Songs like Leah by Seeing Double
Based on a tempo of (+/- 10%) and a similar genre
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Maggie Rogers
Symphony
130 bpm • B Maj • 05:11 • -6db
41% Popularity • 50% Danceability • 76% Energy • 11% Liveness
53% Instrumentalness • 41% Positiveness
41% Popularity • 50% Danceability • 76% Energy • 11% Liveness
53% Instrumentalness • 41% Positiveness
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chloe moriondo
nice pup
130 bpm • E Maj • 02:43 • -6.21db
35% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Djo
Tentpole Shangrila
130 bpm • B min • 03:36 • -9db
54% Popularity • 61% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 61% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Zoo Culture
Sundress
130 bpm • E Maj • 03:36 • -8.51db
43% Popularity • 70% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 70% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Seeing Double
Leah
130 bpm • F Maj • 04:20 • -8.37db
44% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 55% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Eliza McLamb
Lena Grove
130 bpm • A# Maj • 03:37 • -11.96db
30% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 49% Danceability • 31% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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Lowen
Just Fucking Let Me Love You
130 bpm • C Maj • 03:38 • -7.22db
40% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sophie May
Bruises & Scratches
130 bpm • B Maj • 02:19 • -6.93db
45% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
44% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
44% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Dora Jar
Hill
131 bpm • A Maj • 02:32 • -10.95db
26% Popularity • 64% Danceability • 18% Energy • 25% Liveness
21% Instrumentalness • 30% Positiveness
26% Popularity • 64% Danceability • 18% Energy • 25% Liveness
21% Instrumentalness • 30% Positiveness
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Vista Kicks
Gimme Love
129 bpm • C min • 03:41 • -5.88db
40% Popularity • 68% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 68% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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Japanese Breakfast
Savage Good Boy
129 bpm • D Maj • 02:26 • -6db
47% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
74% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
74% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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BEL
mason jar
131 bpm • G# Maj • 03:40 • -7.61db
28% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Kate Davis
Daisy
131 bpm • G Maj • 02:57 • -10.35db
27% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Frankie Cosmos
Abigail
129 bpm • A Maj • 01:53 • -8db
59% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
59% Popularity • 49% Danceability • 73% Energy • 14% Liveness
58% Instrumentalness • 49% Positiveness
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Izzy Heltai
Met on the Internet
129 bpm • B Maj • 04:16 • -9.6db
21% Popularity • 55% Danceability • 49% Energy • 13% Liveness
16% Instrumentalness • 47% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 13% Liveness
16% Instrumentalness • 47% Positiveness
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Nep
A Big Brown Dog Named Bagel
128 bpm • F Maj • 03:25 • -9.06db
42% Popularity • 54% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 54% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Mel Bryant & the Mercy Makers
Wildflower
128 bpm • D Maj • 02:53 • -8.88db
37% Popularity • 57% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 57% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Sophie May
Cadillac
132 bpm • A Maj • 02:51 • -6.39db
41% Popularity • 56% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
41% Popularity • 56% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 37% Positiveness
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TC Superstar
Dana Be Mine
128 bpm • A Maj • 02:53 • -7.35db
23% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Wilby
Joanna
132 bpm • E Maj • 03:27 • -13.37db
20% Popularity • 65% Danceability • 62% Energy • 14% Liveness
4% Instrumentalness • 91% Positiveness
20% Popularity • 65% Danceability • 62% Energy • 14% Liveness
4% Instrumentalness • 91% Positiveness
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Amelia Day
Therapist's Wet Dream
128 bpm • G Maj • 03:42 • -6.32db
39% Popularity • 74% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 74% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Orla Gartland
More Like You
128 bpm • D Maj • 03:40 • -10.13db
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 88% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Indigo De Souza
Take Off Ur Pants
127 bpm • A Maj • 03:40 • -9.55db
54% Popularity • 41% Danceability • 66% Energy • 38% Liveness
18% Instrumentalness • 65% Positiveness
54% Popularity • 41% Danceability • 66% Energy • 38% Liveness
18% Instrumentalness • 65% Positiveness
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Sammy Rae & The Friends
The Feeling
127 bpm • F Maj • 03:56 • -4.98db
52% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 72% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jenna Doe
Pink Slips
127 bpm • C# min • 03:12 • -6.61db
42% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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morgen
Lilee
127 bpm • G# Maj • 03:19 • -6db
32% Popularity • 72% Danceability • 70% Energy • 9% Liveness
29% Instrumentalness • 69% Positiveness
32% Popularity • 72% Danceability • 70% Energy • 9% Liveness
29% Instrumentalness • 69% Positiveness
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Peter McPoland
Slow Down
127 bpm • G Maj • 03:22 • -3.35db
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
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Katie Gregson-MacLeod
Second Single Bed
127 bpm • E Maj • 03:40 • -11.54db
34% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
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Wallice
23
134 bpm • F Maj • 02:44 • -4.97db
48% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Annie DiRusso
Infinite Jest
134 bpm • D Maj • 04:34 • -7.41db
28% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Mel Bryant & the Mercy Makers
In My Head
134 bpm • D Maj • 03:27 • -11.54db
22% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 58% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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The Backseat Lovers
Pictures
126 bpm • F Maj • 03:16 • -12db
51% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
ICU
134 bpm • D Maj • 03:10 • -8.08db
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
62% Popularity • 51% Danceability • 65% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Lily Forte
Reminisce on Innocence
134 bpm • A# Maj • 03:04 • -6.77db
23% Popularity • 42% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 42% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lizzy McAlpine
firearm
134 bpm • D Maj • 03:02 • -7.73db
51% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Orla Gartland
Pretending
126 bpm • G Maj • 03:35 • -7.7db
34% Popularity • 74% Danceability • 48% Energy • 50% Liveness
1% Instrumentalness • 31% Positiveness
34% Popularity • 74% Danceability • 48% Energy • 50% Liveness
1% Instrumentalness • 31% Positiveness
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alybob
renaissance girl
125 bpm • C min • 02:46 • -12.96db
36% Popularity • 63% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 63% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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FIZZ
I Just Died
125 bpm • E Maj • 03:36 • -6.46db
38% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 68% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Lunar Vacation
Shrug
125 bpm • D Maj • 03:15 • -4.94db
7% Popularity • 54% Danceability • 78% Energy • 53% Liveness
66% Instrumentalness • 53% Positiveness
7% Popularity • 54% Danceability • 78% Energy • 53% Liveness
66% Instrumentalness • 53% Positiveness
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Nat & Alex Wolff
Glue
135 bpm • C Maj • 04:35 • -10.83db
38% Popularity • 72% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
38% Popularity • 72% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Sara Keden
Everybody
135 bpm • A Maj • 04:43 • -6.79db
24% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Peach Fuzz
Shaking the Can
135 bpm • C Maj • 02:44 • -9db
29% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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hey, nothing
Too Drunk to Drive
135 bpm • E Maj • 03:32 • -7.2db
46% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
46% Popularity • 54% Danceability • 61% Energy • 35% Liveness
3% Instrumentalness • 71% Positiveness
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Greer
Connect the Dots
125 bpm • D Maj • 03:07 • -7.47db
41% Popularity • 51% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 51% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Hotel Fiction
Allure
125 bpm • D Maj • 03:10 • -6.34db
26% Popularity • 38% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 38% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 38% Positiveness
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Declan McKenna
Make Me Your Queen
125 bpm • D Maj • 03:41 • -6.42db
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sidney Gish
Persephone
125 bpm • B Maj • 03:24 • -16.44db
39% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Chappell Roan
Femininomenon
125 bpm • C min • 03:39 • -4.93db
69% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
69% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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second thoughts
parachute
125 bpm • A# Maj • 03:05 • -7db
45% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Vista Kicks
Alice
125 bpm • B Maj • 03:40 • -5.52db
37% Popularity • 68% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 68% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Babe Corner
Cigarette
125 bpm • D Maj • 03:36 • -6.92db
30% Popularity • 43% Danceability • 69% Energy • 16% Liveness
84% Instrumentalness • 37% Positiveness
30% Popularity • 43% Danceability • 69% Energy • 16% Liveness
84% Instrumentalness • 37% Positiveness
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Housewife
New Girl
125 bpm • D Maj • 02:34 • -7db
25% Popularity • 65% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 65% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Etta Marcus
Nosebleed
125 bpm • G Maj • 03:26 • -6.69db
29% Popularity • 55% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 29% Positiveness
29% Popularity • 55% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 29% Positiveness
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Matilda Mann
Borderline Insane
125 bpm • F Maj • 02:19 • -4.41db
42% Popularity • 59% Danceability • 76% Energy • 43% Liveness
2% Instrumentalness • 76% Positiveness
42% Popularity • 59% Danceability • 76% Energy • 43% Liveness
2% Instrumentalness • 76% Positiveness
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Dora Jar
Garden
125 bpm • C# min • 03:06 • -15.23db
31% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Stella Bridie
Dog Bite
135 bpm • D Maj • 03:10 • -6db
33% Popularity • 43% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 43% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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WINEHOUSE
Pretty Lips
136 bpm • B Maj • 04:55 • -6.81db
45% Popularity • 53% Danceability • 81% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
45% Popularity • 53% Danceability • 81% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
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BEL
Are You Okay?
136 bpm • A Maj • 02:44 • -7.83db
46% Popularity • 67% Danceability • 54% Energy • 44% Liveness
11% Instrumentalness • 85% Positiveness
46% Popularity • 67% Danceability • 54% Energy • 44% Liveness
11% Instrumentalness • 85% Positiveness
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Seasalt
Kool Girl
124 bpm • A min • 03:45 • -9.47db
40% Popularity • 82% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 82% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Wallows
Marvelous
124 bpm • A Maj • 02:22 • -3.27db
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Eliza McLamb
Mythologize Me
124 bpm • G Maj • 02:53 • -9.13db
41% Popularity • 72% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 72% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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The Backseat Lovers
Davy Crochet
124 bpm • C Maj • 02:56 • -10.78db
57% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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chloe moriondo
Strawberry Blonde
124 bpm • E Maj • 03:47 • -4.9db
43% Popularity • 39% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 39% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 30% Positiveness
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Caroline Culver
Maggie Told Me You Got A New Girl
123 bpm • C Maj • 02:53 • -8.4db
33% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 65% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Bermuda Search Party
Better Place
137 bpm • A Maj • 03:56 • -7.49db
12% Popularity • 58% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 58% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Wallows
Guitar Romantic Search Adventure
123 bpm • G Maj • 04:03 • -5.79db
54% Popularity • 49% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 49% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Annie DiRusso
Frisco Forever
123 bpm • E Maj • 03:21 • -7.6db
26% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Seeing Double
Bygones
123 bpm • E min • 03:31 • -5.46db
28% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Haley Blais
On a Weekend
123 bpm • C Maj • 02:41 • -6.63db
27% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
27% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Christian Leave
10 Steps
123 bpm • G Maj • 03:29 • -6.53db
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Odie Leigh
Crop Circles
138 bpm • F min • 03:46 • -9.49db
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Mega Mango
You Spent All Your Love - Anniversary Ed...
138 bpm • D# Maj • 04:17 • -6.37db
31% Popularity • 29% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 29% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
46% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Soccer Mommy
Blood Honey
138 bpm • E Maj • 04:27 • -7.68db
39% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
60% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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wilt
moved along
122 bpm • F# Maj • 03:24 • -6.97db
44% Popularity • 47% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 47% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Orla Gartland
Codependency
122 bpm • E Maj • 03:11 • -6db
41% Popularity • 80% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 80% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Sarah Kinsley
Karma
122 bpm • B min • 03:57 • -6db
45% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Bad Bad Hats
Detroit Basketball
139 bpm • D Maj • 02:27 • -6db
43% Popularity • 67% Danceability • 89% Energy • 11% Liveness
36% Instrumentalness • 78% Positiveness
43% Popularity • 67% Danceability • 89% Energy • 11% Liveness
36% Instrumentalness • 78% Positiveness
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Leith Ross
Orlando
122 bpm • G# Maj • 04:35 • -15.39db
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
44% Popularity • 61% Danceability • 27% Energy • 12% Liveness
43% Instrumentalness • 20% Positiveness
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Susannah Joffe
Good Sex
122 bpm • E Maj • 03:09 • -7db
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 63% Positiveness
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Dora Jar
Multiply
122 bpm • D Maj • 02:16 • -13db
44% Popularity • 70% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 70% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Maya Hawke
By Myself
122 bpm • A# min • 02:26 • -14.81db
40% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
40% Popularity • 73% Danceability • 32% Energy • 8% Liveness
32% Instrumentalness • 37% Positiveness
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Drusky
Holy Ghosting
139 bpm • C Maj • 02:53 • -5.63db
19% Popularity • 56% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 56% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Wallice
Punching Bag
139 bpm • C# min • 02:33 • -1.73db
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 62% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Briston Maroney
It's Still Cool If You Don't
121 bpm • A Maj • 03:57 • -6db
45% Popularity • 60% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 60% Danceability • 66% Energy • 61% Liveness
0% Instrumentalness • 36% Positiveness
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Dora Jar
Tiger Face
122 bpm • A Maj • 01:48 • -5.32db
28% Popularity • 76% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 76% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Rosie Tucker
Ambrosia
140 bpm • C# Maj • 03:45 • -7db
35% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Mega Mango
OMG!
140 bpm • D Maj • 02:44 • -4.86db
30% Popularity • 40% Danceability • 58% Energy • 18% Liveness
3% Instrumentalness • 39% Positiveness
30% Popularity • 40% Danceability • 58% Energy • 18% Liveness
3% Instrumentalness • 39% Positiveness
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Edgehill
Lookaround
121 bpm • E Maj • 04:37 • -7.42db
36% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 33% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
