Fauré
Fauré: En Prière
85 bpm • F Maj • 02:44 • -31.06db
1% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 26% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 1:...
91 bpm • D# Maj • 03:14 • -23db
27% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Ehi! Rodolf...
88 bpm • A Maj • 04:12 • -17db
26% Popularity • 17% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
26% Popularity • 17% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
86 bpm • G Maj • 02:17 • -24.42db
5% Popularity • 51% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 51% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: "S...
85 bpm • G min • 05:04 • -24.73db
20% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 2: Esci,...
89 bpm • A# Maj • 02:52 • -18db
9% Popularity • 44% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 44% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 3: "Donde lieta...
93 bpm • C# Maj • 03:20 • -17.39db
17% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: II. Cujus animam ...
85 bpm • G# Maj • 06:16 • -23db
16% Popularity • 22% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Der Stein der Weisen, Act I: Dialogue (6...
89 bpm • A# min • 01:44 • -31.08db
7% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
13% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "La fleur q...
83 bpm • C# Maj • 04:04 • -19db
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Batti, bat...
89 bpm • F Maj • 03:48 • -17db
14% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: Sc...
97 bpm • E Maj • 05:40 • -18.61db
17% Popularity • 27% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 27% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act II: "Eccola!"
82 bpm • G# Maj • 01:10 • -30.78db
20% Popularity • 42% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 42% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Che su...
89 bpm • G min • 03:40 • -27db
17% Popularity • 37% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 37% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Francesco Cilea
Ciléa: Adriana Lecouvreur, Act 1 Scene ...
98 bpm • G# Maj • 03:21 • -15.34db
12% Popularity • 24% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 24% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: II...
82 bpm • G min • 02:20 • -22.05db
47% Popularity • 33% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
47% Popularity • 33% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Dolente immagine di Fille mia
82 bpm • E min • 03:13 • -25.74db
16% Popularity • 38% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 38% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto I Scene...
89 bpm • F Maj • 02:34 • -20.97db
28% Popularity • 40% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 40% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
81 bpm • C Maj • 05:01 • -21.52db
17% Popularity • 25% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 25% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
51% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
51% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème / Act 2: "Quando m'en vo'" (M...
100 bpm • A Maj • 05:06 • -16.3db
27% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
27% Popularity • 32% Danceability • 30% Energy • 46% Liveness
2% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Alma grande e nobil core, K. 578
89 bpm • A# Maj • 04:43 • -21.98db
10% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 34% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
46% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
46% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
100 bpm • E Maj • 05:18 • -19.76db
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
Amore e morte
81 bpm • F min • 03:25 • -26.46db
15% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
100 bpm • D# Maj • 03:27 • -21.41db
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Vedrai, carino
88 bpm • C Maj • 03:48 • -16db
15% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Chi Il Bel Sogno Di Doretta
101 bpm • F Maj • 03:22 • -19.02db
26% Popularity • 25% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
26% Popularity • 25% Danceability • 20% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: Sc...
80 bpm • G Maj • 03:45 • -22.05db
17% Popularity • 33% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 33% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Requiem in D Minor, K. 626: XII....
92 bpm • A# Maj • 05:18 • -19.6db
13% Popularity • 15% Danceability • 18% Energy • 9% Liveness
3% Instrumentalness • 8% Positiveness
13% Popularity • 15% Danceability • 18% Energy • 9% Liveness
3% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
101 bpm • G Maj • 02:57 • -24.97db
11% Popularity • 31% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 27% Positiveness
11% Popularity • 31% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 27% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "O soave fan...
101 bpm • C Maj • 04:06 • -24.95db
16% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Quanto è bel...
80 bpm • C Maj • 03:20 • -15.64db
25% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 31% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 34% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
24% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
80 bpm • D Maj • 03:32 • -17db
12% Popularity • 30% Danceability • 19% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 19% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
La clemenza di Tito, K. 621 / Act 2: "Ec...
88 bpm • F Maj • 09:12 • -19db
11% Popularity • 29% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 29% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
